Sentences with phrase «long in a major museum»

Not exact matches

«I believe the CEO of a small - to - medium business has three major duties: to make sure there is money in the bank; to get the right people in the right roles; and to guide the long - term vision for the company,» said Nick Gray, the founder and CEO of Museum Hack, a team - building company in New York City that counts major brands, including Facebook, among its customers.

The long - term plan is to eventually get The Marfa Project displayed as a single show, as a single, monumental art piece, in a major museum or art institution.

Outside of Italy, the work of Guglielmo Achille Cavellini (1914 - 1990) has long been a well - kept secret — it's missing from major museum surveys of Italian postwar art, never featured in big auctions or flashy collections and rarely if ever referred to... Continue reading →

As part of the FotoFocus Biennial 2016, the October - long celebration of photography and lens - based art in Cincinnati, FotoFocus is pleased to announce the major museum exhibition Roe Ethridge: Nearest Neighbor at the Contemporary Arts Center.

Mr. Brant has long been active in support of major museums.

The exhibition at Lisson Gallery London coincides with two major presentations of the artist's work in the United States: Corse's first solo museum survey this June at the Whitney Museum of American Art, and a long - term installation at Dia: Beacon with recently acquired works, opening imuseum survey this June at the Whitney Museum of American Art, and a long - term installation at Dia: Beacon with recently acquired works, opening iMuseum of American Art, and a long - term installation at Dia: Beacon with recently acquired works, opening in May.

With the help of a series of serendipitous discoveries and six years of relentless detective work by Meadows Museum curator Nicole Atzbach, the Museum now has definitive evidence to prove that two major paintings by Spanish master Bartolomé Esteban Murillo had in fact been lawfully restituted to the Rothschild family following the war, long before the 1972 sale to the Museum.

Ringgold has a long history of exhibitions at major institutions, including retrospectives at the Studio Museum in Harlem (1984) and the Fine Arts Museum of Long Island (19long history of exhibitions at major institutions, including retrospectives at the Studio Museum in Harlem (1984) and the Fine Arts Museum of Long Island (19Long Island (1990).

Now the Louise Bourgeois Studio has made the museum one of its permanent partners in Europe with the offer of two major sculptures on long - term loan.

Her work has been part of major exhibitions at the Institute for Contemporary Art in London, the New Museum of Contemporary Art in NYC, the Hammer Museum in LA, the Boulder Museum of Art, the Long Beach Museum of Art, the Lehmbruck Museum in Germany, the Jewish Museum in several cities and hundreds of other galleries, public sites and community centers.

On the day we meet, Akashi is preparing a solo booth at Art Basel Miami Beach with her L.A. gallery, Ghebaly, and has just wrapped up her first major museum solo show — at SculptureCenter in New York City — titled «Long Exposure,» which examined themes related to the body and temporality.

The longest - running art fair in the nation, The Art Show kicked off New York Arts Week with the annual Gala Preview on Tuesday, February 28, which welcomed over 2,400 guests, including major collectors, museum leadership, international art enthusiasts, and New York City philanthropists.

FotoFocus Announces Roe Ethridge: Nearest Neighbor A Major Exhibition for Fotofocus Biennial 2016 October 7, 2016 — March 12, 2017 Contemporary Arts Center The artist's first solo museum show in the United States leads the month - long

And so, Raad's astringent performance and sizable exhibition of works associated with the long - term project Scratching on Things I Could Disavow (2007 — ongoing) delve into the after - effects of violence in the Middle East that are not only political but also economic, such as the creation of a retirement fund for artists that blithely hops across the major fault line of the Arab — Israeli conflict, or the construction of new museum projects in the Gulf, or the movement of Raad's own work in relation to art - historical narratives in different places and times that exert various pressures on him, which at one point appear to drive the artist - as - performer insane.

Launching in January 2014, the $ 100,000 pilot initiative will place 13 college juniors from private and public historically black colleges and universities (HBCUs) in major American art museums for semester - long paid internships, as well as support these students with career and job readiness coaching and professional development training.

Since then, their work has been included in exhibitions at major institutions around the world, including: La Casa Encendida, Madrid (2016); KW Institute for Contemporary Art, Berlin (2014 — 15); the Venice Biennale (2013); Musée d'art moderne de la Ville de Paris (2011 — 12); MoMA PS1, Long Island City, New York (2011); and the Whitney Museum of American Art, New York (2006).

This was Long's first sculpture using the materials of a place, and since then he has gone on to create work in some of the most remote corners of the globe as well as within major museums and galleries across the world.

