Sentences with phrase «london art auction house»

It stars a sexually ravenous sociopath named Judith Rashleigh, who works nights in a champagne bar and during the day as an assistant at a London art auction house — until she's fired after discovering a forged painting.

Not exact matches

Prior to training as a journalist, Arabella spent six years working in the art world, in the rarefied atmosphere of London's leading auction houses, Christie's and Sotheby's, and undertook a short research internship at the Victoria & Albert Museum, where she worked on the redevelopment of the Medieval and Renaissance Galleries collection.

Tom Pugh has a First in Art history and works as a copywriter and speechwriter for a London - based public affairs firm, an international auction house and a Japanese publisher.

With a Bachelor of Arts degree in Music from Exeter University, she initially worked in London for Sotheby's auction house; then in Europe as a cross-cultural communications trainer, living in Germany, Ireland, Italy, Switzerland and Taiwan.

Cueva de El Castillo, Puente Viesgo, Spain Panel of Hands, photo: Pedro Saura Cueva de El Castillo, Panel of Hands, photo: Pedro Saura Cueva de El Castillo, Corridor of Disks, photo: Pedro Saura Hologram, Museo Nacional de Altamira, Santillana del Mar, Spain, photo: Estudio Nómada Inside Conellante, Matienzo, Spain, 2010, photo: Randee Silv El Pendo, entrance, 2010, photo: Randee Silv Pech Merle, Cabrerets, France, photo: Steve Errede, Dept. of Physics, University of Illinois Airbrushing, photo: Don Hitchcock, Don's Maps Finger Flutings, Grotte de Rouffignac, France, photo: Kevin Sharpe & Leslie Van Gelder Untitled, Alice Rahon, 1945, watercolor, 10 x 8», photo: Creighton - Davis GallerY L'Enclume, Wolfgang Paalen, 1952, oil & fumage, 53 x 74», photo: Artsy.net Message, No. 8, Mathias Goeritz, 1959, gold paint, perforated steel, pushpins on board, photo: Arevalo Gallery Conference Poster 1950, Willi Baumeister, Centro de Arte Riena Sofia, Madrid, photo: Randee Silv Altamira, Joan Miró, 1958, lithograph, photo: Quittenbaum Auction House, Munich Joan Miró & Josep Llorens Artigas, Altamira, 1957, photo: Fundación Botín, Santander, Spain Patterns of Aranjuez, 1955, N. H. Stubbing, oil on canvas, 78 x 69 ″, photo: England & Co, London Cave of Black, Herman Cherry, 1954, enamel / coffee grinds on canvas, 61 x49 ″, David Findlay Gallery, photo: Randee Silv Untitled, Denny Winters, 1982, photo: Gamage Auction House, Rockland, Maine Before the Caves, Helen Frankenthaler, 1958, oil on unprimed canvas, 102 x 104 ″, photo: Berkeley Art Museum The Homely Protestant, Robert Motherwell, 1946, oil on masonite, 98 X 48 ″, photo: Metropolitian Museum Cave Study (Perigord Region), Elaine de Kooning 1983, segment, photo: Artvalue.com Lascaux Cave, France, closeup of Megalaceros section, photo: Wikimedia commons Untitled 1963, David Smith, spray enamel on paper, 14 x 19 ″, photo: David Smith Estate Chauvet Cave, Vallon - Pont - d'Arc, France, photo: Dr. Jean Clottes Exhibition poster, Miguel Barceló, Institut Valencià d'Art Modern, 1995 photo: Michel Fillon Gallery, Paris Stages of Trance, photo: David Lewis - Williams, Inside the Neolithic Mind Pareidolia, Conellante Cave, 2010, Matienzo, Spain, photo: Randee Silv Blackness, Conellante Cave, 2010, Matienzo, Spain, photo: Randee Silv

Following the years of war - time austerity and slow post-war recovery, it was not until the 1950's that the growth in London's art galleries and auction houses began to rival those of Paris and shift the focus of the European market for modern art to the British capital.

Fernando Mignoni, a former head of the postwar and contemporary art department at Christie's London auction house, will open a gallery on New York's Upper East Side...

The February auctions in London, held by Christie's, Phillips and Sotheby's, will be closely followed by art insiders and the general public alike: oftentimes auction records are achieved for the top quality works that the auction houses have to compete for.

Today, the auction house announced the Sammlung Lenz Shönberg Collectiong of «Zero Art» as the highlight of the February sales in London.

In other words, while New York and London are still the principal hubs for art galleries and main auction houses, art fairs made art buying a truly international sport.

The Economist summarizes London's Asia week shows and sales as the leading dealers in the Chinese art trade and three major auction houses held strong sales.

