Sentences with phrase «london gallery system»

Not exact matches

2013 Paper, Saatchi Gallery, London, United Kingdom (catalogue) The System of Objects, Curated by Andreas Angelidakis, Deste Foundation, Athens, Greece (catalogue) 19516 Kilometers from Milwaukee, Misako & Rosen, Tokyo, Japan On Painting Centro Atlantico de Arte Moderno, Gran Palma, Canarias, Spain (catalogue) Cabinet of Threads, Galerie Van Horn, Dusseldorf, Germany Tandem Press: 25 Years Chazen Museum of Art, Madison, WI (catalogue) Museo Segovia Lobillo, Malaga, Spain (catalogue) Impresiones Relieves y Resonacias, University of Puerto Rico, Cayey, PR Swamp Edgar Allan Poe, Park Center, Bronx, NY, Curated by Kari Adelaide O te Peinas o te Haces Rolos, La Productora Santurce, PR Pushing It; Innovative Approaches in Printmaking, Dean Jensen Gallery, Milwaukee, WI

ARTNEWS: It's a Corrupt System and It's Becoming More Corrupt»: The Guerrilla Girls Arrive at the Whitechapel Gallery in London 09/30/2016

Amie Siegel, analysis, archaeology, art, artefact, cinematic, collection, cultural ownership, culture, desire, excavation, exhibition, fetish, film, history, installation, labour, luxury, material, meaning, Moving Image, narrative, object, objecthood, ownership, performance, photography, projection, property, representation, ritual, simulation, South London Gallery, speculative, value, value system, video

Sarah Lucas and Tracy Emin's 1993 Shop on London's Brick Lane allowed the artists to produce and sell their work outside of the gallery system, as if from a tourist's souvenir stand.

Previous solo and group exhibitions include: Situations, You Space and Extra Space, Shenzhen (2018); Documenta 14, Athens and Kassel (2017); Shut Up and Paint, National Gallery of Victoria, Melbourne (2016); Cher (e) s Ami (e) s, Centre Pompidou, Paris (2016); The Same Old Fucking Story, Rodeo, London (2016); Tightrope Walk: Painted Images After Abstraction, White Cube, London (2015); Unrealism, The Moore Building, Miami (2015); Burning Down the House, 10th Gwangju Biennale, Gwangju (2014); This is Not my Beautiful House, Kunsthalle Athena, Athens (2014); Everyday a Stage, Rodeo, Istanbul (2014); System of Objects, DESTE Foundation, Athens (2013); Apostolos Georgiou.

Needless to say, the scope here is broad — «If you work in digital you are also getting paid to curate», the author states at one point — and perhaps in the case of the author's analysis of artworld systems a bit too broad (anyone who thinks, like the author, that David Zwirner's London townhouse gallery is «reminiscent» of a kunsthalle simply hasn't been to many kunsthalles).

Her research into belief systems and ethnographic collections informs her practice, notably her installation about one of the first large uprisings on the African continent, Rumours that Maji was a lie... (2014), first shown at the Jeu de Paume in Paris last year, and later developed as a new project, Kinjeketile Suite, which was exhibited this year at the South London Gallery.

Dara Birnbaum, Tiananmen Square: Break - In Transmission, 1990 Five - channel color video, four - channel stereo sound, surveillance switcher and custom - designed support system, Dimensions variable Installation view at S.M.A.K. - Stedelijk Museum voor Actuele Kunst, Ghent, 2009 Courtesy of the Artist and Marian Goodman Gallery, New York / Paris / London Photo credit and Copyright: Dara Birnbaum

Not only did the Saatchi Gallery encourage a new generation of artists to start promoting their work outside the recognised gallery system, but it also raised the bar for contemporary art across Gallery encourage a new generation of artists to start promoting their work outside the recognised gallery system, but it also raised the bar for contemporary art across gallery system, but it also raised the bar for contemporary art across London.

Ten exhibitions on through October you don't want to miss: Prospect.3, New Orleans; Mariana Castillo Deball at Hamburger Bahnhof, Berlin; Tony Conrad at Inverleith House, Edinburgh; David Altmejd at Musée d'Art Moderne de la Ville de Paris; Puddle, Pothole, Portal at SculptureCenter, New York; Martin Soto Climent at T293, Rome; Stephen Shore at 303 Gallery, New York; Korakrit Arunanondchai at Carlos / Ishikawa, London; Will Boone at Jonathan Viner, London; One Million Years — System and Symptom at Kunstmuseum Basel.

Recent projects include Cosmonauts: Birth of the Space Age, Science Museum, London; Interspecies Communication, Transformation Marathon, Serpentine Gallery, London; Systems Thinking From the Inside, Chisenhale Gallery.

