Sentences with phrase «london gallery going»

«I tried my best to keep it going but, in the end, I had to close it to keep the London gallery going.»

Some pictures will be familiar to London gallery goers but there are more than enough unfamiliar ones to make a visit worthwhile.

Not exact matches

«Dating In London» - it's the title of the site.The most important text on the main page - «Meet Single Londoners today», «Speed Dating London», «Dating Direct London», «Welcome to Dating in London», «Meet Older Women in London», «Take a date to a London Art Gallery», «5 places to go for a date in London», «Dating In London», «Online Dating Guide», «Which is the best London Dating website?».

Starting tomorrow, fifty of his works will go on public display at London's Gallery 27 in Mayfair, the first British exhibition of his work; on March 3, they will move to the Dome in Edinburgh for four days.

But now some of the director's sexually charged images of women, including blindfolded girls, an abstract nude and Kate Moss descending a staircase in suspenders, are going on show in «Best of British», at London's Little Black Gallery, alongside pictures by Terence Donovan, Terry O'Neill, Patrick Lichfield and Bob Carlos Clarke.

If you ever go to London on a school trip related to Spanish, you can always go to the National Gallery (rooms 39 and 30) to see the paintings of Goya, Murillo and Velázquez.

If you want to discover her work in the flesh, then go visit London's Atlas Gallery from 2 October until 21 November 2015 where she'll be exhibiting her series for the first time.

New Blood will be an exhibition at Milk Gallery, New York from 13 April — 8 May 2016 before going on display at Magnum Print Room, London from 25 May - 29 July 2016.

Recent exhibitions include Swipe, Pilar Corrias, London (2015); I am here but you've gone, curated by Milovan Farronato with Stella Bottai, Fiorucci Art Trust, London (2015); Panda Sex, curated by Tom Morton, State of Concept, Athens (2014); New order II: British art today, Saatchi Gallery, London (2014); Consommé, Kinman, London (2013); Open Heart Surgery at The Moving Museum, London (2013); Temple Bar in Dublin (2012); and New Contemporaries, UK (2009).

«Pose and Sculpture,» curated by Daniel Baumann, Casey Kaplan, New York, NY, June 30 — August 4, 2006 «Two or Three or Something: Maria Lassnig, Liz Larner,» Kunsthaus Graz, February 4 — May 7, 2006 «Whitney Biennial 2006: Day for Night,» Whitney Museum of American Art, New York, NY, March 2 - May 28, 2006 «Gone Formalism,» Institute of Contemporary Art at the University of Pennsylvania, Pittsburg, January 21 — March 26, 2006 2005 «Extreme Abstraction,» curated by Louis Grachos and Claire Schneider, Albright Knox Art Gallery, Buffalo, NY, July 15 — October 2, 2005, catalogue «The The,» curated by Stuart Shave, Modern Art, London, July 8 — August 7, 2005 «The Meeting,» curated by Kathryn Andrews, Center for the Arts of Eagle Rock, Los Angeles, CA, May 27 — July 2, 2005 2004 «Showdown,» curated by Kimberli Meyer and Fritz Haeg, Schindler House, Los Angeles, October 22 — 23, 2004 «Full House,» curated by David Pagel, East Gallery, Claremont Graduate University, Claremont, CA, August 16 - September 10, 2004 «100 Artist See God,» curated by John Baldessari and Meg Cranston, The Jewish Museum San Francisco, March 7 — June 27, 2004; Laguna Art Museum, Laguna Beach, CA, July 25 — October 3, 2004; Institute of Contemporary Art, London, England, November 19, 2004 — January 9, 2005; Contemporary Art Center of Virginia, Virginia Beach, Virginia, June 9 — September 4, 2005, catalogue «The Thought that Counts,» curated by Jason Meadows, Sister Gallery, Los Angeles, CA 2003 «Inaugural Exhibition,» Regen Projects, Los Angeles, CA, January 25 - March 8 «Within Hours We Would Be in the Middle of Nowhere,» 303 Gallery, New York, NY, July 19 — August 29, 2003 neugerriemschneider, Berlin, Germany «Popstraction,» curated by Paola Antonelli, curator of Architecture and Design at MOMA and independent curator and writer, Eungie Joo, Deitch Projects, New York, NY, catalogue «Imagination: Perception in Art,» curated by Peter Pakesch and Martin Prinzhorn, Kunsthaus Graz, Graz, Austria, October 25, 2003 — January 18, 2004, catalogue Tanya Bonakdar Gallery, New York, NY, November 20, 2003 — January 10, 2004 2002

