Sentences with phrase «line exploring space»

Line exploring space: Drawings from the IMMA Collection opens at The Source Arts Centre, Thurles, Co Tipperary, at 8.00 pm on Thursday 9 September 2010.

Not exact matches

By exploring themes of philosophy and theology in his work through the formal qualities of space, line, and color, Adams engages Christ and culture in his art.
We arrived fairly early to find a good parking space, so when we realized we had lots of time to spare before the start of the show, we walked over to Old Sacramento to explore the railroad tracks and various restaurants and stores lining the cobblestone roads.
New Horizons is the latest in a long line of scientific accomplishments at NASA, including multiple rovers exploring the surface of Mars, the Cassini spacecraft that has revolutionized our understanding of Saturn and the Hubble Space Telescope, which recently celebrated its 25th anniversary.
The exciting line - up of speakers will explore how dating brands can keep ahead in this increasingly competitive space.
Now that the game save - eating bug issues seem to be behind us, it's time for Lego Worlds to do happier things, like announcing a Switch version for the fall and a content expansion that explores one of the oldest and most beloved themes in the toy line's history, Lego Space.
Once the long line is attached, allow him to walk freely and explore the backyard space.
Hot off the heels of the highly - anticipated 1.4 core client release (and a long line of massive content publishes) comes yet another PlayStation Home update jam - packed with new games to play, spaces to explore, items to collect, and special videos to watch.
Once society stops drawing the legal and cultural line between «illicit» substances and pharmaceuticals, our minds will have more space to explore.
An independent curator and scholar, she is known for organizing processional performances that explore the «political aesthetics of walking, marching, second lining, masquerading and parading,» which she has presented in public spaces from Miami and New Orleans to Gwangju, Cape Town, Venice, and the Tate Modern in London.
YFJ: I think that when you explore with calligraphic line, it is freer, there are more possibilities and many more ways of putting time and space together than in photography.
The Inside / Outside series explores Lynden's evolution from private residence to public institution, and in this latest installment Nancy Popp (Los Angeles) and Paul Druecke (Milwaukee) use visual markers — lines, paths, stencils and engraved stones — to reimagine Lynden's history and spaces.
Inspired by the High Line as an ambulatory space experienced most naturally in motion, Wanderlust extends the tradition of Conceptual art wherein the act of walking served as an inspiration for many artists who explored life both in the urban context and in an ambivalent confrontation with nature.
Finding that he could explore his ideas about line and space more succinctly with metal, he began making box - like constructions of varying sizes and finishes and engraving them with geometrically ordered lines and patterns.
In the following decade, she explored the relationship between line, space, and volume using a nonobjective language.
Pfaff creates installations, sculptures, and drawings that explore the possibilities of line in space using materials that range from tree roots to steel, plastics, fiberglass, and plaster.
This potent mixture of the past and present reveals a rich contemporary vernacular that explores the fundamentals of painting (line and form, the space between illusion and matter, etc.) with new texture.
This eye - opening show covers a 30 - year period and encompasses works on paper exploring the line in space, as well as more elaborate trailing structures and interlaced pieces.
Whether addressing the dynamic of personal space versus public space, or exploring the fine line between strength in numbers and homogeneity, Suh's sculptures continually question the identity of the individual in today's increasingly transnational, global society.
The Project Space exhibition includes a display of some of Caroline's resource material and an opportunity to explore the on - line sound map which she has created to accompany the installation.
Kline's reduction of palette was indeed instrumental in the development of his individual style among the Abstract Expressionists as it allowed him to more fully explore form through line and brushstroke, seeking to define space and movement in an abstract idiom.
Zander Blom's exhibition «Place and Space» presents a selection of recent paintings, drawings and photographs in which the artist explores different configurations of lines, shapes and forms.
This doodle - like work sees Clark exploring physical and negative space, dividing up the surface of her paper into a series of interlocking zones through the use of line, and then experimenting with the effects of foregrounding and recession through shading.
Degree Art presents Between the Lines (1 May — 12 June), a group exhibition that connects the work of 5 process - led artists each of whom explore the potential of the line through construction and deconstruction and explore its connection to space.
The «paintings» of Kimo Minton and Deedra Ludwig explore texture, line, medium, modernism and spirituality... and originate everywhere outside of the flat space of painting.
Probably best known for her paintings of lines and grids using understated colors, Martin's work has been hailed as «pure abstraction, in which space, metaphysics, and internal emotional states are explored through painting, drawing and printmaking.»
Combining aspects of Cubism and Surrealism, Koppe explored line, color, composition and space, producing works that are both playful and intricate.
For nearly two decades Nolan has explored illusions of three - dimensional space through the use of pattern, line and shape in two dimensional wall work and floor installations.
Adonna Khare: Exploring Between the Lines at Lora Schlesinger By Genie Davis Closing this Saturday, Adonna Khare's solo exhibition at Lora Schlesinger gallery is her 5th in this space.
These works, selected by Pfeiffer and the exhibition's curator, explore the theme of the artist as editor, one who plays with space and time and, in doing so, creates new narratives that blur the line between fact and fiction.
