Both techniques fail occasionally, like when the media moronically outs Emily
Cale for revealing the identities of the intruders while she's still being held hostage and a handful of one - liners that miss the
mark and diminish the momentum, but when they work, they're exceptional.
Hayal Pozanti, A Lifetime of Likes, 2014, 25 ″, Jessica Silverman Gallery Wood & Harrison, Board, 1993, 3» 02», Carroll / Fletcher Alex Rodri» guez, Nocturno 2, 2013, 3» 59», Casas Riegner Hayal Pozanti, IP Overlords, 2014, 12 ″, Jessica Silverman Gallery
Mark Leckey, Pearl Vision, 2012, 3» 10», Gavin Brown's enterprise, Cabinet, Galerie Buchholz Wood & Harrison, Headstand, 1995, 1» 02», Carroll / Fletcher Brian Bress, The Portrait Room, 2006, 4» 10», Cherry and Martin Hayal Pozanti, Mobile Blinders, 2014, 15 ″, Jessica Silverman Gallery Elizabeth Price, The Tent, 2012, 12 ′, MOT International Rachel Rose, A Minute Ago, 2014, 8» 43», Courtesy of the artist Hayal Pozanti, Virtual Diaspora, 2014, 22 ″, Jessica Silverman Gallery Camille Henrot, Coupe» / De»
cale», 2010, 5» 20», Metro Pictures, kamel mennour Wood & Harrison, Device, 1996, 2» 45», Carroll / Fletcher Tomislav Gotovac, Feeling 7, 2000, 4» 06», Alexander Gray Associates, galerie frank elbaz