Sentences with phrase «moca shanghai»

MOCA Shanghai's exhibiton space of 1,800 square meters is situated on the ground floor and first level of the museum which are connected by a sweeping steel ramp.

In addition to exhibitions, MOCA Shanghai successfully organizes various seminars, talks, and educational programs throughout the year, for both adults and children.

Zhou Tiehai's art works have been exhibited in a number of international exhibitions and art institutions, including major exhibitions as The 48th Venice Biennial, The 5th and 7th Asia Pacific Triennial of Contemporary Art, etc.; and major institutions as Centre National d'art et de Culture Georges Pompidou, Paris; Whitney Museum of American Art, New York; Kunst Museum Bern, Bern; Hamburger Bahnhof - Museum für Gegenw art Berlin, Berlin; Hara Museum, Tokyo; Mori Museum, Tokyo; Shanghai Art Museum, Shanghai; MOCA Shanghai, Shanghai; Yuz museum, Shanghai, etc..

He has also exhibited in group shows including Turning Point: Contemporary Art in China Since 2009, Minsheng Art Museum, Shanghai, China (2016); New voices: a dslcollection story, Klein Sun Gallery, New York, NY (2016); We, A Community of Chinese Contemporary Artists, Chi K11 Art Space, Shanghai, China (2016); After Utopia: Revisiting the Ideal in Asian Contemporary Art, Singapore Art Museum, Singapore (2015); Editing the Spectacle: the Individual and Working Methods Post-Mediatization, Hive Center for Contemporary Art, Beijing, China (2015); Criss — Cross, Long Museum, Shanghai, China (2013); Re-imagining the Real, Yuz Museum, Shanghai, China (2010); Chinetik, Museum Jean Tinguely, Basel, Switzerland (2009); and Shanghai MoCA Envisage II — Butterfly Dream, MoCA Shanghai, Shanghai, China (2008).

He has also exhibited in group shows including After Party: Collective Dance and Individual Gymnastics, Blindspot Gallery, Hong Kong (2017); New voices: a dslcollection story, Klein Sun Gallery, New York, NY (2016); We - A Community of Chinese Contemporary Artists, K11 Art Museum, Shanghai, China (2016); 28 ° 00 ′ N 120 ° 42 ′ E, How Art Museum, Wenzhou, China (2015); The System of Objects, Mingsheng Art Museum, Shanghai, China (2015); Cinematheque, K11 Art Museum, Shanghai, China (2015); Performance and Imagination: Chinese Photography 1911 - 2014, Stavanger Art Museum, Stavanger, Norway (2014); My Generation: Young Chinese Artists, Tampa Museum of Art & Museum of Fine arts, St. Petersburg, FL (2014); 28 Chinese, Rubell Family Collection / Contemporary Arts Foundation, Miami, FL (2013); Rising Dragon: Contemporary Chinese Photography, San Jose Museum of Art, San Jose, CA (2013); ON / OFF: China's Young Artists in Concept & Practice, Ullens Center for Contemporary Art, Beijing, China (2013); The First «CAFAM Future» exhibition, CAFA Art Museum, Beijing, China (2012); and Reflection of Mind: MoCA Shanghai Envisage III, Museum of Contemporary Art, Shanghai, China (2010).

He has also exhibited in major museum group shows, including Thingworld — International Triennial of New Media Art, National Art Museum of China, Beijing, China (2014); ON / OFF: China's Young Artists in Concept & Practice, Ullens Center for Contemporary Art, Beijing, China (2013); Image History Existence, TAIKANG Life 15th Anniversary Art Collection Exhibition, National Art Museum of China (2011); Reflections of Minds — MoCA Shanghai Envisage III, MoCA Shanghai, Shanghai, China (2010); China China China!

2010 «Alex: A Tribute to Alexander McQueen,» James Cohan Gallery, Shanghai, China «MARK FLOOD, AGATHE SNOW and CHEN WEI: Group Show,» Galerie Rüdiger Schöttle, Munich, Germany «Reflection of Mind — MoCA Shanghai Envisage III,» Museum of Contemporary Art, Shanghai, China «TORA!

He has also exhibited at the Xth Lyon Biennial, MOCA Shanghai, National Museum of Art (Oslo), KIASMA Museum of Contemporary Art (Helsinki), Louis Vuitton: A Passion for Creation at the Hong Kong Museum of Art and Museum of Modern Art (Moscow), among others.

Follow, MOCA Shanghai Museum, Shanghai, 2011.