Recently, «Kara Walker: Go to Hell or Atlanta, Whichever Comes First» was published to coincide with her fall 2015 show at Victoria Miro Gallery in London.

There are enough other cinematic influences in the video — including the theories of Francis Ford Coppola's famed editor, Walter Murch, whom Rose interviewed at London's Serpentine Gallery during her solo show there earlier this year — that later on, in the fray of the Stella opening, I turned to her and asked, «So when are you going to make your feature film?»

The painting is one of several new works going on display for the first time at the David Zwirner gallery in London.

2014 Herland, 60 Wall Gallery, New York, NY Go With The Flow, The Hole, New York, NY Abstract America Today, Saatchi Gallery, London, UK Wanton Mobility, curated by Arielle Bier, Klemm's, Berlin, Germany Shakti, Brand New Gallery, Milan, Italy 2014 Invitational Exhibition of Visual Arts, Academy of Arts & Letters, New York, NY Outside The Lines, CAMH, Houston, TX

Art Basel Miami Beach, with GAVLAK Los Angeles / Palm Beach, Miami, FL (catalogue) Ten Year Anniversary Show, Gavlak, Palm Beach, FL and Los Angeles, CA Re (a) d, curated by Ryan Steadman, Nathalie Karg Gallery, New York, NY The Valentine's Day Cardiovascular, Geoffrey Young Gallery, Great Barrington, MA Puente, KINMAN, London, UK 2014 The Go Between: Selections from the Ernesto Esposito Collection, Museo di Capodimonte, Naples, Italy Art Basel Miami Beach, Gavlak booth, Miami Beach, FL 100 Painters of Tomorrow: New York Exhibition, One Art Space, New York, NY Inaugural Exhibition, Gavlak, Los Angeles, CA The Armory Show, Gavlak Booth, Pier 94, New York NY Painting: A Love Story, Contemporary Arts Museum Houston, Houston, TX (catalogue) 2013 Art Basel Miami Beach, Gavlak Booth, Miami Beach, FL (catalogue) This is the Story of America, Brand New Gallery, Milan, Italy Rema Hort Mann Foundation LA Arts Initiative Auction, Hannah Hoffman Gallery, Los Angeles, CA Acid Summer, Curated by Matthew Craven, DCKT Contemporary, New York, NY All Fucking Summer, Gavlak, Palm Beach, FL Whitney Museum Art Party Benefit Auction, Whitney Museum of American Art, New York, NY MiArt2013, Gavlak Booth, Milan, Italy The Armory Show, Focus: USA, Gavlak Booth # 908, New York, NY (catalogue) Art Rotterdam, Office Baroque Gallery, Rotterdam, Netherlands My Echo, My Shadow, Gavlak, Palm Beach, FL 39 Great Jones, Galerie Eva Presenhuber, Zurich (catalogue) 239 Days, School of Visual Arts MFA Alumni Show, Allegra LaViola Gallery, New York, NY 2012 News From Chicago and New York City, Curated by Henning Strassburger, Fiebach Minninger, Cologne, Germany Time, After Time, Curated by ARTNESIA, Ronchini Gallery, London, UK (catalogue) SUNY New Paltz Alumni Show, Dosky Projects, Long Island City, NY What's the Point, Jen Bekman Gallery, New York, NY It's a Small, Small World, Curated by Marilyn Minter and Organized by Hennessy Youngman, Family Business, New York, NY The Virgins Show, Curated by Marilyn Minter, Family Business, New York, NY Just the Tip, SVA MFA Fine Arts Thesis Exhibition, Organized in Collaboration with Mike Egan, Visual Arts Gallery, New York, NY (catalogue) 2011 MFA Fine Arts Fall Open Studios, School of Visual Arts, New York, NY Sentimental Education, Gavlak, Palm Beach, FL Things Fall Apart, Curated by Asya Geisberg, Visual Arts Gallery, New York, NY Abstract Means, Curated by Richard Brooks, Visual Arts Gallery, New York, NY MFA Fine Arts Spring Open Studios, School of Visual Arts, New York, NY Celebrating 15 Years: Young Artists at Heckscher, Heckscher Museum of Art, Huntington, NY College Art Association New York MFA Exhibition, Hunter College / Times Square Gallery, New York, NY Vuu Collective W / S 2011 Show, K&K Gallery, Brooklyn, NY 2010 MFA Fine Arts Winter Open Studios, School of Visual Arts, New York, NY Emerge to be Seen, Westside Gallery, New York, NY Marks That Matter, Juried by Gillian Jagger, Muroff Kotler Visual Arts Gallery, SUNY Ulster, Stone Ridge, NY The New, Art (That Matters), Oyster Bay, NY New York Art & Culture Exhibition Series, Albany International Airport, Albany, NY 2009 No Girls Allowed: BFA Thesis Exhibition, Samuel Dorsky Museum of Art, SUNY New Paltz, New Paltz, NY Best of Show: 2009 Best of SUNY Exhibition, State University Plaza, Albany, NY 2008 Crit 3: Work from Students and Alumni of SUNY New Paltz, Curated by Kathy Goodell, Spencertown Art Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley Art Gallery, New Paltz, NY Three, Smiley Art Gallery, New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler, Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor, organized by Grey Area COLLECTIONS Norton Museum of Art, West Palm Beach, FL AWARDS AND HONORS 2015 Painting Fellowship, New York Foundation for the Arts

