Sentences with phrase «liljevalchs konsthall»

Antunes will be the subject of solo exhibitions at CAPC musée d'art contemporain de Bordeaux (2015), Tensta konsthall, Stockholm (2016), San Francisco Museum of Modern Art (2016), and Museo Tamayo, Mexico City (2017).

Solo presentations of their work were exhibited at Lunds konsthall, Sweden (2014), Carpenters Workshop Gallery, Paris (2012) and Pace Gallery, New York (2016).

A conversation between Carlos Motta and Juan Pedro Fabra, wip: konsthall, Stockholm, Sweden, October 2007

Located in a late modernist residential area with approx 20.000 inhabitants, most of whom have a trans - local background, working at Tensta konsthall has challenged the staff to consider issues of inhabitation, embeddedness and autonomy anew.

The Nordic event, founded in 2006 and curated by Stephanie Hessler, has temporarily moved from its usual Liljevalchs konsthall to the rooftop of the Swedish capital's first shopping mall, happening during Stockholm Art Week, April 19 to 24.

2009 Latte in Watte, Galleri Riis, Oslo, Norway Momentum 2009 - 5th Nordic Biennale of Contemporary Art, Moss, Norway Life forms, Bonniers konsthall, Stockholm, Sweden Distant Nearness - Nature in Contemporary Art, Kunstmuseum Bonn, Germany

Her solo exhibitions include «To the Son of Man Who Ate the Scroll» at Fondazione Prada, Milan (2016); «Public Address: Goshka Macuga Tapestries» at Lunds konsthall, Lund, Sweden (2014); «Exhibit, A» at the Museum of Contemporary Art, Chicago (2012); «Untitled» at the Zachęta National Gallery of Art, Warsaw (2011); «It Broke from Within» at the Walker Art Center, Minneapolis, MN (2011); «The Nature of the Beast» at Whitechapel Gallery, London (2009); and «I am Become Death» at Kunsthalle Basel, Switzerland (2009).

Lunds konsthall will present «Journeys without Arrivals» from Feb 17 to Mar 20, the first comprehensive overview of Qiu Zhijie.

Moyer has exhibited her work at The Drawing Center (New York, NY), The Bass Museum (Miami, FL), University of Albany Art Museum (Albany, NY), The Public Art Fund (New York, NY), White Flag Projects and The Contemporary Art Museum St. Louis (St. Louis, MO), LAND (Los Angeles, CA), Tensta konsthall (Stockholm, SW), Cleopatra's Greenpoint (Brooklyn, NY), and Société (Berlin, DE).

Her work has been exhibited at The Drawing Center (New York, NY), The Bass Museum (Miami, FL), University of Albany Art Museum (Albany, NY), The Public Art Fund (New York, NY), White Flag Projects and The Contemporary Art Museum St. Louis (St. Louis, MO), LAND (Los Angeles, CA), Tensta konsthall (Stockholm, SW), Cleopatra's Greenpoint (Brooklyn, NY), and Société (Berlin, DE).

In addition to his main work in theatre, Mroué's recent exhibitions include: CA2M, Madrid 2013, Museé de la Dance (2013), dOCUMENTA 13, Kassel (2012), Templhof, Berlin — Hebbel theater, the world UnFair exhibition (2012), Lunds konsthall, Lund (12 March — 8 May 2011); Iniva (Institute of International Visual Arts), London (23 March — 14 May 2011) and Württembergischer Kunstverein, Stuttgart (22 May — 31 July 2011); and Tranzitdisplay, Prague (10 June — 14 August 2011), BAK, basis voor actuele kunst, Utrecht (21 May — 1 August 2010), Performa 09, New York (2009); 11th International Istanbul Biennale (2009); Tarjama / Translation, Queens Museum of Art, New York (2009); Soft Manipulation — Who is afraid of the new now?

Sam Moyer has exhibited her work at The Drawing Center (New York, NY), The Bass Museum (Miami, FL), University of Albany Art Museum (Albany, NY), The Public Art Fund (New York, NY), White Flag Projects and The Contemporary Art Museum St. Louis (St. Louis, MO), LAND (Los Angeles, CA), Tensta konsthall (Stockholm, SW), Cleopatra's Greenpoint (Brooklyn, NY), and Société (Berlin, DE).

The book is co-published by Kunstverein Publishing, Grazer Kunstverein, and Sternberg Press in collaboration with Arnolfini, Bristol; Institute of Modern Art, Brisbane; and Marabouparken konsthall, Stockholm and is designed by Marc Hollenstein.

Liljevalchs konsthall, Stockholm, Sweden.

Recent and notable group exhibitions include: The Vanishing Point of History, L'Été Photographique de Lectoure, France (2015), Theater of the Mind, Cranbrook Art Museum, USA (2014) Encounter: Listening to the City, Maraya Art Centre, Sharjah (2014) Nouvelles Vagues: The Black Moon, Palais de Tokyo, Paris (2013), Art of Memory, Bonniers konsthall, Stockholm, Sweden (2013), Sequences VI, Real Time Art Festival, Reykjavik, Iceland (2013).

Info: Lunds konsthall, Mårtenstorget 3, Lund, Duration: 23/1 -1 / 5/16, Days & Hours: Tue, Wed, Fri & Sun 12:00 - 17:00, Thu 12:00 - 20:00, Sat 10:00 - 17:00, www.lundskonsthall.se

Solo exhibitions of their work have been held at Lunds konsthall, Sweden (2014) and Yuz Musuem, Shanghai (2018).

She has been the director of Tensta konsthall since 2011 and has carried out exhibitions as a co-curator at the gallery, including Frederick Kiesler: Visions at Work, annotated by Celine Condorelli and six student groups; The New Model with Dave Hullfish Bailey, Magnus Bärtås, Ane Hjort Guttu and Hito Steyerl; Tensta Museum: Reports from New Sweden; Meta and Regina: Two Magazine Sisters in Crime; and The Paths to the Commons are Infiniteby Ayreen Anastas & Rene Gabri, as well as solo exhibitions with Iman Issa, Bernd Krauss and Hinrich Sachs.

She is the director of Tensta konsthall, Stockholm, and the artistic director of the 11th Gwangju Biennale.

This is the premise of «As Told», show on view at Lunds konsthall featuring works by Ana Gallardo, Emily Wardill, Kasper Akhøj & Tamar Guimarães which use language as a tool for analysing and transforming everyday stories.

Solo presentations of their art have been exhibited at Le Laboratoire, Cambridge, Massachusetts (2016), Lunds konsthall, Sweden (2014), and Carpenters Workshop Gallery, Paris (2012).

Previously, Tzotzi worked at the Rooseum Center for Contemporary Art and Lunds konsthall.

Lunds konsthall is pleased to present Journeys without Arrivals, the first comprehensive overview of Qiu Zhijie, one of the most important Chinese artists of his generation.

It aims at interpreting the work developed by Qiu Zhijie over the past three decades for the audience of Lunds konsthall by pinning down what is lost in translation and explaining how the culturally specific can eventually become culturally transcendent.

Lunds konsthall presents Sheela Gowda: Open Eye Policy, the most comprehensive solo exhibition to date by the internationally renowned Indian artist Sheela Gowda and the first major presentation of her work in Sweden.