Delvoye's work has also been displayed in large - scale group exhibitions, such as Documenta IX; the 1999 Venice Biennale; Triennale di Milano; Yokohama Triennale; 3rd Moscow Biennale; CAPC Musée de Bordeaux; Lyon Biennale; MOCA Shanghai; MoMA PS1; The Vancouver Art Gallery; and The Grand Palais in Paris.

MOCA Shanghai curator Victoria Lu has coined the phrase «animamix» to describe the style and has held the Animamix Biennial at the Shanghai museum since 2007.

Recent group exhibitions include; «Study from the Human Body», Stephen Friedman Gallery, London, England (2014); «Lifelike», Museum of Contemporary Art San Diego, San Diego, USA (2010); «Seismic Shifts», The National Academy Museum, Manhattan, New York, USA (2013); «Now Here is also Nowhere: Part 1», Henry Art Gallery, Seattle, Washington, USA (2013 - 2012); «Invisible Art: About the Unseen, 1957 - 2012», The Hayward Gallery, London (2012); «Floor Corner Wall», Fort Worth Contemporary Arts, Fort Worth, Texas (2010); «Slash: Paper Under the Knife», Museum of Arts and Design, New York (2010); «Chasing Napoleon», Palais de Tokyo, Paris (2009); «The Shapes of Space», Solomon R. Guggenheim Museum, New York (2007); «Art in America», Now, MOCA Shanghai, Shanghai (2007); «Mapping the Self», Museum of Contemporary Art Chicago (2007); «Into me / Out of me», P.S. 1 Contemporary Art Center, Long Island (2006).

Biljana Ciric, an independent curator based in Shanghai, has presented projects in the Venice Biennale, Shenzhen / Hong Kong Bi-city Biennale of Urbanism and Architecture, MoCA Shanghai, and Guangdong Times Museum.

Antinori was selected for the PS1 Summer School, New York, in 2012 to study with Marina Abramović; he recently had a solo exhibition at the MoCA Shanghai Pavilion and was also part of the Triennial of Fiber Art in Hangzhou (2016).

Ye Linghan's multi-media work has garnered great acclaim and attention recently - last year alone he was included in over 25 exhibitions, at venues such as the Minsheng Art Museum, MOCA Shanghai and the Today Art Museum in Beijing.

Four years since his first visit to Shanghai, French urban artist Seth Globepainter recently spent two months in the city creating outdoor and indoor works for his major solo showing, Like Child's Play, at MOCA Shanghai.

Lee's work has been exhibited widely in major solo and group exhibitions including MoCA Shanghai, Millennium Museum, San Jose Museum of Art, Museum of Contemporary Art Korea, 53rd and 54th Venice Biennale, Incheon Womens Art Biennale, and artfairs including Art Basel, FIAC, Frieze, Armory Show, Art Basel Miami, Art HK.

nal Museum of Women in the Arts (Washington, D.C.), the Amon Carter Museum of American Art (Fort Worth, TX), the J. Paul Getty Museum (Los Angeles), MoCA Shanghai and the Guggenheim Museum Bilbao.

Not exact matches

Ye Funa's work has been the subject of solo exhibitions including, Curated Nail Residency, MoCA Pavilion, Museum of Contemporary Art, Shanghai, China (2015); People's Congress via their Nails - Exhibitionist's Curated Nails, Art Museum of Nanjing university of the Arts, Nanjing, China; Zha Golden Flowers — News from Nowhere, V Art Center, Shanghai, China (2014); and Ye Funa, Galerie Pièce Unique, Paris, France (2014).

His works are collected and exhibited at the MOCA (Shanghai), the Bates College Museum of Art (United States) and the Red Mansion Foundation.

His work has also been included in exhibitions at Philadelphia Photo Arts Center; LAND in Austin, TX; National Museum of Poznan, Poland; Contemporary Art Center, Charleston, SC; High Museum of Art, Atlanta; PS1 / MoMA, Queens, New York; Shanghai MoCA, Shanghai; Royal Academy of Art, London; Fogg Art Museum, Harvard, Cambridge; Sculpture Center, NY; Contemporary Arts Center, Houston; Studio Museum of Harlem, New York; MIT List Visual Arts Center, Cambridge; Whitney Biennial, Whitney Museum of American Art; and New Museum of Contemporary Art, NY.

Chen has exhibited extensively throughout Asia, including at the Museum of Contemporary Art (MOCA) in Shanghai, The Contemporary Art Institute in Beijing and the 2009 Seoul International Photography Festival.

Consisting of 20 public interventions in the old neighborhoods of central Shanghai and 14 installations within MOCA building, the complex and involved show aims to «summon childhood memories that question the evolution of this massive city over the past few years.»

