Sentences with phrase «moca london»

Saatchi, 67, announced today that the 70,000 sq ft gallery would be renamed MOCA London (Museum of Contemporary Art, London) when he retires, and would feature «a strong, rotating permanent collection of major installations», all of it free to the public.

Throughout this summer across Peckham and Southwark the Artist Adam James in association with MOCA London will host a number of artist led events including artist talks, workshops, participatory performances, walks, float - making, Nordic Larps and story - telling exploring themes relating to «truth» and group engagement as means to unleash collective unconscious.

Michael Petry is a multi-media artist, director of MOCA London, and co-founder of the Museum of Installation, London.

Author Dr. Michael Petry is Curator of the Royal Academy Schools Gallery, Director of MOCA London, and is currently artist in residence at Sir John Soane's Museum, London.

The Independent reports that talks between Charles Saatchi and UK Dept. of Culture, Media and Sport have broken down over Saatchi's plan to donate his art collection to the UK to form a MoCA London.

Showing in a commercial London gallery for the first time, Pasquali has created a large - scale, colourful, plastic cloud in Peckham's MOCA London, and filled Mayfair's Tornabuoni Art with a cross-section of her works, from her best - known pieces made with drinking straws, to a carpet of broom bristles, on which we sit to talk, during a break from installation.

• Metamorphoses is on show at Tornabuoni Art, London, until 17 September 2016, and Spiderwall is on show at MOCA London until 30 July 2016.

Not exact matches

Oursler has mounted solo exhibitions at prestigious exhibitions including PinchukArtCentre, Kiev, Ukraine; Tate Modern, London; ARoS Aarhus Kunstmuseum, Denmark; Kunsthaus Bregenz, Austria; Metropolitan Museum of Art, New York; Whitney Museum of American Art, New York; Centre Georges Pompidou, Paris; Institute of Contemporary Art, Philadelphia; MASS MoCA, Massachusetts; Kunstverein Hannover, Germany; Aspen Art Museum, Colorado; Museum of Contemporary Art San Diego, California; Centre d'Art Contemporain, Geneva, Switzerland; Honolulu Museum of Art, Hawaii; Museum fur Gegenwartskunst, Basel, Switzerland; P.S. 1, New York; Musée d'Art Contemporain de Bordeaux, France; Museo D'Arte Contemporanea Rome, Italy; Sao Paulo Museum of Modern Art, Brazil; Jeu de Paume, Paris; Musee d'Orsay, Paris; Kunstforeningen GL Strand, Kobenhavn, Denmark; Helsinki City Art Museum, Finland; Institut Valencia D'Art Modern, Valencia, Spain; Fridericianum, Kassel, Germany.

Gober has represented the US at the Venice Biennale and has had one - person exhibitions at MOCA, Los Angeles; the Walker Art Center, Minneapolis; the Serpentine Gallery, London; and the Schaulager, Basel (Run time: 1 hr 20 mins).

The 38 - year old Arcangel has been the subject of numerous international monographic exhibitions at both galleries and major museums, including The Carnegie Museum of Art in Pittsburgh, The Whitney Museum in New York, The Hamburger Bahnhof in Berlin, The Barbican in London and MoCA in Miami.

She is the recipient of the 2012/2103 MOCA GA Working Artist Project fellowship award, and has had solo exhibitions at American Contemporary and Rivington Arms in New York, Museum 52 in London, and Mikael Anderson in Copenhagen and Berlin.

Tracey Emin (b. 1963, London, UK) has recently exhibited her work in the following solo exhibitions: Surrounded by you, Château La Coste, Aix - En - Provence, France (2017), Angel without You, Miami MoCA, Miami, USA (2014) and a major survey exhibition Love Is What You Want, Hayward Gallery, UK (2011).

