Sentences with phrase «line art program»

The jury consisted of Cecilia Alemani, curator and director of High Line Art Program; Doryun Chong, associate curator at the Museum of Modern Art; Rita Gonzalez, curator of contemporary art at Los Angeles County Museum of Art; and Anthony Huberman, director of The Artists Institute, New York.

Massimiliano Gioni, the New Museum's associate director, and Cecilia Alemani, the curator of New York's High Line Art program, made the selection, and in a statement called Tcherepnin's work «both formally seductive and playfully engaging.»

The professional jury who will select the finalists is comprised of peers from the contemporary art world around the country, including independent curator and writer Anthony Huberman, Doryun Chong Associate curator at the Museum of Modern Art in New York; Cecilia Alemani, the Curator and Director of High Line Art Program; and Rita Gonzalez, curator of contemporary art at LACMA.

Curator and Director of High Line Art Program.

Not exact matches

Clean lines will define the architecture of each space, combined with classically inspired European furnishings and a robust art program, which is core to both companies» design philosophies.

Its turnkey beverage program, state - of - the - art mixing equipment and top - of - the - line ingredients has made Island Oasis the premium choice for restaurants, bars, cruise ships, coffee shops and fitness centers.

Some school districts argued that the money earned from vending machines and a la carte lines helped to support sports and arts programs.

ABCmouse.com's unique drawing and painting program gives children of all ages the opportunity to use lines, shapes, and colors to create original works of art.

The Lerner Research Institute participates in multiple career - development programs for trainees and provides an exceptionally interactive and front - line scientific environment with state - of - the - art research core facilities.

Jennifer graduated from the Culinary Arts program at L'Academie de Cuisine in Gaithersburg, MD, and has worked professionally as a line cook, pastry chef, and cooking instructor.

The first session focussed on the evolution of specialist documentaries, whilst other commissioning sessions throughout the day explored topics including arts programming, class and culture restrictions and the increasingly blurred line between factual and entertainment.

Program Sponsors: Air France and Delta Air Lines, Cultural Services of the French Embassy, Edmond de Rothschild Foundations, Engie, Enoch Foundation, French American Cultural Exchange (FACE), Florence Gould Foundation, Hermès Foundation within the framework of the New Settings Program, Howard Gilman Foundation, Institut français, JCDecaux, National Endowment for the Arts, New England Foundation for the Arts, NYC Department of Cultural Affairs, New York State Council on the Arts, Office de Tourisme de Boulogne - Billancourt, Performing Arts Fund NL, and Pommery.

Under a $ 400 million stock swap made public this month, Broderbund Software Inc., the publisher of the popular «Carmen Sandiego» line of educational - software programs, will become an independent subsidiary of Electronic Arts Inc., one of the nation's largest video - game publishers.

Bottom Line: Hidden behind a big sales pitch and a relatively steep price is a very useful English Language Arts learning program.

In other words, while nodding to the social benefits of the program, Greenway recognizes the bottom line: demonstrated learning of the art, history, and practice of theater itself.

Both of these organizations were awarded funds in September 2010 from the Race to the Top Assessment Program to create national online state standardized tests in mathematics and English language arts in line with Common Core State Standards (United States Secretary of Education Duncan, 2010).

For programs under the college, career, and citizenship umbrella, only those that were funded in FY12 received money in the committee's bill, including Elementary and Secondary School Counseling ($ 52 million), Carol M. White Physical Education Program ($ 78 million), and Arts in Education (funded under a different line item, but scheduled to receive $ 26.5 million).

The issue also includes a roundup of governmental game development incentives, Front Line Award finalists, a piece on the art of creating believably flawed characters, and our regular monthly columns on design, art, music, programming, and humor.

«The editors of CMP's Game Developer magazine have named the finalists for the 2007 Front Line Awards, the magazine's tenth annual evaluation of the year's best game - making tools in the categories of programming, art, audio, game engine, middleware, and books.

Chris Stevens, our brother Nintendo, for believing in us Kim Gibson and the Ontario Media Development Corporation Agnes Zak and the Canadian Media Fund Ben, Jesse, Stef, Stef, Steph, and everyone at Gaming Show (In My Parents Garage) Colin, Greg, Nick, and Tim at Kinda Funny Randy Orenstein Toronto Global Game Jam Sarah and Every1 Games Zach Huntley and Unity Japan Nathan Vella Mike Sandercock Mike Doucet Cary Walkin Dan, Dan, Brandon and Paul at Finish Line Games IGDA@GBC Drekken and LANation Level Up Toronto Showcase John - Paul Caldwell and Stage Select Gaming Expo Gamercamp (R.I.P.) The Students of George Brown College Game Development Program Additional Concept art by Chris Stevens

Developer & Publisher: Game Oven Release Date: January 12th 2012 Platforms: iOS (iPad Only) Length of Development: 5 months Number of Developers: Two full time (design & programming), two contractors (art & music), two additional contractors (movies & copywriting) Budget: $ 2000, - of our own money Lines of Code: ~ 11000 engine code and ~ 7000 game code, about 80 % of which is interface.

