Associated principally with
the Lyrical Abstraction style, but also Tachisme, Mathieu's expressive art, combined with a natural talent for self - promotion, gained him an international reputation during the 1950s.
Not exact matches
Over six decades, the artist has explored through her distinctive
style of
lyrical, luminous
abstraction, which reflects through her paintings executed in oil, carrying a sense of intriguing intimacy combined with uncompromising yet gentle intensity.
Lyrical Abstraction shares with both Abstract Expressionism and Color Field Painting a sense of spontaneous and immediate sensual expression, consequently distinctions between specific artists and their
styles become blurred, and seemingly interchangeable as they evolve.
Many artists began moving away from geometric, hard - edge, and minimal
styles, toward more
lyrical, sensuous, romantic
abstractions worked in a loose gestural
style.
Lyrical Abstraction was opposed not only to «l'Ecole de Paris» remains of pre-war style but to Cubist and Surrealist movements that had preceded it, and also to geometric abstraction (or «Cold Abstracti
Abstraction was opposed not only to «l'Ecole de Paris» remains of pre-war
style but to Cubist and Surrealist movements that had preceded it, and also to geometric
abstraction (or «Cold Abstracti
abstraction (or «Cold
AbstractionAbstraction»).
A variety of abstract
styles ranging from geometric
abstraction,
lyrical abstraction, hard - edge painting and color field painting are linked with the work of Ronald Davis.
Avery developed a
lyrical mode of painting, verging on
abstraction, that was independent of the prevailing
styles in American painting during his lifetime.
In his large - scale oil painting Mother Tongue (2013), a hybrid geometric and gestural abstract work, Gerber has been informed by French
lyrical abstraction, more precisely the calligraphic
style of the German born painter Hans Hartung (1904 - 1989).
Beginning in the 1950s and 1960s, several Abstract Expressionist / color field artists (notably: Barnett Newman, Mark Rothko, Robert Motherwell, Adolph Gottlieb, Theodoros Stamos, Sam Francis, Ludwig Sander, Clyfford Still, Jules Olitski, and others) explored motifs that seemed to imply monochrome, employing broad, flat fields of colour in large scale pictures which proved highly influential to newer
styles, such as Post-Painterly
Abstraction,
Lyrical Abstraction, and Minimalism.
Dan Christensen was an American abstract painter best known for his unfettered use of color in various
styles, including Color Field painting and
Lyrical Abstraction...
There was, he says, a lot of provincial «
lyrical abstraction», but the more serious galleries eschewed British painting altogether in favour of the Pop Conceptualism that would eventually become the
style of young British artists like Damien Hirst.
His technique shows some influence of the New York School of Abstract Expressionism, as well as the more subtle European
style of Art Informel, the more gestural French
style of Tachisme, and the softer
Lyrical Abstraction.
For
styles, see:
Lyrical Abstraction (1945 - 60, Pierre Soulages, Hans Hartung, Georges Mathieu, Nicolas de Stael, Jean - Paul Riopelle) and Tachisme (late 1940s / 50s, Jean Fautrier, Georges Mathieu, Wols, Jean Dubuffet, Sam Francis).
Coined by the French sculptor and writer Michel Tapié in his 1952 book «Un Art Autre,» it was one of several buzzwords used by critics (another being «
Lyrical Abstraction») to define the formless abstract expressionist
style which arose during this period, both in America and Europe.
Considered the founder of
Lyrical Abstraction — a movement distinct from geometric abstraction in the organic style of its forms — and the organizer of the «Abstraction Lyrique» exhibition held in Paris in 1947, Georges Mathieu is best known for his large - scale paintings featuring curving calligra
Abstraction — a movement distinct from geometric
abstraction in the organic style of its forms — and the organizer of the «Abstraction Lyrique» exhibition held in Paris in 1947, Georges Mathieu is best known for his large - scale paintings featuring curving calligra
abstraction in the organic
style of its forms — and the organizer of the «
Abstraction Lyrique» exhibition held in Paris in 1947, Georges Mathieu is best known for his large - scale paintings featuring curving calligra
Abstraction Lyrique» exhibition held in Paris in 1947, Georges Mathieu is best known for his large - scale paintings featuring curving calligraphic lines.
