Sentences with phrase «map global art»

Extending the Guggenheim UBS MAP Global Art Initiative's focus on expansive intellectual collaboration, the symposium continues the conversation begun at the inaugural public program held in November 2012 at the Jim Thompson Art Center, Bangkok, Thailand.
On its third and last stop (following forays into South and Southeast Asia and Latin America), the Guggenheim UBS MAP Global Art Initiative ventures into the Middle East and North Africa.
The Asia Society Hong Kong Centre presents Guggenheim UBS MAP Global Art Initiative's touring exhibition «No Country: Contemporary Art for South and Southeast Asia» (30 October 2013 — 16 February 2014), a show that explores the diversity of contemporary art from the region.
The exhibition is the first of the three - part Guggenheim UBS MAP Global Art Initiative.
The main summer exhibition in the South London Gallery, curated by Pablo León de la Barras, is called the Guggenheim UBS Map Global Art Initiative.
He is currently curating the second exhibition in the Guggenheim UBS MAP Global Art Initiative, focusing on contemporary art and artists from Latin America.
Program of the Guggenheim UBS MAP Global Art Initiative.
Artworks chosen by León de la Barra and the Guggenheim curatorial team will enter the permanent collection under the auspices of the Guggenheim UBS MAP Global Art Initiative Purchase Fund.
The Centre for Contemporary Art (CCA) at Gillman Barracks hosts the touring exhibition «No Country: Contemporary Art for South and Southeast Asia» until 20 July 2014, the first of the three - part Guggenheim UBS MAP Global Art Initiative.
This presentation of Jaar's A Logo for America is part of Under the Same Sun: Art from Latin America Today, the second exhibition of the Guggenheim UBS MAP Global Art Initiative, curated by Pablo León de la Barra and currently on show at the South London Gallery (SLG) until 4 September 2016.
The presentation of A Logo for America in Piccadilly Circus is the third large - scale public screening of the work which included a showing in New York's Times Square in 2014 and, at Mexico City's Auditorio Nacional in 2016, as part of the Guggenheim UBS MAP Global Art initiative.
But the rise of Latin American art is not just focussed on Los Angeles, although it does have strong links with Latin America and 48 % of the total population in the area is Latino which is one of the reasons The Getty Foundation focussed on this particular area, several other major exhibitions of Latin American influenced artists are planned or have recently been shown, including Radical Geometry: Modern Art of South America from the Patricia Phelps de Cisneros Collection at the Royal Academy of Arts in London, while the Guggenheim UBS Map Global Art Initiative will take its Under The Same Sun: Art From Latin America exhibition to Brazil and Mexico in 2015.
Guggenheim Museum: «Under the Same Sun: Art From Latin America Today» (through Oct. 1) Installed on two levels in odd - size annex galleries, the second exhibition in the Guggenheim's three - part UBS MAP Global Art Initiative is frustratingly small but still substantial, beginning with a few conceptual pieces from the 1970s and coming up to the present.
This inaugural exhibition of the Guggenheim UBS MAP Global Art Initiative presents works by 22 artists from Bangladesh, India, Indonesia, Malaysia, Myanmar, Pakistan, the Philippines, Singapore, Thailand and Vietnam.
Luis Camnitzer included in the exhibition Under the Same Sun: Art from Latin America Today, curated by Pablo Leon de la Barra and organized by the Guggenheim UBS MAP Global Art Initiative, at South London Gallery, United Kingdom.
Under the Same Sun: Art from Latin America Today, part of the UBS MAP Global Art Initiative at Guggenheim Museum, including Luis Camnitzer, reviewed in the The New York Times by Holland Cotter.
This year's specially invited curators will be María Elena Ortiz, assistant curator at the Pérez Art Museum Miami (PAMM) and Pablo León de la Barra, curator at the Solomon R. Guggenheim Museum for the Latin American phase of the Guggenheim UBS MAP Global Art Initiative.
Specially invited curators include María Elena Ortiz, associate curator at the Pérez Art Museum Miami (PAMM) and Pablo León de la Barra, curator at the Solomon R. Guggenheim Museum for the Latin American phase of the Guggenheim UBS MAP Global Art Initiative.
The Guggenheim has hired London - based Pablo León de la Barra to become its new curator overseeing Latin America for its expansive UBS Map Global Art Initiative, a $ 40 million undertaking that will engage innovative curators from all corners of the Earth to do shows and arrange acquisitions for the museum.
In addition to its support of Art Basel, UBS has a long and substantial record of engagement in contemporary art: as a holder of one of the world's most distinguished corporate art collections, as an active partner in global contemporary art projects such as the Guggenheim UBS MAP Global Art Initiative, and as a source of information and insights through the UBS Art Competence Center, UBS Arts Forum and its new contemporary art news - focused app, «Planet Art».
Globally, it's less in the form of ambitious mega-projects like the Guggenheim Abu Dhabi (now scheduled for completion in 2017) and more through networks and networking, like the Guggenheim's UBS MAP Global Art Initiative, whose next focus is Latin America, and the Met's recent accord with India.
Part of the Guggenheim UBS MAP Global Art Initiative, all the works will enter the museum's permanent collection when the show closes.
Under the Same Sun: Art from Latin America Today is the second of three exhibitions that form part of the Guggenheim UBS MAP Global Art Initiative.
The South London Gallery (SLG) presents Under the Same Sun: Art from Latin America Today, the second exhibition of the Guggenheim UBS MAP Global Art Initiative.
The exhibition was part of the Guggenheim UBS MAP Global Art Initiative which reconsiders the state of contemporary art in Latin America.
Pablo León de la Barra was selected by a committee of five esteemed experts in Latin American art as the second curator for the Guggenheim UBS MAP Global Art Initiative in fall 2013.
Guggenheim UBS MAP Global Art Initiative Under the Same Sun: Art from Latin America Today opens at South London Gallery
But a Storm Is Blowing from Paradise: Contemporary Art of the Middle East and North Africa, Guggenheim UBS MAP Global Art Initiative, Solomon R. Guggenheim Museum, New York
Guggenheim UBS MAP Global Art Initiative, Solomon R. Guggenheim Museum, New York.

