Sentences with phrase «london gallery building»

Using materials she has found in and around the South London Gallery building — planks of wood, an old staircase, floorboards, sheets of plexiglass, plaster and paint — supplemented by others inspired by the material and atmospheric qualities of the space observed in the course of making the work, Djordjadze has created an installation which gently but thoroughly infiltrates our reading and negotiation of the room.

A London gallery built to house the private art collection of artist Damien Hirst has won the Riba Stirling Prize, the UK's leading architecture award.

A London gallery built to house the private art collection of artist Damien Hirst wins the Riba Stirling Prize, the UK's leading architecture award.

Not exact matches

They built the front desk out of plywood and Ikea furniture and modeled the studio's dark tile and gleaming white walls after London's White Cube art gallery, honing the look as «inviting but still sexy, cool but still tribal,» Rice remembers.

Other large - scale projects for rehousing the Tōhoku people are in the pipeline, such as one by renowned architect Toyo Ito — designer of the 2002 Serpentine Gallery Pavilion in London — that employs a modern take on traditional architecture but built on higher ground.

If you want to take in some history and culture during your shopping break in London, head to Piccadilly, where you'll be able to admire beautiful old buildings and shopping arcades, as well as visit galleries like the Royal Academy of Arts.

Down the end is the South African National Gallery (a good collection of essential South African artists) and St George's Cathedral (there is a crypt built in 1898, which is now a jazz club, similar to that of St Martin's in the Field in London).

The gallery's previous location was County Hall, on London's South Bank, which the collector left after a breakdown in relations with the building's landlords.

The Saatchi Gallery, London, reopened in its latest location, the 70,000 - square - foot Duke of York Headquarters building on King's Road in Chelsea, late last year.

For ten years he worked at the London Institute, now the University of the Arts in London, where he was responsible for developing the London Institute Gallery where he built an exhibition programme showcasing the work of outstanding students alongside leading contemporary artists, designers and photographers including Julian Opie, Richard Deacon, Nicola Hicks, Mike Leigh and Tom Hunter.

The new gallery design by Assemble — a London - based architecture collective — will incorporate the black steel water tanks originally used for the Laurie Grove baths, directly opposite the Ben Pimlott Building on Goldsmiths» campus.

A major exhibition of works by Hoyland is the inaugural show at Damien Hirst's newly - built London gallery Newport Street Gallery which opened to the public on October 8thgallery Newport Street Gallery which opened to the public on October 8thGallery which opened to the public on October 8th, 2015.

The South London Gallery (SLG) building blends award - winning contemporary architecture with the Victorian elegance of a Grade II listed building located at the heart of Camberwell and Peckham.

START is held at the Saatchi Gallery in the 70,000 sq. ft. Duke of York HQ building on King's Road in the heart of Chelsea, London:

The South London Gallery's programme of artist residencies launched in 2010 thanks to the completion of its building project, including the Outset Artists» Flat.

One of the largest and most spectacular gallery spaces in London, Halcyon Gallery's magnificent flagship gallery is a five - storey, 12,000 sqm Georgian building housing a stunning three - level art ggallery spaces in London, Halcyon Gallery's magnificent flagship gallery is a five - storey, 12,000 sqm Georgian building housing a stunning three - level art gGallery's magnificent flagship gallery is a five - storey, 12,000 sqm Georgian building housing a stunning three - level art ggallery is a five - storey, 12,000 sqm Georgian building housing a stunning three - level art gallerygallery.

No sooner had the gallery opened in London than Annabelle Selldorf (who by now had worked on several projects for the gallery over two decades) began designing a new five - story building at 537 West 20th Street in New York.

2011 Built to Burst, Braverman Gallery, Tel Aviv, Israel Walk the Line, Parasol Unit, London, England Catherine Clark Gallery (Media Room), San Francisco, CA

Formed from an 18th - century house and two new, purpose - built exhibition spaces, it offers an intriguing mix of intimate domestic rooms, stripped down but full of period detail, alongside contemporary galleries — a union of old and new that echoes the dynamic of its location on the border between the East End and the City of London.

