Sentences with phrase «line art director»

Not exact matches

This may sound cheesy and I'm sure our good friend Marvin who is an art director can come up with a better line than that but you know what I'm getting at.

Art Dunham, director of food services for Pinellas County, said palm scans make lunch lines move faster to help make sure students get time to eat their food.

Along those lines, I'm hearing that former budget director Art Smith and deputy executive Marshall Beckman, recently retired with generous pensions, are back in harness as «contract employees» in the executive branch.

Trained as an orchestral composer and director of the school's Center for Research in Electronic Art Technology (CREATE), she designed the AlloSphere to straddle the line between art and scienArt Technology (CREATE), she designed the AlloSphere to straddle the line between art and scienart and science.

BRUNO PIETERS is returning to fashion with a collaboration for Swedish high street label Weekday, two years after closing down his own - name label and resigning from his position as art director of Hugo Boss» diffusion line.

Not only is Heather the co - owner and creative director of Taylor De Cordoba, a contemporary art gallery in Culver City, she is also the multi-talented creative force behind beloved lifestyle blog L.A. in Bloom and founder of Heather Taylor Home, her travel - inspired line of textiles.

Camera (color, widescreen, HD), Mac Fisken; editor, Valerie Krulfeifer; music, Giona Ostinelli; music supervisors, Timothy Bickford, Mandi Collier; production designer, Angel Herrera; art director, Priscilla Watson; set decorator, Carl Turner; costume designer, Lauren Howard; sound, Nathan Whitcomb; re-recording mixer, Shawn Duffy; visual effects supervisor, Joel Hebner; stunt coordinator, Hebner; line producer, Moana Sherrill; associate producer, Fadi Saab; assistant director, Adam Werth; casting, Lindsey Weissmueller.

Camera (color), Wyatt Garfield; editor, Robert K. Lambert; music, Alexis & Sam; music supervisors, Frankie Pine, Mandi Collier; production designer, Kara Lindstrom; art director, Rosa Palomo; set decorator, Javed Noorullah; costume designer, Ane Crabtree; sound (Dolby Digital), Paul Sorohan; supervising sound editor, Rob Webber; re-recording mixers, Patrick Ciccone, Joel Catalan; visual effects supervisor, Sean Thigpen; visual effects, Wunderfilm, Stargate Studios; special effects coordinator, Bob Shelley; stunt coordinator, Guss Williams; line producer, Gary Guidice; associate producer, Fritzi Horstman; assistant director, Joe Suarez; casting, Vickie Thomas.

Art Garfunkel joins the line (Jagger, Bowie) of singers who produced career best acting performances for this director - the scene of him smoking while staring over a bridge into the abyss of his life is worth buying the dvd alone - and Theresa Russell is simply incendiary.

Camera (Redlab Canada color, widescreen), Vern Nobles Jr.; editor, Steven Cohen; music, Tree Adams; music supervisor, Sean Fernald; art director, Tudor Boloni; set decorator, John Sporano; costume designer, Justine Seymour; sound (Dolby Digital), Kim Ornitz; sound designer, Ryan Collins; supervising sound editor, Casey Genton; re-recording mixers, Rick Ash, Eric Offen; visual effects supervisor, Jack Cloud; visual effects, Cloudesign; special effects supervisor, Elia Popov; stunt coordinator, Pete Antico; line producer, Sanford Hampton; associate producers, Caroline McGorian, William Chaney, Rob Gordon; Easton Thodos; assistant director, Nick Satriano; casting, Iris Hampton.

«The greatest thing that art does, and that our industry does, is erase the lines in the sand,» said del Toro, accepting the best director award.

In a race against time, behind enemy lines, often unarmed, a special force of American and British museum directors, curators, art historians, and others, called the Momuments Men, risked their lives scouring Europe to prevent the destruction of thousands of years of culture.

«The greatest thing art does is erase the lines in the sand when the world says to make them deeper,» said the Mexican director, as he accepted the award as a proud immigrant to the film industry.

Camera (color, HD), Topher Osborn; editor, Phillip J. Bartell; music, Kathyrn Bostic; art director, Cheri Anderson; set decorator, Melissa Pritchett; costume designer, Toye Adedipe; sound (Dolby 5.1), David Parker; supervising sound designer / editor, Glenn T. Morgan; re-recording mixers, Patrick Cyccone, Zack Howard; line producer, Nicole Colombie; casting, Kim Coleman.