2013 Cecilia Alemani, Curator and Director, High Line Art Valerie Altahawi, Director, Cristin Tierney Gallery Matthew Deleget, Founder / Director, Minus Space Jean Cooney, Project Manager, Artist Commissions, Creative Time Sean Elwood, Director of Programs and Initiatives, Creative Capital Andrew Freiser, Director, Fredericks & Freiser Gallery Lia Gangitano, Founder / Director, Participant, Inc..

Anthony Allen, Associate Director, Paula Cooper Natalie Bell, Assistant Curator, New Museum Heather Darcy Bhandari, Adjunct Lecturer, Visual Art, Brown University Marina Chao, Assistant Curator, International Center of Photography Jean Cooney, Project Manager, Artist Commissions, Creative Time Sean Corcoran, Curator of Photographs and Prints, Museum of the City of New York Lisa Dent, Director of Resources & Award Programs, Creative Capital Kareem Estefan, Independent Art Critic and Editor - at - large, Creative Time Reports Hitomi Iwasaki, Director of Exhibitions and Curator, Queens Museum Flora Katz, Independent Curator Theodore Kerr, Writer, Hyperallergic William Petroni, Managing Director, Cristin Tierney Gallery Heather Reyes, Exhibitions and Collection Manager, The Bronx Museum of the Arts Matthew Schum, Independent Curator Anthony Allen, Associate Director, Paula Cooper Marco Antonini, Executive Director, NurtureArt and Writer Mark Beasley, Curator, Performa George Bolster, The Shelley & Donald Rubin Foundation Gary Carrion - Murayari, Kraus Family Curator, New Museum Susan Cross, Curator, Mass MoCA Clément Delépine, Assistant Curator, Swiss Institue Bridget Donahue, Owner / Director, Bridget Donahue Gallery Lisa Dent, Director of Resources & Award Programs, Creative Capital Elizabeth M. Grady, PhD, Programs Director, A Blade of Grass Stamatina Gregory, independent curator and critic Janice Guy, Owner, Murray Guy Nicole Hayes, Curator, The Fields Sculpture Park, Art Omi Amanda Hunt, Assistant Curator, Studio Museum Alexis Johnson, Associate Director, Paula Cooper Ruba Katrib, Curator, Sculpture Center Vitaly Komar, Artist Melanie Kress, High Line Art Curatorial Fellow, High Line Art Thomas Lax, Associate Curator in the Department of Media and Performance Art, MoMA Barbara London, Independent Curator, formerly of MoMA Matthew Lyons, Curator, The Kitchen Julie McKim, Curator, Galapagos Christiane Paul, Curator of New Media, Whitney Museum Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department of Drawings and Prints, MoMA Sara Reisman, Artistic Director, The Shelley & Donald Rubin Foundation Magda Sawon, Owner, Postmasters Nato Thompson, Chief Curator, Creative Time Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art, Brooklyn Museum

Presented by Friends of the High Line, High Line Art is the public art program that commissions and produces public art projects on and around the High LiArt is the public art program that commissions and produces public art projects on and around the High Liart program that commissions and produces public art projects on and around the High Liart projects on and around the High Line.

2014 — PUBLIC ART COMMISSION: CHICAGO TRANSIT AUTHORITY, PERMANENT INSTALLATION FOR 35TH / WHITE SOX CTA STATION 2014 — RESIDENCY, DESIGN FABRICATION, ÍFRANS MAYER, MUNICH, GERMANY, 2014 2014 — NOMINATION 3 - ARTS AWARD 2011 — VISITING ARTIST, TEACHER INSTITUTE IN CONTEMPORARY ART, SAIC, NEA 2010 — GRANT: ARTIST PROJECT IN VISUAL ARTS, ILLINOIS ARTS COUNCIL 2009 — NEW AT THE MUSEUM OF CONTEMPORARY ART, CHICAGO 2009 — THE DRAWING CENTER VIEWING PROGRAM, CURATED ARTIST REGISTRY, NEW YORK, NY 2008 — CATWALK, NY ARTIST RESIDENCY, SCHOOL OF THE ART INSTITUTE CHICAGO 2004 — POST - MFA FELLOWSHIP, VISITING LECTURER, UNIVERSITY OF CHICAGO 1998 — HONORABLE MENTION AWARD / STATE LINE EXHIBITION / ROCKFORD MUSEUM, ILLINOIS 1996/1997 — ARTS MIDWEST / REGIONAL NEA VISUAL ARTIST FELLOWSHIP AWARD (PAINTING) 1990 — ILLINOIS ARTS COUNCIL: SPECIAL ASSISTANCE GRANT / NORTHWESTERN UNIVERSITY EXHIBIT 1987 — ILLINOIS ARTS COUNCIL: SPECIAL ASSISTANCE GRANT / CHICAGO CULTURAL CENTER EXHIBIT