However we now have a surfeit of Gormley images in London, literally spewing out (or should one say «tripping out») of the Hayward Gallery, loitering without intent on the roof parapets of surrounding high buildings, and generally perplexing the natives and commuters.

But the four new pieces sit in a purpose - built wing, Pharos, which houses other works too, by Jean Tinguely, Randy Polumbo, Charles Ross and Richard Wilson, whose world - famous 20:50 was acquired from London's Saatchi Gallery in 2015.

Building on Frieze's long - term commitment to supporting galleries throughout their development, this year four returning exhibitors who first exhibited at Frieze London in the Focus section will join the main section for the first time, including Clearing (New York), Fonti (Naples), Simon Preston (New York) and Société (Berlin).

The reason for the date announcement delay is that Dean will be staging her show in new gallery space at the RA being created as part of its redevelopment project linking its two London buildings, one on Piccadilly, the other on Burlington Gardens.

In 2011 he took up the post of chief curator at the Dulwich Picture Gallery, another small but respected London institution that — like the Wallace Collection — boasts an impressive collection of Old Master paintings, a significant historic building, and an institutional legacy that continues to define how it operates today.

The overall winner will be awarded a six month working residency in the Studio Building, London W11 to develop a solo exhibition for Griffin Gallery, opening in September 2016.

Including: «Bell / Irwin / Wheeler,» Tate Gallery, London, England (1970); «Fractured Light — Partial Scrim — Eye Level,» Museum of Modern Art, New York (1970 - 1971); «Black Line Room Division + Extended Forms,» Whitney Museum of American Art, New York (1977/2013); «48 Shadow Planes,» Old Post Office, Washington DC (1983); «Two Running Violet V Forms,» Stuart Collection, UCSD, California (1983); «Ascending,» Musee d' Art Moderne deVille Paris, France (1994); «Double Diamond,» Musée d'Art Contemporain, Lyon, France (1997 - 1998); «1º 2º 3º 4º,» Museum of Contemporary Art San Diego (1997); «The Central Garden,» J Paul Getty, Los Angeles (1998); «Architecture and Grounds,» DIA Art Foundation, Beacon, New York (2003); «Primaries and Secondaries,» Museum of Contemporary Art San Diego (2007 - 2008); «Black on White,» J. Paul Getty Museum, Los Angeles (2011 - 2012); «Niagara,» Albright - Knox Art Gallery, Buffalo, NY (2012); «Hedge Wedge,» San Diego Federal Courthouse Building, San Diego (2012); «Double Blind,» Vienna Secession, Vienna (2013); «Miracle Mile,» Los Angeles County Museum of Art, Los Angeles (2013); «Primordial Palm Garden,» Los Angeles County Museum of Art (2010 - 2013).

Tate sites in London presented nine ARTIST ROOMS displays and Tate's galleries in St. Ives and Liverpool installed major works in prime locations within their buildings.

SELECTED GROUP EXHIBITIONS 2014 — Building Stories — Kohler Arts Center — Sheboygan, Wi 2014 — Fearless — La Esquina Gallery — Kansas City, Mo 2014 — London Art Fair — Beers Contemporary — London, UK 2013 — Imperfect Symmetry — A+D Gallery — Columbia College — Chicago, Il 2013 — CAFKA Biennial 2013 — Waterloo / Kitchener — Ontario, Canada 2012 — Plural Zone — School of the Art Institute of Chicago — Columbus Building — Chicago, Il 2012 — Somewhere Else — Urban Institute of Contemporary Art — Grand Rapids, Mi 2012 — Evanston and Vicinity Biennial — Evanston, Il 2012 — Improbable Objects — What It Is — Chicago, Il 2011 — Experience is Never Unattached: Sullivan Galleries — Chicago, Il 2011 — P.O.D.S. Project: Lexington Art League — Lexington, Ky 2011 — The Value is Present: Inn Gallery — Ox Bow School of Art — Saugatuck, Mi 2011 — Union League Civic and Arts Finalist Exhibition: Union League Club — Chicago, Il 2011 - Weddings / Proms / Corporate Events — Zhou B Art Center — Chicago, Il 2011 — NEXT: The Invitational Exhibition of Emerging Art — Chicago, Il 2011 — MFA Thesis Exhibition: Sullivan Galleries — Chicago, Il 2010 — Alphabetization: Noble and Superior Projects — Chicago, Il 2010 — Uncommon Territories: Heaven Gallery — Chicago, Il 2010 — Usefullness: Sharp Exhibition Space — Chicago, Il 2009 — Learning Modern: Sullivan Galleries - Chicago, Il 2009 — Descours — AIA New Orleans — New Orleans, La 2009 — LeFlash: Castleberry Hill — Atlanta, Ga 2008 — Adventures in Mysticism: Athens Institute for Contemporary Art — Athens, Ga

