Sentences with phrase «london stage role»

Eddie Redmayne and Amanda Seyfried, as young lovers, mesh nicely; Samantha Barks, as third - wheel Éponine, movingly reprises her London stage role.

Not exact matches

A graduate of the Royal Academy of Dramatic Art, Knaggs established himself in London on stage in William Shakespeare's Cymbeline and made appearances in various British films of the 1930s, including roles in Victor Saville's South Riding and Michael Powell's The Spy in Black.

At 12, she made her stage debut in the role of Napoleon's daughter in Saint Helena; at 13, she was cast in the pivotal role of the spiteful schoolgirl in the London production of Lillian Hellman's The Children's Hour.

West has successfully combined a career in both the UK and the US, with leading roles in international film, American television, and on the London stage.

She has collaborated with Sam Mendes at the Donmar Warehouse, playing lead roles in HOW I LEARNED TO DRIVE, THE LATE MIDDLE CLASSES, OLD TIMES, and in Mendes» stagings of TWELFTH NIGHT and UNCLE VANYA in London and New York.

A rough - cut British actor with a dark and slightly brooding presence, Dominic Cooper initially cut his chops on the London and Gotham stages, with two very different roles: adventurer Will Parry in the Royal National Theatre's epic production of Philip Pullman's iconoclastic fantasy His Dark Materials, and that of the womanizer Dakin in the Broadway run of Alan Bennett's The History Boys.

Subsequent stage productions included Robert Donat's turn as Becket in an Old Vic production directed by Robert Helpmann in 1953; a 1971 New York stage version with Dark Shadows alumnus Jonathan Frid in the title role; a Royal Shakespeare Company version in 1972 starring Hammer Films regular Richard Pasco as Becket; and most recently in 2014 at St. Bartholomew - the - Great Church in London, testifying to the continual appeal of Eliot's work.

The wave of Anglophilia sweeping Hollywood has reached tidal proportions with Robert de Niro now poised to move to London and take a West End stage role.

Samantha Barks stands out as well as she returns to the role of Eponine after playing in on stage in London.

She performed and perfected the role on stage in London's West End, and in her hands, Catherine is so wounded, vulnerable and fragile that you can't help but reach out to her even while admiring her remarkable strength.

Additionally, Hoffman received a Tony ® Award nomination for his role as Shylock in «The Merchant of Venice,» which he reprised from his long run on the London Stage.

British writer and actor Phoebe Waller - Bridge plays the title role in this funny, highly profane but surprisingly poignant dramedy (originally a stage play) about a sexually compulsive woman in London.

That Catherine Zeta - Jones does a bang - up job with the latter role isn't necessarily a surprise, considering she started her career hoofing and belting on the London stage.

The Limehouse Golem Juan Carlos Medina, UK, 2016, 105m In Victorian London, Scotland Yard inspector John Kildare (a great Bill Nighy, in a role originally meant for Alan Rickman, to whom the film is dedicated) takes a special interest in the well - being of Lizzie Cree (Olivia Cooke), a young stage performer accused of murdering her husband.

Both are superb in roles they created first on stage in London, then Broadway, before finally transitioning them to the screen.

On stage, she played Stella to Rachel Weisz «s Blanche in the Donmar Warehouse production of «A Streetcar Named Desire,» and since starred as Karin in the stage version of Ingmar Bergman «s «Through A Glass In Darkly» in London, and took the title role back at the Donmar, opposite Jude Law, in Eugene O'Neill «s «Anna Christie» last summer.

British actor who found global fame in the rebooted Star Wars franchise to take lead role on London stage

His video pieces exhibited at the Camden Arts Centre, London, reveal his preoccupation with acting, whether it is before a news camera in a war zone, or as part of a staged drama where the actors continually shift their roles between oppressors and oppressed.

Tate Modern has played a role in bringing new attention to the artists of the 1950s and 1960s, many of whom showed in London decades previously; in Century City (2001) a section of which was devoted to Brazilian Neo-Concrete art, solo shows have also been staged of the work of Helio Oiticica and Mira Schendel.

Recent theatre credits include: «Sergeant Match» in What the Butler Saw with Talking Scarlet, Brighton, (2015); «Ken» in House, a site - specific assemble theatre work produced by Brighton Laboratory with Circa 69, Brighton (2015); the title role in Macbeth, a 24 hour production staged in Balfron Tower by RIFT, (2014); «Mr Shadrack» in Billy, Union Theatre, London, (2013); and «Antonio» in an intimate pop - up staging of the Tempest in a vacated shop in East London (2012), produced by RETZ.

The Showroom was established in 1983 and in 2013 celebrated thirty years of supporting artists to stage their first solo shows in London and its role as a pivotal force in the development of contemporary art practice.

Four of the UK's largest listed funds with solar interests spoke at last week's Solar Finance & Investment Europe conference in London to provide an update on their activities and while interest in the booming secondary solar market took centre stage, attention quickly turned to the future and the potential role for battery storage within their operations.

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