Camera (color, Arri Alexa widescreen), Reed Morano; editor, Kate Abernathy; music, Dave Eggar, Chuck Palmer, Amy Lee; production designer, Jorge Barba; art director, Victoria Cuevas; costume designer, Liz Lash; sound (Dolby Digital), Omar Barraza; sound designer / re-recording mixer, Dennis Leonard; visual effects, Outlier Post; stunt coordinator, Massimiliano Ubaldi; line producer, Alex G. Scott; assistant director, Gino Allegro; casting, Samy Burch, Cecilia Maggio.

Hyped as a supernatural thriller along the lines of Polanski's brilliant «Rosemary's Baby,» Aronofsky's latest is closer to the Polish director's earlier art - house fare, such sardonic mind - games as «Cul - de-Sac» and «Repulsion.»

Lastly, Tangier finds actor Joey Ansah, Morocco location manager Jafar, Morocco line producer Zakaria Alaoui, supervising art director Alan Gilmore, Julia Stiles, and Moroccan guide Simo putting in their two cents about the challenge of filming in a medina during Ramadan.

Camera (color), Andrew Dunn; editor, Paul Machliss; music, Dickon Hinchliffe; music supervisor, Nick Angel; production designer, Dick Lunn; art director, Andrea Matheson; set decorator, Anna Kasabova; costume designer, Suzie Harman; sound, Mitch Low; supervising sound editor, Jeremy Price; re-recording mixer, Nigel Squibbs; visual effects supervisor, Thomas Proctor; visual effects, Double Negative; stunt coordinator, Paul Kennington; line producer, Danny Gulliver; assistant director, Martin Curry; casting, Theo Park.

NEW Sounds from the Cold — interviews with supervising sound editor David Lewis Yewdall and special sound effects designer Alan Howarth NEW Between the Lines — an interview with novelization author Alan Dean Foster Audio Commentary by director John Carpenter and actor Kurt Russell John Carpenter's The Thing: Terror Takes Shape — a documentary on the making of THE THING featuring interviews with John Carpenter, Kurt Russell, special effects make - up designer Rob Bottin, legendary matte artist Albert Whitlock plus members of the cast and crew (80 minutes — SD) Outtakes (5 minutes — SD) Vintage featurettes from the electronic press kit featuring interviews with John Carpenter, Kurt Russell and Rob Bottin (12 minutes — SD) Vintage featurettes — The Making of a Chilling Tale and The Making of THE THING (1982 — 14 minutes — SD) Vintage Product Reel — contains a promotional condensed version of the film with additional footage not in the film (19 minutes — SD) Vintage Behind - the - Scenes footage (2 minutes — SD) Annotated Production Archive — Production Art and Storyboards, Location Scouting, Special Make - up Effects, Post Production (48 minutes — SD) Network TV Broadcast version of THE THING (92 minutes — SD) Teaser Trailer Theatrical Trailers (U.S. and German Trailer) TV spots Radio Spots Still Gallery (behind - the - scenes photos, posters and lobby cards)

Best Picture: The Truman Show Best Director: Terrence Malick, The Thin Red Line Best Actor: Jeff Bridges, The big Lebowski Best Actress: Penélope Cruz, The girl of your dreams Best Supp Actor: Bill Murray, Rushmore Best Supp Actress: Patricia Clarkson, High Art Best Original Screenplay: Happiness Best Adapted Screenplay: Gods and Monsters

It's the sort of movie Edgar Wright was born to make, so in line with his strengths as an action comedy director and fine purveyor of the genre arts.

Behind The Screens: Panels Master Classes Conversations MVFF38 hosted a total of six panels, which included such luminaries as Ed Arentz, Managing Director Music Box Films; Ira Deutchmann, Founder Fine Line Features; production designer Judy Becker; director Valerie Weiss; Russ CollinsFounder / Director Art House Convergence; producer / writer Komal Minhas; and director Christopher Coppola as well as three master classes, including Bobby Roth: A Director Prepares, a Conversation with Catherine Hardwicke and The Heroine's Journey: Writing and Selling the Female - Driven Screenplay, led by screenwriter Pamela Gray and story consultant Tom SchlDirector Music Box Films; Ira Deutchmann, Founder Fine Line Features; production designer Judy Becker; director Valerie Weiss; Russ CollinsFounder / Director Art House Convergence; producer / writer Komal Minhas; and director Christopher Coppola as well as three master classes, including Bobby Roth: A Director Prepares, a Conversation with Catherine Hardwicke and The Heroine's Journey: Writing and Selling the Female - Driven Screenplay, led by screenwriter Pamela Gray and story consultant Tom Schldirector Valerie Weiss; Russ CollinsFounder / Director Art House Convergence; producer / writer Komal Minhas; and director Christopher Coppola as well as three master classes, including Bobby Roth: A Director Prepares, a Conversation with Catherine Hardwicke and The Heroine's Journey: Writing and Selling the Female - Driven Screenplay, led by screenwriter Pamela Gray and story consultant Tom SchlDirector Art House Convergence; producer / writer Komal Minhas; and director Christopher Coppola as well as three master classes, including Bobby Roth: A Director Prepares, a Conversation with Catherine Hardwicke and The Heroine's Journey: Writing and Selling the Female - Driven Screenplay, led by screenwriter Pamela Gray and story consultant Tom Schldirector Christopher Coppola as well as three master classes, including Bobby Roth: A Director Prepares, a Conversation with Catherine Hardwicke and The Heroine's Journey: Writing and Selling the Female - Driven Screenplay, led by screenwriter Pamela Gray and story consultant Tom SchlDirector Prepares, a Conversation with Catherine Hardwicke and The Heroine's Journey: Writing and Selling the Female - Driven Screenplay, led by screenwriter Pamela Gray and story consultant Tom Schlesinger.

