Not exact matches
For if a
man or a woman's
body — or his or her status as a married person, or his capacity to be a father or hers to be a mother — doesn't matter for his or her sex life, why, then, should anyone imagine that the
body of the Son of God matters, whether it is in a manger, on a cross, risen, or fully and really
present under the signs of bread and wine?
The vigorous impacts of these
men — Richard and Reinhold Niebuhr, Wilhelm Pauck, John Mackay, and later Paul Tillich and Emil Brunner, are some of them — have beaten upon me not only during semiannual week - end sessions, but day in and day out, through their writings and through my vivid, ever
present memories of their minds (and
bodies) in action.
That is, when
men had learned to understand God as a person and his will as a
body of moral teaching, they continued to recognize his supreme importance for human life, but his actual
present effectiveness became a matter of belief rather than of immediate apprehension.
While Paul's thought is by no means always clear, and perhaps from letter to letter not always exactly the same, it is nevertheless certain that his concept of resurrection can be clearly distinguished from that of the traditional «bodily resurrection».27 Paul does not speak in terms of the «same
body» but rather in terms of a new
body, whether it be a «spiritual
body», 28 «the likeness of the heavenly
man», 29 «a house not made by human hands, eternal and in heaven», 30 or, a «new
body put on» over the old.31 In using various figures of speech to distinguish between the
present body of flesh and blood and the future resurrection
body, he seems to be thinking of both
bodies as the externals which clothe the spirit and without which we should «find ourselves naked».32 But he freely confesses that the «earthly frame that houses us today ’33 may, like the seed, and
man of dust, be destroyed, but the «heavenly habitation», which the believer longs to put on, is already waiting in the heavenly realm, for it is eternal by nature.
They thought the truth of the Church's teaching about conjugal morality and fertility regulation could be
presented in a humane and personalistic way: one that acknowledged both the moral duty to plan one's family and the demands of self - sacrifice in conjugal life; one that affirmed methods of fertility - regulation that respected the
body's dignity and its built - in moral «grammar;» one that that recognized the moral equality and equal moral responsibility of
men and women, rather than leaving the entire burden of fertility - regulation on the wife.
Generis: «For these reasons the Teaching Authority of the Church does not forbid that, in conformity with the
present state of human sciences and sacred theology, research and discussions, on the part of
men experienced in both fields, take place with regard to the doctrine of evolution, in as far as it inquires into the origin of the human
body as coming from pre-existent and living matter - for the Catholic faith obliges us to hold that souls are immediately created by God» [italics added].
The
present study is too brief to permit any proper analysis, but we may say that Christian eschatology, understood in this sense, is the product of a marriage of ideas found in Jewish thought, including the inter-testamental period, and the hellenistic soul -
body portrayal of
man.
10:7 - 9) He took a
body in order that He might suffer; He became
man, that He might suffer as
man; and when His hour was come, that hour of Satan and of darkness, the hour when sin was to pour its full malignity upon Him, it followed that He offered Himself wholly, a holocaust, a whole burnt - offering; - as the whole of His
body, stretched out upon the Cross, so the whole of His soul, His whole advertence, His whole consciousness, a mind awake, a senseacute, a living co-operation, a
present, absolute intention, not a virtual permission, not a heartless submission... His passion was an action.»
Encourage and provide resources for all church groups — administrative
bodies,
men's and women's groups, study groups, church school and youth groups — to study the history and
present status of women in the church and society.
In early October 1881, Rev. Dr. R. Thornton
presented a paper at the Church of England's Church Congress in New Castle, during which he said: «We should have taught more carefully than we have done, not that
men are
bodies and have souls, but that they are souls and have
bodies.»
These results are in line with the
present study where those who reported a high milk intake also had higher energy intake but a similar
body mass index compared with women and
men with a lower milk intake.
We recommend FertilAid to all trying - to - conceive
men to help ensure that the «raw materials» for healthy sperm production are available to the
body, and specific antioxidants are
present to help prevent oxidative stress.
Howe was the elder Cuomo's ever -
present «
body man» and hired Percoco to work on the campaign.
With that being said, all three of these hormones are important for both
men and women, just in different proportions, which is why it's important to note that Pine Pollen is considered an adaptogenic herb, meaning that it is one that restores balance to the
body by adapting its effects to whatever conditions are
present.
I have chosen to
present a simplified lean
body mass prediction equation, but with the caveat that an adjustment be made for thinly and thickly built
men whose structures are not accurately reflected in their wrist and ankle measurements.
