Sentences with phrase «living color lasted»

In Living Color lasted two additional seasons, and wrapped in late summer 1994.

Not exact matches

I love the color and this brand is known for life - long lasting quality.

I made these curtains last week for our living room doors — they're replacing a heavy, dark green jacquard, and oh, it makes such a difference to have COLOR!!!

In the Oct. 14 SN: 2017's scientists to watch, duel over a real - life Brienne of Tarth, the origin of ultrahigh energy cosmic rays, long - lasting spheres of color, watermelon snow's downside, support for the Unruh effect, polite robots and more.

Living in color ✨ • • • • Carolina was illuminated last Friday as Tar Heels celebrated Holi Moli for its 10th year at the University.

It helps increase the shelf life of foods and makes food color last longer.

The reason why the perishable foods are situated on the perimeter is to give the shop assistants better access to foods that have a much shorter shelf life; the stuff in the center aisles can last for years due to the inclusion of preservatives, colors, additives and various other chemicals.

Of course, if lasting color is something you're after, base coat and top coat will add to the life of this polish.

Since so much of my life has changed lately, and I already feel pressed for time these days, the last thing I want to be doing is color coordinating my clothings in the morning.

When I saw this bomber jacket in a metallic golden color I immediately knew I NEED it in my life:D First of all because I love bomber jackets and their comeback in the last time.

I teach young women of color who deserve to go to school without having to fear for their lives or wonder if their next breath will be their last.

Thankfully the product lives up to the hype with fabulous colors & long lasting wear.

I really can't live without lip pencil anymore, since you can make really sharp edges with it, it can make a color more popping and it makes your lipstick last longer.

Fashion blogger and smiles, that's how my story starts: my last trip, a mix of colors, flavors and lands that are mixed to perfection and that give life to a young and dynamic brand made in Italy: Verysimple.

It will streamline your entire makeup application and grant you the confidence that your lip color will last throughout life's daily adventures.

Vittorio Storaro comments at some length on the color symbolism in Bertolucci's The Last Emperor, which he shot, demonstrating more critical insight into how the film works and what it's about than we are likely to find in reviews, and there are similarly revealing commentaries from Michael Chapman about the iconographic and stylistic sources of Raging Bull (Life magazine and the photographs of Weegee) and from Hall about the role played by chance in the lighting of a scene from In Cold Blood, where the shadows of raindrops appear to be running down Robert Blake's face.

This looks like exactly what you would expect from Disney - magical and pretty much the same color palette and CGI worlds as every other live - action movie they have made in the last few years.

Related Reviews: Roy Scheider: Jaws • Cohen & Tate • John Grisham's The Rainmaker Treat Williams: 127 Hours • Brothers & Sisters: The Complete First Season Harvey Keitel: Sister Act • Taxi Driver • National Treasure • Life on Mars: The Complete Series Jennifer Jason Leigh: The Hateful Eight • Anomalisa • eXistenZ Frank Langella: Robot & Frank • The Driftless Area • Parts Per Billion • Draft Day Richard Jordan: The Friends of Eddie Coyle • The Murder of Mary Phagan 1980s on Blu - ray: My Dinner with Andre • The Postman Always Rings Twice • Deathtrap • The Breakfast Club • Ferris Bueller's Day Off • The Color of Money • Used Cars Think Like a Man • The Hangover • Last Vegas

