Sentences with phrase «major solo exhibitions curated»

Major solo exhibitions curated there include those with Omer Fast, Lorna Simpson, Robert Breer, B. Wurtz, Christiana Soulou, Jim Shaw and Salla Tykkä.

Not exact matches

It is the first major solo exhibition dedicated to Damien Hirst in Italy since the 2004 retrospective at the Museo Archeologico Nazionale in Naples («The Agony and Ecstasy») and is curated by Elena Geuna, curator of the monographic shows dedicated to Rudolf Stingel (2013) and Sigmar Polke (2016) presented at Palazzo Grassi.

Curated by Kitty Scott, the AGO's Carol and Morton Rapp Curator, Modern & Contemporary Art, this exhibition marks Gates» first major solo exhibition in Canada, and reflects the AGO's ongoing engagement with contemporary art and commitment to working with living artists.

The exhibition titled Thick Time is curated by Iwona Blazwick, Whitechapel Gallery Director and will be the artist's first major public solo presentation in the UK in over 15 years.

Featuring over 60 exhibitions and over 100 FotoFocus events at Participating Venues, the 2016 Biennial included eight major exhibitions curated by FotoFocus Artistic Director and Curator Kevin Moore exploring the documentary nature of photography, including solo exhibitions of Roe Ethridge, Zanele Muholi, and Jackie Nickerson.

The gallery's presentation will coincide with a major solo exhibition of Bowling's monumental paintings, curated by Okwui Enwezor, at the Haus der Kunst in Munich.

In addition to this major exhibition, in January 2018 her work will be included in an exhibition, The Feminine Sublime, at the Pasadena Museum of California Art and a solo exhibition follows in September 2018 at the Craft and Folk Art Museum, curated by Howard Fox, which will feature a core sample of her work over the past 10 years.

The artist's work has also been exhibited posthumously in solo exhibitions that include a major 1997 installation of the Congregations curated by Klaus Kertess for the Parrish Art Museum in Southampton, New York; ROAD: Alfonso Ossorio's Response to Jackson Pollock's Death at the Pollock - Krasner House and Study Center in East Hampton in 2001 and, the following year, an exhibition of his ballet and costume designs at the Mississippi Museum of Art in Jackson, MS.. Since his death, Ossorio's work has also been featured in numerous group exhibitions worldwide, most notably Parallel Visions: Modern Artists and Outsider Art at the Los Angeles County Museum of Art, which traveled to the Museo Nacional Centro de Arte Reina Sofia in Madrid, Spain and the Kunsthalle Basel in Switzerland (1992); Shaping a Generation: The Art and Artists of Betty Parsons at the Heckscher Museum of Art in Huntington, NY (1999); Postmodern Transgressions: Artists Working Beyond the Frame at the Yale University Art Gallery in New Haven, CT (1999); Surrealism USA at the National Academy Museum in New York, which traveled to the Phoenix Art Museum (2005); Repartir à Zéro, 1945 - 1949 (Starting from Scratch) at the Musée des Beaux - Arts de Lyon in France (2008); Asian / American / Modern Art: Shifting Currents, 1900 - 1970 at the de Young Museum in San Francisco, CA (2008); and Splendor of Dynamic Structure: Celebrating 75 Years of the American Abstract Artists at the Herbert F. Johnson Museum of Art of Cornell University in Ithaca, NY (2011).

In January 2016, a major solo exhibition If, Ands, or Buts will be presented at Rockbund Art Museum in Shanghai and is curated by its Senior Curator, Li Qi.

Her solo exhibitions include Galerie Hans Müller, Cologne, 1970; Paula Cooper Gallery, New York, 1970; Hayden Gallery, MIT, Cambridge, Massachusetts, 1971; Kansas State University, Manhattan, Kansas, 1971; Lynda Benglis: Video Tapes, curated by Robert Pincus - Witten, Everson Museum of Art, Syracuse, New York, 1973; Sparkle Knots, The Clocktower, New York, 1973; Moving Polaroids, The Kitchen, New York, 1975; Lynda Benglis - Keith Sonnier, A Ten Year Retrospective, 1977 — 1987, Alexandria Museum of Art, Alexandria, Louisiana, 1987; Dual Natures, curated by Susan Krane, High Museum of Art, Atlanta, 1990 (Benglis's last major retrospective); Lynda Benglis: From the Furnace, Aukland City Art Gallery, 1993; Margo Leavin Gallery, Los Angeles, 1991; Michael Janssen Gallery, Cologne, 1997; Lynda Benglis: Sculptures, Bass Museum of Art, Miami, 2003; A Sculpture Survey 1969 — 2004, Cheim & Read, New York, 2004; Lynda Benglis: Pleated, Knotted, Poured..., Locks Gallery, Philadelphia, 2006; Lynda Benglis - Louise Bourgeois, Circa 70, Cheim & Read, New York, 2007; and Shape Shifters, Locks Gallery, Philadelphia, 2008.

Eva Hesse, Studiowork, 1968 Courtesy of University of California, Berkeley Art Museum & Pacific Film Archive, gift of Helen Hesse Charash, 1979 Photograph by Abby Robinson, New York August 5 — October 25, 2009 Curated by Briony Fer and Barry Rosen The Fruitmarket Gallery's 2009 Edinburgh Art Festival exhibition is a solo presentation of the work of German - born American artist Eva Hesse, a major figure in post-war art.

Drum Roll (1998)(footage shot from a barrel rolling through Manhattan), which receives its premiere, and Deadpan (1997)(a hazardous Buster Keaton gag reworked), are among the large - scale works included in McQueen's first major solo exhibition, curated by the ICA's Emma Dexter and Susan Copping.