In the
present scenario where people have become health conscious and started looking forward to alternative to steroids that can offer them speedy results without posing undesirable effects to their health while keeping their dreams of gaining six pack
body, can look forward to different supplement stacks depending on their needs, being offered by Crazy Bulk Decaduro (D - KA) is one such magnificent bulking supplements that promises to offer hard and well nourished muscles to tender a masculine look to the
men, which most of the
men desires for and interestingly without worrying about the side effects.
These treatments may lead to side - effects since the testosterone placed into the
man's
body is not similar on a chemical level to the natural testosterone that are
present in their
bodies.
Just like every hormone in your
body, including estrogen, insulin, adrenaline, cortisol, and others, testosterone levels do fluctuate daily — this can
present difficulties for
men who are considering therapy: Here's why.
In the end it concludes that: «In summary, the results of the
present study demonstrate the presence of gender differences in lipid but not glucose kinetics in
men and women who were matched on percent
body fat.
However, some
men may require more if they're active athletically or trying to build muscle, because the
body requires the amino acids
present in protein to repair microscopic muscle damage incurred during training.
So, how could I know that Jason Wu
presented a warrior inspired collection, that Tashadi Shoji
presented a fabulous colorful, floral and luxurious collection that I am obsessed with now, that The
Man Repeller won «Blogger of the Year» at the Blog Lovin» Awards or that Kate Spade is winner of Style Coalition's Fashion 2.0 Award for «Best Innovator» and officially now has convinced me to cover my
body with polka - dot prints this fall.
«Tinder users reported having lower levels of satisfaction with their faces and
bodies and having lower levels of self - worth than the
men and women who did not use Tinder,» said Jessica Strübel, PhD, who
presented the research at the annual convention of the American Psychological Association.
The
men are, typically, handsome, well
presented, with good
bodies and necessarily charming to the older women they are dating.
The Directing Award: U.S. Dramatic was
presented to: Daniel Scheinert and Daniel Kwan for their film Swiss Army
Man — Hank, a hopeless man stranded in the wild, discovers a mysterious dead bo
Man — Hank, a hopeless
man stranded in the wild, discovers a mysterious dead bo
man stranded in the wild, discovers a mysterious dead
body.
Dano is less a
man out of time than simply removed from the life around him (his thin, tentative smile and shrinking violet
body language
presents repression without suggesting the yearnings beneath it) and the film's evocation of his inner life plays like bad community theater rather than a richly detailed fantasy of an idealized existence.
But it's a bloodcurdling experience watching the older
man's young face slapped onto the younger
man's
present - day
body.
Receives prestigious honor from Le
Mans governing
body DETROIT — Corvette Racing Program Manager Doug Fehan is
presented with the Spirit of Le
Mans award today from the Automobile Club de l'Ouest — the sporting authority of the 24 Hours of Le
Mans.
Tim Rollins and K.O.S., Invisible
Man (after Ralph Ellison), 2008 Matte acrylic and book pages on canvas, 72 x 72 inches For their first exhibition at Lehmann Maupin Gallery's Chelsea location (540 West 26th Street), Tim Rollins and K.O.S. will
present a new
body of work inspired by the words of Rev. Martin Luther King, Jr., Harriet Jacobs, Langston Hughes, Ralph Ellison and Malcolm X. Spanning more than two decades, the collaboration of Tim Rollins -LSB-...]
Body, memory, and identity: this exhibition
presents work by artists who examine the existential state of contemporary society's collective mindset, exploring the kind of questions
man asks himself in relationship to his own interior being and the outside world.