The public sculpture initiative enables this major work from the museum's collection to remain on long - term view in ICA Miami's former space in the Design District's Moore Building.

Major group exhibitions include Ungestalt, Kunsthalle Basel, Basel, Switzerland (2017); In the Abstract, Massachusetts Museum of Contemporary Art, Massachusetts, MA (2017); Blue Black, Pulitzer Arts Foundation, St Louis, MO (2017); Making & Unmaking: An exhibition curated by Duro Olowu, Camden Arts Centre, London, UK (2016) and Greater New York 2015, MoMA PS1, Long Island City, NY (2015).

In New York, Valeria Napoleone XX SculptureCenter will sponsor one major commission at the Long Island City nonprofit museum every 12 to 18 months.

Randall Griffey, an associate curator at the Met who was involved in the acquisition with the help of the Alexandre Gallery in Manhattan, said he and Sheena Wagstaff, who leads the museum's modern and contemporary department, had long been trying to build on the Met's strength in early - 20th - century works on paper by African - American artists and were on the hunt for major paintings.

His pieces are included in many major museum collections; an eight - part, more than 430 - ft - long (131 - m) assemblage of his massive, rust - patinated steel sculpture was permanently installed (2005) at the Guggenheim Museum's Bilbao bmuseum collections; an eight - part, more than 430 - ft - long (131 - m) assemblage of his massive, rust - patinated steel sculpture was permanently installed (2005) at the Guggenheim Museum's Bilbao bMuseum's Bilbao branch.

Turrell has received major exhibitions at the Whitney Museum of American Art, the Guggenheim Museum, the Los Angeles County Museum of Art, the Stedelijk Museum in Amsterdam, the National Gallery of Australia, and the Bund Long Museum of Shanghai, among others.

Born in 1977, Xu Zhen has been the subject of solo exhibitions at the Kunsthaus Graz, Austria (2015); Long Museum, Shanghai, China (2015); Ullens Center for Contemporary Art, Beijing, China (2014); the Minsheng Museum, Shanghai, China (2012); Kunsthalle Bern, Switzerland (2011); and S.M.A.K., Gent, Belgium (2009); as well as major international group exhibitions such as 20th Biennale of Sydney, Australia (2016); Chinese artists at a time of Turbulence and Transformation, Fondation Louis Vuitton, Paris (2016); Contemporary Art from China, Qatar Museums Gallery Al Riwaq, Doha, Qatar (2016) and New Collection, Centre Pompidou, Paris (2015) 15 Rooms, co-curated by Klaus Biesenbach and Hans - Ulrich Obrist, Art Basel (2014); the 12th Biennale de Lyon (2013); Art of Change, Hayward Gallery, UK (2012); Performa07, New York (2007); the 10th International Istanbul Biennial (2007).

«Long Game: Merlin James», the first major solo exhibition in China by the well - known British artist Merlin James, will open on 23 March 2018 at Boxes Art Museum in China.

He has also exhibited in major group shows including «Hearsay,» «Spring,» Villa Sträuli, Winterthur, Switzerland China (2017); New voices: a dsl collection story, Klein Sun Gallery, New York, NY (2016); China 8 - Contemporary Art from China on the Rhine and Ruhr, Mulheim Museum, Mulheim, Germany (2015); Unlived by What is Seen, Pace Beijing, Beijing, China (2014); Commune, White Rabbit Gallery, Sydney, Australia (2014); Asia Triennial Manchester — Harmonious Society, Manchester Cathedral, Manchester, UK (2014); Hugo Boss Asia Art, Rockbund Art Museum, Shanghai, China (2013); Criss - Cross: Artworks of Young Chinese Contemporary Artists from Long Collection, Long Museum, Shanghai, China (2013); The Unseen — The Fourth Guangzhou Triennial, Guangdong Provincial Museum, Guangzhou, China (2012); and BMW New Face 2011, Minsheng Art Museum, Shanghai, China (2011).

With work currently on view at the Whitney Museum of American Art and the Brooklyn Museum (a stronghold of feminist art), and art held in the collection of the Museum of Modern Art in New York (2014), the National Portrait Gallery in Washington, the Jewish Museum, and a long list of other major public collections, her importance is hard to debate.

ith work currently on view at the Whitney Museum of American Art and the Brooklyn Museum (a stronghold of feminist art), and art held in the collection of the Museum of Modern Art in New York (2014), the National Portrait Gallery in Washington, the Jewish Museum, and a long list of other major public collections, her importance is hard to debate.