She is the Assistant Curator of High Line Art, the public art program presented by Friends of the High Line, and one third of the writing collective The Rare ElemeArt, the public art program presented by Friends of the High Line, and one third of the writing collective The Rare Elemeart program presented by Friends of the High Line, and one third of the writing collective The Rare Element.

Her recent exhibitions include «Foon Sham: Escape» (American University Museum, Katzen Center), «Barbara Liotta: Tower in Three» (Glen Echo Park), the «National Drawing Invitational» (Arkansas Arts Center), «CSA: Forty Years of Community - Sourced Art» (Arlington Arts Center, VA), «Frances Gallardo: Meteorology» (Torpedo Factory, VA), «Wilmer Wilson IV: the FOREVER Aftermath» with the programming «Performance: Aftermath» (Artisphere, VA), and «Sculpting Outside the Lines» in Foggy Bottom.

The Public Art program of the High Line consist of presenting temporary artworks in all mediums in and around the High Line on a rotating schedule.

I have to applaud the work and organizational efforts of the Friends of the High Line for their inception of the public art programs, and not to mention their unmentioned but as equally remarkable endeavors in the realms of music and food.

(2012), presented as a giant billboard over West 18th Street, and Sturtevant's Warhol Empire State (2012), a video projection that starts at dusk of Andy Warhol's Empire (1964) video, debuted earlier in the month to launch the Friends of the High Line's 2012 Spring Art Program and High Line Commissions program for public aArt Program and High Line Commissions program for publProgram and High Line Commissions program for publprogram for public artart.

Designed by architect Renzo Piano and situated between the High Line and the Hudson River, the Whitney's building in the Meatpacking District vastly increases the Museum's exhibition and programming space, providing the most expansive view ever of its unsurpassed collection of modern and contemporary American art.

The strong gallery line up will be supplemented with a dynamic, four - day public program including contemporary video and innovative art installations, children's activities and a talks and tours program presented by industry leaders, which will offer insights into collecting and the creative industries, for everyone from the seasoned collector to the first time buyer.

Art Basel Hong Kong is now open and presents a strong line - up of exhibitor and programs, drawing the attention of collectors,...

Anthony Allen, Associate Director, Paula Cooper Marco Antonini, Executive Director, NurtureArt and Writer Mark Beasley, Curator, Performa George Bolster, The Shelley & Donald Rubin Foundation Gary Carrion - Murayari, Kraus Family Curator, New Museum Susan Cross, Curator, Mass MoCA Clément Delépine, Assistant Curator, Swiss Institue Bridget Donahue, Owner / Director, Bridget Donahue Gallery Lisa Dent, Director of Resources & Award Programs, Creative Capital Elizabeth M. Grady, PhD, Programs Director, A Blade of Grass Stamatina Gregory, independent curator and critic Janice Guy, Owner, Murray Guy Nicole Hayes, Curator, The Fields Sculpture Park, Art Omi Amanda Hunt, Assistant Curator, Studio Museum Alexis Johnson, Associate Director, Paula Cooper Ruba Katrib, Curator, Sculpture Center Vitaly Komar, Artist Melanie Kress, High Line Art Curatorial Fellow, High Line Art Thomas Lax, Associate Curator in the Department of Media and Performance Art, MoMA Barbara London, Independent Curator, formerly of MoMA Matthew Lyons, Curator, The Kitchen Julie McKim, Curator, Galapagos Christiane Paul, Curator of New Media, Whitney Museum Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department of Drawings and Prints, MoMA Sara Reisman, Artistic Director, The Shelley & Donald Rubin Foundation Magda Sawon, Owner, Postmasters Nato Thompson, Chief Curator, Creative Time Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art, Brooklyn Museum

Building on the success of last year's inaugural L.A. Summer Residency, the line - up features specialized programs for emerging curators, writers of color, fashion designers, L.A. art enthusiasts, and more.