Cinematographers Bárbara Alvarez — «The Second Mother,» «Whisky» C. Mitchell Amundsen — «Ride Along 2,» «Now You See Me» Adam Arkapaw — «Macbeth,» «McFarland, USA» Sergio Armstrong — «No,» «The Maid» Michael Barrett — «Ted 2,» «A Million Ways to Die in the West» Natasha Braier — «The Rover,» «The Milk of Sorrow» Lula Carvalho — «Teenage Mutant Ninja Turtles,» «RoboCop» Caroline Champetier — «Holy Motors,» «Of Gods and Men» Enrique Chediak — «The 5th Wave,» «The Maze Runner» Charlotte Bruus Christensen — «Far from the Madding Crowd,» «The Hunt» Sofian El Fani — «Timbuktu,» «Blue Is the Warmest Color» Mátyás Erdély — «Son of Saul,» «The Quiet Ones» Frank Griebe — «A Hologram for the King,» «Cloud Atlas» Kirsten Johnson * — «CitizenFour,» «This Film Is Not Yet Rated» Judith Kaufmann — «13 Minutes,» «Inbetween Worlds» Jeanne Lapoirie — «Gett: The Trial of Viviane Amsalem,» «My Little Princess» Hélène Louvart — «The Wonders,» «Pina» Félix Monti — «Our Last Tango,» «The Secret in Their Eyes» Peter Pau — «The Forbidden Kingdom,» «Crouching Tiger Hidden Dragon» Daniel Pearl — «Friday the 13th,» «Aliens vs. Predator — Requiem» Poon Hang - Sang — «Ip Man 2: Legend of the Grandmaster,» «Kung Fu Hustle» Gökhan Tiryaki — «Winter Sleep,» «Once upon a Time in Anatolia» Kim White — «Inside Out,» «Toy Story 3» Jo Willems — «The Hunger Games: Mockingjay (Parts 1 and 2),» «The Hunger Games: Catching Fire» Steve Yedlin — «Carrie,» «Looper» Nelson Yu Lik - Wai — «A Simple Life,» «24 City» Haris Zambarloukos — «Cinderella,» «Jack Ryan: Shadow Recruit» Zhao Fei — «The Sun Also Rises,» «The Curse of the Jade Scorpion»

After graduating at 14 from the «colored» high school in Vicksburg, my mother moved to Harlem and lived with her maternal grandmother and aunts so that she could complete the last two years of high school in a place that would better prepare her for college and a medical career.

T10 - Cross Reference W5W (194 168) 147 152 158 159 161 168 184 192 193 194 259 280 285 447 464 501 555 558 585 655 656 657 1250 1251 1252 2450 2652 2921 2825 504 2821 12256 12961 M158 M155 Benefits: 1 * Low Power Consumption, energy saving 2 * Faster on / off response time 3 * Long - lasting (long service life) Up to 50,000 hours 4 * Good heat dissipation, High Temperature Resistance, Rust Resistance, Bump Resistance, vivid color 5 * Protect the eye - sight, no strobe, no radiate, no light pollution 6 * Easy to Instal, Simple to fit, Just plug in and play.

When this yotaphone trend will be «tabletized» company like Samsung and Apple etc will invest milions in eink kinda technologies and eink with color will go in production (eink last but tablet not... so the cycle of life of the product will be shorter).

Until my daughter gave me a present last week which is an adult coloring book http://www.amazon.com/Great-Big-Book-Mandalas-Color/dp/1500698172 and told me that i need to make time for it, finished coloring the book and give myself a break from all my worries in life, she told me that it can help me to unwind and relax.

Rudy Steiner, the boy with the «hair the color of lemons», who has so much love and integrity and life (view spoiler)[that I cried myself to sleep over his fate that Death so casually and cruelly revealed to us (hide spoiler)-RSB-, who was by Liesel's side since the beginning of their friendship - «A snowball in the face is surely the perfect beginning to a lasting friendship.»

Adorable, cartoonish illustrations bring color and life to this action - packed story that's reminiscent of the animated TV series Avatar: The Last Airbender.

Example: Would an Apple tablet with a gorgeous, high - resolution color display and a (likely) limited battery life be a better e-book reader than a Kindle, which can last for days between charges?

, an amazing night dive with (in a single dive): a frogfish, an octopus (which species I haven't yet identified) with crazy white - blue - green color patterns, a Spanish dancer, juvenile broadclub cuttlefish, early juvenile boxfish, juvenile ocellated lionfish... We had a pretty cool batch of guests these last days, helping making life at the resort fun, as well as the arrival of a new DMT, Tram.

His passage beneath the Golden Gate Bridge — which opened a few years before his arrival — proved to be a lasting inspiration, as the scale and color of the structure have inspired di Suvero throughout his life.

