Sentences with phrase «many blaxploitation films»

An African - American supporting actor, onscreen from 1972, Blakely often appeared in blaxploitation films.

He changed the ethnicity of the lead female character in Leonard's novel from the white Jackie Burke to a black Jackie Brown which allowed him to cast Pam Grier and reference her blaxploitation films «Foxy Brown» and «Coffy» as well as, employing the use of Bobby Womack's «Across 110th Street».

1971: This blaxploitation film is hugely tied to its 1970s New York setting.

It is no surprise that the master of cinematic homage's makes a film that is part Western part blaxploitation film about a slave in search of his wife and revenge.

This is a «remake» of the 1972 blaxploitation film Super Fly, about a cocaine dealer Priest who wants to score one more super deal and retire.

The Blaxploitation films in the 1970s gave black audiences their own heroes: Shaft, Cleopatra Jones, Coffy, Slaughter, Foxy Brown.

There are many moments when the true demeanor of the original and other blaxploitation films come in — that is when the film works.

Quentin Tarantino has dabbled in just about every genre at this point in his career, so it's only natural that he would try his hand at a Western, although «Django Unchained» is actually more of a genre mash - up between a spaghetti western and a blaxploitation film, with all the musical cues, whip pans and other stylistic flourishes that both genres are known for.

Vinegar Syndrome has the classic blaxploitation film «Dolemite» about a pimp (Rudy Ray Moore) serving a 20 - year prison sentence after being set up by his rival, but when a fellow pimp schemes to get him out, Dolemite tries to take revenge.

In an era where so many films are merely stealing elements from each other, The Mack emerges as one of the most unique, and even if it lacks the focus and jointed structure to call it a great film for mainstream viewers, it is well worth seeking out for fans of not only Blaxploitation films, but gritty crime dramas in general.

The grittiness of the crime drama and action, along with the overriding sense of slick style, feels very much like the John Singleton movie, Four Brothers, which also features a menacing villain and retribution storyline lifted right out of 1970s blaxploitation films.

The Blaxploitation films of the 1970s starred relatively unknown black actors playing new kinds of...

Sony Pictures has released a teaser trailer for Superfly, a «remake» of the 1972 blaxploitation film Super Fly, about a cocaine dealer Priest who wants to score one more super deal and retire.

In the midst of the fight for civil rights, and at a time when Blaxploitation films were in full stride, here we have a film that delves into the very same themes, though in the guise of apes instead of our fellow man.

Despite its title, the film is not associated with the 1966 blaxploitation film also called The Black Klansman, THR adds.

His first foray into cherry - picking scores was a bit obvious, using music from Pam Grier «s blaxploitation films for the score to his celluloid statue built to Grier, Jackie Brown.

By Bob Bloom During the 1970s, when Blaxploitation films joined the mainstream, filmmakers realized that the urban action films that dominated the genre had to -LSB-...]

Todd Boyd, professor at the USC School of Cinematic Arts, pointed to the explosion of blaxploitation films in the 1970 which were cheap to produce and financial hit.

After dabbling in just about every genre at this point in his career, it was only natural that he would eventually try his hand at making a Western, even if «Django Unchained» is more of a genre mash - up between a spaghetti western and a blaxploitation film, complete with all the musical cues, whip pans and other stylistic flourishes.

Into the mix comes an evil capitalist (the inexcusably - named Steven Reign (Alan King)-RRB-, a stacked Latina secret service agent (Roselyn Sanchez), and Don Cheadle in a bizarre cameo that cozily recalls a few Pam Grier blaxploitation films.

Many blaxploitation films take this same storyline as positive reinforcement of the late 1960s Black Power movement.

With this trio of early - to - mid -»70s blaxploitation films, Pam Grier carved out a unique niche for herself and became one of the biggest stars in America while working entirely outside the studio system.

«grown - ish» star Trevor Jackson stars in an update of the»70s blaxploitation film about a young Harlem drug - dealer, this time set in Atlanta among the thriving hip - hop scene.

Gordon Parks Jr.'s 1972 blaxploitation film gets a slick modern update with 2018's Superfly, a new movie from a filmmaker Director X. Watch the Superfly trailer below.

In the 70s, as new black heroes emerged from Blaxploitation films to grapple with the racial, social, economic and political issues of the day, Marvel's writers once more attempted to make Black Panther more openly political.