Director Matthew Heineman put his life on the line for his art with his drug cartel documentary Cartel Land, which won awards for cinematography and directing at the Sundance Film Festival in January and recently landed a spot on Oscar's feature documentary shortlist.

Camera (color, HD, widescreen), Bridger Nielson; music, Jonathan Snipes; production designers, Ben Spiegelman, Evan Ross Murphy; art director, Alexandra Branger; set decorator, Ben Plunkett; costume designer, Courtney Arthur; sound, Snipes; visual effects, Lit Post; stunt coordinator, T.J. White; line producer, Joel Henry; associate producer, Andrew Schwarz; assistant director, Ryan Miningham; casting, Jeff Olan.

Based on the true story of the greatest treasure hunt in history, The Monuments Men is an action drama focusing on seven over-the-hill, out - of - shape museum directors, artists, architects, curators, and art historians who went to the front lines of WWII to rescue the world's artistic masterpieces from Nazi thieves and return them to their rightful owners.

ASSISTANT ART DIRECTOR CHERYL L. BLAHNIK: Looking at this, you see a different - looking Jeep with no boxiness, a crossover with curvy lines.

In my years of experience in the marketing and advertising trade as a designer, art director and copy writer, I learned to embrace a simple checklist that taught me to get my head on right and keep my expectations in line with what is possible, considering the depth of my pockets.»

American - born experimental artist and musician Laurie Anderson is this year's art director joining a long line of high - profile predecessors including celebrated poet and writer Michael Rosen and actress Vannessa Redgrave.

· The Director's Cut: Overhauled graphics with fully redone character and level art, voice - over expanded with tens of thousands of lines, and new features make this the definitive version of Wasteland 2.

The scan line fog was a suggestion from an art director on Twitter working at Eidos Montreal.

2013 Cecilia Alemani, Curator and Director, High Line Art Valerie Altahawi, Director, Cristin Tierney Gallery Matthew Deleget, Founder / Director, Minus Space Jean Cooney, Project Manager, Artist Commissions, Creative Time Sean Elwood, Director of Programs and Initiatives, Creative Capital Andrew Freiser, Director, Fredericks & Freiser Gallery Lia Gangitano, Founder / Director, Participant, Inc..