His expressive painting
style and layers of ephemera and found objects combined with calligraphic
abstraction have a
lyrical feel to them, are uniquely his.
Götz developed his distinctive brand of
lyrical abstraction following a period of derivative
style - hopping, with hints of Miró, Picasso, and Pollock especially evident in the early works on view here.
These individual
styles included: Hard - Edge Painting, Colour Stain Painting, Washington Colour Movement, American
Lyrical Abstraction, and Shaped Canvas.
Its harsh
style can be contrasted with the softer
Lyrical Abstraction.
Dan Christensen was an American artist notable for his unfettered use of color in
styles such as Color Field painting and
Lyrical Abstraction.
By 1954, Zao had developed a unique
style that was marked by contrasting colors and
lyrical abstraction and that merged Chinese art, as viewed through the lens of European
abstraction, with traditional Chinese landscapes.
Georges Mathieu was a French painter in the
style of Tachisme and / or
Lyrical Abstraction.
Closely related to tachisme is
Lyrical Abstraction, a softer type of abstract painting, that eliminated some of the more subjective elements of Art Informel - a
style exemplified by Nicolas de Stael (1914 - 1955), Jean Paul Riopelle (1923 - 2002) and the colourist Patrick Heron (1920 - 99).
The least strident sub-variant of the wider Art Informel
style - itself one of the most important European modern art movements of the post-World War II period -
Lyrical Abstraction (or «
Abstraction Lyrique») was a French
style of 20th century painting in the manner of American Abstract Expressionism.
The term
Lyrical Abstraction was also employed in America during the early 1960s, to refer to a purely abstract
style of Colour Field painting which appeared in works by Helen Frankenthaler, Morris Louis (1912 - 62), Kenneth Noland (b. 1924) and others.
A key member of the Art Informel movement (the European variant of Abstract Expressionism), he was associated initially with the
Lyrical Abstraction wing, before becoming more calligraphic in
style, not unlike the painting of Pierre Soulages (b. 1919).
He is also sometimes associated with the
style of
Lyrical Abstraction.
Christenberry describes Calcagno's painting
style as
lyrical abstraction, which provided a counterbalance to Mel Price's
style of Abstract Expressionism.
In Europe, abstract expressionism was known as Art Informel (formless art), which divided into a gesturalist wing, known as Tachisme (see also the COBRA group), and a softer
style called
Lyrical Abstraction.
The
styles embraced by this term include Hard - Edge Painting, illustrated by the works of abstract painters like Al Held (b. 1928), Ellsworth Kelly (b. 1923), Frank Stella (b. 1936), and Jack Youngerman (b. 1926); Colour Stain Painting, exemplified by Helen Frankenthaler (b. 1928), Joan Mitchell (1926 - 92), and Jules Olitski (b. 1922); Washington Colour Painters, such as Gene Davis (1920 - 85), Morris Louis (1912 - 62) and Kenneth Noland (b. 1924); Systemic Painting, which covered the work of Josef Albers (1888 - 1976), Ad Reinhardt (1913 - 67), as well as Stella and Youngerman;
Lyrical Abstraction, including works by Mark Tobey (1890 - 1976), Frankenthaler and others; Colour Field Painting, illustrated by the works of pioneers Barnett Newman (1905 - 70), Mark Rothko (1903 - 70), Clyfford Still (1904 - 80), and Hans Hofmann (1880 - 1966), as well as Frankenthaler, Noland, Stella, Olitski, Morris Louis, Ellsworth Kelly and Richard Diebenkorn (1922 - 93); and Minimal Painting which referred to pictures by Robert Mangold (b. 1937), Agnes Martin (1912 - 2004), Brice Marden (b. 1938), and Robert Ryman (b. 1930).
An extraordinary colorist whose
style transformed from figurative expressionism to
lyrical abstraction, Beauford Delaney was born in Knoxville, Tennessee in 1901.
As a
style of painting,
lyrical abstraction can too easily get short shrift as a histrionic sigh to the deeper draughts of abstract painting's historical breadth.