Sentences with phrase «mitchell algus»
JOAN MITCHELL: Yeah, before, in France — well, they still do — they buy a certain amount of work for the year at a much cheaper price.
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JOAN MITCHELL: And she's a very good painter [26 years old], sort of A.E. [Abstract Expressionist — Ed.]
JOAN MITCHELL: Usually in conjunction with, but this one he [Fourcade] put up and I walked in, hobbled in, and said, «Change two,» and he said, «Of course,» and «Put that one in instead of that one,» because they weren't all hanging.
JOAN MITCHELL: I'm always looking for an excuse.
JOAN MITCHELL: And Bill deKooning is a.... Well, I certainly like his work, and I suppose that's expressionist.
JOAN MITCHELL: Yes, or courage or, «God damn, I, so it doesn't, come on do something to it,» that kind of feeling.
JOAN MITCHELL: Well, Malcolm told me to get those bamboo brushes that you know about, and he gave me some technical know - how.
JOAN MITCHELL: And then it's quite a narrow studio.
JOAN MITCHELL: Oh, just in there as a subject, I have a good friend who has a house and a swimming pool, and a lovely thing, looking right at the Mont Ste. Victoire.
JOAN MITCHELL: I wouldn't do it like that.
JOAN MITCHELL: I don't think it's inspiring.
JOAN MITCHELL: Yeah, I did too.
JOAN MITCHELL: Oh, I might be six hours, but three if I'm working, four.
JOAN MITCHELL: I mean, but I'm so used to it.
JOAN MITCHELL: Well, I've got, you know, in the hospital I was reading good books since mysteries are sort of boring me (laughs)-- in my old age.
JOAN MITCHELL: I don't....
JOAN MITCHELL: No, in this show, I was....
JOAN MITCHELL: But I'm on consignment with [Jean] Fournier [Paris], also.
JOAN MITCHELL: No, I didn't say against.
JOAN MITCHELL: And the paintings.
JOAN MITCHELL: Well, this show I had an awful lot going at once.
JOAN MITCHELL: [thoughtful pause] Well, I would go back to my word «feeling» that Shirley can't bear.
JOAN MITCHELL: I think there's a general kind of valuelessness... I don't know what it is.
JOAN MITCHELL: Not at all.
JOAN MITCHELL: I've pasted the poems on.
JOAN MITCHELL: I'm not so sure I could have done otherwise, but I wish I.... I'm regoing to a French shrink now, and she's helped me a lot.
JOAN MITCHELL: And I find that... [pauses] I find that uninspiring, and if I hung around too much I might find it very deadly.
JOAN MITCHELL: Well, J. J. was living at the house [Vetheuil], and Chris would come out every weekend, so they were kind of writing poems at the house.
JOAN MITCHELL: That was different paintings, just anything to paint, because then I got sick and I was so depressed.
JOAN MITCHELL: I had read the deKooning thing of the catalogue at Beaubourg [Pompidou Musee, 1984], that book.
JOAN MITCHELL: I don't know.
JOAN MITCHELL: Yeah, and I keep meaning to ask them.
JOAN MITCHELL: Having lived over it, at all my childhood.
JOAN MITCHELL: I haven't started it.
JOAN MITCHELL: There were four volumes in a whatever, one sleeve or whatever.
JOAN MITCHELL: Jacques DuBourg was darling, but he stopped his gallery because of age.
JOAN MITCHELL: [thoughtful pause] I'm trying to think of what you mean by prototype.
JOAN MITCHELL: And God, these [creams], they're just, all the art, Paris art world and I was the only painter on it — and politics and voting for...
JOAN MITCHELL: Oh, yes.
JOAN MITCHELL: The early poems and the, all the, yeah....
JOAN MITCHELL: Ahh, after.
JOAN MITCHELL: I've had, you know, a lot of — what's the [referring to buzzer going off or searching for word?
JOAN MITCHELL: And in the daytime, he....
JOAN MITCHELL: Walking out barefoot onto the grass.
JOAN MITCHELL: But to speak about my painting, I would never do that.
JOAN MITCHELL: And look at their work!
JOAN MITCHELL: I've been asked to go to Lille to work; they said they'd come to me.
JOAN MITCHELL: Well, they've changed considerably.
JOAN MITCHELL: I gave Pierre his poems.
JOAN MITCHELL: Well, I know....