Sentences with phrase «lizi tabet»

McKeith I, O'Brien J, Walker Z, Tatsch K, Booij J, Darcourt J, Padovani A, Giubbini R, Bonuccelli U, Volterrani D, Holmes C, Kemp P, Tabet N, Meyer I, Reininger C, Sensitivity and specificity of dopamine transporter imaging with 123I - FP - CIT SPECT in dementia with Lewy bodies: a phase III, multicentre study.

Photography by Aline Tabet (she's back, she's back!)

Photography by Aline Tabet.

Outfit photography by Aline Tabet

This Android 7.0 Nougat OS based tabet is powered by 1.3 GHz quad - core 64 - Bit (MediaTek MT8635B / MT8161) SoC coupled with Mali - T720 GPU.

My toshiba tabet won't upload photos on Facebook..

After creating something like a gazillion tabets in the 7 - to - 9 inch range, they seem to be interested in testing the upper limit on tablet sizes if the rumors of the 11.6 inch tablet are to be true.

Compared to the iPad, the Android tablet prototypes are far more flexible and functional than Apple's tabet — they are Flash compatible, feature front - facing cameras, support multi-tasking, and have expandable storage options.

21 Tartiere JM, Logeart D, Beauvais F, Chavelas C, Kesri L, Tabet JY, Cohen - Solal A. Non-invasive radial pulse wave assessment for the evaluation of left ventricular systolic performance in heart failure.

Alÿs examines and disrupts the conventions of domestic decoration and decorum, while Rayyane Tabet (b. 1983, Lebanon) takes a simple yet significant object, a suitcase, which he encases in concrete for posterity.

Darboven's characteristic conflation of an abstract, overarching framework and individual self - assertion are resonant in the sign structures conceived, for example, by Channa Horwitz or Michael Müller, as well as in the textual works and writing systems of Fiona Banner, Irma Blank, and Natalie Czech, in the temporal processes of Sigrid Sigurdsson, the appropriation of history practiced by Daniela Comani, Lia Perjovschi, and Rayyane Tabet, or in the collages conjoining current events and popular culture created by Isa Genzken and Robert Heinecken, as well as in the encyclopedic, material - based classification systems of Henrik Olesen and Joëlle Tuerlinckx.

PREVIOUS WINNERS: Vartan Avakian, Iman Issa, Huma Mulji, Hrair Sarkissian, Rayyane Tabet

From left to right and back to front: Adrián Villar Rojas, Matthew Lucero (The Propeller Group), José Antonio Vega Macotela, Tuan Andrew Nguyen (The Propeller Group), Pratchaya Phinthong, Gabriel Sierra, Jonathas de Andrade, Ala Younis, Kasia Korczak, Nicolás Paris, Bona Park, Gary - Ross Pastrana, Dave McKenzie, Abigail DeVille, Emeka Okereke (Invisible Borders), Wu Tsang, Mariana Telleria, Rita Ponce de León, Dana Yahalomi (Public Movement), Cinthia Marcelle, Rayyane Tabet, Julia Dault, Nana Oforiatta - Ayim (Invisible Borders), Payam Sharifi (Slavs and Tatars), Lynette Yiadom - Boakye, Amalia Pica, Eungie Joo, Ryan Inouye, Pilvi Takala, Jumoke Sanwo (Invisible Borders), Lee Kit, Hu Xiaoyuan, Mounira Al Solh.

