Sentences with phrase «lyrical abstraction movements»

Sam Francis (1923 - 1994) American painter, member of Tachisme & Lyrical Abstraction movements.

During the 60's Dzubas became associated with the Color field painting and Lyrical Abstraction movements.

European Abstraction Lyrique born in Paris, the French art critic Jean José Marchand being credited with coining its name in 1947, considered as a component of (Tachisme) when the name of this movement was coined in 1951 by Pierre Guéguen and Charles Estienne the author of L'Art à Paris 1945 — 1966, and American Lyrical Abstraction a movement described by Larry Aldrich (the founder of the Aldrich Contemporary Art Museum, Ridgefield Connecticut) in 1969.

Not exact matches

Along with John Hoyland, Walter Darby Bannard, Larry Zox, Ronald Davis, Ronnie Landfield, John Seery, Pat Lipsky, Dan Christensen [29] and several other young painters a new movement that related to Color Field painting began to form; eventually called Lyrical Abstraction.

With encouragement from Greenberg, Bush became closely tied to two movements that grew out of the efforts of the abstract expressionists: Color Field Painting and Lyrical Abstraction.

[27][28] When in 1967 he returned to abstraction his works were parallel to movements like the Color Field movement and Lyrical Abstraction but he remained independeabstraction his works were parallel to movements like the Color Field movement and Lyrical Abstraction but he remained independeAbstraction but he remained independent of both.

Abstract Expressionism preceded Color Field painting, Lyrical Abstraction, Fluxus, Pop Art, Minimalism, Postminimalism, and the other movements of the 1960s and 1970s and it influenced the later movements that evolved.

[37] When in 1967 he returned to abstraction his works were parallel to movements like the Color Field movement and Lyrical Aabstraction his works were parallel to movements like the Color Field movement and Lyrical AbstractionAbstraction.

Lyrical Abstraction is sometimes described as the last art movement to be killed off.

Finally, in the late 1960s (partially as a response to minimal art, and the dogmatic interpretations by some to Greenbergian and Juddian formalism), many painters re-introduced painterly options into their works and the Whitney Museum and several other museums and institutions at the time formally named and identified the movement and uncompromising return to painterly abstraction as «lyrical abstraction».

Lyrical Abstraction was opposed not only to «l'Ecole de Paris» remains of pre-war style but to Cubist and Surrealist movements that had preceded it, and also to geometric abstraction (or «Cold AbstractiAbstraction was opposed not only to «l'Ecole de Paris» remains of pre-war style but to Cubist and Surrealist movements that had preceded it, and also to geometric abstraction (or «Cold Abstractiabstraction (or «Cold AbstractionAbstraction»).

Lyrical abstraction was opposed not only to the Cubist and Surrealist movements that preceded it, but also to geometric abstraction (or «cold abstraction»).

Melinda Zox is the daughter of renowned American lyrical abstraction painter Larry Zox (1936 - 2006), who played an essential role in the Color Field movement of the 1960s and 1970s.

The works in Surrealism USA are borrowed from public and private collections in the United States and abroad, and all aspects of the Surrealist movement in America are represented: the figurative depictions of a fantasy world by Peter Blume, Dorothea Tanning, and Helen Lundberg; the social surrealism of O. Louis Guglielmi, James Guy and Walter Quirt; the imaginary landscapes of Kay Sage and Yves Tanguy; Joseph Cornell's enigmatic and poetic constructions; the lyrical abstractions of Arshile Gorky and William Baziotes; the automatic experiments of Jackson Pollock and Gerome Kamrowski.

By the late 1960s however, postminimalism, process art and Arte Povera [121] also emerged as revolutionary concepts and movements that encompassed both painting and sculpture, via lyrical abstraction and the postminimalist movement, and in early conceptual art.

The continuation of abstract expressionism, color field painting, lyrical abstraction, geometric abstraction, minimalism, abstract illusionism, process art, pop art, postminimalism, and other late 20th - century Modernist movements in both painting and sculpture continued through the first decade of the 21st century and constitute radical new directions in those mediums.

By the late 1960s however, process art emerged as a revolutionary concept and movement that encompassed painting and sculpture, via lyrical abstraction and the postminimalist movement, and in early Conceptual Art.

Lyrical abstraction, a term connected to a number of abstract artists working between 1945 - 1960s, was used to describe the work of Meyer along with others painting all - over compositions (with no singular focal point) that exhibited a nearly patterned organization with vibrational movement.

By the late 1960s, Postminimalism, Process Art and Arte Povera [38] also emerged as revolutionary concepts and movements encompassing painting and sculpture, via Lyrical Abstraction and the Postminimalist movement, and in early Conceptual Art.

In brief, there was little knowledge about this American movement (interestingly enough, there was more information on Pop Art and Minimalism), and the whole perspective of looking at Abstract Expressionism was in the light of European postwar abstraction — Paris School, Lyrical Abstraction, New Realism, and L'informel — building on the tradition, vocabulary, and ideals of these trends that were naturally more accessible and familiar to manyabstraction — Paris School, Lyrical Abstraction, New Realism, and L'informel — building on the tradition, vocabulary, and ideals of these trends that were naturally more accessible and familiar to manyAbstraction, New Realism, and L'informel — building on the tradition, vocabulary, and ideals of these trends that were naturally more accessible and familiar to many Europeans.

Critics sometimes compare her work to the emotive, intuitive paintings of the Lyrical Abstraction and Tachisme movements — a comparison she embraces.

