Sentences with phrase «may day exhibition»

Shepard Fairey May Day Exhibition Poster New York, 2010 at Deitch Projects Image: Jean Michel Basquiat by Shepard Fairey 11x17 inches Excellent condition; food lines as originally issued by gallery Categories Str...

Not exact matches

At the heart of the growth markets the international wine and spirit exhibition will take place in Hong Kong next year over three days on May 27, 28 and 29.

Sheepherding exhibitions with Border Collies are scheduled all day long on Saturday May 26, and OSV farmers will demonstrate sheep shearing 1830s - style throughout the weekend.

The exhibitions may be over, but summer remains and we will all revel in the last of these golden days before autumn creeps in.

I'd say the lack of pricey 3D exhibitions may very well have encouraged some ticket sales, but that might be at odds with the evidently fruitful decision to open the film on IMAX screens five days before general release.

ATM is a comprehensive four - day travel trade event, held from 2 - 5 May 2011, comprising an exhibition, conference and seminar programme, which this year is sponsored by new exhibitor, Mexico Tourism Board, along with specialist industry days including travel agents day, careers day and consumer day.

The inaugural WTM Africa will bring the world to Africa and promote Africa to the world over the two day event on 2 — 3 May, as part of the South African based Thebe Reed Exhibitions» Africa Travel Week, at the Cape Town International Convention Centre.

The One Meal a Day series is on show in an exhibition in the courtyard of St Martin - in - the - Field in the capital that aims to raise awareness around the crisis, and runs from 22 May — 12 June.

Best of 2009 DailyServing.com presents 1000 DAYS Originally published on May 13, 2009 Caleb Weintraub Opening Saturday, May 23rd will be the exhibition 1000 DAYS, presented by DailyServing.com and Scion.

«Pose and Sculpture,» curated by Daniel Baumann, Casey Kaplan, New York, NY, June 30 — August 4, 2006 «Two or Three or Something: Maria Lassnig, Liz Larner,» Kunsthaus Graz, February 4 — May 7, 2006 «Whitney Biennial 2006: Day for Night,» Whitney Museum of American Art, New York, NY, March 2 - May 28, 2006 «Gone Formalism,» Institute of Contemporary Art at the University of Pennsylvania, Pittsburg, January 21 — March 26, 2006 2005 «Extreme Abstraction,» curated by Louis Grachos and Claire Schneider, Albright Knox Art Gallery, Buffalo, NY, July 15 — October 2, 2005, catalogue «The The,» curated by Stuart Shave, Modern Art, London, July 8 — August 7, 2005 «The Meeting,» curated by Kathryn Andrews, Center for the Arts of Eagle Rock, Los Angeles, CA, May 27 — July 2, 2005 2004 «Showdown,» curated by Kimberli Meyer and Fritz Haeg, Schindler House, Los Angeles, October 22 — 23, 2004 «Full House,» curated by David Pagel, East Gallery, Claremont Graduate University, Claremont, CA, August 16 - September 10, 2004 «100 Artist See God,» curated by John Baldessari and Meg Cranston, The Jewish Museum San Francisco, March 7 — June 27, 2004; Laguna Art Museum, Laguna Beach, CA, July 25 — October 3, 2004; Institute of Contemporary Art, London, England, November 19, 2004 — January 9, 2005; Contemporary Art Center of Virginia, Virginia Beach, Virginia, June 9 — September 4, 2005, catalogue «The Thought that Counts,» curated by Jason Meadows, Sister Gallery, Los Angeles, CA 2003 «Inaugural Exhibition,» Regen Projects, Los Angeles, CA, January 25 - March 8 «Within Hours We Would Be in the Middle of Nowhere,» 303 Gallery, New York, NY, July 19 — August 29, 2003 neugerriemschneider, Berlin, Germany «Popstraction,» curated by Paola Antonelli, curator of Architecture and Design at MOMA and independent curator and writer, Eungie Joo, Deitch Projects, New York, NY, catalogue «Imagination: Perception in Art,» curated by Peter Pakesch and Martin Prinzhorn, Kunsthaus Graz, Graz, Austria, October 25, 2003 — January 18, 2004, catalogue Tanya Bonakdar Gallery, New York, NY, November 20, 2003 — January 10, 2004 2002

Caleb Weintraub Opening Saturday, May 23rd will be the exhibition 1000 DAYS, presented by DailyServing.com and Scion.