1972 Systems, Whitechapel Art Gallery, London; Third International Print Biennale, Bradford; System, Lucy Milton Gallery, London

Other notable solo presentations include a selection of Tony Smith's sculptural maquettes, presented by Pace Gallery (New York, London, Palo Alto, Beijing, Hong Kong, Paris, Seoul), which highlight the artist's modular system of formal and spatial organization.

Andy Parkinson reviews the exhibition System Painting Construction Archive at Lion and Lamb Gallery, London, on view through June 15, 2013.

2015 Walks and displacements, Andrew Kreps Gallery, New York, USA The Pump, curated by Jennifer Teets, Royal College of Art Dyson Building, London, UK Nature, Art and Ecology, Museo d'Arte Moderna e Contemporanea di Trento e Rovereto, Italy Le Souffleur, Schürmann trifft Ludwig, Ludwig Forum Aachen, Aachen, Germany A Walk, Tripoli Gallery of Contemporary Art, East Hampton, New York, USA Multi-Channel: Currents in Contemporary Video Art, West Texas A&M University, Canyon, USA System of a Down, Ellis King, Dublin, Ireland Être Chose, Treignac Projet, Treignac, France Albert the kid is ghosting, David Roberts Art Foundation, London, UK Anagramma, curated by CURA, Basement Roma, Rome, Italy The Noing Uv It, Bergen Kunsthall, Bergen, Norway

Group exhibitions and collaborative projects in recent years are Llocs comuns, Can Felipa Arts Visual, Barcelona, ES (2014); Systems Thinking from the Inside, 21st Century, Chisenhale Gallery, London; Total Vitality (by Julia Tcharfas), Bold Tendencies, London; Recent Work by Artists, Auto Italia, London; A Space Base, for Instance, [space], London (all 2013); The Biopolitical City (by Tim Ivison), Architectural Association, London; Summer School: The Eltham Open curated by Alex Ross, Gerald Moore Gallery, London; (On) Accordance, or-bits.com; ROCRO, MACRO, Rome IT; Echo - System, Helsinki World Design Capital, commissioned by the British Council (all 2012); For Inclusion in the Syllabi, Pigeon Wing, London; Rules of Engagement, Angus - Hughes, London; (Architecture in Words Only), Hilary Crisp, London (all 2011); New Wight Biennial: New Romance, UCLA Department of Art, Los Angeles US; Counter Constructs, Auto - Italia South East, London; No Soul For Sale, Panel discussion with members of The Suburban, Vox Populi, and Auto - Italia South East at Tate Modern, London; Utopia and Nature, Residency ASFA, Crete, Greece (all 2010).

Exhibitions include: «New Works» solo, FOLD Gallery, London (2017), «Life Room Seats» commission, Royal Academy Schools, London (2014), «Movable Wall System» commission, Backlit, Nottingham (2013), «Art in Your Park», University of Nottingham, Nottingham (2013), Castle Open, Nottingham Castle, Nottingham (2011), London Art Fair, Business Design Centre, London (2011).

Amie Sigel's Strata, opening at South London Gallery this January, explores the value systems attached to natural materials and to man - made objects.

Via this blending of materials and ideas relating to economics, agriculture, magic, anthropology and museology, she extends earlier research, undertaken at the Jeu de Paume and the South London Gallery, into belief systems and pre - and post-independency trajectories in Tanzania.

In the second half of the programme, Stephen Bann, Keith Critchlow and Lionel March discuss the «Systems» exhibition at the Whitechapel Gallery, London.

Between Crisis and Possibility (The Kitchen, New York, 2011; with ISP fellows Jennifer Burris, Sofía Olascoaga, Sadia Shirazi); Nervous System (James Taylor Gallery, London, 2009); Every Story is a Travel Story (Candid Arts Trust, London.

, Galería Javier López, Madrid; curated by Fer Francés Joyride, Marlborough, New York G I R L, Galerie Emmanuel Perrotin, París; curated by Pharrel Williams If you're accidentally not included, don't worry about it, Galerie Zürcher, New York; curated by Peter Saul Wall to Wall, Hang - Up Gallery, London This is Not a Toy, Design Exchange, Toronto; curated by John Wee Tom, Sara Nickleson and Pharrell Williams Making Links: 25 Years, SCAI The Bathhouse, Tokio 2013 Happy Birthday Galerie Perrotin / 25ans, Tri Postal, Lille The System of Objects, Deste Foundation, Athens Pictoplasma White Noise, La Casa Encendida Madrid At Home I'm a Tourist.

