Sentences with phrase «luc godard»

Noah Baumbach adapts to the human condition vision that has been demonstrated by filmmakers such as Woody Allen, Paul Mazurzky and Jean Luc Godard, but his work still has a sense of emergence and contemporary relevance that feels fresh.

An odder prospect is Michel Hazanavicius» Le Redoutable about Jean - Luc Godard's love affair with 17 - year old actress Anne Wiazemsky on the set of La Chinoise (1967) and their subsequent marriage.

This month, the company released two titles by Jean - Luc Godard, the controversial «Hail Mary» and «For Ever Mozart.»

The film focuses on famous French filmmaker Jean - Luc Godard, and his time in the 60s when he made La Chinoise with young Polish actress Anne Wiazemsky.

Armond White on Cry Freedom, Bernardo Bertolucci's The Last Emperor, notes on The Blacklist, Jean - Luc Godard's jeans commercials, the Directors Guild royalties strike, the New York Film Festival at 25, Mary Lambert's Siesta

Dean Taylor's «The Intruder» with Dennis Quaid and Meaghan Good landed at Screen Gems while Jean - Luc Godard's «The Image Book» was taken in by Kino Lorber.

Later Jean - Luc Godard, Suzanne Schiffman and Jean - Marie Straub joined the group and dedicated themselves to not missing a single session of any club meeting.

Mommy premiered at Cannes last year, sharing the jury prize with Jean - Luc Godard's Goodbye to Language.

Competition Asako I & II (Ryusuke Hamaguchi) Ash Is Purest White (Jia Zhang - ke) At War (Stéphane Brizé) BlacKkKlasman (Spike Lee) Burning (Lee Chang - dong) Capernaum (Nadine Labaki) Cold War (Pawel Pawlikowski) Dogman (Matteo Garrone) Everybody Knows (Asghar Farhadi) Girls of the Sun (Eva Husson) Lazzaro Felice (Alice Rohrwacher) The Picture Book (Jean - Luc Godard) Shoplifters (Hirokazu Kore - eda) Sorry Angel (Christophe Honoré) Summer (Kirill Serebrennikov) Three Faces (Jafar Panahi) Under the Silver Lake (David Robert Mitchell) Yomeddine (A.B. Shawky)

The National Society of Film Critics closed down the pundits» phase of awards season this past weekend by giving its best picture prize to Jean - Luc Godard's «Goodbye to Language,» catching many — including some of the...

What Jean - Luc Godard did for «the gener...

The greatest film by the greatest post-1950s filmmaker, Jean - Luc Godard's 2 or 3 Things I Know About Her presents the critic, humbled by the beauty of its surfaces, the density of its ideas, and the uncanny coherence of its fragmented structure, wi...

The Grand Prix, or «second place,» went to Alice Rohrwacher's bucolic family drama The Wonders, while the Jury Prize — basically the bronze — was split between Xavier Dolan's Mommy and Jean - Luc Godard's 3D avant - garde whatsit Goodbye To Language.

Where we have deluxe, lovingly - restored and mastered editions of the films Francois Truffaut, Jean - Luc Godard, Eric Rohmer, Alain Resnais, Agnes Varda and Louis Malle from Criterion, few of Chabrol's classics have received even nominally respectable treatment on DVD (mostly from Kino and the defunct Home Vision label), many of his greatest films have been relegated to inferior DVD editions (See my survey of Chabrol on DVD, circa 2009, in this feature on Parallax View) and not a single title has been given the Criterion treatment.

A — The Adventures of Robin Hood (1938; Michael Curtiz & William Keighley) B — Band of Outsiders (1964; Jean - Luc Godard) C — City of Lost Children (1995; Jean - Pierre Jeunet) D — The Double Life of Veronique (1993; Krzysztof Kieslowski) E — Election (1999; Alexander Payne) F — The Fountain (2006; Darren Aronofsky) G — Gentlemen Prefer Blondes (1953; Howard Hawks) H — A Hard Day's Night (1964; Richard Lester) I — In a Lonely Place (1951; Nicholas Ray) J — JFK (1991; Oliver Stone) K — Key Largo (1948; John Huston) L — Lock, Stock, and Two Smoking Barrels (1998; Guy Ritchie) M — Mulholland Drive (2001; David Lynch) N — The Naked Kiss (1964; Samuel Fuller) O — O Brother Where Art Thou (2000; Joel & Ethan Coen) P — Persona (1966; Ingmar Bergman) Q — The Quiet Man (1952; John Ford) R — Rear Window (1954; Alfred Hitchcock) S — Sunrise: A Song of Two Humans (1927; F.W. Murnau) T — The Thin Man (1934; W.S. Van Dyke) U — The Umbrellas of Cherbourg (1964; Jacques Demy) V — Vertigo (1958; Alfred Hitchcock) W — The Women (1939; George Cukor) X — X-Men (2000; Bryan Singer) Y — Young Frankenstein (1974; Mel Brooks) Z — Zodiac (2007; David Fincher)