Anthony Allen, Associate Director, Paula Cooper Natalie Bell, Assistant Curator, New Museum Heather Darcy Bhandari, Adjunct Lecturer, Visual Art, Brown University Marina Chao, Assistant Curator, International Center of Photography Jean Cooney, Project Manager, Artist Commissions, Creative Time Sean Corcoran, Curator of Photographs and Prints, Museum of the City of New York Lisa Dent, Director of Resources & Award Programs, Creative Capital Kareem Estefan, Independent Art Critic and Editor - at - large, Creative Time Reports Hitomi Iwasaki, Director of Exhibitions and Curator, Queens Museum Flora Katz, Independent Curator Theodore Kerr, Writer, Hyperallergic William Petroni, Managing Director, Cristin Tierney Gallery Heather Reyes, Exhibitions and Collection Manager, The Bronx Museum of the Arts Matthew Schum, Independent Curator Anthony Allen, Associate Director, Paula Cooper Marco Antonini, Executive Director, NurtureArt and Writer Mark Beasley, Curator, Performa George Bolster, The Shelley & Donald Rubin Foundation Gary Carrion - Murayari, Kraus Family Curator, New Museum Susan Cross, Curator, Mass MoCA Clément Delépine, Assistant Curator, Swiss Institue Bridget Donahue, Owner / Director, Bridget Donahue Gallery Lisa Dent, Director of Resources & Award Programs, Creative Capital Elizabeth M. Grady, PhD, Programs Director, A Blade of Grass Stamatina Gregory, independent curator and critic Janice Guy, Owner, Murray Guy Nicole Hayes, Curator, The Fields Sculpture Park, Art Omi Amanda Hunt, Assistant Curator, Studio Museum Alexis Johnson, Associate Director, Paula Cooper Ruba Katrib, Curator, Sculpture Center Vitaly Komar, Artist Melanie Kress, High Line Art Curatorial Fellow, High Line Art Thomas Lax, Associate Curator in the Department of Media and Performance Art, MoMA Barbara London, Independent Curator, formerly of MoMA Matthew Lyons, Curator, The Kitchen Julie McKim, Curator, Galapagos Christiane Paul, Curator of New Media, Whitney Museum Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department of Drawings and Prints, MoMA Sara Reisman, Artistic Director, The Shelley & Donald Rubin Foundation Magda Sawon, Owner, Postmasters Nato Thompson, Chief Curator, Creative Time Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art, Brooklyn Museum

Thus we interviewed not only Jeffrey Deitch, who had directed MOCA in LA; Philippe de Montebello of the Metropolitan; Alanna Heiss, and then Glenn Lowry, from MoMA; Massimiliano Gioni of the New Museum; and Thelma Golden of the Studio Museum in Harlem; but also Sir Norman Rosenthal from the Royal Academy, London; and Mikhail Piotrovsky at the Hermitage in St. Petersburg.

LARA FAVARETTO Born 1973 (Treviso, Italy) Lives and works in Torino, Italy EDUCATION 1994 - 1999 Accademia di Belle Arti di Brera, Milano, Italy 1998 Advanced Course in Visual Arts, Visiting Professor Hacmilton Fulton, Fondazione Antonio Ratti, Como, Italy Scholarship at Kingston University, London, UK SOLO EXHIBITIONS 2019 Castello di Rivoli Museo d'Arte Contemporanea (forthcoming) Aspen Art Museum (forthcoming) 2018 «SUCKING MUD» Galleria Franco Noero, Piazza Carignano, Turin, Italy 2017 «Absolutely Nothing», Nottingham Contemporary, Nottingham, UK 2015 «Good Luck», MAXXI, Rome, Italy «Lara Favaretto: Collected Works», Rennie Collection, Vancouver, Canada «REDEFINE», Galleria Franco Noero, Turin, Italy 2013 «The 2013 Carnegie International», Carnegie Museum of Art, Pittsburgh, USA 2012 «Just Knocked Out», Sharjah Art Foundation, Sharjah, UAE and MOMA PS1, New York, USA 2009 «Absolutely no Donations» Tramway, Glasgow, UK SELECTED GROUP EXHIBITIONS 2018 «Reichtum: Schwarz ist Gold / Black is Gold», Lehmbruck Museum, Duisburg, Germany «Sexy and Cool», Kunsthalle Tübingen, Tübingen, Germany «Playtime», Peabody Essex Museum, Salem, USA «Stories of Almost Everyone», Hammer Museum, Los Angeles, USA 2017 «I am you, you are too», Walker Art Center, Minneapolis, USA «A Poet * hical Wager», MOCA Cleveland, USA Skulptur Projekte Münster, Münster and Marl, Germany 2016 Liverpool Biennial 2016, Liverpool, UK 2015 «The Event Sculpture», The Henry Moore Foundation, Leeds, UK 2014 «Manifesta 10», The State Hermitage Museum, Saint Petersburg, Russia «Infinte Jest», Schrin Kunsthalle, Frankfurt, Germany 2013 «The 2013 Carnegie International», Carnegie Museum of Art, Pittsburgh, USA 2012 «When Attitudes Became Form Become Attitudes», CCA Wattis Institute for Contemporary Arts, San Francisco, USA «dOCUMENTA (13)», Kassel, Germany and Kabul, Afghanistan 2011 12th International Istanbul Biennial, cur.