Royal Academy to create new gallery and awards for architecture British entrepreneur Lloyd Dorfman has donated an undisclosed seven - figure sum to London's Royal Academy of Art, which will go towards the creation of two international prizes and a new gallery for architecture in the museum's Burlington Gardens building, which is currently undergoing a renovation by David Chipperfield.

Photo: Jonathan Muzikar, © Isa Genzken; Isa Genzken, Rot - gelb - schwarzes Doppelellipsoid «Zwilling» (Red - yellow - black Double Ellipsoid «Twin»), 1982, lacquered wood, two parts, Collection of the artist, Courtesy the artist and Galerie Buchholz, Cologne / Berlin, © Isa Genzken; Isa Genzken, MLR, 1992, lacquer on canvas, Lonti Ebers, New York, Courtesy the artist and Galerie Buchholz, Cologne / Berlin, © Isa Genzken; Isa Genzken, Hospital (Ground Zero), 2008, metal tray dolly, plastic flowers in spray - painted vase, ribbon, metal, mirror foil, synthetic polymer paint on fabric, shot glasses, fiberboard, and casters, Collection Charles Asprey, Courtesy the artist and Galerie Buchholz, Cologne / Berlin, © Isa Genzken; Isa Genzken, New Buildings for Berlin, 2004, glass and silicone on wood pedestal, four parts, Kravis Collection, Courtesy David Zwirner Gallery, New York / London, © Isa Genzken; Isa Genzken, Fuck the Bauhaus # 4, 2000, plywood, Plexiglas, plastic slinky, clipboards, aluminum light shade, flower petals, tape, printed paper, shells, and model tree, Private Collection, Turin, Courtesy AC Project Room, New York, © Isa Genzken

Previous solo and group exhibitions include: Situations, You Space and Extra Space, Shenzhen (2018); Documenta 14, Athens and Kassel (2017); Shut Up and Paint, National Gallery of Victoria, Melbourne (2016); Cher (e) s Ami (e) s, Centre Pompidou, Paris (2016); The Same Old Fucking Story, Rodeo, London (2016); Tightrope Walk: Painted Images After Abstraction, White Cube, London (2015); Unrealism, The Moore Building, Miami (2015); Burning Down the House, 10th Gwangju Biennale, Gwangju (2014); This is Not my Beautiful House, Kunsthalle Athena, Athens (2014); Everyday a Stage, Rodeo, Istanbul (2014); System of Objects, DESTE Foundation, Athens (2013); Apostolos Georgiou.

This is especially true of Generator, which builds on 512 Hours, her recent ten - week exhibition at The Serpentine Gallery in London, and The Artist is Present, her three - and - a-half-month long performance and exhibition at MoMA.

The Museum Shop For a very special project with the National Portrait Gallery, five emerging London based photographers have been invited to respond to the National Portrait Gallery collection and the building.

The gallery that put Carsten Höller's swirling silver slides on the outside of its building (and inside hosted retrospectives of work by David Shrigley, Tracey Emin and Ana Mendieta among others) will be at the heart of London's contemporary art scene once more.