The film dramatizes the 1968 romance between director Jean - Luc Godard and his acting muse Anne Wiazemsky.

Among the most high - profile titles to make the cut: David Robert Mitchell's Under the Silver Lake, Spike Lee's BlacKKKlansman, Lee Chang - dong's Burning, and Jean - Luc Godard's Le Livre d'Image.

It took the protests at the May 1968 festival and the demands of festival critics like Jean - Luc Godard, Eric Rohmer and François Truffaut to not only close down the festival that year but create a parallel section of films — the directors» fortnight (Quinzaine des Réalisateurs) where the reputation for auteur film was established.

asks New Wave icon Jean - Pierre Belmondo of Sam Fuller in Jean - Luc Godard's «Pierrot le Fou.»

At the time, he ran a distant third to the iconoclastic, theoretical Jean - Luc Godard and the warm - hearted, soaringly lyrical François Truffaut.

Between November 1969 and September 1970, Jean - Luc Godard, along with co-director Jean - Pierre Gorin and camera operator Armand Marco, travelled to Jordan, Lebanon, and the West Bank to film what was then referred...

In order to force the spectator to be aware of the cinematic apparatus, Haneke creates a new route, differing at the same time from the classical narrative cinema, which suspends the spectator's awareness, the first - generation modernism of benign reflexivity, characterised by Chantal Akerman's cinema, and the second - generation modernism of aggressive reflexivity, exemplified by Jean - Luc Godard's Le Vent d'Est (1970).

Competing alongside them are such notable talents as Spike Lee, whose new comedy, «BlacKkKlansman,» tells the true story of an African - American police officer who infiltrates the KKK; Jean - Luc Godard, here with «The Picture Book»; and Pawel Pawlikowski, whose Oscar - winning «Ida» played at Ebertfest, and whose latest film, «Cold War,» centers on a mismatched romance.

While films like Jean - Luc Godard's Breathless and François Truffaut's The 400 Blows were being celebrating for their use of real locations, arrhythmic editing, live sound and hand - held camerawork, Cassavetes had already been there and done that on the streets of New York City with Shadows.

The announcement of the film playing the 71st Cannes Film Festival has been announced and they include Jean - Luc Godard's Le Livre D'image, Jafar Panahi's 3 Faces and Alice Rohrwacher's Lazzaro Felice.

Her latest, directed in conjunction with Banksy - like street artist JR (an irrepressibly energetic and sweet presence, bounding around in his Stan Smiths), chronicles the installation of several frisky, large - scale public art projects, with tangents into Varda's own history and even a visit to Jean - Luc Godard's house.

Three things I think would be great, but I don't have them yet: Jean - Luc Godard's 4 - disc Histoire (s) du cinéma, which I have every reason to believe is one of the most important and best things he ever did.

COMPETITION «Adieu au langage» (Jean - Luc Godard) «The Captive» (Atom Egoyan) «Clouds of Sils Maria» (Olivier Assayas) «Foxcatcher» (Bennett Miller) «The Homesman» (Tommy Lee Jones) «Jimmy's Hall» (Ken Loach) «La Meraviglie» (Alice Rohrwacher) «Leviathan» (Andrei Zvyagintsev) «Maps to the Stars» (David Cronenberg) «Mommy» (Xavier Dolan) «Mr. Turner» (Mike Leigh) «Saint Laurent» (Bertrand Bonello) «The Search» (Michel Hazanavicius) «Still the Water» (Naomi Kawase) «Timbuktu» (Abderrahmane Sissako) «Two Days, One Night» (Jean - Pierre and Luc Dardenne) «Wild Tales» (Damian Szifron) «Winter Sleep» (Nuri Bilge Ceylan)

