Sentences with phrase «march photos painting»
March Photos Painting performance artist Stephen Keene at the opening of his Pascal Gallery show running through April 19
https://www.ramapo.edu/ Not exact matches
It is one of the earliest examples of the artist's photo - paintings, based on a photograph of a shipwreck taken in March 1963 that he discovered in Quick, a German magazine.
2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France
Get an understanding for the impact Vincent van Gogh had on German and Austrian Expressionist painters with this photo gallery of paintings from the Van Gogh and Expressionism Exhibition held at the Van Gogh Museum in Amsterdam (24 November 2006 to 4 March 2007) and the Neue Galerie in New York (23 March to 2 July 2007).
Viewers were captivated by a bright pink painting by Barkley L. Hendricks titled Photo Bloke, who will open a new, perhaps «controversial» series of works according to a spokesperson for the gallery, on March 17 at Shainman's 24th Street location.
Installation view Photo: Genevieve Hanson, NY March 5 — April 18, 2009 Curated by Peter Ballantine When Donald Judd very reluctantly abandoned painting in 1961 - 62 in favor of working in three dimensions, it was because he had finally concluded that a philosophically tenable painting was not possible — philosophically in the empirical - perceptual sense of being entirely available visually, and tenable in the sense of being free of abstraction or any other kind of representation.
Photo: Installation of «Physical Painting,» curated by Jennifer Samet in conversation with Scott Wolniak, for the Maass Gallery, Purchase College, February - March 2016
and of course there was this photo of Dr Adam Corner, painted blue (Friends of the Earth) on «The Wave» Stop Climate Chaos march, pre Copenhagen.
Who is the artist of the painting of the march in the mess hall photos today?