As it is usually the case on this site, plenty of macro life and critters were pointed out by our dive masters: Nudibranchs, like the Thecacera, Flabellina and Nembrotha, Reef Octopus, Bargibanti and Denise Pygmy Seahorse (including the color variation of the last specie that is found only on this region of the world), in between others, filled this dive with pleasant surprises.

One of the greatest Italian photographers of the last century, Luigi Ghirri is today known to connoisseurs for his perfectly uncanny images drawn from everyday life — capturing, for instance, the moment a paddle ball hit on the beach hovers in mid-flight on the horizon light, becoming indistinguishable from a distant setting sun — but his influence in his medium is far greater, owing to his single - minded devotion to supporting color photography in his home country.

Paul Reed the last living member of the Washington Color School also referred to as post painterly abstractionists has died age 96.

But in the 1950s, during the last years of his life, he created polychrome mosaic ceramics in bold colors.

In the last decade of his life, he created multicolored works of serial forms, both wall - mounted and free - standing, which reveal an entirely new engagement with color.

CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they arcolor, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they arColor, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.

Ron Graff has painted still lifes for over forty years and color field and gestural abstractions for the last eight.

Ultimately, however, Feinstein was drawn toward abstraction and spent the last fifty years of his life creating radiant, richly colored abstract paintings, while he continued to call Rembrandt his hero.

The use of vivid and very aggressive colors is something very usual in his career as an artist, Todd James ridicules and emphasizes to its last consequences the personality of the Western reality in which we live; as if it were a horror comic, he describes a modern world but at the same time, it's full of compassion for those who live and suffer in it.

Newman became known as a major painter in the last decade of his life, and his work was an important influence on the practitioners of color - field painting.

While many of the works in the exhibition engage with a looser, more experimental approach to form, color, and composition, others relate more directly to fully - realized works, such as his proposals for compositions for To The People of New York, a large - scale installation of paintings comprised of forty metal panels grouped in variations of red, yellow, and black, which occupied most of his artistic focus during the last year of his life.

This book, the first substantial monograph on the artist, documents the last six years of Martinez's output, reproducing 200 works in color and grouping them thematically, by animals, flowers, tabletops, still lifes and portraits.

A canvas like «Stolen Blues» revisits the work of painters so disparately scattered throughout the last century — late 1940s Pollock, 1970s De Kooning, the glassy color swirlings of Janet Fish's still lifes — that merely recognizing them recalls Jorge Luis Borges's suggestion that artists create their own unique precursors.

Still produced over a thousand pastel works on paper during the last two decades of his life, purchasing dime store - bought, colored construction paper to serve as his uniform backgrounds, already preset in hue.

The bulbous forms of the last large sculptures, made at the end of his life, are sanded to a smooth perfection and then lacquered in iridescent colors that augment their seductive power.

His passage beneath the Golden Gate Bridge — which opened a few years before his arrival — proved to be a lasting inspiration, as the scale and color of the structure have influenced di Suvero throughout his life.

Karen Rosenberg: «For the last decade Danica Phelps has chronicled her personal and financial lives with an exhaustive system of lists and charts accompanied by diagrams of colored stripes.

Late works, like the two diptychs titled Trees, 1990 - 91, are composed of broad, downward strokes and loose, calligraphic knots of jarring color against a white, light - filled ground, conveying a sense of Mitchell's personal struggle as she approached the last year of her life.

Displaying the breadth of his inquiries, the exhibition Painting (Organic) features three interrelated bodies of work: paintings that share concerns with sculpture; a major display of photographs that document abstraction in the built environment; and an installation of colored lights and painted live plants, the latest in a series of plant - related works that he has made over the last decade.

So we haven't necessarily seen Color Field work in the last couple years that we had to live with.

Fields IV (1992 - 1993), a print made by Joan Mitchell in the last year of her life, is an exquisite composition that epitomizes the artist's vibrant use of color and emotive, gestural compositions.

For the last 30 years of his life, he experimented with two - sided paintings, honey - colored translucent resins, see - through surfaces made of plastic, arcane Renaissance and Baroque imagery, paint that disappeared when exposed to light, gunpowder, 20 - million - year - old amber, images sewed together from pajama fabric.