Not exact matches
Use the
links at left
to view
past MATRIX
exhibition brochures, organized chronologically by decade.
The
exhibition and publication will be the first
to dive deeply into his sophisticated understanding of image networks, circulation, and proliferation, positioning Thomas as a significant figure
linking the
past (Pop art, the Pictures Generation, and conceptualism)
to the current ways art operates as an active, heterogeneous platform
to engage and critique the Internet age.
Solo
exhibitions include «the wet wet wanderer», as part of «Para Fiction», Witte de With Center for Contemporary Art, Rotterdam, The Netherlands (2017); «softer and rounder so as
to shine through your smooth marble», SALT Galata, Istanbul, Turkey (2017); «And she will say: hi her, ailleurs,
to higher grounds...», Kunstmuseum Luzern, Switzerland (2016); «GDM — Grand Dad's Visitor Center», Pirelli HangarBicocca, Milan, Italy (2016); «all behind, we'll go deeper, deep down and she will say,» Museum Für Moderne Kunst Frankfurt Am Main, Frankfurt, Germany (2016); «Into All That is Here», Red Brick Art Museum, Beijing, China (2016); «we would be floating away from the dirty
past», Haus Der Kunst, Munich, Germany (2015); «For Forgetting», New Museum, New York, NY, USA (2014); «While You Weren't Looking», Laboratorio Arte Alameda, Mexico City, Mexico (2014); Max Mara Art Prize for Women, Whitechapel Gallery, London, UK and Collezione Maramotti, Reggio Emilia, Italy (2013); «Laure Prouvost / Adam Chodzko» as part of «Schwitters in Britain», Tate Britain, London, UK (2013); The Hepworth Wakefield, Wakefield, UK (2012); and «All These Things Think
Link», Flat Time House, London, UK.
Over the
past 30 years, the gallery has presented historically significant
exhibitions in Los Angeles alongside exciting contemporary artists, creating meaningful contexts
to establish
links to a greater art historical continuum.
Within the
past few months there have been significant gallery and museum
exhibitions devoted
to artists
linked with what is probably the most influential movement in twentieth - century American art.
Published
to accompany the Hammer Museum's Summer 2007
exhibition, Eden's Edge, this exploration of art made in Los Angeles during the
past decade crosses generations, mediums, and materials
to link 15 artists of singular personal vision, whether internationally established or not - yet - discovered.
The first publication
to document the Museum's collection and its connections
to dramatic changes in artistic practice over the
past 70 years, Unpacking the Collection introduces this vital regional center for craft through photographs of work, essays, texts, archival photographs, decade - by - decade accounts of the institution's
links to modern craft history and an abbreviated
exhibition chronology.
207 W. York St. Savannah, GA 31401 912.790.8800 Devoted
to contemporary art and rotating
exhibitions, the strikingly beautiful Jepson Center
links Telfair's future with its
past, unifying the museum's three distinct sites.
Her recent major
exhibitions and catalogues at SDMA include Eleanor Antin (2008); Animated Painting (2007); Transmission: The Art of Matta and Gorson Matta - Clark (2006);
Past in Reverse: Contemporary art of East Asia (2004); She was adjunct curator of Contemporary
Links, a series in which contemporary artists respond
to works in SDMA's collection.
With extraordinary
exhibitions and one of the finest wide - ranging art collections in the country — Rembrandt
to van Gogh, Monet
to Matisse, Asian
to African — Mia
links the
past to the present, enables global conversations, and offers an exceptional setting for inspiration.
This idea of «world - making» (and the name of the
exhibition) is verbalised repeatedly by Birnbaum; he continually emphasises the importance of the
exhibition within a macroclimate and its historical
links between the
past and the present as integral
to its development.
There proves
to be a clear preference for remembering
exhibitions that do not attempt
to be a replica of an original
exhibition, but which make contemporary statements about the
past, or
link the
past to a contemporary issue.
Among t a whole generation of artists who were grouped in numerous
exhibitions under the heading of «Arte Povera», Fabro is perhaps the one who has most emphatically
linked the urgency of the new with the expression of chronological time, fully conscious of the possibilities that the ruins of the
past have always provided for artists in an Italy that has never ceased
to inspire new creative perspectives through the revelation of the treasures of its culture.
For her first solo museum
exhibition in the United States, the London - based Polish artist delves into the Walker's
past, foregrounding the institution's early
link to the lumber industry while considering the forest as a metaphor for American democracy and freedom.
Art Sonje Center will continue
to investigate its collection and
past exhibitions, and approach future
exhibitions with the consciousness of sustainability,
linking actions from yesterday and today with those of tomorrow.
Another
link to the artist's
past is the title of the
exhibition, «Space Madness».
So there's a good chance that this retrospective
exhibition, which includes some 230 works spanning the
past forty years — from childhood drawings
to recent installations, videos
to wall paintings — will reveal both the problems
linked to the «musealization» of artistic practice and the Berlin - based artist's doubts regarding formal categorization.