Archy also finds himself contending with a teenage son he's never met before and his down - and - out father, a former blaxploitation film star.

Using high - quality film stills and boxed sections focusing on major themes and personalities, Lace takes the reader through the early blackface actors, the servant roles so prevalent in Depression - era cinema, the broadened awareness of African Americans following WWII, the blaxploitation films of the 1960s, and the impact of Spike Lee's 1989 film, Do the Right Thing.

In Telegraph Avenue, Luther Stallings, Archy's dad, was once a star in blaxploitation films that were all the rage in the»70s.

In Telegraph Avenue, Chabon lovingly creates a world grounded in pop culture — Kung Fu,»70s Blaxploitation films, vinyl LPs, jazz and soul music — and delivers a bravura epic of friendship, race, and secret histories.

Sporting sunglasses, an Afro and a mustache, for example, she confronts the clichés of blaxploitation films.

Imagine portraits that combine inspiration from Blaxploitation films, Jean - Auguste - Dominique Ingres «Une Odalisque» (1814), Andy Warhol's silk screen portraits, and Lil» Kim's album covers.

She also looks to 1970s Blaxploitation films and music legends such as Eartha Kitt, Bessie Smith, Sharon Jones, and Billie Holiday also inform Thomas's works.

Sometimes she accompanies those painting with video installations that juxtapose Blaxploitation film imagery with that of classic Western European portraiture.

Drawing inspiration from sources ranging from 19th - century French painting to 1970s Blaxploitation films, Thomas's work attempts to «inject black women into the art historical canon.»

Seventies Blaxploitation films like Cleopatra Jones, with its gun - toting heroine, capitalized on this burgeoning racial pride, problematically merging a miasma of competing interests, most obviously Black power and female lack.

[6] Ofili's paintings also make reference to blaxploitation films and gangsta rap, seeking to question racial and sexual stereotypes in a humorous way.

The exhibition will bring together more than 12 of his canvases from this period, which combine spectacularly rendered psychedelic surfaces with provocative imagery from a staggering array of cultural sources, from religious icons to Blaxploitation films.

In her elaborate, large - scale paintings, Mickalene Thomas (born 1971) has engages the tension between a personal investigation of eroticism, beauty, and black femininity and a critique of the overt sexual imagery prevalent in popular culture and media — from Blaxploitation film heroines like Cleopatra Jones to the construction of middle - class, African - American taste in Ebony magazine.

His 2010 wall painting Credit Roll reproduced the names of blaxploitation films of the 1970s in white text over brown paint.

Turner Prize - winning Young British Artist (YBA) Chris Ofili draws inspiration from an eclectic array of popular, artistic, and religious sources, from the Bible and William Blake to blaxploitation films, hip hop, and his Nigerian heritage.

Photographic enlargements capture both conscious and unconscious deviations from cultural, social, racial, and gender expectations from the silent era through the Blaxploitation films of the 1970s.

Her subjects seem to have stepped directly from a 1970s Blaxploitation film, yet Thomas's influences extend far beyond.

They depict raffish black superheroes, blaxploitation film heroines and a brown clown - faced phallus — curvaceous characters with layers of dots, glitter - strewn resin and exotic backdrops — especially the radiating loops behind the goddesslike «She.»

Her works are as likely to reference 19th - century painting as 1970s Blaxploitation films.

In two works on view, Cyrus investigates the relationship between individuals and cultures at large, drawing from an archive of African - American political and cultural history that includes abolitionist John Brown, the Black Panthers, and Blaxploitation films.

Ofili's painting also references blaxploitation films and gangsta rap often to question racial and sexual stereotypes in a humorous way.

Chris Ofili is renowned internationally for his richly layered works that combine imagery and influences from sources as divergent as comic books, hiphop, Zimbabwean cave paintings, Biblical scenes, and 1970s - era Blaxploitation films.

The fact that a flashy painting of three black women, who look like they just stepped out of a 1970S blaxploitation film, could be hanging in the West 53rd Street window of the Museum of Modern Art's eatery astonished the artist.

Mickalene Thomas (b. 1971, Camden, New Jersey) uses the visual language of 1970s Blaxploitation films to reconsider the sexualization of the black woman in popular culture.

In his extremely diverse oeuvre, Ofili has taken imagery and inspiration from such disparate, history - spanning sources as the Bible, hip - hop music, Zimbabwean cave paintings, Blaxploitation films, and William Blake's poems.