2015 Resilience Lab a 6 - month public program, with Cabot Institute, commissioned by Aldo Rinaldi and Tessa Fitzjohn, Bristol public art programme Alterations Studio, 2 - month public program, commissioned by PEER Gallery, London 2014 What Survives The Storm, performative consultation, Sceaux Gardens Estate, commissioned by South London Gallery Local 2013 yörük, temporary settlement and performance program, commissioned by Hackney WicKED Arts festival, London «What we are doing is groundbreaking», The Walworth Archive, re-enacting the Elephant and Castle master - plan as a series of public performances, commissioned by UCL Urban Lab and Elephant and Castle neighbourhood Forum 2012 Elasticity, performance and video works commissioned by The Wick Award, Hackney Wick, London 2008 - 2016 FreeSpace on - going project based on Wenlock Barn Estate London.

Hirst was awarded the prize for his curatorship of, and contribution to, «Some Went Mad, Some Ran Away» (Serpentine Gallery, London, 1994), as well as for presentations of his work in the UK and abroad.

2016 Making and Unmaking curated by Duro Olowu, Camden Arts Centre, London, UK 30 Americans, Cincinnati Art Museum, Ohio, USA Remix, Columbia Museum of Art, Columbia, South Carolina, USA You go to my head, Galerie Templon, Paris, France The Human Form, Berggruen Gallery, San Francisco, California, USA A Material Legacy: The Nancy A. Nasher and David J. Haemseigger Collection of Contemporary Art, Princeton University Art Museum, Princeton, New Jersey, USA Framing Beauty, The Grundwald Gallery, Bloomington, Indiana Turn the Page, Virginia Museum of Contemporary Art, Virginia Beach, Virginia Versus Rodin: Bodies across space and time, The Art Gallery of South Australia, Adelaide, Australia

I went to the National Gallery in London so many times, which is just so good.

«Rachel is as familiar with computers as she is with a paintbrush, and if you visit her in her studio she's literally going back and forth between them,» says curator and critic Ryan Steadman, who displayed her work in «Trust Issues,» a group show at London's Ronchini Gallery last year.

