Line exploring space: Drawings from the IMMA Collection opens at The Source Arts Centre, Thurles, Co Tipperary, at 8.00 pm on Thursday 9 September 2010.
Not exact matches
By
exploring themes of philosophy and theology in his work through the formal qualities of
space,
line, and color, Adams engages Christ and culture in his art.
We arrived fairly early to find a good parking
space, so when we realized we had lots of time to spare before the start of the show, we walked over to Old Sacramento to
explore the railroad tracks and various restaurants and stores
lining the cobblestone roads.
New Horizons is the latest in a long
line of scientific accomplishments at NASA, including multiple rovers
exploring the surface of Mars, the Cassini spacecraft that has revolutionized our understanding of Saturn and the Hubble
Space Telescope, which recently celebrated its 25th anniversary.
The exciting
line - up of speakers will
explore how dating brands can keep ahead in this increasingly competitive
space.
Now that the game save - eating bug issues seem to be behind us, it's time for Lego Worlds to do happier things, like announcing a Switch version for the fall and a content expansion that
explores one of the oldest and most beloved themes in the toy
line's history, Lego
Space.
Once the long
line is attached, allow him to walk freely and
explore the backyard
space.
Hot off the heels of the highly - anticipated 1.4 core client release (and a long
line of massive content publishes) comes yet another PlayStation Home update jam - packed with new games to play,
spaces to
explore, items to collect, and special videos to watch.
Once society stops drawing the legal and cultural
line between «illicit» substances and pharmaceuticals, our minds will have more
space to
explore.
An independent curator and scholar, she is known for organizing processional performances that
explore the «political aesthetics of walking, marching, second
lining, masquerading and parading,» which she has presented in public
spaces from Miami and New Orleans to Gwangju, Cape Town, Venice, and the Tate Modern in London.
YFJ: I think that when you
explore with calligraphic
line, it is freer, there are more possibilities and many more ways of putting time and
space together than in photography.
The Inside / Outside series
explores Lynden's evolution from private residence to public institution, and in this latest installment Nancy Popp (Los Angeles) and Paul Druecke (Milwaukee) use visual markers —
lines, paths, stencils and engraved stones — to reimagine Lynden's history and
spaces.
Inspired by the High
Line as an ambulatory
space experienced most naturally in motion, Wanderlust extends the tradition of Conceptual art wherein the act of walking served as an inspiration for many artists who
explored life both in the urban context and in an ambivalent confrontation with nature.
Finding that he could
explore his ideas about
line and
space more succinctly with metal, he began making box - like constructions of varying sizes and finishes and engraving them with geometrically ordered
lines and patterns.
In the following decade, she
explored the relationship between
line,
space, and volume using a nonobjective language.
Pfaff creates installations, sculptures, and drawings that
explore the possibilities of
line in
space using materials that range from tree roots to steel, plastics, fiberglass, and plaster.
This potent mixture of the past and present reveals a rich contemporary vernacular that
explores the fundamentals of painting (
line and form, the
space between illusion and matter, etc.) with new texture.
This eye - opening show covers a 30 - year period and encompasses works on paper
exploring the
line in
space, as well as more elaborate trailing structures and interlaced pieces.
Whether addressing the dynamic of personal
space versus public
space, or
exploring the fine
line between strength in numbers and homogeneity, Suh's sculptures continually question the identity of the individual in today's increasingly transnational, global society.
The Project
Space exhibition includes a display of some of Caroline's resource material and an opportunity to
explore the on -
line sound map which she has created to accompany the installation.
Kline's reduction of palette was indeed instrumental in the development of his individual style among the Abstract Expressionists as it allowed him to more fully
explore form through
line and brushstroke, seeking to define
space and movement in an abstract idiom.
Zander Blom's exhibition «Place and
Space» presents a selection of recent paintings, drawings and photographs in which the artist
explores different configurations of
lines, shapes and forms.
This doodle - like work sees Clark
exploring physical and negative
space, dividing up the surface of her paper into a series of interlocking zones through the use of
line, and then experimenting with the effects of foregrounding and recession through shading.
Degree Art presents Between the
Lines (1 May — 12 June), a group exhibition that connects the work of 5 process - led artists each of whom
explore the potential of the
line through construction and deconstruction and
explore its connection to
space.
The «paintings» of Kimo Minton and Deedra Ludwig
explore texture,
line, medium, modernism and spirituality... and originate everywhere outside of the flat
space of painting.
Probably best known for her paintings of
lines and grids using understated colors, Martin's work has been hailed as «pure abstraction, in which
space, metaphysics, and internal emotional states are
explored through painting, drawing and printmaking.»
Combining aspects of Cubism and Surrealism, Koppe
explored line, color, composition and
space, producing works that are both playful and intricate.
For nearly two decades Nolan has
explored illusions of three - dimensional
space through the use of pattern,
line and shape in two dimensional wall work and floor installations.
Adonna Khare:
Exploring Between the
Lines at Lora Schlesinger By Genie Davis Closing this Saturday, Adonna Khare's solo exhibition at Lora Schlesinger gallery is her 5th in this
space.