Not exact matches

Entirely fitting that this should be one of the most outstanding chardonnays at the Cullen tasting last month, as it was Leeuwin who really put the variety (and arguably the region) on the global map with their first few vintages of Art Series in the 1980s.
Its title is the Finnish word for «world» and it features a global map, the Maailma Pinewood Wall Art from Parvez Taj brings the world to your home.
Though «Doris Salcedo» was organized by the Museum of Contemporary Art Chicago, where it was first exhibited, Damian said, «I think it puts PAMM on the map for doing something this sophisticated and global.
Together with curators, librarians, and archivists, she works on broadening the scope of museum's collections, exhibitions and education programs beyond the western canon as a part of MoMA's research initiative C - MAP (Contemporary and Modern Art Perspectives in a Global Age).
Across from Marian Goodman, Sperone Westwater has the usual maps by Algheiro e Boetti, just in case one forgot that this is a global art market.
South Asia has long been underrepresented on the global art map.
«Now you can go to New York, Basel or Hong Kong and people know where Bermondsey Street is; It's on the global art world map».
Lowry's major initiatives include the creation of a new curatorial department, Media and Performance Art; the establishment of the research program Contemporary and Modern Art Perspectives in a Global Age Initiative (C - MAP); and the merger of The Museum of Modern Art and PS1 Contemporary Art Center (now MoMA PS1).
His recent exhibitions include «The Map as Art», Kemper Museum, St. Louis, MO (2012), «Code Switch» and «The Map is Not the Territory», Hosfelt Gallery New York, New York (2013 and 2011 respectively), «Surface Depths», Nevada Art Museum (2009), «States of America», Austin Museum of Art (2009), «Optimism in the Age of Global War», 10th Annual Istanbul Biennial, Istanbul, Turkey, (2007), «The California Biennial», Orange County Museum of Art, Newport Beach, CA (2006), as well as public art projects with the San Francisco Arts Commission and the GSA, a Federal AgenArt», Kemper Museum, St. Louis, MO (2012), «Code Switch» and «The Map is Not the Territory», Hosfelt Gallery New York, New York (2013 and 2011 respectively), «Surface Depths», Nevada Art Museum (2009), «States of America», Austin Museum of Art (2009), «Optimism in the Age of Global War», 10th Annual Istanbul Biennial, Istanbul, Turkey, (2007), «The California Biennial», Orange County Museum of Art, Newport Beach, CA (2006), as well as public art projects with the San Francisco Arts Commission and the GSA, a Federal AgenArt Museum (2009), «States of America», Austin Museum of Art (2009), «Optimism in the Age of Global War», 10th Annual Istanbul Biennial, Istanbul, Turkey, (2007), «The California Biennial», Orange County Museum of Art, Newport Beach, CA (2006), as well as public art projects with the San Francisco Arts Commission and the GSA, a Federal AgenArt (2009), «Optimism in the Age of Global War», 10th Annual Istanbul Biennial, Istanbul, Turkey, (2007), «The California Biennial», Orange County Museum of Art, Newport Beach, CA (2006), as well as public art projects with the San Francisco Arts Commission and the GSA, a Federal AgenArt, Newport Beach, CA (2006), as well as public art projects with the San Francisco Arts Commission and the GSA, a Federal Agenart projects with the San Francisco Arts Commission and the GSA, a Federal Agency.
«The millions she invested in elevating San Antonio art and her prestige in the global art scene put us on the map for about ten golden years,» Mondini - Ruiz says.
Participants include Leeza Ahmady, independent curator and Director of Asian Contemporary Art Week; Thomas Berghuis, The Robert H. N. Ho Family Foundation Curator of Chinese Art, Guggenheim Museum; Melissa Chiu, Director, Asia Society Museum and Vice President, Global Arts Programming, Asia Society; Pablo León de la Barra, Guggenheim UBS MAP Curator, Latin America; and Reem Fadda, Associate Curator, Middle Eastern Art, Abu Dhabi Project, Guggenheim Museum.
Among the group exhibitions we mention: 99 Cents or Less, MoCAD, Detroit, MI (2017); FRAC Poitou - Charentes, Poitou - Charentes (2016); Global Positioning Systems, Perez Art Museum, Miami, FL (2015); Joie de Vivre, Palais des Beaux - Arts, Lille (2015); Ugo Rondinone: I love John Day, Palais de Tokyo, Paris (2015); Room To Live: Recent acquisitions and works from the collection, MOCA, Los Angeles (2013); Retour du monde, a commission for public transport in Paris, Musée d'art moderne et contemporain, Geneva (2013); Hors les Murs, FIAC Jardin des Tuileries, Paris (2012); Mapping the Studio: Artists from the François Pinault Collection, Palazzo Grassi / Punta della Dogana, Venice (2009); Château de Tokyo / Tokyo, Redux, Ile de Vassivière (2008); The Uncertainty of Objects and Ideas, Hirshhorn Museum and Sculpture Garden, Washington DC (2006); 5 Milliards d'Années, Palais de Tokyo, Paris (2006); Whitney Biennial, Whitney Museum of Art, New York (2004); Terminal 5, JFK Airport, New York (2004).
She currently also chairs the Museum's Modern Women's Fund Committee, and the Central and Eastern European group, part of the Contemporary and Modern Art Perspectives (C - MAP) in a Global Age.
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