His work is in major collections including Modern Art Museum, Fort Worth; Walker Art Center, Minneapolis; Broad Art Foundation, Los Angeles; and Smithsonian American Art Museum, Washington D.C. Solo exhibitions include Kunsthalle Museum, Basel (1990); «Mark Tansey: Art and Source», Seattle Art Museum, Washington (1990, traveled to Montreal Museum of Fine Arts, Canada, St. Louis Art Museum, Missouri, Walker Art Center, Minneapolis, Minnesota, List Visual Art Center, MIT, Cambridge, Massachusetts, and Modern Art Museum of Fort Worth, Texas through 1991); Fisher Landau Center for Art, Long Island City, New York (2005) and Museum Kurhaus Kleve, Germany (2005, traveled to Württembergischer Kunstverein, Stuttgart, Germany).

In 2013 she was awarded the Golden Lion for Lifetime Achievement and her first major US show wasn't until 2014 taking place at MoMA PS1, Long Island City NY despite numerous well - attended international solo exhibitions at the Stedelijk Museum, Amsterdam (1994), Centrre Geroges Pompidou, Paris (1995), Serpentine Gallery, London (2008).

Eleven years after Kehinde Wiley's first - ever solo museum exhibition, Passing / Posing, opened here at the Brooklyn Museum in 2004, we are proud to present Kehinde Wiley: A New Republic, a celebration of this major American artist and of our institution's long - term commitment tmuseum exhibition, Passing / Posing, opened here at the Brooklyn Museum in 2004, we are proud to present Kehinde Wiley: A New Republic, a celebration of this major American artist and of our institution's long - term commitment tMuseum in 2004, we are proud to present Kehinde Wiley: A New Republic, a celebration of this major American artist and of our institution's long - term commitment to him.

In 1983, Board President Henry (Hank) Luce III negotiated a long - term lease for the New Museum in the Astor Building in SoHo at 583 Broadway, between Houston and Prince Streets, where the New Museum had a much larger gallery space and offices, and, after a major renovation in 1997, a bookstore with an international selection of publications on art, theory, and culture at largIn 1983, Board President Henry (Hank) Luce III negotiated a long - term lease for the New Museum in the Astor Building in SoHo at 583 Broadway, between Houston and Prince Streets, where the New Museum had a much larger gallery space and offices, and, after a major renovation in 1997, a bookstore with an international selection of publications on art, theory, and culture at largin the Astor Building in SoHo at 583 Broadway, between Houston and Prince Streets, where the New Museum had a much larger gallery space and offices, and, after a major renovation in 1997, a bookstore with an international selection of publications on art, theory, and culture at largin SoHo at 583 Broadway, between Houston and Prince Streets, where the New Museum had a much larger gallery space and offices, and, after a major renovation in 1997, a bookstore with an international selection of publications on art, theory, and culture at largin 1997, a bookstore with an international selection of publications on art, theory, and culture at large.

«An International Survey of Recent Painting and Sculpture,» the first major international survey exhibition at the Modern since 1970, is regarded as a response of sorts to persistent criticism by some artists and critics that the museum has long been biased in favor of work produced earlier in the century and has largely ignored living artists as a result.

Her major 1982 retrospective at the Museum of Modern Art in New York brought Bourgeois, then in her early 70s, the critical acclaim, praise and popularity which had long eluded her.

This volume, which accompanies a major presentation of Holzer's work in various media from the 1990s onward at the Museum of Contemporary Art, Chicago, goes a long way towards rectifying this situation, and reintroduces her to the American audience at a timely political moment.

Major exhibitions are opening in Long Island museums in October.

Now retired, Fine had a long career at the National Gallery where she organized «The Art of Romare Bearden» in 2003, the museum's first major retrospective of an African American artist.

When completed in 2016, Robert Irwin's project for Chinati will be the first major addition to the museum's permanent collection since the 2004 opening of a gallery devoted to the paintings of John Wesley, another artist long admired by Donald Judd.

Edwards has had a long and successful career, with works in major collections worldwide, including the Metropolitan Museum of Art, New York; the Smithsonian American Art Museum, Washington, D.C.; the Museum of Modern Art, New York; The Whitney Museum of American Art, New York; the Los Angeles County Museum of Art; the Chicago Art Institute; and the Dallas Museum of Art.