He has previously exhibited at UCLA Hammer Museum, Los Angeles; Pennsylvania Academy of the Fine Art, Philadelphia; PROSPECT.1, New Orleans; Walker Art Center, Minneapolis; Tate Liverpool, Liverpool, UK; Shanghai Museum of Contemporary Art, Shanghai, China; The State Hermitage Museum, St. Petersburg, Russia; Mass MOCA, North Adams, MA; Queens Museum, Queens, NY; Yale University Museum, New Haven, CT; and the New Museum, New York.

Her work has been included in numerous group exhibitions such at MASS MoCA; Guangzhou Triennial, Guangdong Art Museum, China; Contemporary Art Museum at USF, Tampa, Florida; Yerba Buena Contemporary Art Center, SF; National Academy of Arts, NY; American Academy of Arts and Letters, NY; Katonah Museum of Art, NY; Hong Kong Art Centre; Sotheby's, NY; Shanghai MOCA; Contrast Gallery, Shanghai; Juan Silos Gallery, Santander, SpMoCA; Guangzhou Triennial, Guangdong Art Museum, China; Contemporary Art Museum at USF, Tampa, Florida; Yerba Buena Contemporary Art Center, SF; National Academy of Arts, NY; American Academy of Arts and Letters, NY; Katonah Museum of Art, NY; Hong Kong Art Centre; Sotheby's, NY; Shanghai MOCA; Contrast Gallery, Shanghai; Juan Silos Gallery, Santander, SpMOCA; Contrast Gallery, Shanghai; Juan Silos Gallery, Santander, Spain.

Emily has also had solo shows at the Museum of Contemporary Art, Taipei (MOCA, Taipei); Zane Bennett Gallery in Santa Fe; Hanart Gallery in Hong Kong; Louis Vuitton, Kowloon, Hong Kong; Metropolitan Museum of Manila; and the Ayala Museum in Manila, Philippines; Byron Cohen Gallery in Kansas City; The Cincinatti Center of Contemporary Art; Schmidt Dean Gallery in Philadelphia; and Timezone 8 in Beijing and Shanghai.

His work has been featured at the Shanghai Biennial (China), Palermo Gallery of Modern Art (Italy), MASS MoCA (USA), Musée de Design et d'Arts Appliqués Contemporains (Switzerland), and the Philadelphia Institute of Contemporary Art (USA).

Arceneaux has had major exhibitions at MIT LIST Center for Contemporary Art (2016); Performa (2015); Biennale de Montreal (2014); Shanghai Biennale (2014); MoCA Detroit (2011); Bienal de São Paulo (2011); and the Whitney Biennial (2008).

Hilary Harnischfeger has recently participated in shows at the Cleveland Museum of Art (Cleveland, OH), MOCA Cleveland (Cleveland, OH), American University Museum (Washington, DC), Galerie Lelong (New York, NY), and has had a solo exhibition with Halsey Mckay Gallery (East Hampton, NY), V1 Gallery (Copenhagen, DE), James Fuentes (New York, NY), James Cohan Gallery (Shanghai, CH), among many others.

It was included in «From Head to Toe: Concepts of the Body in 20th Century Art», «Made in California: Art, Image, and Identity», both at the Los Angeles County Museum of Art, and in «Fiction@Love» at MOCA, Shanghai in 2006.

Hilary Harnischfeger has recently participated in shows at the Cleveland Museum of Art (Cleveland, OH), MOCA Cleveland (Cleveland, OH), American University Museum (Washington, DC), Galerie Lelong (New York, NY), a solo exhibition with Halsey Mckay Gallery (East Hampton, NY), V1 Gallery (Copenhagen, DE), James Fuentes (New York, NY), James Cohan Gallery (Shanghai, CH), among many others.

He has also participated in notable group exhibitions such as Absolute Collection Guideline (2015), Sifang Art Museum, Nanjing, China; 10th Gwangju Biennale — Burning Down the House (2014), Gwangju, Korea; Revel — Celebrating MoCA's 8 Years in Shanghai (2013), Museum of Contemporary Art, Shanghai, China; or ON OFF: China's Young Artists in Concept and Practice (2013), Ullens Center for Contemporary Art, Beijing, China.

His work has been featured at the 9th Shanghai Biennial, at MASS MoCA, Massachusetts, at the Gallery of Modern Art of Bologna, at Mu.dac (Musée de Design et d'Arts Appliqués Contemporains) in Lausanne, Switzerland, and at the Institute of Contemporary Art in Philadelphia.