But particularly: Trop tôt, trop tard (Too Early, Too Late; Danièle Huillet & Jean - Marie Straub, 1981) Othon a.k.a. Eyes Do Not Want to Close at All Times or Perhaps One Day Rome Will Permit Herself to Choose in Her Turn (Danièle Huillet & Jean - Marie Straub, 1969) Der Tod des Empedokles (The Death of Empedocles, Danièle Huillet & Jean - Marie Straub, 1987) Antigone (Danièle Huillet & Jean - Marie Straub, 1991) Quei loro incontri (These Encounters of Theirs, Danièle Huillet & Jean - Marie Straub, 2005) Schwarze Sünde (Black Sin, Danièle Huillet & Jean - Marie Straub, 1989) Bruce Elder's mammoth Lamentations: A Monument for the Dead World (R. Bruce Elder, 1985) Pixillation (Anne Charlotte Robertson, 1976) Florence (Erkki Kurenniemi, 1970) Wavelength (Michael Snow, 1967) La Région Centrale (Michael Snow, 1971) So Is This (Michael Snow, 1982) Passion (Jean - Luc Godard, 1982) Red River (Howard Hawks, 1948) Ride Lonesome (Budd Boetticher, 1959) Silver Lode (Allan Dwan, 1954) Bakit Dilaw Ang Gitna ang Kulay ng Bahaghari (Why Is Yellow the Middle of the Rainbow?

Heaven's Gate (Michael Cimino, 1980) Qiu tian li de chun tian (Spring in Autumn, Bai Chen, 1985) Fantômas (Drame en cinq épisodes): À l'ombre de la guillotine (Fantômas: In the Shadow of the Guillotine, Louis Feuillade, 1913 - 4) The Palm Beach Story (Preston Sturges, 1942) Tih - Minh (Grand Ciné - Roman hebdomadaire en douze épisodes)(Louis Feuillade, 1918/9, 12 parts) Morir... dormir... tal vez soñar (To Die... To Sleep... Perchance to Dream Manuel Mur Oti, 1976) 20000 Leagues under the Sea (Richard Fleischer, 1954) The Boston Strangler (Richard Fleischer, 1968) Alphaville (Jean - Luc Godard, 1965) Augen der Liebe (The Eyes of Love, Alfred Braun, 1951) Heroes for Sale (William A. Wellman, 1933) Rio do Ouro (River of Gold, Paulo Rocha, 1998) Flesh and the Devil (Clarence Brown, 1926) Possessed (Clarence Brown, 1931) 10 Rillington Place (Richard Fleischer, 1971) A Woman Of Affairs (Clarence Brown, 1928) Fear (Roberto Rossellini, 1954) Mystic River (Clint Eastwood, 2003) On The Town (Gene Kelly & Stanley Donen, 1949) Niño Nadie (José Luis Borau, 1996) Onna bakari no yoru (Girl of Dark / Girls of the Night, Tanaka Kinuyō, 1961) Christmas in July (Preston Sturges, 1940) Amdaeng Muen kab Nai Rid (Um - gang Muen kab nai Rid; Muen and Rid, Cherd Songsri, 1994) Bandido (Richard Fleischer, 1956) The Kiss Before the Mirror (James Whale, 1933) È primavera (It's Forever Springtime, Renato Castellani, 1950) The Lawless (Joseph Losey, 1950) Inspiration (Clarence Brown, 1931) Gigi (Vincente Minnelli, 1958)

The Palais was evacuated, delaying by 45 minutes the first press screening of «Redoubtable,» Michel Hazanavicius» flippant portrait of filmmaker Jean - Luc Godard.

Competition EVERYBODY KNOWS by Asghar Farhadi AT WAR by Stéphane Brizé DOGMAN by Matteo Garrone LE LIVRE D'IMAGE by Jean - Luc Godard NETEMO SAMETEMO (ASAKO I & II) by Ryusuke Hamaguchi SORRY ANGEL by Christophe Honoré GIRLS OF THE SUN by Eva Husson ASH IS PUREST WHITE by Jia Zhang - Ke SHOPLIFTERS by Kore - Eda Hirokazu CAPERNAUM by Nadine Labaki BURNING by Lee Chang - Dong BLACKKKLANSMAN by Spike Lee UNDER THE SILVER LAKE by David Robert Mitchell THREE FACES by Jafar Panahi COLD WAR by Pawel Pawlikowski LAZZARO FELICE by Alice Rohrwacher YOMEDDINE by A.B Shawky SUMMER by Kirill Serebrennikov

Following her lead performance in Malle's groundbreakingly explicit romance The Lovers, she provided cameos in François Truffaut's The 400 Blows and Jean - Luc Godard's A Woman Is a Woman, solidifying her status as an icon.

