Sentences with phrase «makeup in a good movie»

We address queries regarding «Black Swan» as a potential dark horse Best Picture winner, lurking nominee hopefuls in that field, the fact that the category is not called «Best Makeup in a Good Movie» and... contender drinking games?

Not exact matches

In 2008, for example, «Norbit,» one of the worst movies of all time, was nominated for best makeup.

The movie, from Time Warner's (TWX) Warner Bros., won awards in categories such as costume and production design, as well as makeup and two sound categories on its way to scoring more total Oscars than any other film Sunday night.

Stories like these helped me recognize the «good» within people; not the 2 - dementional stereotypical characters that we tend to see in moviesand associate as «bad guys» (dark eyes and a goatee); that is just movie makeup that plays on the social consciences of that era.

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The production is slick, the Maine scenery is bracing, the characters are well - acted, and in a mumbo - jumbo movie with a few loose ends, the makeup central to the plot and applied by Greg Cannom and Bob Laden to Robert John Burke in the leading role is most admirable.

Argo is a valentine to the cinema in the very convincing drag of a political thriller; a closing title reveals that Chambers was literally declared a national hero for his work with Mendez, and it's the movie's sly mission to get us thinking of him as a figurative one as well, for all those great ape makeups.

Pedro Almodovar's movies are so beguiled by lustrous surface textures and colors (fabrics, hair, makeup, architecture, upholstery, jewelry) that the title «The Skin I Live In» (or «The Skin That I Inhabit,» as I've seen «La piel que habito» translated elsewhere) would serve well as the name of his artistic autobiography.

Most of today's superhero movies treat their bad guys like an afterthought: Hire a good actor, put him in an elaborate costume or makeup, and you're done.

And in a completely unsurprising move - though surely no less welcome by our readers - Guardians of the Galaxy won Best Action Movie and Best Hair and Makeup.

→ 48 Comments Tags: ACE, Armond White, Best Makeup, Black Swan, Critics» Choice Movie Awards, Darren Aronofsky, DGA, Golden Globes, guild awards, NYFCC, Oscar Talk, True Grit Filed in: Oscar Talk

Best Film — National Board of Review Film of the Year — London Critics Circle Best Picture — Boston Online Film Critics Best Picture — Online Film Critics Society Best Picture — Chicago Film Critics Best Picture — Utah Film Critics Association Best Picture — Florida Film Critics Circle Best Picture — Kansas City Film Critics Best Picture — Austin Film Critics Best Picture — San Diego Film Critics Best Director — Boston Online Film Critics Best Director — Los Angeles Film Critics Best Director — Washington D.C. Area Film Critics Best Director — San Francisco Film Critics Circle Best Director — Online Film Critics Society Best Director — Southeastern Film Critics Best Director — Phoenix Critics Circle Best Director — Chicago Film Critics Best Director — Vancouver Film Critics Circle Best Director — Utah Film Critics Association Best Director — Florida Film Critics Circle Best Director — Kansas City Film Critics Best Director — Austin Film Critics Best Director — San Diego Film Critics Best Director — Indiana Film Journalists Best Director — Oklahoma Film Critics Circle Best Director — Black Film Critics Circle Director of the Year — London Critics Circle Best Director — Critics» Choice Award Best Actress for Charlize Theron — Kansas City Film Critics Best Cinematography — Boston Online Film Critics Best Cinematography — New York Film Critics Online Best Cinematography — Los Angeles Film Critics Best Cinematography — San Francisco Film Critics Circle Best Cinematography — Online Film Critics Society Best Cinematography — Southeastern Film Critics Best Cinematography — Chicago Film Critics Best Cinematography — Utah Film Critics Association Best Cinematography — Florida Film Critics Circle Best Cinematography — Black Film Critics Circle Best Edited Feature Film (Dramatic)-- American Cinema Editors Best Editing — Boston Online Film Critics Best Editing — Boston Society of Film Critics Best Editing — Washington D.C. Area Film Critics Best Editing — San Francisco Film Critics Circle Best Editing — Online Film Critics Society Best Editing — Las Vegas Film Critics Best Editing — Chicago Film Critics Best Editing — San Diego Film Critics Best Editing — Central Ohio Film Critics Best Editing — Alliance of Women Film Journalists Best Editing — Critics» Choice Award Best Editing — BAFTA Awards Best Original Score — Boston Society of Film Critics Best Musical Score — Indiana Film Journalists Best Score — Phoenix Critics Circle Best Production Design — Los Angeles Film Critics Best Production Design — Washington D.C. Area Film Critics Best Production Design — Chicago Film Critics Best Production Design — Critics» Choice Award Best Production Design — BAFTA Awards Best Costume Design — Las Vegas Film Critics Best Costume Design — Critics» Choice Award Best Costume Design — BAFTA Awards Excellence in Fantasy Film — Costume Designers Guild Awards Best Visual Effects — Las Vegas Film Critics Best Visual Effects — Florida Film Critics Circle Best Visual Effects — Critics» Choice Award Visually Striking Film of the Year — Gay and Lesbian Entertainment Critics Outstanding Effects Simulations in a Photoreal Feature — Visual Effects Society Best Hair & Makeup — Critics» Choice Award Best Hair & Makeup — BAFTA Awards Best Action Film — Las Vegas Film Critics Best Fantasy Film — Art Directors Guild Best Action Movie — Critics» Choice Award Best Stunt Ensemble — Screen Actors Guild Best Sound Design — San Diego Film Critics Best Equality of the Sexes — Women Film Critics Circle Best Actor in an Action Movie for Tom Hardy — Critics» Choice Award Best Actress in an Action Movie for Charlize Theron — Critics» Choice Award Best Female Action Star for Charlize Theron — Women Film Critics Circle Best Female Action Star for Charlize Theron — Alliance of Women Film Journalists

