Sentences with phrase «london station sites»

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Overnight the words «London United» are to be projected at four sites where terror attacks took place in London last year - parliament, London Bridge, Finsbury Park mosque and Parson's Green tube station.
Its task is to promote and develop two new rail routes through London: Crossrail Line 1, which would serve east to west London, would see the construction of a new tunnelled route and new stations at sites including Liverpool Street, Bond Street and Paddington; and Crossrail Line 2, which would serve north east to south west London, and would lead to the construction of a core section of tunnel in central London.
Harding, who boasts over 2,000 profiles on the site after running an advertising flyer campaign outside London subway stations, wants to export his site to New York, Chicago and Sydney.
Some of our favorite family - friendly options include seeing the Crown Jewels at the Tower of London; touring awe - inspiring Westminster Abbey to learn about some of England's greatest monarchs, poets and scientists; coming face - to - face with mummies at the British Museum and dinosaurs at the Museum of Natural History; visiting Harry Potter sites such as the London Zoo and Platform 9 3/4 at King's Cross Station; taking a ride on the London Eye for spectacular views over the city; seeing the Changing of the Guard at Buckingham Palace; sampling sweets and treats galore in the food halls of Harrods; riding a double - decker bus; and browsing one of the best toy stores in the world.
London commuters will be targeted with a high volume presence across 17 large digital transvision sites in all London's main train stations, including two at London Victoria and two at Waterloo.
Another Site offers up a beautiful platform puzzler that looks takes place in a steam - punk re-imagining of Victorian London, putting you in control of Kit, a young woman who goes blind after taking a tumble into a Waterloo station that's still under construction.
And it is no ordinary platform, but a platform from the London Necropolitan Railway, built in 1854 at Waterloo station, to see off the bereaved and those that had departed this life on a (in the latters» case) one - way journey to the London Necropolis, built outside the capital in Brookwood, Surrey, with the intention that it should provide a burial site large enough to accommodate Londoners for all of time to come.
The work, entitled Feeling Material, will be shown on digital poster sites across the UK, including London's Waterloo Station and Piccadilly Circus, and Manchester's Trafford Centre, as well as on screens inside over 2,000 black cabs.
Over the next two years the South London Gallery will be expanding into the former Peckham Road Fire Station and is currently fundraising to enable its renovation and transformation into a cultural centre which will be an annexe to the SLG's main site.
Sited in south London's unconventional Cartel gallery (a single corrugated iron shipping container situated in the concrete garden of a disused New Cross police station), new works by Adam Chodzko, Côme Ciment, Anthea Hamilton and Jacopo Miliani are contained in the gallery's compact 6 × 3 metre interior.
Batchelor's portfolio includes a number of major public artworks including a commission for the British Council headquarters in Hong Kong, a site - specific work for the McManus Galleries in Dundee, a 10 - metre high light installation at the Archway Tube Station in London, and a major commission for St. Pancras International Station entitled Chromolocomotion.
Select recent solo exhibitions include: Suppose I call a man a horse or a horse a man, Site Gallery, Sheffield (2013); a solo presentation with Arcade at Frieze London (2012) and White City and an Art on the Underground Commission for White City Station, London (2012).
2018 Diaspora Pavilion Wolverhampton Art Gallery, UK, 10 Feb — 29 April 2018 Presence — A Window into Contemporary Chinese Art The Vaults, St George's Hall, Liverpool, UK, 9 Feb — 2 June 2017 Diaspora Pavilion Palazzo Pisani Santa Marina, Venice, 13 May — 26 November 2017 Sonic Soundings Venice / www.echoes.xyz 1 Sept — 30 November 2015 - 16 1st Asia Biennial & 5th Guangzhou Triennial Guangdong Museum of Art, Guangzhou 2013 The Global Archive Hanmi Gallery, London 2012 Everything Flows De La Warr Pavilion, Bexhill 2012 Blue Crystal Ball Samsung IOC Olympics Media Art Collection, screenings at De La Warr Pavilion, Bexhill 2012 Blue Crystal Ball Samsung IOC Olympics Media Art Collection, exhibition, AND Festival, Holden Gallery, Manchester 2012 March 2012 part of Time Lapse SITE Santa Fe, New Mexico 2011 Fraternise — the Salon Beaconsfield, London 2010 How We Became Metadata University of Westminster Gallery, London 2010 Tables of Thought Academy of Fine Arts, Helsinki, Finland 2009 Hit the Ground Hatton Gallery, Newcastle (Great North Run Cultural Programme) 2008 Artradio exhibition & online station, Cornerhouse, Manchester (featured soundwork) 2006 Cruel / Loving Bodies 2 exhibition, Hong Kong Arts Centre & Goethe Institute 2005 Private View exhibition, Shanghai Duolun MoMA 2005 Lightsilver exhibition, Beaconsfield Contemporary Art, London 2005 Reassurance exhibition, SPACE Triangle, London & Chinese Arts Centre, Manchester 2004 New Nasubi Gallery in «Osawa Tsuyoshi: Answer with Yes and No!»
In 1998, Iniva commissioned his photographic series, «Diary of a Victorian Dandy» at poster sites in London Underground stations, which were shortlisted for Deutsche Börse Photography Prize in 1999.
David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.
Sited in a nineteenth - century water pumping station in East London and made simply from slabs of ice stacked around an inner core of rock salt, the sculpture melted over a period of three months in spring 1996.
The Fire Station is located 120 metres away from the South London Gallery's main site, adjacement to Pelican estate and opposite Oliver Goldsmith Primary School and Sceaux Gardens estate.
She has created site - specific works for various institutions including the Lever House, Kunsthalle Bremen in Germany and the Gloucester Road tube station in London.
The development site is located on London's Oxford Street, adjacent to the Tottenham Court Road crossrail and underground stations.
A qualified Electrical Maintenance Engineer is required to work in a prestigious critical site just moments away from London's Lewisham train station.
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