Origin of the 21st Century (Jean - Luc Godard) 3.

This film along with Jean - Luc Godard's Breathless usually mark the beginning of the New Wave.

More than that, at the cusp of entering her 90th year on this planet, Varda isn't one to mince words, and some of her insights and observations (especially as they concern fellow French New Wave director Jean - Luc Godard) are oftentimes shocking in their blunt frankness.

His groundbreaking and controversial career — with film credits such as THE BELLBOY (1960) and THE NUTTY PROFESSOR (1963) in addition to edgy standup material — is considered here in interviews with film luminaries such as Martin Scorsese and Jonathan Rosenbaum, alongside appearances by Jean - Luc Godard and Louis Malle.

February Xala (1975, Ousmane Sembène)-- 5.9 Toni Erdmann (2016, Maren Ade) DP — 8.0 + Groundhog Day (1993, Harold Ramis)-- 5.7 [up from 4.8] +20 th Century Women (2016, Mike Mills) DP — 7.0 [up from 6.9] Kaili Blues (2015, Bi Gan)-- 6.9 I Am Not Your Negro (2016, Raoul Peck) DP — 7.1 Lumumba (2000, Raoul Peck)-- 6.3 John Wick: Chapter 2 (2017, Chad Stahelski) DP — 7.0 The Story of Qiu Ju (1992, Zhang Yimou)-- 5.4 + Moonrise Kingdom (2012, Wes Anderson)-- 7.8 [up from 7.0] Elegy to the Visitor from the Revolution (2011, Lav Diaz)-- 5.3 Hill of Freedom (2014, Hong Sang - soo)-- 7.4 + Toni Erdmann (2016, Maren Ade) DP — 8.0 [same] The Lego Batman Movie (2017, Chris McKay) DP — 5.9 Chocolat (1988, Claire Denis)-- 6.2 To Live (1994, Zhang Yimou)-- 7.3 Daughters of the Dust (1991, Julie Dash) DP — 6.2 + Inside Llewyn Davis (2013, Joel & Ethan Coen)-- 7.4 [same] The Mission (1999, Johnnie To)-- 7.1 The Terrorizers (1986, Edward Yang)-- 9.0 The Unspeakable Act (2012, Dan Sallitt)-- 6.8 The Mend (2014, John Magary)-- 6.8 The Son of Joseph (2016, Eugène Green) DP — 5.8 The Taking of Pelham One Two Three (1974, Joseph Sargent) 35 mm — 6.3 Charley Varrick (1973, Don Siegel) 35 mm — 6.5 Une femme coquette (1955, Jean - Luc Godard) Léolo (1992, Jean - Claude Lauzon)-- 3.0 Sexy Beast (2000, Jonathan Glazer) 35 mm — 6.2 Backyard Theatre (1973, no director credited) As You Are (2016, Miles Joris - Peyrafitte)-- 4.6 + Annie Hall (1977, Woody Allen)-- 7.9 [down from 8.2] Get Out (2017, Jordan Peele) DP — 6.3 A Cure for Wellness (2016, Gore Verbinski) DP — 6.2 Akira (1988, Katsuhiro Otomo) DP — 6.8 + Get Out (2017, Jordan Peele) DP — 6.6 [up from 6.3] To Each His Own Cinema (2007, Zhang Yimou) Kanehsatake: 270 Years of Resistance (1993, Alanis Obomsawin)-- 4.9

«It would be hard to imagine [Chris] Marker, Jean - Luc Godard, or any of Varda's other French contemporaries co-directing at the end of their long careers,» Jackson Arn wrote in a review of Faces Places for the Los Angeles Review of Books.