Sharjah Biennial 12 will include works by: Basel Abbas Ruanne Abou - Rahme Etel Adnan Babak Afrassiabi Abdullah Al Saadi Rheim Alkadhi Ayreen Anastas Leonor Antunes Uriel Barthélémi Eric Baudelaire Mark Bradford Nikhil Chopra Saloua Raouda Choucair Chung Chang - Sup Abraham Cruzvillegas Jimmie Durham Rene Gabri Im Heung - Soon Iman Issa Michael Joo Maryam Kashani Mohammed Kazem Hassan Khan Kristine Khouri Beom Kim Byron Kim Kit Lee Jac Leirner Faustin Linyekula Jawshing Arthur Liou Cinthia Marcelle Rodney McMillian Julie Mehretu mixrice Asunción Molinos Gordo Eduardo Navarro Damián Ortega Rasha Salti Hassan Sharif Taro Shinoda Gary Simmons Nasrin Tabatabai Rayyane Tabet Rirkrit Tiravanija Adrián Villar Rojas Danh Vo Xu Tan Haegue Yang Lynette Yiadom - Boakye Abdul Hay Mosallam Zarara Fahrelnissa Zeid * Final list to be released in January 2015.

The Sharjah Biennial 10 Prize was awarded to Trisha Donnelly, Imran Qureshi, Rania Stephan, Rayyane Tabet and Jalal Toufic by a jury comprised of Klaus Biesenbach, Director of MoMA PS1, New York; Christine Tohme, Director of Ashkal Alwan, Beirut; and Boris Groys, art critic, media theorist and Andrew Mellon Professor at the Courtauld Art Institute, London.

Adel Abdessemed, John Akomfrah, Pawel Althamer, Francis Alÿs, El Anatsui, Ziad Antar, Kader Attia, Brendan Bannon, Yto Barrada, John Berger and Jean Mohr, Alighiero Boetti, Anna Boghiguian, Andrea Bowers, Tania Bruguera, Banu Cennetoğlu and Nihan Somay in collaboration with UNITED for Intercultural Action, Phil Collins, Comitato 3 Ottobre, Constant, Thierry De Cordier, La Domenica del Corriere, Forensic Oceanography / Charles Heller and Lorenzo Pezzani, Meschac Gaba, Charles Gaines and Ashley Hunt for Gulf Labor Artist Coalition, Giuseppe «Pinot» Gallizio, Rokni Haerizadeh, Ramin Haerizadeh and Hesam Rahmanian, Manaf Halbouni, Mona Hatoum, Lewis Wickes Hine, Thomas Hirschhorn, Wafa Hourani, Pravdoliub Ivanov, Khaled Jarrar, Isaac Julien, Hiwa K, Yasmine Kabir, Šejla Kamerić, Bouchra Khalili, Runo Lagomarsino, Dorothea Lange, Zoe Leonard, Glenn Ligon, Liu Xiaodong, Ahmed Mater, Steve McQueen, Aris Messinis, multiplicity, Paulo Nazareth, Adrian Paci, Maria Papadimitriou, 2016 Pulitzer Prize for Breaking News Photography (Daniel Etter, Tyler Hicks, Mauricio Lima, Sergey Ponomarev), Marwan Rechmaoui, Hrair Sarkissian, Thomas Schütte, Hassan Sharif, Augustus Sherman, Xaviera Simmons, Mounira Al Solh, Hamid Sulaiman, Rayyane Tabet, Pascale Marthine Tayou, Wolfgang Tillmans, Andra Ursuta, Danh Võ, Henk Wildschut, Zarina.

For FIAC, this included «Joining Forces with the Unknown,» a group show curated by Charles Aubin, Anna Colin, Hicham Khalidi, and François Quintin that gathered artists like freshly minted Hugo Boss Prize winner Anicka Yi, Simon Fujiwara, Cally Spooner, Rayyane Tabet, Lucy McKenzie, and Oliver Laric in an old Weber Métaux hardware store in the Marais.

Rayyane Tabet (1983, Ashqout) lives and works in Beirut, Lebanon.

Rayyane Tabet's (b. 1983, Lebanon) work explores paradoxes in the built environment and its history.

Foreword is presented as part of Para Fictions, a cycle of sustained investigations taking as its focus the relationship between literature and visual art through the practice of ten artists; Daniel Dewar & Grégory Gicque, Calla Henkel & Max Pitegoff, Mark Geffriaud, Laure Prouvost, Oscar Santillan, Dineo Seshee Bopape, Lucy Skaer and Rayyane Tabet.