Mayfair Art Weekend, in partnership with the Royal Academy of Arts, will see over 60 galleries and auction houses in central London open their doors to the public with a varied programme of talks, tours and other special events.

An interesting auction was held on June 30 at Dreweatts & Bloomsbury auction house in London, where Out of the Box: Contemporary Art Since 1990 took place.

In recognition of the growth in interest, British auction house Bonhams started specialising in contemporary African art in 2007 and saw average prices increase five-fold by 2016 and Sotheby's first - ever Modern and Contemporary Art Sale took place in London in May 2017 and totalled # 2,794,7art in 2007 and saw average prices increase five-fold by 2016 and Sotheby's first - ever Modern and Contemporary Art Sale took place in London in May 2017 and totalled # 2,794,7Art Sale took place in London in May 2017 and totalled # 2,794,750.

The auction house has also announced its first sale of modern and contemporary African art, to be held in its London saleroom next month (16 May), saying there had been «exponential increase in market demand» for this field over the last decade.

While auction houses and dealers continue to petition the Italian government to change the rules, Italian art looks to hold its place in the London art scene into 2015.

In 2007, when London - based moviemakers Christopher Thompson and Alper Cagatay made the decision to «acquire» a piece of art by legendary street artist Banksy — whose Space Girl and Bird sold for $ 575,000 at Bonham's auction house in 2007 — and find a buyer for it, neither of them knew exactly what they were getting into.

Jess Fuller Born 1972, Portland, Maine, US Lives and works in Brooklyn, NY Education University of Iowa, Master of Fin e Arts, Painting, Iowa City, US Boston University, Bachelor of Fine Arts, Painting, Boston, US Solo Exhibitions 2017 Canada, New York, US 2015 Fairy Smoke, Herald St, London, UK Planet without a body, Martos Gallery, New York, US 2012 NADA Miami, Martos Gallery, Miami, US Jellie, organized by Mary Grace Wright, Martos Gallery, New York, US 2011 Washed up and bleached out, organized by Jens Peter Brask, Galleri Tom Christoffersen, Copenhagen, DK Group Exhibitions 2016 Fort Greene, curated by Adrianne Rubenstein, Venus, Los Angeles, US Re-Planetizer, curated by The Pit, Regina Rex, New York, US Inside Out, Berthold Pott Gallery, Cologne, DE 8 Femmes, Office Baroque, Brussels, BE 2015 BFA Boatas, Sao Paulo, BZ Call and Response, Gavin Brown?s Enterprise, New York, US I Can?t Wait to GetOff Work, Bannerette, New York, US 2013 The Fruit Loop, Soloway, New York, US Beach Painting Club, Paddle 8 Silent Auction, NY Limits of Desire, 7 Dunham, New York, US A la Carte, Minimal Art, Shoot The Lobster, New York, US 2012 Temperature, curated by Hillary Doyle and Reid Hitt, Projekt722, New York, US Made with Mustard, East Hampton Shed, East Hampton, US Slowed and Throwed, Chinatown Arcade, New York, US Bred and Fed, organized by Mary Grace Wright, Shoot The Lobster, Iowa City, US The Cat Show, Tomato House, Brooklyn, US Dallas Art Fair, Martos Gallery, New York, US New Traditionalists, organized by Mary Grace Wright, Martos Gallery, New York, US 2011 Text / Image, SOUTHFIRST, Brooklyn, US The Idea of the Thing..., organized by Rachel Uffner, Halsey McKay, East Hampton, US BNA: From Brooklyn to Nashville, ZieherSmith pop - up gallery, Nashville, US Tensile Strength, ZieherSmith, New York, US Monochrome, The Journal Gallery, Brooklyn, US Group Expo, The Armory Show, Canada Gallery, New York, US The Balloon, SOUTHFIRST, Brooklyn, US A PERSON OF COLOR: a mostly orange exhibition, organized by Jose Lerma, The Green Gallery, Milwaukee, US 2010 SALAD DAYS, The Journal Gallery, Brooklyn, US Material Issue and Other Matters, organized by Wallace Whitney and Michael Mahalchick, Canada Gallery, New York, US Selected Press 2015 Steer, Emily,?

Some say 1960; others, like Christie's auction house, say 1970; while the New Museum of Contemporary Art in New York says 1977; and the London Institute of Contemporary Art (established 1947) champions a start date of 1947.

The proceeds of this auction (the Post-War & Contemporary Art Evening Sale in London on 30 June) will help to fund a wing to house a number of James Turrell works.

Born in Switzerland, with galleries and offices in Geneva, New York, and London, Lévy took her first steps at Christie's, having a profound impact on the auction house and art market structures through the setting up of a Private Sales department, then opened a boutique art advisory firm and later co-founded L&M Arts with former Goldman Sachs trader Robert Mnuchin.