(1953, Chuck Jones) Deidra & Laney Rob a Train (2017, Sydney Freeland)-- 4.9 Contempt (1963, Jean - Luc Godard)-- 7.3 House of Tolerance (2011, Bertrand Bonello)-- 6.9 Saint Laurent (2014, Bertrand Bonello)-- 5.9 Cézanne et moi (2016, Danièle Thompson)-- 5.3 + Before Sunrise (1995, Richard Linklater)-- 8.1 [same] + Before Sunset (2004, Richard Linklater)-- 8.6 [same] Cloud Atlas (2012, Lana & Lilly Wachowski & Tom Tykwer)-- 6.6 RIDE OR DIE (2017, Nathan Smith) The Rules of Film Noir (2009, Elaine Donnelly Pieper)-- 5.2 Edison Manufacuring Company Shorts (1894 - 1896, William K.L. Dickson) Lumière Brothers Shorts (1895 - 1900, Auguste & Louis Lumière) R.W. Paul Shorts (1904 - 1906, R.W. Paul) + Badlands (1973, Terrence Malick)-- 7.7 [up from 7.6] To Each His Cinema (2009, Ekaterina Karbysheva) Edison Manufacuring Company Shorts (1894, William K.L. Dickson) + Days of Heaven (1978, Terrence Malick)-- 8.6 [up from 8.2] + The Cabinet of Dr. Caligari (1920, Robert Wiene)-- 5.9 [up from 5.3] Desperado Square (2001, Benny Toraty)-- 5.3 Primer (2004, Shane Carruth)-- 6.8 Lars and the Real Girl (2007, Craig Gillespie)-- 2.7 Upstream Color (2013, Shane Carruth)-- 6.2

Upon hearing of the project, Jean - Luc Godard himself is said to have said it was «a stupid idea» and while some agree, I rather enjoyed it.

Jean - Luc Godard's most deliberately frivolous film remains a light - touch slice of New Wave romanticism.

Jean - Luc Godard's caustic look at compromised creativity in the filmmaking world boasts superb performances by Michel Piccoli as a compromised writer, Brigitte Bardot as his bored wife, Jack Palance as a manipulative producer and Fritz Lang as himself, about to film Homer's Odyssey in Cinecittà and Capri.

Other films from 2001 that are well on their way to being classics include A.I. Artificial Intelligence (directed by Steven Spielberg), Donnie Darko (directed by Richard Kelly), In Praise of Love (directed by Jean - Luc Godard), La Ciénaga (directed by Lucrecia Martel), Moulin Rouge!

In addition to the tie for screenplay, they awarded a «Palme d'Or Spéciale» to the veteran filmmaker Jean - Luc Godard, whose «The Image Book» was the most abrasive and adventurous thing in Cannes by several light years — another of his dense, synapse - frying meditations on the decay of language, imagery and civilization as we know it.

If you check out Rotten Tomatoes, it seems critics are firmly divided on the new movie by French director Michel Hazanavicius, Godard Mon Amour, which is about the legendary French filmmaker Jean - Luc Godard.

According to New York Times film critic A.O. Scott, fans of Jean - Luc Godard will hate - watch the new movie Godard Mon Amour by French director...

Jean - Luc Godard's extraordinary debut feature, an insouciant and iconoclastic crime film that paved the way for the French New Wave.

Z Channel debuted in 1974 - long before HBO, Showtime, Cinemax, or any of the many movie channels - with a programming schedule consisting entirely of eclectic, forgotten, and critically acclaimed films (including works by Michael Cimino, Jean - Luc Godard, and various other masters of cinema).

In Competition Everybody Knows (dir: Asghar Farhadi)-- opening film At War (dir: Stéphane Brizé) Dogman (dir: Matteo Garrone) Le Livre d'Image (dir: Jean - Luc Godard) Asako I & II (dir: Ryusuke Hamaguchi) Sorry Angel (dir: Christophe Honoré) Girls of the Sun (dir: Eva Husson) Ash Is Purest White (dir: Jia Zhang - Ke) Shoplifters (dir: Hirokazu Kore - eda) Capernaum (dir: Nadine Labaki) Burning (dir: Lee Chang - Dong) BlacKKKlansman (dir: Spike Lee) Under the Silver Lake (dir: David Robert Mitchell) Three Faces (dir: Jafar Panahi) Cold War (dir: Pawel Pawlikowski) Lazzaro Felice (dir: Alice Rohrwacher) Yomeddine (dir: AB Shawky) Leto (L'Été)(dir: Kirill Serebrennikov)