When Muybridge first began work on his Animal
Locomotion series in 1884, he experimented with photographs that depict one action, frozen in time, from multiple points of view.
Edweard Muybridge's animal
locomotion series showing how bodies move through time and space led to the birth of modern cinema, which then strung together frames of grid - like imagery.
Not exact matches
Shortly after track and field's governing body, the International Association of Athletics Federations (IAAF), banned Pistorius in 2008 from competing against so - called «able - bodied» competitors, he underwent a
series of tests at Rice University's
Locomotion Laboratory in an attempt to be reinstated.
New Work: Steven Pippin — Laundromat -
Locomotion is part of the Museum's New Work
series, which features recent or commissioned work by both younger and established artists.
His pioneering publication, Animal
Locomotion (1887), included 781 plates, each a
series of pictures that broke down the movement of a wide variety of animals — from horses, elephants, ostriches, and deer to men, women, and children — into discrete elements for study by scientists, artists, and others.
In 1887, the acquisition of nearly 700 prints from Muybridge's groundbreaking
series Animal
Locomotion initiated the Corcoran's early interest in photography.
His entry was based on the work Laundromat
Locomotion, [2] in which he converted a row of 12 washing machines in a laundromat into a
series of cameras triggered by trip wires, and then rode a horse through the laundromat to recreate Eadweard Muybridge's The Horse in Motion (1878).
It includes the celebrated early experimental
series of motion - capture photographs such as The Attitudes of Animals in Motion 1881, and the later sequence Animal
Locomotion 1887.
Eadweard Muybridge, Ascending an incline with a bucket of water in each hand, plate 81, from the
series Animal
Locomotion, 1887; gift of John Fisher; photo: Don Ross