NORTH ADAMS, MASSACHUSETTS — In her first U.S. solo museum show, London - based painter Rachel Howard brings her Paintings of Violence (Why I am not a mere Christian) to MASS MoCA for its U.S. premiere.

Gober has represented the US at the Venice Biennale and has had one - person exhibitions at MOCA, Los Angeles; the Walker Art Center, Minneapolis; the Serpentine Gallery, London; and the Schaulager, Basel.

He has exhibited widely, including solo shows at MoMA, New York (1988); Neue Nationalgalerie, Berlin (1991); The Metropolitan Museum of Art, New York (1998); Fort Worth Museum of Art, Texas (2005); the San Francisco Museum of Modern Art (2006); Mass MoCA, Massachusetts (2007); Guggenheim Museum, Bilbao (2007); Grand Palais, Paris (2007); Louisiana Museum of Modern Art, Denmark (2010); the Rijksmuseum, Amsterdam (2011); Tel Aviv Museum of Art (2011); The Royal Academy of Arts, London (2014); the Centre Georges Pompidou and the Bibliothèque Nationale de France, Paris (2015).

Her large - scale installation Woman on the Run was originally commissioned by and exhibited at Selfridges, London, and has traveled to Smack Mellon, Brooklyn; 21c Museum, Louisville; the Frist, Nashville, SECCA, Winston - Salem, and the Virginia MOCA, Virginia Beach.

Duran is the Resident DJ at RAILUP who has performed «Mustache Mondays» at The Hammer Museum and MOCA in Los Angeles and the Tate Modern in London.

He represented South Korea at the Venice Biennale in 2011, and has exhibited at museums and institutions worldwide including Contemporary Arts Center, Cincinnati, US (2016); MOCA Cleveland, US (2015 - 2016); MCA San Diego, US (2016); The Contemporary Austin, US (2014); National Museum of Modern and Contemporary Art, Seoul, Korea (2013); 21st Century Museum of Contemporary Art, Kanazawa, Japan (2012 - 2013 and 2005); Hiroshima City Museum of Contemporary Art, Japan (2012); University of San Diego, US (2012); Samsung Museum of Art, Seoul, Korea (2012); Seattle Art Museum, US (2011 and 2013) and Tate Modern, London, UK (2011).

His work exists in many prominent international collections, such as the Museum of Contemporary Art (MOCA), Los Angeles; The Metropolitan Museum of Art, New York; National Portrait Gallery, London; and Tate, London.

Do Ho Suh represented South Korea at the Venice Biennale in 2011, and he has had exhibitions at a number of museums such as the Contemporary Arts Center, Cincinnati, USA (2016); MOCA Cleveland, USA (2015 - 2016); MCA San Diego, USA (2016); The Contemporary Austin, USA (2014); National Museum of Modern and Contemporary Art, Seoul, South Korea (2013); 21st Century Museum of Contemporary Art, Kanazawa, Japan (2012 - 2013 and 2005); Hiroshima City Museum of Contemporary Art, Hiroshima, Japan (2012); University of San Diego, USA (2012); Samsung Museum of Art Seoul, South Korea (2012); Seattle Art Museum, USA (2011 and 2013); and the Tate Modern, London, UK (2011).