Anthony Allen, Associate Director, Paula Cooper Natalie Bell, Assistant Curator, New Museum Heather Darcy Bhandari, Adjunct Lecturer, Visual Art, Brown University Marina Chao, Assistant Curator, International Center of Photography Jean Cooney, Project Manager, Artist Commissions, Creative Time Sean Corcoran, Curator of Photographs and Prints, Museum of the City of New York Lisa Dent, Director of Resources & Award Programs, Creative Capital Kareem Estefan, Independent Art Critic and Editor - at - large, Creative Time Reports Hitomi Iwasaki, Director of Exhibitions and Curator, Queens Museum Flora Katz, Independent Curator Theodore Kerr, Writer, Hyperallergic William Petroni, Managing Director, Cristin Tierney Gallery Heather Reyes, Exhibitions and Collection Manager, The Bronx Museum of the Arts Matthew Schum, Independent Curator Anthony Allen, Associate Director, Paula Cooper Marco Antonini, Executive Director, NurtureArt and Writer Mark Beasley, Curator, Performa George Bolster, The Shelley & Donald Rubin Foundation Gary Carrion - Murayari, Kraus Family Curator, New Museum Susan Cross, Curator, Mass MoCA Clément Delépine, Assistant Curator, Swiss Institue Bridget Donahue, Owner / Director, Bridget Donahue Gallery Lisa Dent, Director of Resources & Award Programs, Creative Capital Elizabeth M. Grady, PhD, Programs Director, A Blade of Grass Stamatina Gregory, independent curator and critic Janice Guy, Owner, Murray Guy Nicole Hayes, Curator, The Fields Sculpture Park, Art Omi Amanda Hunt, Assistant Curator, Studio Museum Alexis Johnson, Associate Director, Paula Cooper Ruba Katrib, Curator, Sculpture Center Vitaly Komar, Artist Melanie Kress, High Line Art Curatorial Fellow, High Line Art Thomas Lax, Associate Curator in the Department of Media and Performance Art, MoMA Barbara London, Independent Curator, formerly of MoMA Matthew Lyons, Curator, The Kitchen Julie McKim, Curator, Galapagos Christiane Paul, Curator of New Media, Whitney Museum Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department of Drawings and Prints, MoMA Sara Reisman, Artistic Director, The Shelley & Donald Rubin Foundation Magda Sawon, Owner, Postmasters Nato Thompson, Chief Curator, Creative Time Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art, Brooklyn Museum

Director & Chief Curator of High Line Art, and produced by Friends of the High Line, High Line Art invites artists to think of creative ways to engage with the uniqueness of the architecture, history, and design of the High Line and to foster a productive dialogue with the surrounding neighborhood and urban landscape.

Director & Chief Curator; with Melanie Kress, High Line Art Associate Curator.

Cecilia Alemani, the director of High Line Art, said putting «a three - dimensional painting» on the High Line was a natural choice.

Curator and Director of High Line Art Program.

Anthony Allen, Associate Director, Paula Cooper Marco Antonini, Executive Director, NurtureArt and Writer Mark Beasley, Curator, Performa George Bolster, The Shelley & Donald Rubin Foundation Gary Carrion - Murayari, Kraus Family Curator, New Museum Susan Cross, Curator, Mass MoCA Clément Delépine, Assistant Curator, Swiss Institue Bridget Donahue, Owner / Director, Bridget Donahue Gallery Lisa Dent, Director of Resources & Award Programs, Creative Capital Elizabeth M. Grady, PhD, Programs Director, A Blade of Grass Stamatina Gregory, independent curator and critic Janice Guy, Owner, Murray Guy Nicole Hayes, Curator, The Fields Sculpture Park, Art Omi Amanda Hunt, Assistant Curator, Studio Museum Alexis Johnson, Associate Director, Paula Cooper Ruba Katrib, Curator, Sculpture Center Vitaly Komar, Artist Melanie Kress, High Line Art Curatorial Fellow, High Line Art Thomas Lax, Associate Curator in the Department of Media and Performance Art, MoMA Barbara London, Independent Curator, formerly of MoMA Matthew Lyons, Curator, The Kitchen Julie McKim, Curator, Galapagos Christiane Paul, Curator of New Media, Whitney Museum Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department of Drawings and Prints, MoMA Sara Reisman, Artistic Director, The Shelley & Donald Rubin Foundation Magda Sawon, Owner, Postmasters Nato Thompson, Chief Curator, Creative Time Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art, Brooklyn Museum

Alemani is also director of High Line Art and the curator of Frieze Projects at Frieze, both in New York.

Director & Chief Curator of High Line Art, Los Angeles - based artist Kathryn Andrews created two new site - specific sculptures that respond to two distinct locations on this unique elevated park on the West Side of Manhattan.

Studio Visitors 2013 Valerie Altahawi, Director, Cristin Tierney Gallery Cecilia Alemani, Curator and Director, High Line Art Matthew Deleget, Founder / Director, Minus Space Jean Cooney, Project Manager, Artist Commissions, Creative Time Sean Elwood, Director of Programs and Initiatives, Creative Capital Andrew Freiser, Director, Fredericks & Freiser Gallery Lia Gangitano, Founder / Director, Participant, Inc..

The American Alliance of Museums and the Association of Art Museum Directors have both come out against the Berkshire Museum's plan to sell 40 artworks to line its endowment and renovate its building.

«At certain critical junctures in American history, artists have come together to protest injustice and craft counter-narratives to the prevailing voices in government,» wrote Nancy Spector, the Guggenheim's artistic director and chief curator, characterizing the artists» posters as the latest in a long line of protest art, stretching back through the AIDS Crisis, demonstrations against the Vietnam War, and the Civil Rights Movement.

