Sentences with phrase «london new volume»

Have you tried this Rimmel London New Volume Shake Mascara?

I like this Rimmel London New Volume Shake Mascara a lot.

Not exact matches

Exchanges around the world such as those in Tokyo, London and Shanghai are seeing their volumes increase, though they still draw just a fraction of the volume seen in New York at the NYSE and the Nasdaq.

In terms of absolute volumes of direct commercial real estate investment, New York topped the list with London, Paris, Tokyo and Los Angeles rounding up the top five.

On Augustine's doctrine of love the following are especially valuable: Anders Nygren, Agape and Eros, one volume with English translation partly revised by Philip S. Watson (London: S.P.C.K., 1953); J. Burnaby, Amor Dei (London: Hodder & Stoughton, 1938); Etienne Gilson, The Christian Philosophy of St. Augustine (New York: Random House, 1960).

The fans were really up for it, Bubbles was sung with a vigour and volume that reached new heights in the London Stadium, and the atmosphere was electric from the start.

In: Handbook of Clinical Neurology, Dementias, Vol 89 (3rd series), Eds: C Duyckaerts, I Litvan, Elsevier, (Edinburgh, London, New York, Oxford, Philadelphia, St - Louis, Toronto, Sydney) Series Eds: MJ Aminoff, F Boller, DS Schwab), 2008, Volume 89, Chapter 72, pp. 825 - 844.

Delpozo moves its ready - to - wear show from New York to London Delpozo, the Spanish label known for its bubble - volumes and shoulder - length chandelier earrings, is relocating its Ready - to - Wear show from New York to London.

Rimmel London has introduced the New Volume Shake Mascara — A breakthrough shakeable mascara for beautiful clump - free volume, and I am here to tell you all aboVolume Shake Mascara — A breakthrough shakeable mascara for beautiful clump - free volume, and I am here to tell you all abovolume, and I am here to tell you all about it!

When Collective Bias asked if they could send me the new Rimmel London Volume Colorist Mascara, I was so excited.

She is also a contributor to the London, New York and Glasgow volumes of the World Film Locations book series.

• Tinker Bell • Sleeping Beauty (Platinum Edition) • WALL • E • The Chronicles of Narnia: Prince Caspian Cinderella II: Dreams Come True • Cinderella III: A Twist in Time • Mulan II • Disney Princess: A Christmas of Enchantment The Lion King II: Simba's Pride • Beauty and the Beast: Belle's Magical World • The Return of Jafar & Aladdin and the King of Thieves Lady and the Tramp II: Scamp's Adventure • 101 Dalmatians II: Patch's London Adventure • The Jungle Book 2 • Brother Bear 2 • Tarzan II Return to Never Land • Disney Princess Sing Along Songs • Disney Princess Sing Along Songs, Volume 3 The Little Mermaid: 2 - Disc Special Edition Soundtrack (CD) • Disney's Karaoke Series: The Little Mermaid (CD) Early 2000s Disney: Buzz Lightyear of Star Command: The Adventure Begins • Dinosaur • The Emperor's New Groove Related Article: UltimateDisney.com's Video Report from The Little Mermaid: Ariel's Beginning DVD Premiere - Catalina blue carpet interviews with the cast!

# 1 - 5, Max Payne 3 # 3, New Avengers # 24B, Scarlet Spider # 1B, 4B, Uncanny X-Men # 17, Untold Tales of Punisher Max # 5, Venom # 16 - 17, 20, 22B, Wolverine # 314 - 317, X-Men Legacy # 1 - 2 (Marvel) Presented by Anthony Falcone & Scott VanderPloeg, Harry Kremer Award for Canadian Comic Book Retailer: Heroes in London, Ontario Inducted by Robert Pincombe into the Canadian Comic Book Creator Hall of Fame: Vernon Miller (1912 - 1974) Presented by Andrew Walsh, Outstanding Web Comic Creator: Michael DeForge: Ant Comic The Gene Day Award, presented by Rachel Richey: The Pig Sleep: A Mr. Monitor Case by Cory McCallum and Matthew Daley Inducted by Hope Nicholson and Rachel Richey into the Canadian Comic Book Creator Hall of Fame: Murray Karn (1924 --RRB- The Dragon Award (Comics for Kids), presented by Amy Chop and Jennifer Haines: Cat's Cradle Volume 1: The Golden Twine (Kids Can Press): Jo Rioux Presented by Anthony Del Col, Outstanding Writer: Fanny Britt: Jane, le renard & moi (La Pastèque) / Jane, The Fox and Me (Groundwood Books) Inducted by Ken Steacy into the Canadian Comic Book Creator Hall of Fame: Arn Saba (Katherine Collins)(1947 --RRB- Presented by Ty Templeton and Rob Salem, Outstanding Artist: Isabelle Arsenault: Jane, le renard & moi (La Pastèque) / Jane, The Fox and Me (Groundwood Books) Also presented by Ty Templeton and Rob Salem, Outstanding Cartoonists: Jeff Lemire: Sweet Tooth # 29 - 40 (DC Comics), The Underwater Welder (Top Shelf) Details about the awards can be found JoeShusterAwards.com