Files compiled retrospectively by assistants to Barry Flanagan, in the period 1987 - 1998, using printed typescript information from Waddington Galleries, London, UK, the Tate Gallery, London, UK and the Galerie Durand Dessert, Paris, France gallery computer systems, and subsequently adGallery, London, UK and the Galerie Durand Dessert, Paris, France gallery computer systems, and subsequently adgallery computer systems, and subsequently added to.

Born 1982, Auckland, New Zealand Education 2009 Meisterschule, Städelschule HFBK, Frankfurt am Main 2005 BFA, Elam School of Fine Arts, University of Auckland Solo exhibitions 2018 «Games of Decentralized Life» Galerie Buchholz, Cologne 2018 «The Founder's Paradox», MOCA Museum of Contemporary Art, Cleveland 2017 «The Founder's Paradox», Michael Lett, Auckland 2017 «The Founder's Paradox», Michael Lett, Auckland 2017 «Shenzhen Entrepreneurial Form», Fine Arts, Sydney 2017 «FaaS — Feedback as a Service: Reflecting on messaging, debate and criticality inside a parliamentary discussion on internet governance», Bozar, Brussels 2017 «Simon Denny: Real Mass Entrepreneurship», C2 Space, OCT - LOFT, OCAT Shenzhen 2017 «Hammer Projects: Simon Denny», Hammer Museum, Los Angeles 2016 «Secret Power», Museum of New Zealand Te Papa Tongarewa, Wellington 2016 «Blockchain Future States», Petzel Gallery, New York 2016 «Business Insider», WIELS, Brussels 2015 «Products for Organising», Serpentine Sackler Gallery, London 2015 «Secret Power», New Zealand Pavilion, 56th Venice Biennale 2015 «The Innovator's Dilemma», MoMA PS1, New York 2014 «The Personal Effects of Kim Dotcom», Adam Art Gallery, Victoria University, Wellington 2014 «New Management», Portikus, Frankfurt am Main 2014 «The Personal Effects of Kim Dotcom», Firstsite, Colchester 2014 «TEDxVaduz redux», T293, Rome 2014 «Disruptive Berlin», Galerie Buchholz, Berlin 2013 «The Personal Effects of Kim Dotcom», mumok, Wien 2013 «All You Need is Data — The DLD 2012 Conference REDUX rerun», Petzel Gallery, New York 2013 «All You Need is Data — The DLD 2012 Conference REDUX», Kunstverein München 2012 «Full Participation», Aspen Art Museum, Aspen 2012 «Envisaging Vocational Rehabilitation» (with Joanna Fadyl), Westfälischer Kunstverein, Münster 2011 «Corporate Video Decisions», Friedrich Petzel Gallery 2011 «Corporate Video Decisions», Michael Lett, Auckland 2011 «Cruise Line», NAK Neuer Aachener Kunstverein, Aachen 2011 «Chronic Expectation: CFS / ME Documentary Restoration», T293, Rome 2011 «7 Unreachable Elevators», IMO, Copenhagen 2010 «Negative Headroom: the broadcast signal intrusion incident», Contemporary Art Museum, St. Louis 2010 «Negative Headroom: the broadcast signal intrusion incident», Halle Für Kunst, Lüneburg 2010 «Remote Tutorial: hate poems for travelers», Landings Project Space, Vestfossen 2010 «Introductory logic tutorial video», Artspace, Sydney 2009 «Celebrities» houses at night: a projection», Standard Oslo, Oslo 2009 «Starting from behind», Michael Lett, Auckland 2009 «Deep Sea Vaudeo», Galerie Daniel Buchholz, Cologne 2009 «Watching Videos Dry», T293, Naples 2009 «7 Drunken Videos `, Luettgenmeijer, Berlin 2008 «Aquarium Paintings (with Nick Austin)», Center, Berlin 2008 «Ruined by Sheer Confidence», Caribic Residency, Frankfurt am Main 2008 «Alexandra Bircken / Simon Denny», Ursula Blickle Stiftung, Kraichtal 2008 «Recent Haircuts», Uplands Gallery, Melbourne 2008 «Recent Haircuts», Gambia Castle, Auckland 2007 «Compression Club», Michael Lett, Auckland 2007 «Monthly Cowards», Gambia Castle, Auckland 2007 «Paltry Motion», Dunedin Pubic Art Gallery, Dunedin 2006 «Old Entertainment System», Window, Auckland 2006 «Scape», Art & Industry Biennial, Christchurch 2006 «Old Things», Michael Lett, Auckland 2005» Arranging Sympathies», Volume Series, The Physics Room, Christchurch

Indeed, Perry's show this summer at the London gallery Victoria Miro, «The Vanity of Small Differences,» offered an updated version of Hogarth's A Rake's Progress (1733) in six tapestries, each 13 by 61⁄2 feet, illustrating the quirks and tacit rules of Britain's class system.