thru 3/11; New Pictures thru 3/3; Etc. / MoMA PS1 / 22 - 25 Jackson / Long Island City Donut Muffin curated by J. Duffett & T. Gonzales / Dorsky Curatorial Programs / 11 - 03 45th Ave., Long Island City / thru 3/10 How Much Do I Owe You / No Longer Empty @ The Clock Tower / 29 - 27 41st Ave., Long Island City / thru 3/13 Nancy Dwyer; Visual Conversations / Fisher Landau Center for Art / 38 - 27 30th Long Island City, Queens / thru 4/7 Emerging Artist Fellowship / Socrates Sculpture Park / 32 - 01 Vernon Blvd. / LIC / thru 3/31 Process and Progress: Engaging in Community Change / Bronx River Art Center / 305 E 140 / The Bronx / thru 5/30 Joan Semmel / Bronx Museum / 1040 Grand Concourse, The Bronx / thru 6/9 Contemporary Cartographies / Lehman College / Bedford Park Blvd West, The Bronx / 2/5 thru 5/11 Reception 3/18 Vital Signs: Dean Dempsey; Susan Fenton, Amy Jenkins; Lorie Novak; Dread Scott / Pelham / 155 Fifth Ave. / Pelham / thru 3/30 OTHER: Walter De Maria / The Broken Kilometer / DIA / 393 West Broadway / ongoing Walter De Maria / The New York Earth Room / DIA / 141 Wooster / ongoing A. Ruppersberg; R. Artschwager; El Anatsui; V. Overton; S. Finch; T. Houseago; Lilliput (group) / High Line Park Leo Villareal / Madison Square Park / thru 2/15 Sandra Gibson & Luis Recoder / Madison Square Park / thru 4/5 Opening 3/1 Monika Sosnowska / Public Art Fund / Doris C. Freeman Plaza: 5th Avenue @ 60th / thru 2/17 Mark di Suvero / Brooklyn Bridge Park Pier 1 / ongoing Oscar Tuazon / Public Art Fund / Brooklyn Bridge Park / thru 4/26 SELECTED EVENTS: Monday, 2/4, 6:30 PM / David Diao on Barnett Newman / DIA / 535 W 22 — floor 5 / $ Tuesday, 2/5, 6:30 PM / Donald Baechler on his work / New York Studio School / 8 W 8 / FREE Tuesday, 2/5, 7 PM / Vitaly Komar on his work / SVA / Amphitheater / 209 E 23 / FREE Tuesday, 2/5, 8 PM / Trenton Doyle Hancock on his work / Columbia / Prentis Hall / 632 W 125 / FREE Wednesday, 2/6, 6:30 PM / Rebecca Rabinow on Matisse / New York Studio School / 8 W 8 / FREE Wednesday, 2/6, 7 PM / Mierle Laderman Ukeles on her work / The New School Kellen Auditorium / 66 Fifth Avenue / FREE Thursday, 2/7, 6:30 PM / Christopher K. Ho reads, with curators Sara Reisman & Herb Tam / MOCA / 215 Centre / RSVP / FREE Friday, 2/8, 9 AM / Performa: Black Surrealism film program / NYU Einstein Aud.

Risë Wilson (moderator) is Chief Program Officer for the High Line, where she is charged with spearheading a new phase of community engagement that highlights the intersections of public art, design, and the natural world.

Studio Visitors 2013 Valerie Altahawi, Director, Cristin Tierney Gallery Cecilia Alemani, Curator and Director, High Line Art Matthew Deleget, Founder / Director, Minus Space Jean Cooney, Project Manager, Artist Commissions, Creative Time Sean Elwood, Director of Programs and Initiatives, Creative Capital Andrew Freiser, Director, Fredericks & Freiser Gallery Lia Gangitano, Founder / Director, Participant, Inc..

Curated by Cecilia Alemani, (High Line Art, New York), Frieze Projects and Frieze Sounds comprise an annual program of new site - specific artworks, plus a creative tribute to a groundbreaking alternative space or artist project.

Select exhibitions, grants and awards include: The Suspended Line, Josée Bienvenu Gallery, NY (2015); Provisionals, Josée Bienvenu Gallery, New York, NY (2014); Autocorrect, Josée Bienvenu Gallery, NY; SOMA Graduate Exhibition, CCE - MEX Spanish Cultural Center, Mexico; Neo Povera, L&M Arts, Los Angeles, CA (2013); SOMA Open Studio, Mexico, D.F.; National Visual Arts Museum, Paul Cezanne Award, Montevideo, Uruguay (2012); Antonio Gala Foundation, residency program Open Studio, Córdoba, Spain (2011); National Visual Arts Museum, Salón Nacional de Artes Visuales, Montevideo, Uruguay; Harto espacio, Buenos Aires, Argentina; Untitled, Goethe Institut Montevideo, Uruguay, (2009).