She has completed projects or exhibitions with The New York Metropolitan Museum of Art, The V&A Museum, The Photographer's Gallery, The British Film Institute, Cambridge University, Arebyte, The British Arts Council, The White Building, Ace Hotel, The London Film School, and Whitcher Projects.

Enclave, an ambitious new - build street of 10 gallery - spec units in South London launches in February 2012.

With choreography specific to the structure of the building, a soundscape recorded over a month - long residency, and a narrative inspired by the centuries - old curatorial conundrum of the «Summer Exhibition», this is the London premiere of a performance which has taken different forms at a number of venues including the National Museum Stockholm, the Hamburger Kunsthalle and Birmingham Museum and Art Gallery.

Vanessa Branson opened her first art gallery in London in 1986 and built an extensive private collection of works by artists including William Kentridge, Fred Pollock and David Shrigley.

When she walks into the building site that will become her new gallery space just off Golden Square, in London's Soho, she is dwarfed by scaffolding.

Those spaces are ultimately built for the figure, and this was a starting point for the show I made last year at Matt's Gallery, London — More things (To the memory of Honoré de Balzac).

Building on Frieze's long - term commitment to supporting galleries throughout their development, this year four returning exhibitors who first exhibited at Frieze London in the Focus section will join the main section for the first time, including Clearing (New York), Fonti (Naples), Simon Preston (New York) and Société (Berlin).

Goldschmied & Chiari selected for The National Museum of Women in the Arts, Washington, D.C., biennial exhibition series «Women to Watch,» June 5 - Sept 13, 2015, http://nmwa.org/press-room/press-releases/national-museum-women-arts-announces-artists-featured-biennial-exhibition Rachel Higgins in group exhibition «Negative Space,» curated by Gabrielle Garland and Stacie Johnson, The Knockdown Center, Maspeth, NY, Feb 28 - April 12, http://knockdown.center/event/negative-space/ Rachel Higgins in group exhibition «I Serve Art,» curated by Sara Reisman, Richard & Dolly Maass Gallery, Visual Arts Building, SUNY Purchase, Feb 17 - Mar 27, https://www.purchase.edu/Departments/AcademicPrograms/Arts/artdesign/richardanddollymaassgallery.aspx Josh Slater film «A Short Coma,» and interview featured in The Creators Connect, http://www.thecreatorsconnect.com/meet-josh-slater/ Rachel Higgins in group exhibition «Flat by Fiat,» Brooklyn, Jan 31 - Feb 21, 2015, open by appointment Goldschmied & Chiari: Untitled Portraits listed in «Feature Shoot Recommends: Top 10 Photo Events and Happenings in New York (Jan. 19 - 25),» by Ellyn Kail, Jan 19, 2015 http://www.featureshoot.com/2015/01/feature-shoot-recommends-top-10-photo-events-happenings-new-york-jan-19-25/ Goldschmied & Chiari: Untitled Portraits reviewed in the New Yorker Jan 12, 2015 http://www.newyorker.com/goings-on-about-town/art/goldschmied-chiari Loring Knoblauch's review «Goldschmied & Chiari: Untitled Portraits @kristenlorello» in Collector Daily Jan 12, 2015 http://collectordaily.com/artists/sara-goldschmied-and-eleonora-chiari/ Giacinto Occhionero in group exhibition, «You Don't Bring Me Flowers (+ The Mistress Project), Jan 24 - Mar 7, 2015, http://www.68projects.com/category/exhibitions-future/ Goldschmied & Chiari in group exhibition «Florilegia,» at Grimaldi Gavin, London, Jan 16 - Feb 28, 2014, http://www.grimaldigavin.com/index.php?method=section&action=zoom&id=160&lng=1&forceID=1e3f75e0c66514dbd92d42cc43bbfd19

Selected exhibitions include: Drawn to Detail, DeCordova Museum and Sculpture Park, Lincoln, MA (2008); Transforming Chronologies: An Atlas of Drawings, Part Two, Museum of Modern Art, New York (2006); The Broida Collection, The National Gallery, Washington, D.C. (2006); Word into Art — Artists of the Modern Middle East, The British Museum, London, UK (2006); Building and Breaking the Grid, Whitney Museum of American Art, New York (2005).