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

Anthony Allen, Associate Director, Paula Cooper Marco Antonini, Executive Director, NurtureArt and Writer Mark Beasley, Curator, Performa George Bolster, The Shelley & Donald Rubin Foundation Gary Carrion - Murayari, Kraus Family Curator, New Museum Susan Cross, Curator, Mass MoCA Clément Delépine, Assistant Curator, Swiss Institue Bridget Donahue, Owner / Director, Bridget Donahue Gallery Lisa Dent, Director of Resources & Award Programs, Creative Capital Elizabeth M. Grady, PhD, Programs Director, A Blade of Grass Stamatina Gregory, independent curator and critic Janice Guy, Owner, Murray Guy Nicole Hayes, Curator, The Fields Sculpture Park, Art Omi Amanda Hunt, Assistant Curator, Studio Museum Alexis Johnson, Associate Director, Paula Cooper Ruba Katrib, Curator, Sculpture Center Vitaly Komar, Artist Melanie Kress, High Line Art Curatorial Fellow, High Line Art Thomas Lax, Associate Curator in the Department of Media and Performance Art, MoMA Barbara London, Independent Curator, formerly of MoMA Matthew Lyons, Curator, The Kitchen Julie McKim, Curator, Galapagos Christiane Paul, Curator of New Media, Whitney Museum Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department of Drawings and Prints, MoMA Sara Reisman, Artistic Director, The Shelley & Donald Rubin Foundation Magda Sawon, Owner, Postmasters Nato Thompson, Chief Curator, Creative Time Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art, Brooklyn Museum

Curated by MOCA Director Jeffrey Deitch and Associate Curators Roger Gastman and Aaron Rose, the exhibition will trace the development of graffiti and street art from the 1970s to the global movement it has become today, concentrating on key cities such as New York, Los Angeles, San Francisco, London, and Sao Paulo, where a unique visual language or attitude has evolved.

His work has also been featured in numerous group exhibitions internationally, including Arts & Foods at La Triennale di Milano, curated by Germano Celant (2015); the Walker Art Center, Minneapolis, and the Metropolitan Museum of Art, New York City (both 2012); the Geffen Contemporary at MoCA, Los Angeles (2005); and the Museum of Modern Art, New York City, and the Serpentine Gallery, London (both 2000).

His work has also been included in exhibitions at Philadelphia Photo Arts Center; LAND in Austin, TX; National Museum of Poznan, Poland; Contemporary Art Center, Charleston, SC; High Museum of Art, Atlanta; PS1 / MoMA, Queens, New York; Shanghai MoCA, Shanghai; Royal Academy of Art, London; Fogg Art Museum, Harvard, Cambridge; Sculpture Center, NY; Contemporary Arts Center, Houston; Studio Museum of Harlem, New York; MIT List Visual Arts Center, Cambridge; Whitney Biennial, Whitney Museum of American Art; and New Museum of Contemporary Art, NY.

Select group exhibitions include Ends of the Earth, MOCA, Los Angeles, CA which traveled to the Haus der Kunst, Munich, DE (2012) and the Royal Academy of Arts, London (2011).

Her works are part of renowned collections, both public and private, such as TATE Gallery, London, UK, MOCA, Los Angeles, Women Museum Washington D.C., Frauen Museum, Bonn, Germany, Centre Pompidou, Paris, France, Palais de Tokyo, Paris, France, Museo Nacional de Arte Reina Sofia, Madrit, Spain.

S. 1; Tate Modern, London; Hirschhorn Museum and Sculpture Garden D.C.; Kunstmuseum Lucerne, Switzerland; Philadelphia Museum of Art; Denver Art Museum; Indianapolis Museum of Art; Museum of Contemporary Art Chicago; Mass MoCA; MoCA Cleveland; San Francisco Museum of Modern Art; High Museum of Art Atlanta; Los Angeles County Museum of Art; Stedelijk Museum, Amsterdam; Kunsthalle Bern, Switzerland; ICA Boston; Albright - Knox Gallery, Buffalo; El Museo del Barrio NY; The Jewish Museum NY; Socrates Sculpture Park; Sculpture Center NY; ICA Philadelphia; New Museum NY; Bronx Museum; Brooklyn Museum; Creative Time NY; Pinchuk Art Centre Kiev; American Academy in Rome; Guggenheim NY, Venice, Bilbao & Berlin; White Columns; Art in General; Studio Museum in Harlem; Zacheta National Gallery of Art Poland; Artists Space NY; The Menil Collection Houston; J Paul Getty Museum LA and many other museums nationally and internationally; as well as every major cultural institution in South Florida.

