Sentences with phrase «lind was the curator»

Maria Lind is a curator and critic based in Stockholm, where she was born in 1966.

Prior to that, Lind was the curator at Moderna Museet in Stockholm and, in 1998, a co-curator of Manifesta 2, Europe's Biennale of contemporary art from 1997 — 2001.

Maria Lind is a curator, writer and educator based in Stockholm.

Not exact matches

The exhibition is accompanied by a fully illustrated catalogue designed by Seoul - based design studio Sulki & Min featuring essays by the curators and an interview between the artist and Maria Lind, Director of Tensta Konsthall, Stockholm.

Jonathan T. D. Neil on why he's leaving New York for Los Angeles; Jonathan Grossmalerman finds out how the artworld works; Maria Lind, curator and director of Gwangju Biennale 2016, on Nazgol Ansarina and life in contemporary Teheran; Sam Jacob argues that the idea of home should really be a generator of social change; Dan Udy looks at the history and legacy of what has been called «AIDS art» for artists today; and J.J. Charlesworth on Wolfgang Tillmans's anti-Brexit campaign.

From 1999 - 2007 Bangma was course director of the Fine Art programme at the Piet Zwart Institute, Rotterdam, where she put together an annually changing program of thematic projects with a range of practitioners, including artists Babak Afrassiabi & Nasrin Tabatabai, Bik Van der Pol, Sarah Pierce, Hinrich Sachs and Milica Tomic; theater director Emil Hrvatin; curators Annie Fletcher, Maria Hlavajova, Maria Lind and Tracey Warr; publisher Christoph Keller; and theorists Maaike Bleeker, Dorothea von Hantelmann and Jan Verwoert.

The speakers are a selection of some of the most influential artists, designers, museum directors, critics and curators globally and this year include Alex Da Corte; Alexander Tovborg; Bosco Sodi; Bose Krishnamachari; Carolyn Christov - Bakargiev; Chris Fite - Wassilak; Christian Falsnaes; Hans Ulrich Obrist; Helga Christoffersen; Johanna Agerman Ross; Justin McGuirk; Katharine Stout; Kirstine Roepstorff; Maria Lind; Marianne Zamecznik; Lina - Marie Köppen; Peter Lang; Richard Parry; Sofia Hernández Chong Cuy; Stefanie Hessler; Stefan Schneider; and Tue Greenfort.

With around 100 artists in the Gwangju Biennale Hall and at off - site projects around the city, the «The Eighth Climate» is an ambitious curatorial undertaking — Lind was aided by curator Binna Choi and assistant curators Azar Mahmoudian, Michelle Wong and Margarida Mendes, and the local artist collective Mite - Ugro — with many challenging artworks that resist being quickly consumed.

Maria Lind is the Director of the Tensta Konsthall, Stockholm, and an independent curator and writer.

The narrative is bracketed by American artist Robert Smithson's seminal non-sites that asked spectators to look, walk, view, read, and think about combinations of objects, images, and texts installed in a gallery and the Swedish curator Maria Lind's groundbreaking renovations of the exhibition form and the museum space into something more active, open, and democratic inviting the public into new and unexpected encounters with works of art and institutions.

Here is a short list for the fun of it: everything Sina Najafi and crew do at Cabinet magazine, the goings on at Mildred's Lane, the projects, journals and exhibitions by the great collective E-flux (Anton, Juliete, Brian), the entire Occupy movement, Philly's own Basekamp — in particular the Plausible Artworlds project, Charles Esche, Maria Lind, Chus Martinez, Jens Hoffmann, Ralph Rugoff, Sofia Hernandez, my ol' colleague Mark Beasly (a great curator), the experiments and levity of Joseph Del Pesco, just recently the people at Weeksville Heritage Center, the awesome constant rethinking of Kate Fowle at ICI, at times the experimental approach of Hans Ulrich Obrist (the man has so much energy), the education programs at the Walker and the Hammer, the projects of Christine Tohme at Ashkal Alwan in Beirut, the work of Fulya Erdemci and Theo Teeglaers at SKOR, the writings of Sue Bell Yank, Shannon Jackosn, Gregory Sholette, Yates McKee, Jahleh Mansoor, Boris Groys (though I don't usually agree with him), and Claire Bishop (though I don't agree often with her either, haha).

In Talking Contemporary Curating, Terry Smith is in conversation with 12 curators, art historians and theorists deeply immersed in reflecting upon the demands of their respective practices; the contexts of exhibition making; and the platforms through which art may be made public, including Zdenka Badovinac, Claire Bishop, Zoe Butt, Germano Celant, Carolyn Christov - Bakargiev, Okwui Enwezor, Boris Groys, Jens Hoffmann, Mami Kataoka, Maria Lind, Hans Ulrich Obrist, and Mari Carmen Ramírez.

People dropped into town casually and fell into the rhythm of the event, including Art Dubai's Antonia Carver, Kasia Kedszisz from Tate Modern, Eungie Joo, Okwui Enwezor, Maria Lind, the Stedelijk Museum's Jelle Bouwhuis, Mai Abu ElDahab, Peter Eleey from MoMA PS1, Sheikha Hoor al - Qasimi and Judith Greer of the Sharjah Art Foundation, dealer Imane Farès from Paris, and curator Aleya Hamza, who, in September, is opening a new gallery in Cairo called Gypsum.