This East London gallery's stand just looks like a mess, or as if a bomb went off in a studio with clutter everywhere and artworks on the floor, on the table and hanging off the walls.

You can see Tyler Shield's Submerged exhibition until the 9th Novermber at Imitate Modern's urban contemporary gallery space at 27a Devonshire Street, London, W1G 6PN for more information go to — imitatemodern.com/exhibitions/tyler-shields-submerged /

The work has gone on public display for the first time at the Saatchi Gallery in London, part of an exhibition bringing together 16 chess sets made over the past decade by contemporary artists, including Tracey Emin, Gavin Turk and Rachel Whiteread.

The first exhibition of portraits by Hodgkin, Absent Friends, will go on show at the National Portrait Gallery, London from 23 March — 18 June 2017.

Recent exhibitions includeSwipe, Pilar Corrias, London (2015); I am here but you've gone, curated by Milovan Farronato with Stella Bottai, Fiorucci Art Trust, London (2015); Panda Sex, curated by Tom Morton, State of Concept, Athens (2014); New order II: British art today, Saatchi Gallery, London (2014); Consommé, Kinman, London (2013); Open Heart Surgery at The Moving Museum, London (2013); Temple Bar in Dublin (2012); and New Contemporaries, UK (2009).

Royal Academy to create new gallery and awards for architecture British entrepreneur Lloyd Dorfman has donated an undisclosed seven - figure sum to London's Royal Academy of Art, which will go towards the creation of two international prizes and a new gallery for architecture in the museum's Burlington Gardens building, which is currently undergoing a renovation by David Chipperfield.

Selected forthcoming and recent group exhibitions include The Painting Show, British Council Touring Exhibition; Electronic Superhighway 2016 — 1966,, Whitechapel Gallery, London; Celia Hempton, Mendes Wood DM, São Paulo, (2016); The Ultimate Vessel, Koppe Astner, Glasgow; fig - 2 25/50 in collaboration with Prem Sahib and Cecilia Bengolea, ICA Studio, London; I'm here but you've gone, Fiorucci Art Trust, London; The Chic and the Borderline, DRAF Istanbul, Grand Hotel de Londres, Istanbul,; La femme de trente ans, Galerie Art: Concept, Paris; Odradek, Instants Chavirés, Montreuil (2015); Tomorrow: London, South London Gallery, London; Burning Down The House, Gwangju Biennale; Pontoon Lip with Katie Cuddon, Cell Project Space, London (2014) and Abstract Cabinet, David Roberts Art Foundation, London, (2013).

In 2005, Raho was commissioned to create a portrait of Dame Judi Dench for the National Portrait Gallery, London and has since gone on to create portraits of musician Bryan Ferry, artists Michael Craig - Martin and Alex Katz and the American Ambassador to the United Kingdom.

20:50, the oily work by Richard Wilson will leave the Saatchi Gallery in London, and head for David Walsh's museum in Tasmania — but the work may go on a world tour first The Australian collector David Walsh has bought the oil installation 20:50 by the UK sculptor Wilson.