Presenting a range of Asian art dealers, auction houses and leading museums, Asian Art in London (AAL) returns on Thursday 2 November 20art dealers, auction houses and leading museums, Asian Art in London (AAL) returns on Thursday 2 November 20Art in London (AAL) returns on Thursday 2 November 2017.

2013 Ugelvig, Jeppe, Frieze London Interview with Petra Cortright, DIS magazine, October 22 Urquhart, Robert, «The Passion of Petra Cortright,» The Creators Project, October 22 Vasey, George, «Self 2 Selfie,» Art Monthly, November, No. 371 Moulon, Dominique, «Lyon Biennial and Then,» MediaArtDesign.net, November Maloney, Jennifer, «Auction House Phillips Enters the Digital Age,» Wall Street Journal, September Williams, Maxwell, «For Petra Cortright, the Web Is the Ultimate Canvas,» The New York Times Style Magazine, November 8 Galperina, Marina, «Frieze Art Film's Petra Cortright Experiment: Fall in Love Here,» Animal New York, October 21 Schildhause, Chloe, «A Demonstration in Artistic Onus,» Flaunt Magazine, October 25

Fernando Mignoni, a former head of the postwar and contemporary art department at Christie's London auction house, will open a gallery on New York's Upper East Side on October 31, Nate Freeman of Artnews reports.

2011 Postcards from the Edge, CRG Gallery, New York, US Litos Grafere, Danish Art Center Silkeborg Bad, Silkeborg, DE; Museum of Stavanger, NO Freeriding, East / West Galleries, Woman's University, Denton, Texas, US Sculpture in So Many Words: Text Pieces 1960 - 75, Ziehersmith, New York, US Intrusions, Galerie Michèle Chomette, Paris, FR Compagni Di Viaggio - Traveling Companions, Mestna Galerija Ljubliana, SI L'Insoutenable Légéreté de L'Être, Yvon Lambert, VIP Art Fair, Online Art Fair, New York, US Box is a Box is a Box, Librairie Florence Loewy, Paris, FR Drawn / Taped / Burned Abstraction on Paper, Kotonah Museum of Art, Kotonah, New York, US As Long as it Lasts, Galerie Sonja Junkers, Munich, DE Works from the Pentti Kouri Collection, Tracy Williams Ltd, New York, US Picasso: Guitars 1912 - 1914, Museum of Modern Art (MoMA), New York, US Berlin International Film Festival, various theaters around Potsdamer Platz, Berlin, DE Observadores - Revelaҫões, Trânsitos e Distâncias, Museu Colecção Berardo, Lisbon, PT Market Art Fair, The Royal Swedish Academy of Fine Arts, Stockholm, SE Feuille à Feuille, Musée de Vence, FR TextVideo / Female: Art after 60's, PKM Gallery, Seoul, KR Topography / Topography, Brooke Alexander Editions, New York, US Bidoun Project, Mercer Street, New York, US Temporary Stedelijk 2 - Making Histories: Changing Views of the Collection, The Temporary Stedelijk at the Stedelijk Museum, Amsterdam, NL Push Pull, Rijksmuseum, Amsterdam, NL Bild / Objekt: Neuere Amerikanische Kunst aus der Sammlung, Kunstmuseum Winterthur, Winterthur, CH Tod's Art Plus Drama Party 2011, Whitechapel Gallery, London, UK Shelf Ramp Wedge Bridge, Fitzroy Gallery, New York, US CLAP, Hessel Museum of Art, Annandale - on - Hudson, New York, US 100 Briques Pour Madagascar Œuvres Contemporaines, Hotel Marcel Dassault, Paris, FR Bomb 30th Anniversary Gala and Silent Auction, Capitale, New York, US Benefit Auction from the Icelandic Wetlands, The Culture House, Reykjavik, IS Locations, Paula Cooper Gallery, New York, US As Long as it Lasts, Arratia, Beer Gallery, Berlin, DE After Hours: Murals on the Bowery, Festival of Ideas for a New City, New Museum and Art Production Fund, New York, US A Place to Which We Can Come, St. Cecilia Convent, Brooklyn, New York, US The End of Money, Witte de With, Rotterdam, NL Designing the Whitney of the Future, Hurst Gallery, Whitney Museum of American Art, New York, US Hong Kong International Art Fair, Hong Kong Convention and Exhibition Center, Hong Kong, CN Made in Italy, Gagosian Gallery, Rome, IT Jeff Wall The Crooked Path, Center for Fine Arts, Brussels, BE Through the Warp, Regina Rex, Ridgewood, New York, US Interloqui, National Glass Center, The University of Sunderland, Sunderland, UK Personal Structures, Palazzo Bembo, Venice, IT Arte in Movimento, La Galleria, Venice, IT Middle Age, Leo Castelli Gallery, New York, US Brooke Alexander Editions, Helga Maria Klosterfelde Edition, Berlin, DE Void if Removed: Concrete Erudition 4, Le Plateau - Fonds Régional d'art Contemporaind «Ile - de-France, Paris, FR As Far as the Eye Can See, The Field Sculpture Park, Omi International Art Center, Ghent, New York, US 20 Jahre Gegenwart, Museum für Moderne Kunst (MMK), Frankfurt am Main, DE Anarchism Without Adjectives: On the Work of Christopher D'Arcangelo, 1975 - 1979, Centre d'Art Contemporain de Brétigny, Brétigny, FR Play Time, Lieu D'art Contemporain, Sigean, FR Plot: Plan: Process Works on Paper from the 1960's to Now, Leslie Tonkonow, New York, US Distant Star / Estrella Distante, Regen Projects, Los Angeles, US 15 Minutes Homage to Andy Warhol, Pollock - Krasner House and Study Center, East Hampton, New York, US Seoul International New Media Festival, various cinemas in Seoul, KR Art = Text = Art: Works by Contemporary Artists, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Henrico, US Melanchotopia, Witte de With, Rotterdam, NL Belvedere.