As Curatorial Assistant at the MCA Chicago, Bridges most recently curated a solo exhibition of the work of Chicago - based artist Faheem Majeed and assisted with the major retrospective exhibition of the work of Doris Salcedo.

The solo exhibition, curated by Lisa Parola and Maria Centonze and presented in collaboration with the Fondazione Sardi per l'Arte, is the artist's first major museum survey in the country.

In May 2018, Van der Auwera will have a solo exhibition at the Mu.ZEE museum in Ostend, Belgium and in January 2019, he will open his first major solo exhibition in the United States at Dallas Contemporary (curated by Justine Ludwig).

The Glasgow - based artist will present a major solo exhibition of new work curated by Dr Zoe Whitley, Curator International Art, Tate.

Sillars has curated and overseen more than 150 exhibitions including major international solo shows with Lorna Simpson, Jim Shaw, Robert Breer, Bruce Nauman, co-curated three Liverpool Biennials and two Turner Prize exhibitions as well as experimental projects with emerging artists.

Curated by Ziba Ardalan, Founder / Director of Parasol unit, this exhibition is Katy Moran's first major solo presentation in a public London institution.

This solo presentation, curated by Chapter — to develop a suite of new work for a large scale, ambitious and original exhibition — will be the artist's first major commission at an international biennale.

Stieglitz introduced him to Beaumont Newhall who helped arrange his first major solo exhibition of his New York City photographs curated by Grace Mayer.

Since her first major solo exhibition with Venue Contemporary Art Gallery in November 2008, she has travelled extensively while exhibiting her work and curating exhibitions internationally.

Artistic Director of the 7th Istanbul Biennale (2001) Hasegawa has curated major thematic group exhibitions, and solo exhibitions by such artists as Matthew Barney, Marlene Dumas, Rebecca Horn, and Atsuko Tanaka.

In his previous position as Curator at the Museum of Contemporary Art (MCA), Chicago, he curated the major thematic exhibitions Production Site: The Artist's Studio Inside - Out (2010) and Sympathy for the Devil: Art and Rock and Roll Since 1967 (2007), as well as solo exhibitions of Liam Gillick (2009), Wolfgang Tillmans (2006), Gillian Wearing (2002), and Sharon Lockhart (2001).

The Cooper Union for the Advancement of Science and Art, New York, New York, painting major Selected Exhibitions: 2015 Op Infinitum: «The Responsive Eye» Fifty Years After, Part I, Part II, American Op Art in the 60's, David Richard Gallery, Santa Fe, NM 2010 The Suburban, solo exhibition, Oak Park, IL Pentimenti Gallery, «Superimpose,» three - person exhibition, Philadelphia, PA, Reynolds Gallery, «Perimeter Check,» solo exhibition, Richmond, VA SNO, Contemporary Art Projects, solo exhibition in SNO 54, Sydney, Australia Triple Candie, «Painting, Smoking, Eating,» a Case Room project, New York, NY Frederieke Taylor Gallery, «Color as Structure,» curated by Julie Langsam, four - person exhibition in the Viewing Room, New York, NY Rocket Gallery, «Book A Table,» group exhibition of tables and artists» books, London, U.K..

Michael Joo has participated in the EVA International Biennale, curated by Koyo Kouoh in Limerick, Ireland and mounted major solo exhibitions at SCAD, Savannah, Georgia and Freer Sackler, Smithsonian Institution in 2016.

She then announced that Mehretu would have a major solo exhibition at LACMA that would be curated by Kim.

At the Menil, Kamps curated a number of major exhibitions, including solo shows featuring Claes Oldenburg, Ellsworth Kelly and Vanessa Beecroft.

In 2014 she staged solo exhibitions of photographs and sculptures, routinely curated all - female group shows, put out major editorial and commercial projects, made a monograph, and recently began...

She has curated numerous exhibitions, including most recently Love is a Stranger at Creative Growth Art Center in Oakland, and has organized over 50 exhibitions ranging from solo shows of the work of Richard Artschwager, Dan Flavin, and Brice Marden to major group exhibitions such as Monuments for the USA and IRREDUCIBLE: Contemporary Short Form Video.

As opposed to Kohmoto - san, who has an extensive relationship with Kyoto, Morimura - san has held two solo exhibitions at the Yokohama Museum of Art, but otherwise has no particular relationship to the city where he will be curating a major international exhibition.

From 2010 to 2013, Deitch served as Director of the Museum of Contemporary Art Los Angeles, where he organized major solo exhibitions of work by Urs Fischer, Weegee, and Kenneth Anger and curated seminal group shows including «The Painting Factory: Abstraction After Warhol» and «Art in the Streets», which had the highest attendance in the museum's history.

The presentation will coincide with «Frank Bowling: Mappa Mundi» at Haus der Kunst in Munich, a major solo exhibition of Bowling's monumental paintings curated by Okwui Enwezor (22 June 2017 — 7 January 2018).

In this position she curated the first major solo exhibitions by the artists Fikret Atay, Henning Bohl (both 2005), and Guillaume Leblon (2006).

Sarah Glennie was born in Britain and moved to Ireland in 1995 to work at IMMA, where she curated a number of projects, including solo exhibitions by Olafur Eliasson, and Shirin Neshat and the major public art project GHOST SHIP by Dorothy Cross.

He has curated and worked with more than 100 artists in solo and group exhibitions, and many artists received their first major museum exhibitions with his support at the List Center, Yale University Art Gallery, White Columns, and the Contemporary Art Museum St. Louis.