Her work has been exhibited internationally in galleries and institutions including MOMA, Eastman House, 54th Venice Biennale, Garage Projects Moscow, Palais de Tokoyo, MOMA PS1, KW Berlin, Faena Art Center in Buenos Aires, Julia Stoschek Collection, Kunstlerhaus Stuttgart, Zendai Museum of Modern Art, Shanghai, Cobra, Netherlands, MOCA Toronto, MACRO ROMA, Madre Museum, Palace for the Arts, Naples, Tensta Konsthall in Sweden, Site Gallery in England, Hessel Museum of Art and the Long Beach University Gallery.

She has been exhibited internationally including; Participant Inc, KW Berlin, 54th Venice Biennale, Garage Projects Moscow, Eastman House, Franklin Street Works, Zendai Museum of Modern Art, Shanghai, MOCA Toronto, Macro Roma, Tensta Konsthall Sweden, MoMA PS1, CCS Bard Hessel Museum.

Museum of Contemporary Art (MoCA)(People's park on West Nanjing Road) is a private museum that aims to promote cultural exchange between Shanghai and the rest of the world.

Born in Beijing, China, 1977 Lives and works in Beijing, China EDUCATION 2003 Graduated from Central Academy of Fine Arts (CAFA), Beijing, China SOLO EXHIBITIONS 2016 Li Hui: V, Orange County Museum of Art, Newport Beach, CA 2015 Instant Insanity, Arario Gallery, Shanghai, China Ksana, Sandra Gering Inc., New York, NY 2014 Halcyon Fracture, Savannah College of Art and Design, Savannah, GA 2012 Void and Substance, Zadok Gallery, Miami, FL. 2011 Cage, Ernst Schering Foundation, Berlin, Germany Uncertain Truth, Taipei MoCA, Taipei, Taiwan V, Ullens Center For Contemporary Art, Beijing, China Reality Impalpable, Museum of Contemporary Art, Taipei, Taiwan 2010 Transition, Mannheimer Kunstverein, Mannheim, Germany Unexpected..., Tang Contemporary Art Center, Beijing, China Who's Afraid of Red, Amber and Green?

