Seph Rodney, Editor
at Hyperallergic Roderick Schrock, Director
at EyeBeam Arden Sherman, Curator and Director
at Hunter East Harlem Gallery Nathalie Arglés, Executive Director
at Residency Unlimited Katie Fuller, Independent Curator Max Durón, Photo Editor
at ArtNews Ysabel Pinyol, Curatorial Director MANA Contemporary Joey Lico, Curator and Director
at The Cultivist Elisabeth Larison, Program Director
at APEX Art Larry Ossei - Mensah, Independent Curator Amara Antilla, Assistant Curator
at the Guggenheim Anne Barlow, Director, Art in General Laura Welzenbach, Program
Manager, Eyebeam Dexter Wimberly, Independent Curator Alex Jovanovich, Associate Editor, Artforum.com Benjamin Sutton, Writer, Hyperallergic Brian Droitcour, Associate Editor and Online Editor, Art in America Nat Trotman, Curator, Performance and Media, Solomon R. Guggenheim Museum, New York Helga Christoffersen, Assistant Curator, New Museum Sharon Matt Atkins, Vice Director, Exhibitions and Collections, Brooklyn Museum Christopher Y. Lew, Associate Curator, Whitney Museum of American Art Rujeko Hockley, Assistant Curator of Contemporary Art, Brooklyn Museum Joeonna Bellorado - Samuels, Director, Jack Shainman Gallery
To provide some insights into the good work being undertaken across the wind industry, New Energy Update has spoken to Liz Weir, vice president of Law and Deputy General Counsel
at Apex Clean Energy, and her colleague, John Boyle, Health & Safety
Manager to understand how they've been able to dramatically reduce some of these internal frictions to achieve significant cuts to injuries, site / central distrust, and expensive back office workloads across their business.