Group exhibitions include MOCA, Los Angeles; Sculpture Center, New York; Zabludowicz Collection, London; and the Hammer Museum, Los Angeles.

She has been the subject of solo exhibitions, including at Casey Kaplan, New York, NY (2018); «Sarah Crowner / Tutsi Baskets,» Galerie Nordenhake, Stockholm, Sweden (2016); «Plastic Memory,» Simon Lee Gallery, London, United Kingdom (2016); «Beetle in the Leaves,» MASS MoCA, North Adams, MA (2016); among others.

We are Grammar, Pratt Institute, New York (2011) Clap, Marie Luise Hessel Museum, CCS Bard, Annandale - on - Hudson (2011) Learning from Vancouver, Western Front, Vancouver (2010) Portscapes, Museum Boijmans Van Beuningen, Rotterdam (2010) Making Ships in Bottles, CGP, London (2010) Impakt festival, Utrecht (2010) The Crude and the Rare, Cooper Union, New York (2010) Xth Lyon Bienniale, The Spectacle of the everyday, curated by Hou Hanru, Lyon (2009) Generosity is the new political, Wysing Art Centre, Cambridge (2009) One Day Sculpture, Auckland (2009) Pumphouse Gallery, London (2009); Becoming Dutch, Van AbbeMuseum, Eindhoven (2008) For Reasons of State, ISP Whitney, New York (2008) Utopia Transfer, Kiscelli Museum, Budapest (2008) Xth Istanbul Biennale (2007) Models For Tomorrow, European Kunsthalle, Cologne (2007) Moscow Biennale, Moskow (2007) Temporary Measures, Associates, London (2007) Naked Life, MOCA, Taipei (2006) Ford Boxes, Cork Caucus Cork (2005)

Her work is in several public collections including MOCA, Los Angeles, SFMOMA, and Tate, London.

He has had solo shows at Fringe Exhibitions, Los Angeles (2007), bitforms gallery, New York (2006), Kunsthalle Loppem, Belgium (1995), Lisson Gallery, London (1994), Barbara Gladstone Gallery, New York (1991, 1993 and 1994) and has been included in group exhibitions such as Illiterature, Arena 1 Gallery, Santa Monica (2009), Beneath the Underdog, Gagosian Gallery, New York (2007), CUT / FILM Film as Found Object in Contemporary Video, MOCA, North Miami (2004), Public Offerings, Los Angeles Museum of Contemporary Art, Los Angeles (2001), 1993 Biennial Exhibition, Whitney Museum of American Art, New York (1993).

