Sentences with phrase «marks gallery photo»

McLean, 2004 Fired and painted clay 49.5 x 58.4 x 48.3 cm / 19 1/2 x 23 x 19 in © Estate of Ken Price Courtesy Matthew Marks Gallery Photo: Fredrik Nilsen

Nan Goldin Self - Portrait in Kimono with Brian, NYC, 1983 © Nan Goldin, Courtesy Matthew Marks Gallery Photo: Lee Stalsworth

Not exact matches

Click here for our photo gallery from City Council Speaker Melissa Mark - Viverito's State of The City address.

Disc Features - High - definition digital restoration, approved by cinematographer Mark Lee Ping - bin, with 5.1 surround DTS - HD Master Audio soundtrack on the Blu - ray edition - @ «In the Mood for Love,» director Wong Kar - wai's documentary on the making of the film - Deleted scenes with director's commentary — Hua yang de nian hua (2000), a short film by Wong - Archival interview with Wong and a «cinema lesson» given by the director at the 2001 Cannes Film Festival - Toronto International Film Festival press conference from 2000, with stars Maggie Cheung Man - yuk and Tony Leung Chiu - wai - Trailers and TV spots - The music of In the Mood for Love, presented in an interactive essay, on the DVD edition - Essay by film scholar Gina Marchetti illuminating the film's unique setting on the DVD edition - Photo gallery on the DVD edition - Biographies of key cast and crew on the DVD edition - Two new interviews with critic Tony Rayns, one about the film and the other about the soundtrack, on the Blu - ray edition - A booklet featuring the Liu Yi - chang story that provided thematic inspiration for the film, an essay by film critic Li Cheuk - to, and a director's statement (DVD edition); a booklet featuring an essay by novelist and film critic Steve Erickson and the Liu Yi - chang story that provided thematic inspiration for the film (Blu - ray edition)

Some scratches in the black plastic door handle surrounds and a few marks on the OEM front lip are shown in the photo gallery.

There is a map with points of interest and businesses clearly marked and an extensive photo gallery.

PHOTO GALLERY: TRIP THROUGH HALONG BAY PHOTOS Exotic boats, water, tropically - plumed rocky crags, densely - packed mountains, and an isolated beach marked my fantastic journey through Halong Bay in northern Vietnam.

Installation view: Red: Ming Dynasty / Mark Rothko at the The Arthur M. Sackler and Freer Gallery of Art at the Smithsonian Institution, Washington D.C. (photo: Norbert Marszalek)

Franklin Parrasch Gallery presents a photo collaboration between artists Ari Marcopoulos and Mark Gonzales.

Installation view ofStrange Attractor, 2017 Photo by Alex Marks Courtesy the artist and Ballroom Marfa, hrm199, Lisson Gallery

Installation view of Äppärät, 2015 Paul Thek Untitled (from the series «Technological Reliquaries»), ca 1966 - 67 Acrylic paint, hair and collage on plaster in Plexiglas vitrine Courtesy the Watermill Center Collection, the Estate of George Paul Thek, Alexander and Bonin Gallery, and Ballroom Marfa Photo © Alex Marks

Installation view of Äppärät, 2015 Left: Charles Ray, Handheld Bird, 2006; Right: Lee Lozano, No title, ca. 1963 - 64 Courtesy the artist, Hauser & Wirth, Matthew Marks Gallery and Ballroom Marfa Photo © Alex Marks

Installation view of works by Billie Zangewa at blank gallery of Cape Town, South Africa, in FOCUS section, Frieze London 2017 Photo by Mark Blower.

Composition for 52 Keys, 2018 Custom code, computer components, Yamaha Disklavier piano Duration variable Installation view, Henry Art Gallery, Seattle, USA Photo: Mark Woods

Composition for 52 Keys, 2018 (Detail) Custom code, computer components, Yamaha Disklavier piano Duration variable Installation view, Henry Art Gallery, Seattle, USA Photo: Mark Woods

Photo by Mark Miller Gallery.

Firetruck, 1993, painted aluminum, fiberglass, and plexiglass, 12 x 8 x 46 1/2 feet, Photo by Ari Mintz, image courtesy of the artist and Matthews Marks Gallery, New York

Hexagram / 1, 2010 Graphite, gouache, acrylic, ink on paper 22 1/8 x 29 3/4 inches Courtesy of Matthew Marks Gallery, New York, NY Photo: Ron Amstutz

(Left to right): Carl Walters, Whale, 1927, glazed ceramic, private collection, courtesy of Conner - Rosenkranz, NY (photo Mark Ostrander); Sara Greenberger Rafferty, Jokes on You (detail), 2016, acrylic polymer and inkjet prints on acetate on plexiglas, and hardware; courtesy of the artist and Rachel Uffner Gallery (photo by JSP Photography).