These works, selected by Pfeiffer and the exhibition's curator,
explore the theme of the artist as editor, one who plays with
space and time and, in doing so, creates new narratives that blur the
line between fact and fiction.
Using discursive
lines of enquiry, Tatham & O'Sullivan
explore and challenge the conventions of architecture and
space, the sharing of information and its value, and the constructs of the gallery
space, as well as the wider corporate model.
The eleven artists juxtapose divergent approaches in conversation with each other, reflecting on primal questions consuming artists over the millennia: Elliot Arkin's conceptual use of web - based commerce spins an absurdist view on the commodification of artists; Babette Bloch's stainless steel reassessments of nature and artistic precedent limn positives and negatives through light; Christopher Carroll Calkins's street photography captures moments of under - the - radar narratives; Valentina DuBasky's acrylic and marble dust works on paper and plaster are a contemporary comment on the prehistory of art; Gabriel Ferrer's performance - like in - the - moment sumi - ink drawings on handmade paper reflect on memory and personal narrative; Christopher Gallego's realist, pure light - filled oil painting elevates the ordinariness of an artist's
space to visual poetry; Ana Golici, in pergamano and collage, takes inspiration from 17th Century female naturalist, entomologist and botanical illustrator Maria Sibylla Merian to
explore questions of science, nature and objective truth; Emilie Lemakis's monumental amplification of an ancient Greek krater employs scale to upend perceptions for the viewer's reconsideration; Mark Mellon's bronzes address the oppositions of movement and stillness; the alchemy of Michael Townsend's uncontrolled poured acrylic paintings equate the properties of materials with the turbulence of the universe; Jessica Daryl Winer's engagement with luminous color and choreographic
line reflects in visual resonance the sonic history of a musical instrument.
Jose Heerkens is a Dutch painter whose minimalist paintings
explore the sense of movement created when colors interact and communicate with each other within a dimensional,
lined space.
Between these two points Gego made large - scale nets, columns and spheres that filled gallery
spaces, as well as watercolours, ink drawings, prints and lithographs
exploring the
line in
space, hand - sized sculptures made from material found in her studio and sculptures that stretched between the buildings in her home city of Caracas.
One of the most important artists of SoCal's postwar period, McLaughlin is known for quiet, minimalist works that
explore total abstraction: geometries and
lines that
explore ideas of shape and
space, but not representation.
The works included
explore the effectiveness of this limited palette to depict light and
space, mimic three - dimensionality, and allow for a greater focus on form,
line, and subject.
People are often separated by distance, and these connected
lines represent the roads that are either
explored to bring these figures together, or left untraveled, further symbolizing not only their physical distance but also psychological and emotional
space.
Each artist's practice encompasses visual forms from the West filtered through an Indian sensibility and uses the drawn
line as a device for negotiating
space in ways that are self - empowering,
exploring the complexity of making and exhibiting work in an increasingly global context.
As one
explores them, it becomes clear that the
lines of the sculptures never come together, pointing «to open
space as an always omitted third element.»
Through demonstration, class exercises, and critiques, students
explore concepts including contour
line, cross contour, modeling, uses of marks to show form and
space, perspective, scale and measurement, and positive / negative
space.
Through the chaos of
lines, colors, and symbols, Alfi
explores life, death, the spiritual, the supernatural, and the physical in a concrete, visual
space.
October 2017 — Spring 2018 The Winter display from the IMMA Collection throws a
line around a display of diverse artworks and archival materials that
explore similar ideas of geographical place and physical
space, perception, representation and memory, as well as language and systems that map human experience.
Also opening in October is IMMA Collection: Coastlines which throws a
line around a display of diverse artworks and archival materials that
explore similar ideas of geographical place and physical
space, perception, representation and memory, as well as language and systems that map human experience.
The images challenge the notion of how to make a
line or create a new posture for flattened
space or abstract composition, swivelling from geometry to gesture, propelling representation and language into abstraction,
exploring pictorial edges and boundaries as well as the constitutive or disruptive role of blank
space,.
Delineating
space intuitively with
line, texture, color and edge, Lloyd
explores pattern as an aggregate of imperfect symmetries.
IMMA Collection: Coastlines October 2017 — Spring 2018 The Winter display from the IMMA Collection throws a
line around a display of diverse artworks and archival materials that
explore similar ideas of geographical place and physical
space, perception, representation and memory, as well as language and systems that map human experience.
Fahrenheit's summer exhibition, The
Space Between Us, explores how the line in drawing, sculpture, film, and performance extends beyond flatness and into physical space through the construction of fluid and indefinite move
Space Between Us,
explores how the
line in drawing, sculpture, film, and performance extends beyond flatness and into physical
space through the construction of fluid and indefinite move
space through the construction of fluid and indefinite movement.
Light Rhythms, an exhibition
exploring sound, light and
line that is activated by families and young people, made in response to the Patrick Scott exhibition, will open in IMMA's Project
Spaces from 15 February — 6 April 2014.
Rather than abstracting reality, the Minimalists manifested the shapes, colors, forms and
lines often
explored in abstract art, inhabiting them in physical
space in a representational way.
Though Caldicott often incorporates geometric shapes and
lines into his work, it's the way that color inhabits his created
spaces that invites us to
explore the deeper conceptual levels of the work.