The auction house's London evening sale of Impressionist and modern art on June 22, the eve of the historic Brexit vote, totaled 25.6 million pounds, its smallest tally for a major evening sale in the category in more than a decade.

When it first launched in 2003, Frieze was a lone ranger in the calendar, but the week's festivities have extended over time to include numerous other fairs, such as PAD London, 1:54 Contemporary African Art Fair, and Frieze Masters, not to mention the major sales at the international auction houses.

Renfrew will be returning to Bonhams where he worked for seven years and helped set up the auction house's first London Contemporary Asian Art sale in 2006.

Sotheby's Christie's and Phillips produce healthy results This week has been an important one for the art market, with London's leading auction houses all hosting major contemporary art sales to coincide with Frieze week.

But in what has been described as a «sensational development», Sotheby's — the highest value auction house for contemporary art sales in London — has said German postwar masters are now defining the scene.

EARLY NEXT MONTH, major auction houses in New York and London are holding post-war and contemporary art sales.

Next stop on our Quest for Art is a trip to world famous auction house Sotheby's in London for a fascinating look behind the scenes at a major auction.

Damien Hirst's formaldehyde fish and Piero Manzoni's white canvas were among the top purchases during Frieze Week in London as the auction houses sold 231.2 million pounds ($ 373 million) of art.

Interest in contemporary Asian art has been building among collectors worldwide, prompting auction houses to expand their sales of such works in New York, London, Hong Kong and elsewhere.

In a file picture taken on January 30, 2014 a gallery assistant looks at Juan Gris's «Nature mort a la nappe a carreaux» (1915) during a press call for the «Impressionist, Modern and Surrealist Art» sale at Christie's auction house in London.

Christie's London Evening Auction of Post-War & Contemporary Art Realises # 132.8 m / $ 207.3 m / $ 165.8 m - The Highest Ever Result for the Category at any Auction House in Europe Yves Klein's Le Rose du bleu sells for # 23.5 M ($ 36.7 M / $ 29.4 M) A new world record for a French post-war artist at auction 4 lots sold above # 10 million / 5 lots sold above $ 10 Auction of Post-War & Contemporary Art Realises # 132.8 m / $ 207.3 m / $ 165.8 m - The Highest Ever Result for the Category at any Auction House in Europe Yves Klein's Le Rose du bleu sells for # 23.5 M ($ 36.7 M / $ 29.4 M) A new world record for a French post-war artist at auction 4 lots sold above # 10 million / 5 lots sold above $ 10 Auction House in Europe Yves Klein's Le Rose du bleu sells for # 23.5 M ($ 36.7 M / $ 29.4 M) A new world record for a French post-war artist at auction 4 lots sold above # 10 million / 5 lots sold above $ 10 auction 4 lots sold above # 10 million / 5 lots sold above $ 10 million

Noël Annesley, Honorary Chairman, Christie's Fine Art, London, began his career at Christie's auction house in London in 1964 and has followed the market in old master drawings for over half a century, witnessing its highs and lows and once - in - a-lifetime opportunities.

David has particular experience in art litigation and related jurisdictional disputes, including the standard terms and conditions of all the major auction houses and London art dealers.

Supported by Christie's art auction house, the company has offices in London, New York, Hong Kong, Moscow, Los Angeles, and Palm Beach, and approximately 140 global Affiliates in 46 countries.