The film's surprising sense of humor occurs largely during the Hollywood sequences, as Mendez recruits his old buddy and movie makeup master John Chambers (a hilarious and wonderful John Goodman), as well as veteran producer Lester Siegel (an equally enjoyable Alan Arkin), to assist in the creation of the fake production company and film.

Raimi has assembled his own band of technical wizards and movie magicians on the project, which includes cinematographer Peter Deming («Mulholland Dr.,» «Drag Me to Hell»), two - time Academy Award ® — winning production designer Robert Stromberg («Alice in Wonderland,» «Avatar»), Oscar ® - winning film editor Bob Murawski («The Hurt Locker,» the «Spider - Man» trilogy), veteran Oscar ® - nominated costume designer Gary Jones («Spider - Man 2,» «The Talented Mr. Ripley»), visual effects Oscar ® winner Scott Stokdyk («Spider - Man 2,» «Spider - Man») and Academy Award ® — winning special makeup artist Howard Berger («The Chronicles of Narnia» series), who will create the looks of several of the unique denizens of Oz, including creatures such as the Whimsies, the Tinkers and the Winkies, as well as the ghastly look of the Wicked Witch of the West.

First up is Light Source & Imagery's 22 - minute «The Making of Norbit», in which Eddie Murphy walks the knife's edge of self - awareness («When I put on these makeups, I get to go to some whole other place... that I couldn't go with [my real face] on»), Thandie Newton hails the movie as a palate cleanser to a string of demanding roles / films (to think Jonathan Demme remade Charade for her when all he had to do was put Eddie Murphy in a fat - suit), and we see nifty demonstrations of how the split - screens were accomplished; turns out that much of the time Murphy is only playing Rasputia from the neck up, a good - natured obese woman filling in for the body.

In fact, the Farrellys offer only fleeting glimpses of Rosemary's true appearance for most of the picture, and even then, at a distance or only in part — another wise move, for when we finally do get a good look at Paltrow in full makeup (which, it must be said, is nowhere on par with, say, the work on Eddie Murphy in The Nutty Professor movies), one doesn't laugh at her since one has gotten to know Rosemary so welIn fact, the Farrellys offer only fleeting glimpses of Rosemary's true appearance for most of the picture, and even then, at a distance or only in part — another wise move, for when we finally do get a good look at Paltrow in full makeup (which, it must be said, is nowhere on par with, say, the work on Eddie Murphy in The Nutty Professor movies), one doesn't laugh at her since one has gotten to know Rosemary so welin part — another wise move, for when we finally do get a good look at Paltrow in full makeup (which, it must be said, is nowhere on par with, say, the work on Eddie Murphy in The Nutty Professor movies), one doesn't laugh at her since one has gotten to know Rosemary so welin full makeup (which, it must be said, is nowhere on par with, say, the work on Eddie Murphy in The Nutty Professor movies), one doesn't laugh at her since one has gotten to know Rosemary so welin The Nutty Professor movies), one doesn't laugh at her since one has gotten to know Rosemary so well.

Jackie, the makeup artist, asked me how I felt about not covering that up as much and I thought it was a really good opportunity to let a teenager's face in a movie actually look like a teenager's face in real life.