In the latest captivating volume of the Lockwood & Co. series, a new ghostly threat has forced officials to evacuate London's most afflicted area, which is now swarming with psychic investigators as well as apparitions.

First published in the London Magazine in 1878, they were collected and republished in the first volume of the New Arabian Nights.The trilogy introduces the characters of Prince Florizel of Bohemia and his sidekick Colonel Geraldine.

Closing prices are the most important price in the market because they show the settlement between the bulls and the bears, and because the New York trading session is the second biggest behind London in Forex trading volume, it's very important to see this closing settlement at the New York close instead of at some other more arbitrary time.

• Due to the fact that the London session over-laps with the Asian and New York sessions, it is typically the most active trading session and this leads to high liquidity / volume and lower pip spreads.

J. Livingston and A. Liguori, eds., Richard Diebenkorn: The Catalogue Raisonné, Volume Four, Catalogue Entries 3762 - 5197, New Haven and London, 2016, p. 350, no. 4568 (illustrated in color).

in 3 → ∞ [Three to Infinity]: New Multiple Art (London: Arts Council of Great Britain and Whitechapel Art Gallery, 1970), 5 — 9; Katerina Vatsella, Édition MAT die Entstehung einer Kunstform: Daniel Spoerri, Karl Gerstner und das Multiple (Bremen: Hauschild, 1998); and Maja Wismer's «One of Many: The Multiples of Joseph Beuys» in this volume.

It features examples of Leighton's early watercolors, posters for the London Transit, and wood engravings for novels by Thomas Hardy as well as volumes on southern and New England country life.

From his precisely gridded works of the 1970s to the three - dimensional panels of the 1980s and his now celebrated Wall of Light paintings from the 1990s, this volume gathers the entire oeuvre of the artist, whose work is held in numerous public collections including the Metropolitan Museum of Art, MoMA, and Solomon R. Guggenheim Museum, New York; the National Gallery of Art, Corcoran Gallery of Art, and Hirshhorn Museum and Sculpture Garden, Washington, DC; Modern Art Museum of Fort Worth, Texas; and the Tate, London.

J. Flam, K. Rogers and T. Clifford, eds., Robert Motherwell, Paintings and Collages, A Catalogue Raisonné 1941 - 1991, Volume Two: Paintings on Canvas and Panel, New Haven and London, 2012, p. 291, no.

2015Re - visions, Anthology Film Archives, New York, NY Avant - Noir, Volume 2, ICA, London Modern Mondays, curated by Thomas Beard, MoMA, New York, NY

Printed in Germany is the second volume in an ambitious series of books developed by Williams in conjunction with his first major museum survey, The Production Line of Happiness, a critically acclaimed exhibition co-organized for 2014 - 2015 by The Art Institute of Chicago with The Museum of Modern Art, New York and Whitechapel Gallery, London.

These books provide fully illustrated guides to the riches of New York and London, and the next volumes will map out Paris, Berlin, Amsterdam and Madrid.

Featuring work by more than 150 artists from over 500 exhibitions staged at Lisson's galleries in London, Milan and New York since 1967, this substantial 1200 - page volume celebrates the legacy and continuing importance of Lisson.

SELECTED PUBLICATIONS: 2017 Sophia and The Boy Who Fell, Author: Traci Brimhall, SeedStar Press, MO 2017 (illustrated) 2016 The Adventures of Joe Harper Outpost 19, CA 2016 The End of Pink, BOA Editions, Rochester, NY (cover) 2015 The Oklahoma Review, Fall / Winter Issue 2015, Cameron University, OK (cover, interior) 2014 Original Bodies, Southern Indian Review, New Harmony, IN (cover and cover design) 2014 Francis Jammes, Pleiades Press, Warrensburg MO (cover) 2014 Textbook of Alternate History, Queens Ferry Press, New York, NY (cover) 2013 Maternal Aesthetics: The Surprise of the Real Volume 5, Issue 2, 2013 Birkbeck University of London (interior) 2013 Kestrel, Fairmont State University, Fairmont WV (cover, interior)