路易丝 • 布尔乔亚 & 向路易丝 • 布尔乔亚致敬 ： 林天苗 、 胡晓媛 2011年6月4日至8月28日 开幕酒会 ： 2011年6月4日 ， 周六 ， 晚6 - 8点 上海James Cohan画廊 地址 ： 徐汇区岳阳路170弄1号楼1楼 ， 近永嘉路 上海James Cohan画廊荣幸地宣布路易丝 • 布尔乔亚 （ Louise Bourgeois ） 展览将于2011年6月4日开幕 ， 并将持续到8月28日 。 展览将推出由纽约著名版画工作室Harlan & Weaver于1999年至2009年间印制的三十三件铜版作品 ； 这些精彩的作品同时也展现了布尔乔亚与印刷大师Felix Harlan和Carol Weaver自1989年始长达21年紧密 、 多产的合作关系 。 他们一同工作直至2010年5月艺术家于98岁高龄去世 。 路易丝 • 布尔乔亚 （ 1911 - 2010 ） 出生于巴黎 ， 曾就学于索邦大学 、 卢浮宫学院和法国高等美术学院 。 1938年 ， 她跟随丈夫 ， 艺术史学家 、 策展人Robert Goldwater搬至纽约生活 ， 并于1955年加入美国国籍 。 以雕塑 、 绘画及版画创作而知名的布尔乔亚 ， 在其漫长的职业生涯中成名较晚 ， 直至1982年 ， 当她七十多岁时 ， 在纽约现代艺术博物馆 （ MoMA ） 举办的个人回顾展 ， 才为她带来了长久未有的肯定 、 褒奖和声誉 。 1993年 ， 布尔乔亚代表美国国家馆参加威尼斯双年展 。 自1940年代起 ， 版画创作就一直是艺术家工作中至关重要的部分 。 如同她的雕塑作品 ， 版画作品中的主题与图像亦都富于强烈的情感与心理内容并充满了个人印记 ， 亲密关系 、 个体记忆 、 家庭 、 童年与母性 ---- 以及这些关系中与生俱来的冲突 、 分离与调和 ， 及由此而产生的焦虑 ， 这些主题反复出现 ， 并贯穿在她的所有作品中 。 如同Felix Harlan所描述的 ： «布尔乔亚的版画作品是在她的智识与情感领域中自由创造出来的 。 铜版画给她提供了一种手段 ， 得以将她认为重要的图像创作并保存下来...... 版画创作变成了日常活动 ， 为了描绘出不同的想法 ， 她总是在多个印版上同时创作 ， 尽管并非所有的印版都会完成 。» 而布尔乔亚也经常说 ： «绘画无关紧要 ， 制成印版的才重要 。» 于艺术家而言 ， 蚀刻过程和制作中涉及的工序及材料 （ 铜版 、 及使用工具在铜版上雕刻 、 划刮及磨光 ） 的物理性 ， 与雕塑创作有着根本上的内在联系 。 本次展览着重推出了在艺术家的创作中为人熟知的诸多图像和主题 ， 如 《 蜘蛛女人 》 （ 2005 ） ， 《 愤怒的猫 》 （ 1999 ） 以及 《 悬挂的人形 》 （ 2000 ） 。 同时展出的有名为 《 修复 》 （ 2003 ） 的一套版画 ， 包含七件作品 ， 这套充满象征性的作品根植于艺术家的个人经历 ， 少女时期在法国从事挂毯修复生意的家庭中度过的青春期记忆 。 这套版画的题目具有双重意义 ， 既表现了布尔乔亚童年时期在家庭生活中所经历的痛苦的情感挣 ¬ ¬ ¬ 扎 ： 其父亲对于家庭的背叛及她与母亲之间的复杂关系 ， 亦反映了修复17 、 18世纪纺织品的艰辛 ---- 布尔乔亚从15岁起就参与到父母的修复工作中去了 。 为了使展览内容更为丰满 ， 同时表达对布尔乔亚的悼念与敬意 ， 我们邀请并展出了艺术家林天苗与胡晓媛的两件雕塑作品 。 布尔乔亚的作品对许多年轻一代的艺术家产生了巨大影响 ， 并得到了他们的深深敬仰 ， 尤其是女性艺术家 。 林天苗 （ 生于1966年 ） 与胡晓媛 （ 生于1977年 ） 是中国当下非常活跃的两位女性艺术家 。 林天苗的作品被纽约现代艺术博物馆 、 旧金山现代艺术博物馆 、 西雅图艺术博物馆 、 新加坡艺术博物馆与堪培拉澳洲国立美术馆等艺术机构展出与收藏 。 胡晓媛的作品于2008年在伯尔尼美术馆 、 于2007年在第12届德国卡塞尔文献展展出 ， 最近参与的群展是上海当代艺术馆 （ MoCA ） 2010年展览 «弦外» 。 林天苗的 《 妈的 ！ ！ ！ - No. 1狗 》 （ 2008 ） ， 是其大型装置作品中的主要作品 ， 在北京长征空间首次展出 。 该雕塑作品由白色聚脲 、 丝绸 、 丝线与棉线组成 ， 似纵欲 、 仰卧的无头女性裸体雕塑 ， 缠绕于丝绸间 ， 两侧有两条胁迫的灰狗 。 梦幻而古典的作品造型 ， 传达出的却是艺术家对于女性之痛苦与脆弱的矛盾挣扎 。 胡晓媛的最新雕塑作品以 《 忽略从未停止 ， 一如河流 》 为题 ， 题目引自俄国作家亚历山大 • 索尔仁尼琴的访谈 ； 胡晓媛将一张旧的普通金属写字台重新创作成了一组桌面静物 。 这件雕塑作品由多种材质组成 ， 气球 、 卫生纸纸浆 、 蛇蜕 、 风干的蜂房 、 装满蝉蜕的有镜面的盒子 、 一抽屉由卫生纸纸浆翻制的 （ 以艺术家自身身体尺寸和比例为模板 ） 人体骨骼 。 于胡晓媛而言 ， 每个物件都是过去存在的遗留物 ； 一段关于被蜕下 、 被抛弃的记忆 。 蝉蜕 、 蛇蜕 、 蜂巢 ， 在那生的意味中又暗含着形而上的死的暗示 ， 脆弱而易被忽略 ； 而这同时却也暗示着转变新生的潜在可能 ， 蕴育着欲望与新的生命 ， 转换永不停止 ， 如同河流一般 。 更多信息或图片 ， 请联系 周冰心 [email protected] 或 [phone] 。 画廊工作时间 ： 周二至周六 ， 上午10点至晚6点 ， 周日中午12点至晚6点 ， 周一请预约 。 LOUISE BOURGEOIS & A Tribute to Louise Bourgeois: Lin Tian Miao, Hu Xiaoyuan June 4 through August 28, 2011 Opening reception: June 4th, 2011, Saturday, 6 to 8 pm Venue: James Cohan Gallery Shanghai Address: 1 / F, Building 1, Lane 1, No. 170 Yue Yang Road, Shanghai James Cohan Gallery Shanghai is pleased to announce the exhibition Louise Bourgeois, opening June 4 and continuing through August 28, 2011.