Artist - level memberships are an accessible way to be on the front lines of contemporary art and culture in Austin while providing essential support to The Contemporary Austin's exhibitions, public programs, and educational opportunities.

2016 Tom Mc Glynn, Artist, Writer & Independent Curator Nathalie Anglès, Co-Founder & Executive Director, Residency Unlimited Melanie Kress, Assistant Curator, High Line Art Magda Sawon, Owner & Director, Postmasters Gallery Gabriel de Guzman, Curator of Visual Arts, Wave Hill Annelie McGavin, Curator & Director, Studio10 Louise Hobson, Independent Curator, Wales Salome Asega, Artist & Curator Shlomit Dror, Independent Curator Paolo Mele, Independent Curator, Italy Aliza Edelman, Curator and Critic, Modern and Contemporary Art of the Americas Matthew Deleget, Founder & Director, Minus Space Nicholas O'Brien, Net based artist, Curator & Writer Jennie Lamensdorf, Curator of Francis J. Greenburger Collection & Director and Curator of Art - in - Buildings Eva Pion, Independent Curator Vincent Como, Co-director, Tiger Strikes Asteroid Paul D'Agostino, Artist, Writer, & Director of Centotto Gallery Andre Escarameia, Principal & Curator, Rooster Gallery Xavier Acarin, Independent Curator Claudio Zecchi, Independent Curator, Italy Weronika Trojanska, Artist, Curator & Critic Sebastien Santamaria, Director of Operations, Residency Unlimited Loredana Paracciani, Independent Curator, UK and Thailand Daniela Kostova, Artist & Director of Curatorial Projects, Radiator Gallery Alma Saladin, Project Assistant, AICA International (International Association of Art Critics) Zeljka Himbele Kozul, Independent Curator Marshall Price, Curator of Modern and Contemporary Art, Nasher Museum of Art at Duke University Matthew Lyons, Curator, The Kitchen Eugenia Delfini, Independent Curator Elizabeth Larison, Director of Programs, Apexart Anais Duplan, Independent Curator Rachel Steinberg, Director, SOHO20 Amanda Parmer, Curatorial Assistant, Vera List Center for Art and Politics Marco Antonini, Curator - at - large, NURTUREart.

Shown on High Line Channel 14, a series of outdoor projections of art videos in the semi-enclosed passageway on the High Line at West 14th Street, this program will be on view daily from Thursday, January 7 through Wednesday, March 9, 2016, from 5:00 PM until the park closes at 7:00 PM.

Independent curators Cecilia Alemani (High Line Art, New York), Tom Eccles (Center for Curatorial Studies, Bard College), Clara M Kim (Tate Modern, London), Jacob Proctor (Neubauer Collegium for Culture and Society, University of Chicago) and Fabian Schöneich (Portikus, Frankfurt), are devising special sections of the fair and a program of ambitious artist commissions and talks.

Independent curators Cecilia Alemani (High Line Art, New York), Clara M Kim (Tate Modern, London), Jacob Proctor (Neubauer Collegium for Culture and Society at the University of Chicago), Fabian Schöneich (Portikus, Frankfurt) and Tom Eccles (Center for Curatorial Studies, Bard College, New York) will curate sections dedicated to innovative solo shows and a program of ambitious artist commissions and talks.

This two - part lecture program taught by teaching fellow Elizabeth Buhe will provide art historical context for the exhibitions Carmen Herrera: Lines of Sight and Dreamlands: Immersive Cinema and Art, 1905 — 20art historical context for the exhibitions Carmen Herrera: Lines of Sight and Dreamlands: Immersive Cinema and Art, 1905 — 20Art, 1905 — 2016.

PS: Click here for an interview with the curator and director of the High Line's art program, Lauren Ross.

In addition to recreation, the High Line Park in New York City offers its visitors an ambitious public art program.

«It's very cinematic,» said Cecilia Alemani, director and curator of High Line Art, who has been programming a series of site - specific, commissioned artworks on the billboard — «challenging interventions,» she likes to call them — since she started her job last October.

RITA GONZALEZ is Curator and Acting Department Head in Contemporary Art at the Los Angeles County Museum of Art (LACMA) where she has curated «Phantom Sightings: Art after the Chicano Movement»; «Asco: Elite of the Obscure» (during the Getty's Pacific Standard Time festival); «Lost Line: Contemporary Art from the Collection»; and «Agnès Varda in Californialand», among other exhibitions and programs.