Miriam Aczel, Imperial College
London Essay Title: «Fracking and Human Rights: Using a Rights - Based Framework to Regulate a New Technology»
Not exact matches
Instead of responding to the words of Eric Joyce, the former British MP who told the world via his twitter handle on 19th May that President Muhammadu Buhari had died in a
London hospital, Deacon Femi Adesina, the Special Advisor to the President on Media, in an
essay titled «They Learnt Nothing and They Forgot -LSB-...]
A recent discussion about what we actually know about the effects of calming signals is offered by Dr. Karen
London, a certified applied animal behaviorist and certified professional dog trainer1, in an
essay titled «Should we call these canine behaviors calming signals?»
Publications include Nihilistic Optimistic, published by Blain Southern
London on the occasion of the inaugural exhibition at Hanover Square of the same
title October 2012 with an interview by Hans Ulrich Obrist, an
essay by Jon Savage and foreword by Gustav Metzger; Turning the Seventh Corner, published by Blain Southern,
London, 2011, with texts by David Adjaye and James Putnam which comprehensively documents the conception and realisation of the artists» exhibition at Blain Southern, Berlin, 2011; British Rubbish, an updated survey of the artists» work from 1996 to 2010 with an
essay by Jeffrey Deitch, and new texts by Michael Bracewell and Nick Cave, published October 2011 by Rizzoli, New York; Polymorphous Perverse, a documentation of works exhibited at the Freud Museum,
London, providing a fascinating insight into Freud's theories and how they relate to art practice with critical
essays from the distinguished American art historian Linda Nochlin and James Putnam, published by Other Criteria,
London, 2008; and Wasted Youth, a survey of the artists» work from 1996 to 2006 with
essays by Jeffrey Deitch and Sir Norman Rosenthal, published by Rizzoli, New York in 2006.
Titus Kaphur painted the Ferguson, Mo., protestors for Time magazine; Dred Scott wrote an
essay titled «Illegitimate» for the Walker Art Center on the killing of Michael Brown; and Adam Pendleton «s current exhibition at Pace
London features new work inspired by the Black Lives Matter movement that has sprung up in reaction to the incidents.
Brash, dispersed, hyperassociative yet precise, New York — based artist Rachel Harrison's work exacts virtuosity from cultural excess with wit and elegance to spare; one can see why her first major survey (starting at the Hessel Museum of Art at Bard College, then reconfigured for Portikus, Frankfurt, and the Whitechapel,
London) was initially
titled «Consider the Lobster,» which comes from an
essay by the late David Foster Wallace.