Hunterian Art Gallery, Glasgow, until 4 January 2015 The Charles Rennie
Mackintosh exhibition at Glasgow's Hunterian is sadly timely, given that the designer's masterpiece, the city's art school, suffered horrendous damage by a fire this year.
Not exact matches
Group
exhibitions include: «GENERATION: 25 Years of Contemporary Art in Scotland», Scottish National Gallery of Modern Art, Edinburgh (2014); «A Picture Show», Gallery of Modern Art, Glasgow (2013); «Studio 58: Women Artists in Glasgow Since WWII»,
Mackintosh Museum, The Glasgow School of Art (2012); «Edge of the Real», The Whitechapel Gallery, London (2004); «Painting Not Painting», Tate St. Ives, Cornwall (2003); and «Matisse and Beyond», San Francisco Museum of Modern Art, San Francisco (2003).
Curated by Sarah Lowndes, author of Social Sculpture: The Rise of the Glasgow Art Scene, for the
Mackintosh Museum, the
exhibition that runs till 30 September 2012 presents artworks and documentation of women artists in Glasgow from the late 1930s.
Recent solo
exhibitions include Out Of Body, South London Gallery, 2012; Limoncello, London; The Hepworth, Wakefield and The
Mackintosh Museum, Glasgow School of Art, as part of the Glasgow International Festival of Visual Art, 2010.
Recent solo
exhibitions include, Cold Blood, Lisa Cooley, New York (2012), Out of Body, South London Gallery, London (2012), Body - Conscious, The Approach, London (2011) and Inhale, Exhale, Charles Rennie
Mackintosh Gallery, Glasgow School of Art, as part of the Glasgow International, Scotland (2010).
Just around the corner is the Glasgow Art Club, a stunning building with interior features by Charles Rennie
Mackintosh, which has long been a meeting place for creative types and has a regular programme of events and
exhibitions (private tours are also available).
-- This week's
exhibitions previews: Negotiable Values Richard Grayson Aubrey Williams The Real Van Gogh Spasticus Articus Alex Pollard & Clare Stephenson David
Mackintosh Matthew Barney guardian.co.uk
Her work has been included in group
exhibitions at Hamburger Bahnhof, Berlin; Saatchi Gallery, London; Tate Liverpool, Liverpool; Louisiana Museum of Modern Art, Denmark;
Mackintosh Museum, Glasgow School of Art; and Museum Morsbroich, Leverkusen.
This year, the school is celebrating the centenary of its
Mackintosh Building — its staggeringly beautiful main premises in Garnethill, Glasgow, designed by Charles Rennie
Mackintosh — with a series of events and a fascinating
exhibition in the
Mackintosh Gallery.
Collaborating and curating with Justin Hibbs, the two artists have worked together on many projects including Temples to the Domestic, Clifford Chance, London; Lost Properties, Coleman Project Residency, 2012; and in 2008, the
exhibitions Working Space 1 & 2 at The Arts Gallery, London and Lucy
Mackintosh Gallery, Lausanne.
The Metropolitan Museum of Art in New York City held a major retrospective
exhibition of Charles Rennie
Mackintosh's works from 21 November 1996 to 16 February 1997.
The essay paved the way for an
exhibition project at the
Mackintosh Museum in 2014, in which Fagen considers the implications of
Mackintosh's drawing and its relationship to his own practice.