Jenny Holzer Describes the First Works
She Made as a Young Artist ---- and They're Not How You'd Imagine
Not exact matches
But in addition to
making me laugh, hard, at a time when cathartic laughter is all but a medical necessity, this portrait of the
artist as a not - so -
young weirdo struck me
as peculiarly moving.
One of the films that didn't blow us away at Sundance, but offered a solid film full of jokes
made just for cinephiles, was In a World... The film directed by actress Lake Bell follows a
young female voice coach (Bell)
as she joins the all - male race to land the white - hot new trailer of a blockbuster trilogy, and with it lay claim to the legendary trailer catchphrase «In a world...» She faces stuffy, douchebag competition in Ken Marino and even her own father (Fred Melamed), a legendary voice - over
artist who can't bring himself to recognize his daughter's talent.
Life Lessons features a
young Steve Buscemi in one of his first big movie roles
as performance
artist Gregory Stark, who performs comic monologues (written by Buscemi himself) on abandoned subway tracks, falling far short of Dobie's definition of art, which is «you
make art because you have to,»cause you got no choice.»
There are consummate appearances from Joshua McGuire
as young Ruskin — inauthentic, perhaps, but
making for good comedy drama; Lesley Manville
as a delightful Scots scientist; and Paul Jesson, touchingly real
as «daddy» Turner, barber and wig - maker turned
artist's factotum.
Dua Lipa has
made Youtube history
as the
youngest female
artist to hit one billion views on a music video.
Bill Pohlad, a producer who has overseen such films
as Brokeback Mountain, Into the Wild, Tree of Life, and 12 Years a Slave,
as well
as the musically inclined biopic The Runaways,
makes his directorial debut (technically a sophomore effort
as his original debut was canned in the early 1990s) with a biopic of The Beach Boys» Brian Wilson that, while not a perfect film, is an interesting and sometimes illuminating portrait of an
artist as a
young and older man.
Jena Malone (The Rusted),
as the makeup
artist who takes
young Jesse under her wing, manages to
make the combination of passion and lethargy feel compelling.
Desdemona Hart used to be a promising
young artist who even
made it so far
as to study in Paris.
As a
young artist, he
made his name alongside friends and close collaborators Ryan McGinley and Dash Snow in a milieu marked by abundant drink and drugs.
Much has been
made of the fact that the
young Israeli
artist Guy Yanai uses painting — an ancient, laborious technique —
as his medium, even
as he embraces the digital and new media norms of today (even going so far
as to reference pixelation in his technique, with short, deliberate bands of color).
Sylvester countered remarks by various critics that the
artist's work was closer to sculpture than to painting: «in spite of the heaped - up paint, these are painterly images, not sculptural ones, have to be read
as paintings, not
as polychrome reliefs, and
make their point just because their physical structure is virtually that of sculpture but their psychological impact is that of painting» (Sylvester, «
Young English Painting», The Listener, 12 January 1956).
As figurative painting
made a comeback in the late»80s and»90s, a
younger generation of
artists began to see Katz with new appreciation.
The paintings by this great Color Field innovator, now 80, looked
as every bit
as fresh
as they did when they were first
made in the»60s and»70s — prompting some fair goers to ask the gallery, «who is this
young artist you are showing?»
The answer is long and complex, and has much to do with the radical shifts in culture that have occurred over the past 25 years or so, both in Britain and the world: the unstoppable rise of art
as commodity and the successful
artist as a brand; the ascendancy of a post-Thatcher generation of
Young British
Artists (YBAs) who set out, unapologetically, to
make shock - art that also
made money; the attendant rise of uber - dealers such
as Jay Jopling in London and Larry Gagosian in New York; and the birth of a new kind of gallery culture, in which the blockbuster show rules and merchandising is a lucrative sideline.
Best known for her «plastic portraits» of dolls and dollhouses, the photographer Laurie Simmons has been
making psychologically probing tableaux since moving to New York
as a
young artist in the late 1970s.
When I was
young and
making a lot of that work, I was having a terrible time
as a woman
artist on the LA art scene, which was very inhospitable to women.
That
makes him a model for
younger artists documenting the edge of suburban sprawl, and the banality of his compositions, for better or worse, is contemporary
as well.
The boys the girls and the political, this year's summer show at the Lisson Gallery, reinforces the gallery's position
as an influential and pioneering contemporary art space, which advocates new thinking and approaches to art -
making, and shows a commitment to
younger artists.
An older generation — Cage, Cunningham, Johns, and Rauschenberg — was clearing a path, and a
younger generation with great ambition — Richard Serra, Chuck Close, Meredith Monk, Joan Jonas, Richard Foreman, Lee Breuer, and Phil Glass among them — was
making art and supporting one another,
as faithful audiences,
as Glass reminds us, in a real
artist community.
A key moment came when Walker discovered Adrian Piper, the conceptual
artist and philosopher who, in the 1970s,
made a series of performance works featuring herself
as an androgynous, racially indeterminate
young man.
As a group of
young artists who were interested in actually
making things, these dry theorists didn't seem to serve us at all.
... Perhaps an overfamiliarity with Conceptual Art and especially the theories it inspired can leave
young artists with no sense of how to
make an artwork that holds together
as an experience.
The exhibition will showcase the mixed - media art of Thornton Dial (1928 - 2016); quilts
made by
artists such
as Lucy Mingo, Annie Mae
Young (1928 - 2004) and Loretta Pettway; and other work from
artists such
as Lonnie Holley, Ronald Lockett (1965 - 1988) and Nellie Mae Rowe (1900 - 1982).