In addition to numerous solo exhibits, Dwyer has shown work at major museums, including The Pictures Generation at The Metropolitan Museum of Art in 2009, the Whitney Museum of American Art, MOCA Los Angeles, Contemporary Art Museum Houston, Kunsthalle Wein, Dunedin Public Art Gallery, New Museum, and a retrospective at the Fisher Landau Center for Art in Long Island CitIn addition to numerous solo exhibits, Dwyer has shown work at major museums, including The Pictures Generation at The Metropolitan Museum of Art in 2009, the Whitney Museum of American Art, MOCA Los Angeles, Contemporary Art Museum Houston, Kunsthalle Wein, Dunedin Public Art Gallery, New Museum, and a retrospective at the Fisher Landau Center for Art in Long Island Citin 2009, the Whitney Museum of American Art, MOCA Los Angeles, Contemporary Art Museum Houston, Kunsthalle Wein, Dunedin Public Art Gallery, New Museum, and a retrospective at the Fisher Landau Center for Art in Long Island Citin Long Island City.

His fine - art background, along with his acquired experience of typesetting and graphic design, led Ratliff into a long and successful career creating books, catalogues, posters, and announcements for major artists, dealers, galleries, museums, and publishers in New York and internationally.

And also numerous group exhibitions in major institutions such as the Frankfurter Kunstverein; the Lentos Kunstmuseum Linz; the Musée d'Art Moderne et d'Art Contemporain (MAMAC) in Nice; the Museum of Contemporary Art Detroit (MOCAD); the Palazzo Strozzi in Florence; the KW Institute for Contemporary Art in Berlin; the Witte de With Center for Contemporary Art in Rotterdam; the SculptureCenter in Long Island; the Domaine Pommery in Reims; the Palais de Tokyo in Paris; the Museum of Contemporary Art Tokyo (MOT); the Den Frie Centre of Contemporary Art in Copenhagen, the Museum Moderner Kunst Stiftung Ludwig Wien (MUMOK) in Vienna; the Museum Kunstpalast of Dusseldorf; the Kunstmuseum Luzern; the Contemporary Jewish Museum (CJM) in San Francisco and the Kunstmuseum Bonn.

As for the Native - American Durham, he was a major presence in New York in the 1980s as an artist, curator, and activist who brought to the public the work of many artists of color long before the recent upsurge of interest by collectors and mainstream museums.

Major solo exhibitions include Nobody Sees Like Us at MoMA P.S. 1 in Long Island City, New York (2013) and Focus: Jeff Elrod at the Modern Art Museum of Fort Worth in Texas (2009).

She has had solo exhibitions at the MoMA, the Whitney Museum, the Wadsworth Atheneum, the La Jolla Museum (now the San Diego Museum of Contemporary Art), the Long Beach Museum, etc., as well as a major 30 - year retrospective at the Los Angeles County Museum of Art, which traveled to several venues in the UK and included a book catalogue.

In 2015 the Whitney Museum of American Art celebrated his long career with a major retrospective covering 60 years of his work.

In December, the Museum will unveil a major new installation by Holzer that will include long channels of lighted text running through the central, clerestory gallery looking out onto the pond.

Born in 1977, Xu Zhen has been the subject of solo exhibitions at the Kunsthaus Graz, Austria (2015); Long Museum, Shanghai, China (2015); Ullens Center for Contemporary Art, Beijing, China (2014); the Minsheng Museum, Shanghai, China (2012); Kunsthalle Bern, Switzerland (2011); and S.M.A.K., Gent, Belgium (2009); as well as major international group exhibitions such as the innaugural NGV Triennial, Melbourne, Australia (2017), 20th Biennale of Sydney, Australia (2016); Chinese artists at a time of Turbulence and Transformation, Fondation Louis Vuitton, Paris (2016); Contemporary Art from China, Qatar Museums Gallery Al Riwaq, Doha, Qatar (2016) and New Collection, Centre Pompidou, Paris (2015) 15 Rooms, co-curated by Klaus Biesenbach and Hans - Ulrich Obrist, Art Basel (2014); the 12th Biennale de Lyon (2013); Art of Change, Hayward Gallery, UK (2012); Performa07, New York (2007); the 10th International Istanbul Biennial (2007).

Rubinfien is also active as a writer and has published essays on major photographers of the 20th century, as well as the memoir «Colors of Daylight» (in Kevin Moore's Starburst: Color Photography in America, 1970 — 1980, Cincinnati Art Museum, 2010) and the long personal and historical essay that appears in Wounded Cities and recounts the attacks of September 11 and the years that followed.

Easily one of the most highly anticipated art exhibitions of the season, the Whitney Museum of American Art's Frank Stella survey, which opened this week in New York, began with a simple curatorial question: What major artist hasn't had a major retrospective in a long time?