2014 Study from the Human Body, Stephen Friedman Gallery, London, England INSERT 2014: a cultural exploration of Delhi as a landscape for creativity and transformation, Indira Gandhi National Centre for the Arts, India Ruffneck Constructivists, ICA, Philadelphia, Pennsylvania, USA The Drawing Room, Magasin 3, Stockholm, Sweden Surfacing, Goodman Gallery, Cape Town, South Africa Slow Future, Centrum Sztuki Współczesnej Zamek, Poland Michelangelo e il Novecento, Galleria Civica di Modena, Italy The Disappearance of Fireflies, Prison Sainte Anne, Avignon, France And the Trees Set Forth to Seek for a King, Museum of the Seam, Jerusalem, Israel Pace Gems: Selections from the Linda Pace Foundation Permanent Collection, San Antonio, Texas, USA As I Run and Run, Happiness Comes Closer, Hotel Beauburn, Paris, France Paradigm Store, Howick Place, London, England What Marcel Duchamp Taught Me, The Fine Art Society Contemporary, London, England Odd Volumes, Book Art from the Allan Chasanoff Collection, Yale University Art Gallery, New Haven, USA Der Leone Have Sept Cabeças, CRAC, Switzerland One Shot!

Concurrent with Pulse Park Lozano - Hemmer will present a new commissioned work titled Frequency and Volume at the Barbican Art Gallery, London, as well as the solo exhibition Arrays at Haunch of Venison London, followed in November by another major public work titled Under Scan in London's Trafalgar Square.

NEW YORK — The overall volume of Russian art sales at Sotheby's and Christie's London salerooms dipped from year - ago levels, and buyers appeared to balk at aggressive estimates.

Recent and current exhibitions include The Time Domain, a site specific live work, presented during Liverpool Biennal 2016, co-commissioned between Bluecoat School and Liverpool Biennial; 2015: I reached inside myself through time, commissioned for LIAF, Lofoten International Art Festival, Norway, 2014: PROTOTYPES, Limerick City Gallery of Art, Limerick; A Leisure Complex, Collective, Edinburgh; 2013: INTERZONE, The Box, The Wexner Center, Columbus, Ohio; The Face of Something New, Scriptings, Berlin; A Stew of Universals, ZKU, Berlin; 2012: PRECAST, off - site project, London; INTERZONE, Seamus Ennis Center, Fingal, Co Dublin, 2011: The Eyes of Ayn Rand, Performa 11, New York; Another Construction, Irish Museum of Modern Art, Dublin; Space replaced by volume, Granoff Centre for the Arts, Brown University, Providence, Rhode Island.

J. Flam, K. Rogers, and T. Clifford, Robert Motherwell Paintings and Collages, A Catalogue Raisonné, 1941 - 1991, Volume Three: Collages and Paintings on Paper and Paperboard, New Haven and London, 2012, pp. 232 - 233, no.

In what is now being termed London Art Fair week due to the sheer volume of temporary, pop - up, fairs and projects across London town, it was Moniker in their new location within the Truman Brewery that got us properly excited.

Selected group exhibitions include: Love me, Love me not, Collateral exhibition, 55th Venice Biennale (2013); Re: emerge — Towards a New Cultural Cartography, Sharjah Biennial 11 (2013); City States — Makhachkala, Topography of Masculinity, 7th Liverpool Biennial, (2012); Rewriting Worlds, ArtPlay Сentre, The Fourth Moscow Biennale of Contemporary Art, (2011); Greater Caucasus, PERMM Museum of Contemporary Art, Perm (2011); Affirmative Action (Mimesis), Laura Bulian Gallery, Milan (2011); Practice for Everyday Life, Calvert 22, London (2011); and History of Russian Video Art, Volume 3, Moscow Museum of Modern Art (2010).

Longly has recently exhibited We All Love Your Life (2016) at New York's Red Bell Studios, Volume Excess (2015) at Glasgow's Koppe Astner, and GHL (2013) as part of London's Serpentine Park Nights.

advertisement, Michelman Fine Art, New York, April 2008, back cover (illustrated, erroneously titled Wicker Chair) Suzi Villiger, ed., Hans Hofmann Catalogue Raisonné of Paintings, Volume II: 1901 - 1951, London, 2014, no.

Produced on the occasion of the artist's first exhibition at David Zwirner in London, this volume features reproductions of 14 new paintings (the majority of which are portraits of subjects whose disassociated stares suggest the differences between «looking» and «seeing»), as well as preparatory drawings, details and new scholarship by Robert Storr and Hamza Walker.

