Jemison's work with Solresol extends her interest in utopia and language, developed in previous works such as I Call This One «Happiness»,
created for Triple Canopy, and Promise
Machine, commissioned by MoMA (both 2015), as well as her interest in
translation and the voice.
What is unclear at present is whether a person using
machine translation in a permitted fashion to
create a derivative work thereby gains copyright to that derived work.