The Nude
Man in Art from 1800 to the
Present Day Musèe d'Orsay, Paris, France «Eye to I... 3,000 years of Portraits» Katonah Museum of Art, Katonah, NY 30 Americans, Milwaukee Art Museum, Milwaukee, WI Through the Eyes of Texas: Masterworks from Alumni Collections, The Blanton Museum of Art, Austin, TX 2012 Looped, Utah Museum of Contemporary Art, Salt Lake City, UT The Human Touch: Selections from the RBC Wealth Management Art Collection, RedLine Gallery, Denver, CO The Soul of a City: Memphis Collects African American Art, Memphis Brooks Museum of Art, Memphis, TN 30 Americans, Chrysler Museum of Art, Norfolk, VA All I Want is a Picture of You, Angles Gallery, Los Angeles, CA BAILA con Duende: Group Art Exhibition, Watts Towers Arts Center and Charles Mingus Youth Arts Center, Los Angeles, CA The Bearden Project, The Studio Museum in Harlem, New York, NY The Human Touch: Selections from the RBC Wealth Management Collection, The Scottsdale Museum of Contemporary Art, Scottsdale, AZ 2011 Parallel Perceptions, NYC Opera, New York, NY Who, What, Wear: Selections from the Permanent Collection, Studio Museum Harlem, New York, NY Capital Portraits: Treasures from Washington Private Collections, National Portrait Gallery, Smithsonian Institution, Washington, D.C. Becoming: Photographs from the Wedge Collection, The Nasher Museum of Art at Duke University, Durham, NC Human Nature: Contemporary Art from the Collection, Broad Contemporary Art Museum (BCAM) at Los Angeles County Museum of Art, (LACMA) Los Angeles, CA Beyond Bling: Voices of Hip - Hop in Art, Ringling Museum of Art, Sarasota, FL 30 Americans: Rubell Family Collection, Corcoran Gallery of Art, Washington, D.C.. For a Long Time, Roberts & Tilton, Culver City, CA RE-Envisioning the Baroque, I.D.E.A. at Colorado College, Colorado Springs, CA 2010 Size Does Matter, FLAG Art Foundation, New York NY Passion Fruits, Collectors Room, Berlin The Global Africa Project Exhibition, Museum of Arts and Design, New York, NY Personal Identities: Contemporary Portraits, Sonoma State University Art Gallery, Sonoma, CA Patter ID, Akron Art Museum, Akron, OH Wild Thing, Roberts & Tilton, Culver City, CA Summer Surprises, Pennsylvania Academy of the Fine Arts, Philadelphia, PA Individual to Icon: Portraits of the Famous and Almost Famous from Folk Art to Facebook, Plains Art Museum, Fargo, ND The Library of Babel / In and Out of Place, 176 Zabludowicz Collection, London, England Searching for the Heart of Black Identity: Art and the Contemporary African American Experience, Kentucky Museum of Art and Craft, Louisville, KY The Gleaners: Contemporary Art from the Collection of Sarah and Jim Taylor, Victoria H. Myhren Gallery, Denver, CO From Then to Now: Masterworks of Contemporary African American Art, Cleveland Art Museum, Cleveland, OH 2009 Enchantment, Joseloff Gallery, Hartford, CT Reconfiguring the
Body in American Art, 1820 - 2009, National Academy Museum, New York Creating Identity: Portraits Today, 21C Museum, Louisville, KY Other People: Portraits from Grunwald and Hammer Collections, Curated by Cindy Burlingham and Gary Garrels, Hammer Museum, Los Angeles, CA 2008 30 Americans, Rubell Family Collection, Miami, FL Recognize: Hip Hop amd Contemporary Portraiture, Smithsonian Institution National Portrait Gallery, Washington, D.C. Macrocosm, Roberts & Tilton, Culver City, CA 21: Contemporary Art at the Brooklyn Museum, The Brooklyn Museum, Brooklyn, NY Selected Drawings, Museum of Contemporary Art, Cleveland, Cleveland, OH Down, Museum of Contemporary Art, Detroit, Detroit, MI
WHEN SHE RETURNED TO YALE, Casteel began developing a
body of work in which a panoply of black
men is incredibly
present.
In the installation «The Other» (2007), strips of film,
presented hanging in front of light boxes, document an action photographed by Jan Mancuska in which a woman applies paint to all those parts of a
man's
body that he can not see himself.
In this context, the spectacle of a white poet
presenting the murdered
body of a Black
man can not be assumed to be affectless or dispassionate.
Little Big
Man Gallery is pleased to announce Doug Rickard's first solo exhibition in Los Angeles and debut the artist's latest
body of work titled N.A. Rickard's new photography and video work continues to explore the darker side of urban America and highlights issues of economic disparity, ever -
present surveillance and tendencies toward publicity via social media.
28 - year - old artist Lyndon Chase, who lives in Philadelphia, often paints scenes from his life and the daily lives of his friends; these often include images of young black
men openly
presenting their
bodies and their sexuality.
This exhibition will
present paintings from two
bodies of work: the 1986 - 87 series Big Girls / Little Girls, built from imagery with an almost journalistic remove, alongside works from her 1989 Porn Grids, which capture women and
men engaged in what the porn industry refers to as «money shots.»