This slipcased, two - volume set accompanies the most comprehensive overview of Horn's work to date — which opens at Tate Modern in London in February 2009 and then travels to New York's Whitney Museum of American Art in November of that same year — and has been overseen by the artist herself.

Born 1982, Auckland, New Zealand Education 2009 Meisterschule, Städelschule HFBK, Frankfurt am Main 2005 BFA, Elam School of Fine Arts, University of Auckland Solo exhibitions 2018 «Games of Decentralized Life» Galerie Buchholz, Cologne 2018 «The Founder's Paradox», MOCA Museum of Contemporary Art, Cleveland 2017 «The Founder's Paradox», Michael Lett, Auckland 2017 «The Founder's Paradox», Michael Lett, Auckland 2017 «Shenzhen Entrepreneurial Form», Fine Arts, Sydney 2017 «FaaS — Feedback as a Service: Reflecting on messaging, debate and criticality inside a parliamentary discussion on internet governance», Bozar, Brussels 2017 «Simon Denny: Real Mass Entrepreneurship», C2 Space, OCT - LOFT, OCAT Shenzhen 2017 «Hammer Projects: Simon Denny», Hammer Museum, Los Angeles 2016 «Secret Power», Museum of New Zealand Te Papa Tongarewa, Wellington 2016 «Blockchain Future States», Petzel Gallery, New York 2016 «Business Insider», WIELS, Brussels 2015 «Products for Organising», Serpentine Sackler Gallery, London 2015 «Secret Power», New Zealand Pavilion, 56th Venice Biennale 2015 «The Innovator's Dilemma», MoMA PS1, New York 2014 «The Personal Effects of Kim Dotcom», Adam Art Gallery, Victoria University, Wellington 2014 «New Management», Portikus, Frankfurt am Main 2014 «The Personal Effects of Kim Dotcom», Firstsite, Colchester 2014 «TEDxVaduz redux», T293, Rome 2014 «Disruptive Berlin», Galerie Buchholz, Berlin 2013 «The Personal Effects of Kim Dotcom», mumok, Wien 2013 «All You Need is Data — The DLD 2012 Conference REDUX rerun», Petzel Gallery, New York 2013 «All You Need is Data — The DLD 2012 Conference REDUX», Kunstverein München 2012 «Full Participation», Aspen Art Museum, Aspen 2012 «Envisaging Vocational Rehabilitation» (with Joanna Fadyl), Westfälischer Kunstverein, Münster 2011 «Corporate Video Decisions», Friedrich Petzel Gallery 2011 «Corporate Video Decisions», Michael Lett, Auckland 2011 «Cruise Line», NAK Neuer Aachener Kunstverein, Aachen 2011 «Chronic Expectation: CFS / ME Documentary Restoration», T293, Rome 2011 «7 Unreachable Elevators», IMO, Copenhagen 2010 «Negative Headroom: the broadcast signal intrusion incident», Contemporary Art Museum, St. Louis 2010 «Negative Headroom: the broadcast signal intrusion incident», Halle Für Kunst, Lüneburg 2010 «Remote Tutorial: hate poems for travelers», Landings Project Space, Vestfossen 2010 «Introductory logic tutorial video», Artspace, Sydney 2009 «Celebrities» houses at night: a projection», Standard Oslo, Oslo 2009 «Starting from behind», Michael Lett, Auckland 2009 «Deep Sea Vaudeo», Galerie Daniel Buchholz, Cologne 2009 «Watching Videos Dry», T293, Naples 2009 «7 Drunken Videos `, Luettgenmeijer, Berlin 2008 «Aquarium Paintings (with Nick Austin)», Center, Berlin 2008 «Ruined by Sheer Confidence», Caribic Residency, Frankfurt am Main 2008 «Alexandra Bircken / Simon Denny», Ursula Blickle Stiftung, Kraichtal 2008 «Recent Haircuts», Uplands Gallery, Melbourne 2008 «Recent Haircuts», Gambia Castle, Auckland 2007 «Compression Club», Michael Lett, Auckland 2007 «Monthly Cowards», Gambia Castle, Auckland 2007 «Paltry Motion», Dunedin Pubic Art Gallery, Dunedin 2006 «Old Entertainment System», Window, Auckland 2006 «Scape», Art & Industry Biennial, Christchurch 2006 «Old Things», Michael Lett, Auckland 2005» Arranging Sympathies», Volume Series, The Physics Room, Christchurch

While we have not yet seen the full figures, the hires comes after what Workshare says is a record year in 2017, both in terms of the volume and value of sales and client wins, where the London - headquartered company welcomed over 1,000 new customers across its spectrum of product offerings.