Amanda is currently involved in curating: three permanent public art commissions for Art Dubai's AIR 2017 program (with artists Chafa Ghaddar, Zeinab Al Hashemi and Shaikha Al Mazrou); six permanent site - specific commissions for a private hospital in Beirut (AUBMC) using participatory and contextual approach for art in healthcare (with artists Lara Tabet, Hatem Imam, Sharif Sehnaoui & Nadim Mechlaoui, Catherine Cattaruzza, Rayya Badran & Zeina Badran; and an audio - guide project with artist Annabel Daou and the people of Beirut for the National Museum of Beirut commissioned by BeMA.

One Remove is presented as part of Para Fictions, a cycle of sustained investigations taking as its focus the relationship between literature and visual art through the practice of ten artists; Daniel Dewar & Grégory Gicque, Calla Henkel & Max Pitegoff, Mark Geffriaud, Laure Prouvost, Oscar Santillan, Dineo Seshee Bopape, Lucy Skaer and Rayyane Tabet.

Rayyane Tabet Friday 21 July — Sunday 8 October 2017 Opening Thursday 20 July 6 — 8 pm, Artist Talk at 7 pm

This publication marks the conclusion of Para Fictions, a two - year commissioning series in which ten artists — Dineo Seshee Bopape, Daniel Dewar & Grégory Gicquel, Mark Geffriaud, Calla Henkel & Max Pitegoff, Laure Prouvost, Oscar Santillan, Lucy Skaer, and Rayyane Tabet — responded to works of literary fiction.

For Wanderlust, Tabet installs a new iteration of Steel Rings, a sculpture that replicates forty kilometers of the defunct Trans - Arabian Pipeline, a 753 - mile - long American venture that transported oil by land from Saudi Arabia to Lebanon through Jordan, Syria, and the Golan Heights between 1950 and 1983.

Sharjah Biennial 12: The past, the present, the possible includes works by: Basel Abbas *, Ruanne Abou - Rahme *, Etel Adnan *, Babak Afrassiabi *, Abdullah Al Saadi *, Rheim Alkadhi *, Ayreen Anastas *, Leonor Antunes *, Uriel Barthélémi *, Eric Baudelaire, Mark Bradford *, Unnikrishnan C. *, Chimurenga *, Nikhil Chopra *, Saloua Raouda Choucair, Chung Chang - Sup, Abraham Cruzvillegas *, Papy Ebotani, Rene Gabri *, Ahmad Ghossein *, Im Heung - Soon *, Iman Issa *, Michael Joo *, Maryam Kashani *, Mohammed Kazem, Hassan Khan *, Kristine Khouri *, Beom Kim, Byron Kim *, Lala Rukh, Kit Lee *, Jac Leirner *, Faustin Linyekula, Jawshing Arthur Liou, Cinthia Marcelle *, Rodney McMillian *, Julie Mehretu *, mixrice *, Asunción Molinos Gordo, Eduardo Navarro *, Damián Ortega *, Rasha Salti *, Hassan Sharif, Taro Shinoda *, Gary Simmons *, Nasrin Tabatabai *, Rayyane Tabet *, Rirkrit Tiravanija *, Adrián Villar Rojas *, Danh Vo, Xu Tan, Haegue Yang *, Lynette Yiadom - Boakye *, Abdul Hay Mosallam Zarara, and Fahrelnissa Zeid * presenting new works

Featured artists include Etel Adnan from Lebanon, Charles Belle from France, Pascal Bernier from Belgium, Fadia Haddad from Lebanon, Samir Tabet from Lebanon, Mona Hatoum from Palestine and Houda Kassatly from Lebanon.

Artwork: Ryyane Tabet, Cyprus, 2015.

Additional support is provided by Anne and Joseph Tabet.

Lizi Tabet with Alain Pinel, REALTORS ®, in Burlingame, Calif., warns against planning a pool so big that it gobbles up the entire yard, leaving no room for a lawn or patio.

Some agents suggest sellers have a ready - to - go bid on removing a pool when they list, says Tabet.