Considered the founder of Lyrical Abstraction — a movement distinct from geometric abstraction in the organic style of its forms — and the organizer of the «Abstraction Lyrique» exhibition held in Paris in 1947, Georges Mathieu is best known for his large - scale paintings featuring curving calligraAbstraction — a movement distinct from geometric abstraction in the organic style of its forms — and the organizer of the «Abstraction Lyrique» exhibition held in Paris in 1947, Georges Mathieu is best known for his large - scale paintings featuring curving calligraabstraction in the organic style of its forms — and the organizer of the «Abstraction Lyrique» exhibition held in Paris in 1947, Georges Mathieu is best known for his large - scale paintings featuring curving calligraAbstraction Lyrique» exhibition held in Paris in 1947, Georges Mathieu is best known for his large - scale paintings featuring curving calligraphic lines.

Resisting the Lyrical Abstraction, Field Painting, Minimalist movements of the 1970's, Lasker found himself confronted with the challenge of pictorial invention.

One example would be an exhibition that traces the emergence of and shows the interrelationship between important movements such as abstract expressionism, hard - edge painting, lyrical abstraction, minimalism, and conceptual art.

The best known digital artists include the German pioneer Manfred Mohr (b. 1938); the American artist Ronald Davis (b. 1937) who is associated with the movement's geometric abstraction and lyrical abstraction; John Lansdown (1929 - 99), and Jean - Pierre Hebert whose specialty is algorithmic art and mixed media.

This encompassed abstract art movements such as Lyrical Abstraction, as well as various forms of Minimalism including Hard - Edge Painting.

It is also related to American Lyrical Abstraction painting of the 1960s and 1970s, The Hairy Who movement in Chicago, the Bay Area Figurative School of the 1950s and 1960s, the continuation of Abstract Expressionism, New Image Painting and precedents in Pop Painting.

Abstract Expressionism preceded Tachisme, Color Field painting, Lyrical Abstraction, Fluxus, Pop Art, Minimalism, Postminimalism, Neo-expressionism, and the other movements of the sixties and seventies and it influenced all those later movements that evolved.

«It became apparent,» Aldrich said, «that in painting there was a movement away from the geometric, hard - edge, and minimal, toward more lyrical, sensuous, romantic abstractions in colors which were softer and more vibrant.

Meanwhile, parallel movements in Western Europe were appearing under various titles, such as Art Informel (c.1945 - 60), along with sub-variants such as Lyrical Abstraction (late 1940s, 1950s), Tachisme (c.1945 - 60) and the COBRA group (1948 - 51).

If Post-painterly abstraction sounds complicated, try reading about concurrent abstract expressionist movements in Europe, such as Art Informel (1940s, 1950s), its sub-variants Tachisme (late 1940s, 1950s) Lyrical Abstraction (1945 - 60), and the independent COBRA group (abstraction sounds complicated, try reading about concurrent abstract expressionist movements in Europe, such as Art Informel (1940s, 1950s), its sub-variants Tachisme (late 1940s, 1950s) Lyrical Abstraction (1945 - 60), and the independent COBRA group (Abstraction (1945 - 60), and the independent COBRA group (1948 - 51).

In theory, Art Informel was the main umbrella movement, which encompassed numerous sub-styles and sub-groups, such as Forces Nouvelles, CoBrA, Tachisme, Art Brut, Art Non Figuratif and Lyrical Abstraction.

The least strident sub-variant of the wider Art Informel style - itself one of the most important European modern art movements of the post-World War II period - Lyrical Abstraction (or «Abstraction Lyrique») was a French style of 20th century painting in the manner of American Abstract Expressionism.

Artworks that can accurately be described as works of Lyrical Abstraction tend to deviate from the tendencies that are prevalent in movements such as Abstract Expressionism, Cubism and Surrealism.

A key member of the Art Informel movement (the European variant of Abstract Expressionism), he was associated initially with the Lyrical Abstraction wing, before becoming more calligraphic in style, not unlike the painting of Pierre Soulages (b. 1919).

It was Greenberg who encouraged Bush to refine his technique and approach which eventually tied his work with the two movements born from Abstract Expressionism; Color Field Painting and Lyrical Abstraction.

American Lyrical Abstraction (1960s, 1970s) A movement which became known as Lyrical Abstraction emerged in America during the 1960s and 1970s, in response to the growth of Minimalism and Conceptual art.

Lyrical Abstraction was not a specific school or movement, rather a tendency within Art Informel.

American Lyrical Abstraction was first recognized as an art movement in the 1960s and 70s.

One of the main characteristics separating the movement or Lyrical Abstraction from other modern, post-war movements, has been the shift away from the clean lines and shapes that are commonly associated with these minimalistic movements.

In an interview with Whitewall Magazine in 2010, Seery described the rise of his chosen movement as follows «Many at the time thought Lyrical Abstraction was reaction against some previous form of painting, but in reality it was an affirmation of painting.

While Art Student League instructors such as Charles Alston, Richard Pousette - Dart, and Theodoros Stamos continued experimenting with elements of Abstract Expressionism, younger artists such as Bruce Dorfman, Helen Frankenthaler, Peter Golfinopoulos, Stephen Greene, Paul Jenkins, Ronnie Landfield, Larry Poons, and Peter Reginato, was engaged with alternative movements including color field painting, lyrical abstraction, pop art and assemblage.