Everything is going to be alright, Elizabeth Cherry Gallery, curated by Bob Nickas, Tucson, Arizona, USA Fresh: Recent Acquisitions, Albright - Knox Art Gallery, Buffalo, New York, USA Works on Paper From Acconci to Zittel, Victoria Miro Gallery, London, England Next Wave Prints v. 2.0, Elias Fine Art, Allston, Massachusetts, USA New Paintings, Wayne Gonzales, Jacqueline Humphries, Jonathan Lasker, Blake Rayne, Dan Walsh, Kevin Bruk Gallery, Miami, USA 2000 Drawings & Photographs, Matthew Marks Gallery, New York, USA What's So Funny About Color, Elias Fine Art, Boston, USA Glee: Painting Now, The Aldrich Museum of Contemporary Art, Ridgefield, CT Palm Beach Institute of Contemporary Art, Organized by Amy Cappellazzo and Jessica Hough), Florida, USA PICT: Digital Image Painting, Banff Centre for the Arts, curated by Yvonne Force and Carmen Zita) Alberta, Canada Paula Cooper Gallery, New York, with R. Grosvenor, R. Lichtenstein, R. McBride and D. Walsh, Tomio Koyama Gallery, Tokyo, Japan Hex Enduction Hour, Team Gallery, New York, USA (Curated by Bob Nickas)(212), Gary Tatintsian Gallery, New York (Organized by Irena Popiashvili, catalogue with essay by Christine Kim) Bit By Bit: Painting & Digital Culture, Numark Gallery, Washington, USA 1999 Sweet & Sour, Galerie Art & Public, Geneva, Switzerland Digital Sites, Numark Gallery, Washington, USA 1998 Brite Magic, Islip Art Museum, East Islip, New York, USA (Curated by Carolanna Parlatto) 1997 Diamond Dogs, Team Gallery, New York, USA Super Body, Tomio Koyama Gallery, Tokyo, Japan 1996 Face and Figure in Contemporary Art, Museum of Fine Arts, Boston, USA AbFab, Feature, New York, USA Mutate / Loving the New Flesh, Lauren Wittels Gallery, New York, USA (Curated by Michael Cohen) Supastore de Luxe, UP & Co., New York, USA (Curated by Sarah Staton)

Her work has been included in group exhibitions such as «SoundSpill,» Zabludowicz Collection, New York (2013), «With the Tip of a Hat,» the Artist's Institute, New York (2012), «Novel,» a screening for Time Again hosted by the Sculpture Center, New York (2011), «Outrageous Fortune: artists remake the Tarot,» Hayward Touring / Focal Point Gallery, Southend (2011), and «The Great White Way Goes Black,» Vilma Gold, London (2011).

From Friday, some 36 drawings and paintings dating from 1977 — 1992 will go on view in his London gallery priced from # 40,000 to # 4 million.

Major solo presentations include a forthcoming exhibition at Garage Museum of Contemporary Art, Moscow (2018); Go - Sees, Bubenreuth kids and a Fairytale about a King... Alison Jacques Gallery, London (2017); Juergen Teller x Vivienne Westwood, Vivienne Westwood showroom (2017); Enjoy Your Life!

THE LAST WORD «The sale went well with some hiccups,» said Thaddaeus Ropac, a dealer with galleries in Salzburg, Paris and London.

The works go on view today at Timothy Taylor gallery in London, marking the 79 - year - old artist's first solo exhibition in the UK.

As the RA prepares for a major exhibition of Russian art, we go behind the scenes at Moscow's State Tretyakov Gallery to discover a seldom - seen painting that will be making the trip to London.

The artist — popular both within and beyond the art world for his darkly subversive, laugh - out - loud drawings and sculptures — takes his place alongside Tino Sehgal, whose Tate Modern Turbine Hall piece last summer saw performers talking to gallery - goers, telling them intimate stories from their own lives; Laure Prouvost, the French - born, London - based maker of warmly mischievous installations and films; and Lynette Yiadom - Boakye, whose apparently traditional portraits of ordinary sitters turn out to be fabrications drawn from her own imagination.

2014The Go Between, curated by Eugenio Viola, Museo di Capodimonte, Naples and Sprovieri, London Oliver Osborne, Emanuel Röhss, Max Ruf, Kostyál, London Everything Falls Faster Than An Anvil, Pace Gallery, London Frauen, Die Ausstellung, Autocenter, Berlin New Order: British Art Today II, Saatchi Gallery, London Bloody English, OHWOW, Los Angeles

Nicolas Poussin's Extreme Unction has gone on show at the National Gallery, London, as the fundraising campaign to keep it on public display gathers momentum.

in Art News, vol.81, no. 1, January 1982 (review of John Moores Liverpool Exhibition), The Observer, 12 December 1982; «English Expressionism» (review of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Expert.