In a postscript, I ask how their work has
made me see gallery exhibitions by
younger artists differently
as well.
As someone who has worked with so many young aspiring artists, what do you make of the Whitney Biennial as an institutio
As someone who has worked with so many
young aspiring
artists, what do you
make of the Whitney Biennial
as an institutio
as an institution?
It also means that the few quotes that have been gleaned over a career spanning five decades — first
as a
young artist making his way in LA, where he was influenced by West Coast conceptualists Bruce Nauman and Chris Burden, then in New York, where he became involved in the avant - garde black art scene centered around the pioneering gallery Just Above Midtown — tend to get quite a bit of recycling.
The Biennial is known for being a career -
making event for
young, emerging
artists, so it's refreshing to see a definitive interest in underrepresented
artists of older ages here
as well.
Much - buzzed
as a
young artist to watch, the twentysomething Hugh Scott - Douglas
makes work that digs into the various ways visual information gets transferred from one medium to another, and the conceptual hiccups that arise along the way.
The gallery is aimed at being an art space featuring fresh and amazing shows of
young emerging
as well
as established local and international
artists and
making regular focus on new media or new art forms.
This exhibition highlights Maine's artistic legacies in the
making, featuring established
artists with strong Maine ties
as well
as the first major institutional appearance for several
young, emerging
artists — showcasing the next wave of Maine
artists and affording them the opportunity to
make initial introductions to national art audiences.
It
makes sense for Higgs, who once championed the
Young British
Artists in all their piss and elephant dung, before deriding those who blindly follow wealthy collectors, hoarders, and art advisors and before coming to America
as director of White Columns.
Rashid Johnson
made his name
as the
youngest participant in «Freestyle,» a 2001 show at the Studio Museum in Harlem that put some of today's best - known African - American
artists, like Trenton Doyle Hancock and Julie Mehretu, on the map.
Julia: I really see
Made in Space
as a counterbalance to all of the blockbuster museum shows happening in New York right now featuring heavyweight LA
artists by showcasing some
younger talent, several with little to no exhibition history in New York.
Isn't the point of the gallerist paying the return shipping to incentivize them to
make the sale???
As a
young emerging
artist, I can't afford to subsidize a gallery on this level.
The
young digital
artist Tabor Robak has
made a real splash in recent years with his large - scale video pieces, which borrow
as much from desktop screensavers and smartphone games like Candycrush
as they do the storied history of art.
The impact that Swiss video and installation
artist Pipilotti Rist has
made over the past two decades or more is hard to overestimate,
as her influence is felt in the work of a host of
younger artists,
as well
as in videos by mainstream pop stars like Beyoncé.
One of the more difficult tasks for
younger artists is to
make abstract painting genuinely new — that is, sincerely and intelligently felt instead of performed (
as with too much geometric work) or blurted out (
as with too much AbEx - redux brushwork) like a rant in a family argument.
Fortunately,
young standout
artists as diverse and Sara Greenberger Rafferty and Aaron Bobrow are starting to find fruitful psychological avenues within the popular object,
making Mr. Goode's oeuvre all the more necessary to revisit.
Slightly
younger artists who followed them, such
as Richard Serra and Robert Morris, tried to
make process explicit
as well
as form.
The project was inspired by Castellon's own interests and experience navigating the art world
as a
young artist and arts professional, discovering the many moving pieces that
make up the larger art industry.
Yong - Ik,
younger than the core Dansaekhwa
artists, began his career
making abstract work, but moved away from what he saw
as a sort of amorality linked with abstraction in the 1980s, after a political awakening, he said.
The collection is
made up of pieces by self - taught and contemporary
artists including James Castle, Red Grooms, Alison Hall, Stanley Lewis, Catherine Maize, Sangram Majumdar, Nellie Mae Rowe, E.M. Saniga, Beatrice Scaccia, Judith Scott, Leopold Strobl, Sam Szafran, Bill Traylor and Purvis
Young,
as well
as works on loan from the Louis - Dreyfus Family Collection.
My goal
as a
young artist and still up to last year, is that I'm still trying to
make a really good painting.
This really was an object to
make the mind boggle: Islington, for example, is described
as an area «easily seized on by a pioneering core of
young artists.»
The 34 - year old
artist also undercuts popular assumptions about
young British
artists:
as her American debut at Jay Gorney Modern Art last fall
made evident, Wearing is more interested in disquietude than shock value.
In the spirit of Latham's belief in art
as a continuous practice, while the main gallery will show a selection of Latham's one - second drawings (he discovered spray painting in 1954), scarified book sculptures, installations, public art projects and filmed performances, the Sackler will be given over to a generation of
younger artists whose work was
made with an affinity for Latham's philosophy and practice.
It had a profound impact on
artists around the world, from Cy Twombly and Anish Kapoor, to Damien Hirst and Tracey Emin,
as well
as on a
younger generation of Italian
artists like Maurizio Cattelan, who decided to
make art after seeing a mirror self - portrait by the Arte Povera
artist Michelangelo Pistoletto.
Gary Hume
made his name
as one of the new generation of
Young British
Artists with his paintings of doors, so it
makes complete sense that the
artist has extended the courtesy to Tate Britain.
As a
young black
artist in the early 1990s, Simmons
made provocative and polished sculptural installations bluntly addressing «issues» (specifically race and class in urban America).