On the Font Lines: Military Veterans at The Art Students League of New York, an exhibition co-curated by Jillian Russo, Ph.D., the League's curator, and Executive Director Ira Goldberg, features paintings by twenty prominent artists who served their country and studied...

Her early drawings, characterized by their clean lines and all - over patterns, drew the interest of luminary artists and museum curators including director of IIT Mies Van Der Rohe, and Art Institute of Chicago curators Katharine Kuh and Carl Schniewind, and led to solo exhibition at the Art Institute in 1952 and 1957.

2016 Tom Mc Glynn, Artist, Writer & Independent Curator Nathalie Anglès, Co-Founder & Executive Director, Residency Unlimited Melanie Kress, Assistant Curator, High Line Art Magda Sawon, Owner & Director, Postmasters Gallery Gabriel de Guzman, Curator of Visual Arts, Wave Hill Annelie McGavin, Curator & Director, Studio10 Louise Hobson, Independent Curator, Wales Salome Asega, Artist & Curator Shlomit Dror, Independent Curator Paolo Mele, Independent Curator, Italy Aliza Edelman, Curator and Critic, Modern and Contemporary Art of the Americas Matthew Deleget, Founder & Director, Minus Space Nicholas O'Brien, Net based artist, Curator & Writer Jennie Lamensdorf, Curator of Francis J. Greenburger Collection & Director and Curator of Art - in - Buildings Eva Pion, Independent Curator Vincent Como, Co-director, Tiger Strikes Asteroid Paul D'Agostino, Artist, Writer, & Director of Centotto Gallery Andre Escarameia, Principal & Curator, Rooster Gallery Xavier Acarin, Independent Curator Claudio Zecchi, Independent Curator, Italy Weronika Trojanska, Artist, Curator & Critic Sebastien Santamaria, Director of Operations, Residency Unlimited Loredana Paracciani, Independent Curator, UK and Thailand Daniela Kostova, Artist & Director of Curatorial Projects, Radiator Gallery Alma Saladin, Project Assistant, AICA International (International Association of Art Critics) Zeljka Himbele Kozul, Independent Curator Marshall Price, Curator of Modern and Contemporary Art, Nasher Museum of Art at Duke University Matthew Lyons, Curator, The Kitchen Eugenia Delfini, Independent Curator Elizabeth Larison, Director of Programs, Apexart Anais Duplan, Independent Curator Rachel Steinberg, Director, SOHO20 Amanda Parmer, Curatorial Assistant, Vera List Center for Art and Politics Marco Antonini, Curator - at - large, NURTUREart.

For «I Am For An Art Criticism That...» the new director of Witte de With, Defne Ayas, and associate curator, Amira Gad, managed to present an eminent line - up of participants, including Brian Kuan Wood, editor and co-founder of e-flux journal, Jörg Heiser, associate editor of Frieze magazine, Aimee Lin, former editorial director of the Contemporary Chinese art magazine «Leap», and Carol Yinghua Lu, a Chinese curatArt Criticism That...» the new director of Witte de With, Defne Ayas, and associate curator, Amira Gad, managed to present an eminent line - up of participants, including Brian Kuan Wood, editor and co-founder of e-flux journal, Jörg Heiser, associate editor of Frieze magazine, Aimee Lin, former editorial director of the Contemporary Chinese art magazine «Leap», and Carol Yinghua Lu, a Chinese curatart magazine «Leap», and Carol Yinghua Lu, a Chinese curator.

Jun Kaneko: Blurred Lines, the Akron Art Museum's first exhibition curated by the museum's John S. Knight Director and CEO Mark Masuoka (Ceramics» 87), is open.

The professional jury who will select the finalists is comprised of peers from the contemporary art world around the country, including independent curator and writer Anthony Huberman, Doryun Chong Associate curator at the Museum of Modern Art in New York; Cecilia Alemani, the Curator and Director of High Line Art Program; and Rita Gonzalez, curator of contemporary art at LACart world around the country, including independent curator and writer Anthony Huberman, Doryun Chong Associate curator at the Museum of Modern Art in New York; Cecilia Alemani, the Curator and Director of High Line Art Program; and Rita Gonzalez, curator of contemporary art at LACArt in New York; Cecilia Alemani, the Curator and Director of High Line Art Program; and Rita Gonzalez, curator of contemporary art at LACArt Program; and Rita Gonzalez, curator of contemporary art at LACart at LACMA.

PS: Click here for an interview with the curator and director of the High Line's art program, Lauren Ross.

Art Basel Conversations and Art Salon features a line - up of international museum directors and curators.