Solo exhibitions include «the wet wet wanderer», as part of «Para Fiction», Witte de With Center for Contemporary Art, Rotterdam, The Netherlands (2017); «softer and rounder so as to shine through your smooth marble», SALT Galata, Istanbul, Turkey (2017); «And she will say: hi her, ailleurs, to higher grounds...», Kunstmuseum Luzern, Switzerland (2016); «GDM — Grand Dad's Visitor Center», Pirelli HangarBicocca, Milan, Italy (2016); «all behind, we'll go deeper, deep down and she will say,» Museum Für Moderne Kunst Frankfurt Am Main, Frankfurt, Germany (2016); «Into All That is Here», Red Brick Art Museum, Beijing, China (2016); «we would be floating away from the dirty past», Haus Der Kunst, Munich, Germany (2015); «For Forgetting», New Museum, New York, NY, USA (2014); «While You Weren't Looking», Laboratorio Arte Alameda, Mexico City, Mexico (2014); Max Mara Art Prize for Women, Whitechapel Gallery, London, UK and Collezione Maramotti, Reggio Emilia, Italy (2013); «Laure Prouvost / Adam Chodzko» as part of «Schwitters in Britain», Tate Britain, London, UK (2013); The Hepworth Wakefield, Wakefield, UK (2012); and «All These Things Think Link», Flat Time House, London, UK.

He comments, «The turning point to want to be an artist was during one of my first visits to London; I went to see the exhibition The Triumph of Painting at the old Saatchi Gallery, which at the time was showing works by Martin Kippenberger, Peter Doig, Franz Ackermann and Marlene Dumas.»

The artists included in Go Figure, have collectively exhibited internationally at venues such as Deste Foundation Center for Contemporary Art in Athens, Greece, El Museo de Barrio in New York, Weatherspoon Museum, NC, Andrea Rosen Gallery, NY, Bellweather, NY, Roebling Hall, Tate Modern, London, PS1, NY, The Brooklyn Musuem, MOMA, Mexico City, The Whitney Museum of American Art, Musée D'art Contemporain in Montréal among others.

«This major exhibition of Schnabel's recent paintings from the last ten years is the first museum exhibition in the United States since 1987 when Nicholas Serota, director of the Tate Modern, and Dominique Bozo, then president of the Centre Pompidou, curated a traveling exhibition that went from: Whitechapel Gallery, London, Centre Georges Pompidou, Paris, Kunsthalle Dusseldorf, Dusseldorf, Whitney Museum of American Art, New York, San Francisco Museum of Modern Art, San Francisco and ended up at the Museum of Fine Arts in Houston, Texas where Schnabel once lived as a young painter.

Exhibitions include solo show: Excavations in Space and Time, Norden Farm Centre for the Arts, Maidenhead (2009); Group shows: Postgraduate Printmaking in London, Clifford Chance, London (2010); Postgraduate Exhibition, Atkinson Gallery, Millfield (2011); Spirit Level, Go Modern, London (2011); Jerwood Drawing Prize, Jerwood Space, London (2012).

A selection of works from Pallant House Gallery in Chichester, including several acquired with Art Fund support, will go on display as part of a unique exhibition at this year's London Art Fair.

Beginning in the 1920s, Kertész's work would go on to be shown in numerous exhibitions such as the Brooklyn Museum, New York; Royal Photographic Society of Great Britain, London; International Center for Photography, New York; National Gallery of Art, Washington D.C.; Museum of Modern Art, New York; Art Institute of Chicago; Bibliothèque National, Paris; Hungarian National Gallery, Budapest; Musée National d'Art Moderne du Centre George Pompidou, Paris; The Getty Center, Los Angeles; and the Metropolitan Museum of Art, New York.

Lynette Yiadom Boakye won the Prize in 2012, before going on to be shortlisted for the Turner Prize and have a highly successful solo show at the Serpentine Gallery in London.

Next week sees another retrospective show: his 1980s works, excluded from Tate's 2008 mid-career survey, go on show at London's Michael Werner Gallery.

Beautiful but mutilated images of rural America by some of the most famous photographers of the 20th century will soon go on display for the first time at the Whitechapel gallery in London.