Nothing is Forever marks an important and transitional moment in the South London Gallery's history as the institution expands into a formerly derelict house and a new building incorporating the surviving walls of a former lecture theatre and library.

Her work has been part of various international group exhibitions including L'Autre visage: Portrait & expérimentations photographiques, Centre photographique - Pôle Image Haute - Normandie, Rouen, France (2016); Out of Obscurity, Flowers Gallery, London (2016); A Verdant Summer, Taymour Grahne Gallery, New York (2016); Art Bandini, Los Angeles (2016); Metamorphosis, Flowers Gallery, London (2015); Any Human Measure, M+B Gallery, Los Angeles (2015); Altarations: Built, Blended, Processed, University Galleries, Florida Atlantic University, Boca Raton (2015); Me and Benjamin, Galerie Xippas, Paris (2014); Foam Talent 2014, East Wing Gallery, Dubai (2014); Aggregate Exposure, George Lawson Gallery, San Francisco (2014); Foam Talent 2014, Westergasfabriek, Amsterdam (2014); Foam Talent 2014, l'Atelier Néerlandais, Paris (2014); One Step Beyond, Galerie Christophe Gaillard, Paris (2014); Fixed Unknowns, Taymour Grahne Gallery, New York (2014); Soft Target, M+B Gallery, Los Angeles (2014); Big Pictures, Public - art exhibition organized by the Cincinnati Art Museum (2014); Surface (s) / Prise (s), Galerie Christophe Gaillard, Paris (2014).

SELECTED GROUP EXHIBITIONS 2015 The Art of Creating, Halcyon Gallery, London 2014 Halcyon New Contemporaries Spring 2014, Halcyon Gallery, London 2012 Ugly, Broke, Sober, Kathleen Cullen Fine Arts, New York 2012 Group Show, Patricia Low Contemporary, St Moritz, Switzerland 2010 5th Anniversary Exhibition, Patricia Low Contemporary, Geneva, Switzerland 2010 June Gloom, Country Club, Los Angeles, California 2009 Abstract America: New Painting and Sculpture, Saatchi Gallery, London 2005 New York's Finest, Canada Gallery, New York 2004 Grotto II, Jessica Murray Projects, New York 2004 Hello Chelsea, Bellwether Gallery, New York 2003 Recession 2003, $ 99 show, Cynthia Broan Gallery, New York 2003 Launched, Jeff Bailey Gallery, New York 2002 Proper Villains, Space Untitled, New Haven, Connecticut 2002 End of the Rainbow, Bellwether Gallery, New York 2002 Grotto, Jessica Murray Projects, New York 2002 The Accelerated Grimace, Daniel Silverstein Gallery, New York 2002 Building Anxiety, Ten in One Gallery, New York 2001 John Bauer and Diana Puntar, Bellwether Gallery, New York 2001 Flat File, Bellwether Gallery, New York 1998 Winterland, The Lobby Gallery at Deutsche Bank, New York 1998 Summer Bonanza, Clementine Gallery, New York 1998 The Art Exchange Show, De Chiara / Stewart Gallery, New York

Pace London inaugurates the gallery with Rothko / Sugimoto: Dark Paintings and Seascapes, the first private gallery exhibition of Rothko's work in London in nearly fifty years.Located directly north of the Royal Academy of Art's Burlington House, Pace London occupies the west wing of the building, which is owned by the Royal Academy, and has been renovated

Housed in a 17th - century building in the city's San Marco district, the new gallery will complement her existing spaces in Mayfair and east London, and will open to the public on 10 May with an exhibition by Chris Ofili.

In the build - up to the London 2012 Olympic Games, a monumental new outdoor sculpture commissioned by the gallery, Torchlight Chandelier, was installed on Park Lane.

A major exhibition of works by Hoyland is the inaugural show at Damien Hirst's newly - built London gallery Newport Street Gallery which opgallery Newport Street Gallery which opGallery which opened...