Using discursive lines of enquiry, Tatham & O'Sullivan explore and challenge the conventions of architecture and space, the sharing of information and its value, and the constructs of the gallery space, as well as the wider corporate model.
The eleven artists juxtapose divergent approaches in conversation with each other, reflecting on primal questions consuming artists over the millennia: Elliot Arkin's conceptual use of web - based commerce spins an absurdist view on the commodification of artists; Babette Bloch's stainless steel reassessments of nature and artistic precedent limn positives and negatives through light; Christopher Carroll Calkins's street photography captures moments of under - the - radar narratives; Valentina DuBasky's acrylic and marble dust works on paper and plaster are a contemporary comment on the prehistory of art; Gabriel Ferrer's performance - like in - the - moment sumi - ink drawings on handmade paper reflect on memory and personal narrative; Christopher Gallego's realist, pure light - filled oil painting elevates the ordinariness of an artist's space to visual poetry; Ana Golici, in pergamano and collage, takes inspiration from 17th Century female naturalist, entomologist and botanical illustrator Maria Sibylla Merian to explore questions of science, nature and objective truth; Emilie Lemakis's monumental amplification of an ancient Greek krater employs scale to upend perceptions for the viewer's reconsideration; Mark Mellon's bronzes address the oppositions of movement and stillness; the alchemy of Michael Townsend's uncontrolled poured acrylic paintings equate the properties of materials with the turbulence of the universe; Jessica Daryl Winer's engagement with luminous color and choreographic line reflects in visual resonance the sonic history of a musical instrument.
Jose Heerkens is a Dutch painter whose minimalist paintings explore the sense of movement created when colors interact and communicate with each other within a dimensional, lined space.
Between these two points Gego made large - scale nets, columns and spheres that filled gallery spaces, as well as watercolours, ink drawings, prints and lithographs exploring the line in space, hand - sized sculptures made from material found in her studio and sculptures that stretched between the buildings in her home city of Caracas.
One of the most important artists of SoCal's postwar period, McLaughlin is known for quiet, minimalist works that explore total abstraction: geometries and lines that explore ideas of shape and space, but not representation.
The works included explore the effectiveness of this limited palette to depict light and space, mimic three - dimensionality, and allow for a greater focus on form, line, and subject.
People are often separated by distance, and these connected lines represent the roads that are either explored to bring these figures together, or left untraveled, further symbolizing not only their physical distance but also psychological and emotional space.
Each artist's practice encompasses visual forms from the West filtered through an Indian sensibility and uses the drawn line as a device for negotiating space in ways that are self - empowering, exploring the complexity of making and exhibiting work in an increasingly global context.
As one explores them, it becomes clear that the lines of the sculptures never come together, pointing «to open space as an always omitted third element.»
Through demonstration, class exercises, and critiques, students explore concepts including contour line, cross contour, modeling, uses of marks to show form and space, perspective, scale and measurement, and positive / negative space.
Through the chaos of lines, colors, and symbols, Alfi explores life, death, the spiritual, the supernatural, and the physical in a concrete, visual space.
October 2017 — Spring 2018 The Winter display from the IMMA Collection throws a line around a display of diverse artworks and archival materials that explore similar ideas of geographical place and physical space, perception, representation and memory, as well as language and systems that map human experience.
Also opening in October is IMMA Collection: Coastlines which throws a line around a display of diverse artworks and archival materials that explore similar ideas of geographical place and physical space, perception, representation and memory, as well as language and systems that map human experience.
The images challenge the notion of how to make a line or create a new posture for flattened space or abstract composition, swivelling from geometry to gesture, propelling representation and language into abstraction, exploring pictorial edges and boundaries as well as the constitutive or disruptive role of blank space,.
Delineating space intuitively with line, texture, color and edge, Lloyd explores pattern as an aggregate of imperfect symmetries.
IMMA Collection: Coastlines October 2017 — Spring 2018 The Winter display from the IMMA Collection throws a line around a display of diverse artworks and archival materials that explore similar ideas of geographical place and physical space, perception, representation and memory, as well as language and systems that map human experience.
Fahrenheit's summer exhibition, The Space Between Us, explores how the line in drawing, sculpture, film, and performance extends beyond flatness and into physical space through the construction of fluid and indefinite moveSpace Between Us, explores how the line in drawing, sculpture, film, and performance extends beyond flatness and into physical space through the construction of fluid and indefinite movespace through the construction of fluid and indefinite movement.
Light Rhythms, an exhibition exploring sound, light and line that is activated by families and young people, made in response to the Patrick Scott exhibition, will open in IMMA's Project Spaces from 15 February — 6 April 2014.
Rather than abstracting reality, the Minimalists manifested the shapes, colors, forms and lines often explored in abstract art, inhabiting them in physical space in a representational way.
Though Caldicott often incorporates geometric shapes and lines into his work, it's the way that color inhabits his created spaces that invites us to explore the deeper conceptual levels of the work.
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