Photography from the Collections, Wadsworth Atheneum Museum of Art, Hartford, Connecticut Hand made in America, Sprovieri Gallery, London, England Collector's Choice, Exit Art, New York, USA (selected by Gregory Allen) Drawing, Stephen Friedman Gallery, London, England 1999 Waste Management, Art Gallery of Ontario, Canada On the Ball: The Sphere in Contemporary Sculpture, DeCordova Museum and Sculpture Park, Lincoln, Massachusetts, USA Collectors Collect Contemporary Art: 1990 - 1999, Institute of Contemporary Art, Boston, USA (catalogue) Zero - G: When Gravity Becomes Form, Whitney Museum of American Art at Champion, Stamford, Connecticut, USA (catalogue) Ideas in Things, Irvine Fine Arts Center, Irvine, California, USA Holding Court, L & R Entwistle & Co Ltd, London, England Stuff, TBA Exhibition Space, Chicago, Illinois, USA 1998 More Pieces for the Puzzle: Recent Additions to the Collection, The Museum of Modern Art, New York, USA Hindsight: Recent Work from the Permanent Collection, Whitney Museum of Contemporary Art, New York, NY Young Americans Part II, Saatchi Gallery, London, England Poussière (Dust Memories), Fonds Regional d'art Contemporain de Burgogne, Dijon, France; Fonds Regional d'Art Contemporain Bretagne, Galerie du Trib, Rennes, France (catalogue) Blunt Object, The David and Alfred Smart Museum of Art, The University of Chicago, Chicago, Illinois, USA Drawing the Question, Dorsky Gallery, New York, USA (brochure) Dust Breeding, Fraenkel gallery, San Francisco, CA; Luhring Augustine Gallery, New York, USA (catalogue) Transience and Sentimentality: Boston and Beyond, The Instate of Contemporary Art, Boston, USA Humble County, D'Amelio Terras, New York, USA Pop Surrealism, Aldrich Museum of Contemporary Art, Ridgefield, USA (catalogue) Word perfect, Gallery 400, University of Illinois at Chicago, Chicago, USA Bob and Wheel, dfn Gallery, New York, USA At the Threshold of the Visible: Minuscule and Small - Scale Art, 1964 - 1996, Johnson Museum of Art, Cornell University, Ithica NY; Meyerhof Galleries, Maryland Institute of Art, Baltimore, MD; Art Gallery of Ontario, Toronto, Ontario, Canada; Art Gallery of Windsor, Windsor, Ontario, Canada; Virginia Beach Centre for the Arts, Virginia Beach, VA; Santa Monica Museum of Modern Art, Santa Monica, CA; Edmonton Art Gallery, Edmonton, Alberta, Canada, (ICA travelling exhibition) 1997 A Lasting Legacy: Selections from the Lannan Foundation Gift, The Geffen Contemporary at MOCA, Los Angeles, USA New Work: Drawings Today, San Francisco Museum of Modern Art, San Francisco, USA (catalogue) Identity Crisis: Self - Portraiture at the End of the Century, Milwaukee Art Museum, Milwaukee, USA (catalogue) Inaugural installation of the new galleries of contemporary art, The Art Institute of Chicago, USA Dane County Collects, Madison Art Centre, Madison, USA (brochure) Frankensteinian, Caren Golden Fine Art, New York, USA Lovecraft, Centre for Contemporary Art, Glasgow; Cabinet Gallery, London, England

Generous additional support is provided by Hauser & Wirth Zürich London; Marian Goodman Gallery, New York and Paris; The MOCA Contemporaries; the National Endowment for the Arts; the Graham Foundation for Advanced Studies in the Fine Arts; Mary and Robert Looker; the Pasadena Art Alliance; Betye Monell Burton; Peter Gelles and Eve Steele Gelles; John Morace and Tom Kennedy; Eileen and Michael Cohen; Bagley and Virginia Wright; and Marieluise Hessel.

Recent solo exhibitions include: «Beetle in the Leaves,» MASS MoCA, North Adams, MA (2016); «Plastic Memory,» Simon Lee, London (2016); «Tutsi Bas - kets,» Galerie Nordenhake, Stockholm (2016); «Everywhere the Line is Looser,» Casey Kaplan, New York (2015); «Interiores,» Travesia Cuatro, Guadalajara, Mexico (2014) and «Motifs,» Galerie Catherine Bastide, Brussels, Belgium (2014).

She has exhibited nationally and internationally, including Moscow Biennale of Contemporary Art, Serpentine Gallery (London), Tomio Koyama Gallery (Tokyo), Emmanuel Perrotin Gallery (Paris), Fredric Snitzer Gallery (Miami) as well as MoCA North Miami, Rubell Contemporary Art Foundation.

Rudelius has shown extensively at international venues including the Stedelijk Museum, Amsterdam; ZKM, Karlsruhe; Brooklyn Museum, New York; Tate Modern, London and MOCA, North Miami.