Gallery Momo marked its debut on the main fair by showing staged photo portraits by Mary Sibande and Ayana V Jackson, a US artist based in Johannesburg.

(Photo: Courtesy of the artist and Matthew Marks Gallery)

Mark Moore Gallery artist Penelope Umbrico has had her major photo - installation work titled «136 Mini Film Cameras in the Smithsonian Institution History of Photography Collection With Old Style Photoshop Filter» acquired for the Permanent Collection of the Minneapolis Institute of Arts.

REBECCA COONEY Features Photo Editor, Newsday SEAN CORCORAN Curator of Photographs, Museum of the City of New York IVAR DAMERON Photo Editor, The Wall Street Journal SHAMINDER DULAI Director of Photography, Newsweek JAMES ESTRIN Co-Editor of New York Times Lens Blog NOELLE FLORES THEARD Program Associate, Magnum Foundation GENEVIEVE FUSSELL Senior Photo Editor, The New Yorker ADREES LATIF Editor in Charge, U.S. Pictures, Reuters BRENT LEWIS Senior Editor, ESPN KAREN MARKS Gallery Director, Howard Greenberg Gallery SABINE MEYERS Photography Director, National Audubon Society PAUL MOAKLEY Deputy Director of Photography and Visual Enterprise, TIME Magazine GRAHAM MORRISON Managing Editor for Visual Media, Bloomberg CHRISTINE NESBITT Senior Photography Editor, UNICEF AZU NWAGBOGU Director, African Artists» Foundation and LagosPhoto Festival KIRA POLLACK Director of Photography and Visual Enterprise, TIME Magazine SIOBHAN RIORDAN Exhibition Associate, Documentary Photography Project, Open Society Foundations GLENN RUGA Executive Editor, ZEKE Magazine BRENDAN WATTENBERG Managing Editor, Aperture Magazine JAMIE WELLFORD Senior Photo Editor, National Geographic DAMON WINTER Staff Photographer, The New York Times

Courtesy of the artist; Saisha Grayson, photo by Cayla Ann Photography; Baseera Khan, Reading Room, On Purpose, Funding Courtesy of Participant Inc Gallery, Photo credit: Thomas Barratt and Mark Waldhaphoto by Cayla Ann Photography; Baseera Khan, Reading Room, On Purpose, Funding Courtesy of Participant Inc Gallery, Photo credit: Thomas Barratt and Mark WaldhaPhoto credit: Thomas Barratt and Mark Waldhauser.

Two visionaries — one whose photos feel like John Cage tracks and one whose music sounds like Mark Rothko paintings — collaborated on a gallery show that feels like a light - and - space installation.

Photo courtesy of Matthew Marks Gallery.

(Photo by Stephan Sagmiller, courtesy Matthew Marks Gallery)

The Studio Museum in Harlem; gift of Estate of Norman Lewis 1981.1.1 © Estate of Norman Lewis; Courtesy of Michael Rosenfeld Gallery LLC, New York, NY, Photo by Mark Bernier via Pulitzer Arts Foundation

Alice Theobald, I've said yes now, that's it (2014), Performed at Chisenhale Gallery, London, Photo Mark Blower.

Mark Fox: «Giverny: Journal of an Unseen Garden,» video installation and photos; opens Saturday, through Nov. 28; Hiram Butler Gallery, 4520 Blossom; 713-863-7097, hirambutler.com.

The guest list includes New York photo - realist Chuck Close, Los Angeles abstract and collage artist Mark Bradford, Japanese photographer Hiroshi Sugimoto, and gallerists Larry Gagosian and Arne Glimcher, as well as the directors of the National Museum of Art in Oslo, the Art Institute of Chicago, the Walker Art Center in Minneapolis, the Tate Gallery in London and the Whitney Museum of American Art in New York.

Nate Larson and Marni Shindelman's collaborative work has been featured in solo exhibitions at United Photo Industries in Brooklyn; Light House in the UK; the Contemporary Arts Center Las Vegas; Marks Center for the Arts in California; and the New Gallery in Calgary.

At the invitation of Christophe Guye Galerie, Zurich, grupa o.k. nominated Mark McKnight for the gallery's inaugural photo biennial 20 / 20vision (July 2 - September 5, 2015).

Peter Fischli and David Weiss, Snowman, 1987/2016 (installation view, SFMOMA); © the artists, courtesy Matthew Marks Gallery; photo: Mary Ellen Hawkins

While sounding a bit simplistic when compared to some of the high brow works on display, Bendandi says he has an interest for «candid photos of people in galleries,» much like London - based photographer Mark Blower, who is globally noted for documenting the unique experiences individuals have with an artwork.

Photos only hint at the evidence displayed throughout Graphite Drawings, Marden's latest solo exhibition at Matthew Marks Gallery in New York and the first of its kind devoted solely to his significant early works on paper.