2006 Primitivism Revisited, Sean Kelly Gallery, New York, USA RADAR: Selections from the Collection of Vicki and Kent Logan, Denver Art Museum, Denver, Colorado, USA Alien Nation, Institute of Contemporary Arts, London, England William Hogarth, Musee du Louvre, Paris, France; travelled to Tate Britain, London, England; Caixa Forum, Madrid, Spain Transvideo, Madison Museum of Contemporary Art, Madison, Wisconsin, USA MASCARADA / MASQUERADE, DA2 - Domus Artium 2002, Centro de Arte de Salamanca, Spain DRESSCODE, Historisches und Volkerkundemuseum, St Gallen, Switzerland Space is the Place, Independent Curators International, New York, USA Los Usos de la Pintura II, Espacio 1414, San Juan, Puerto Rico (curated by Julieta González) Pattern Language: Clothing as Communicator, University Art Museum, UC Santa Barbara, California, USA Africa Remix, Moderna Museet, Stockholm, Sweden Acting the Part: Photography as Theatre, National Gallery of Canada Contemporary Commonwealth, The Ian Potter Centre, National Gallery of Victoria, Melbourne, Australia A Historic Occasion, Artists Making History, MASS MoCA, Massachusetts, USA East Wing Collection No. 7 Culture Bound, Courtauld Institute, Somerset House, London, England Around The World In Eighty Days, Institute of Contemporary Arts and South London Gallery, London, England Photography: Recent Acquisitions, Fisher Landau Center for Art, Long Island City, New York, USA Artificial Afrika, Gigantic ArtSpace, New York, USA (curated by Vernon Reid and C. Daniel Dawson)

Recent group exhibitions include; «Study from the Human Body», Stephen Friedman Gallery, London, England (2014); «Lifelike», Museum of Contemporary Art San Diego, San Diego, USA (2010); «Seismic Shifts», The National Academy Museum, Manhattan, New York, USA (2013); «Now Here is also Nowhere: Part 1», Henry Art Gallery, Seattle, Washington, USA (2013 - 2012); «Invisible Art: About the Unseen, 1957 - 2012», The Hayward Gallery, London (2012); «Floor Corner Wall», Fort Worth Contemporary Arts, Fort Worth, Texas (2010); «Slash: Paper Under the Knife», Museum of Arts and Design, New York (2010); «Chasing Napoleon», Palais de Tokyo, Paris (2009); «The Shapes of Space», Solomon R. Guggenheim Museum, New York (2007); «Art in America», Now, MOCA Shanghai, Shanghai (2007); «Mapping the Self», Museum of Contemporary Art Chicago (2007); «Into me / Out of me», P.S. 1 Contemporary Art Center, Long Island (2006).

Both of their work has been presented in different art institutions, such as the Institute Cervantez in Madrid Spain, the Whitney Museum in New York, in Los Angeles at LACMA, MOCA, MOLA, the TaTe Modern in London, at the Chicago Hyde Park Center in Chicago, among others.

Jim Shaw's most recent solo exhibitions include Jim Shaw, Simon Lee Gallery, London, UK; The End is Here, New Museum, New York, NY; and Entertaining Doubts, MASS MoCA, West Adams, MA.

With major solo exhibitions including «All Those Vanished Engines» at MASS MoCA, North Adams, MA (2011 - 2016); «A Bell For Every Minute» on The High Line, NYC (2010 - 2011); «More Songs About Buildings and Bells» at Museum 52, New York (2011); and «Stephen Vitiello» at The Project, New York (2006), the artist has also performed nationally and internationally, at locations such as the Tate Modern, London; the San Francisco Electronic Music Festival; The Kitchen, New York; and the Cartier Foundation, Paris.

Retrospectives of his work was shown at MOCA, Los Angeles, which traveled to SFMOMA, the Hirshhorn Museum and Sculpture Garden, the Whitney Museum and the Musée d'Art Contemporain, Montreal in 1990 - 92; at Cornerhouse, Manchester, and traveled to London, Stuttgart, Ljubljana, Oslo, and Lisbon in 1995 - 96 entitled «This Not That»; and Pure Beauty opened at the Tate Modern, London, in 2009 and travelled to MACBA, Barcelona; LACMA, Los Angeles; and The Metropolitan Museum of Art, New York, through 2011.

His work is included in the collections of The Metropolitan Museum of Art and MoMA, New York; Tate, London; and MOCA, Los Angeles, among others.

Installation view, Dan Flavin, untitled (to Don Judd, colorist) 1 - 5, 1987, MASS MoCA; courtesy of David Zwirner, New York / London

His work has been included in group shows at London's ICA, Lawrie Shabibi in Dubai, Light Festival of Durham, Grand Palais in Paris, Galerie Jan Wentrup in Berlin, MoCA Goldman Warehouse in Miami, and Bangkok University Gallery.