EXHIBITION ON VIEW May 4 - June 4 10 am — 6 pm Special Extended Dates May 26 — June 4th (Gallery Closed May 24, 25 & Memorial Day)

Vanessa Carlos is the founder and director of London gallery Carlos / Ishikawa, which, from early May through mid-June, hosts an exhibition by Lloyd Corporation, the collaborative duo offering a witty mash - up of DIY advertisements with street ephemera as commentary on current - day consumption.

It may or may not have started with artist and choreographer Simone Forti's inclusion as one of the «Made in L.A.» finalists (the Hammer Museum's mega-group exhibition - cum - contest from last summer), but the upcoming «Dancing with the Art World» conference (again at the Hammer) clinches the deal — two days of lectures and events with -LSB-.....]

«Tomorrow is Another Day,» his socially charged, narrative exhibition at the U.S. Pavilion, officially opens May 13.

Don't miss a series of curated exhibitions on the Factory Floor including Conscious Design and Oui Design; the Design Schools Workshop with students from around the globe collaborating around the theme Future Heirloom; a Career Day on May 17, open studio tours and a new mural by artist Camille Walala.

Serves as a member of the Pennell Committee at the Library of Congress until 1993, replacing Jim Dine; works first with Donald Saff and then with Yvonne Jacquette to select prints for the Library of Congress Pennell Print Collection; is guest teacher at Cornell University, SUNY Purchase, and University of Southern California, Los Angeles; sings in and designs a set based on Goya's prisoner figures for the «El Salvador» oratorio concert by the Back Bay Chorale under the direction of conductor Larry Hill, which takes place at Harvard's Sanders Theater on 18 May; exhibition Wakeby Day / Wakeby Night: Monumental Monotypes by Michael Mazur opens 11 March at the Hayden Gallery, MIT (colorplate 18), in conjunction with installation of Wakeby monotypes at the 500 Memorial Drive dormitory building.

2011 Dunne, Aidan, When you wish upon a ribbon... you're making art, The Irish Times, 7 December Dunne, Aidan, A Day Like Any Other, The Irish Times, 11 November Clark, Robert & Sherwin, Skye, This week's exhibitions, The Guardian, 13 November Baldon, Diana, Polly wants a punctuation mark, Texte Zur Kunst, 10 January Adam, Georgina, Collecting Special: Flying Time, Financial Times, 27 May Eltham, Ben, In the World of Art, Everything New is Popular Again, Crikey, 8 April Hwang, Kellie, First Love at SMoCA, azcentral.com, 8 February Guggenheim in Bilbao presents The Luminous Interval: The D. Daskalopoulos Collection, Art Daily, 19 April Fox, Dan, On Nature, Frieze, March

These are the final days to visit Gorey's Worlds before our landmark exhibition exploring the artistic spirit of author and illustrator Edward Gorey closes Sunday, May 6.

Rowland's exhibition displays sections of railway produced by companies that both utilized the convict lease system, and transported goods manufactured by convicts — making space for dialogue that may shed some light on how, to this day, corporations profit at the expense of the oppressed.

Electronic Superhighway (2016 - 1966) 29 January — 15 May 2016 A major exhibition bringing together over 100 works to show the impact of computer and Internet technologies on artists from the mid-1960s to the present day.

Vincent Fecteau at Matthew Marks Gallery May 3 — June 28 Marks happens to be opening an exhibition of the late, great West Coast ceramicist Ken Price the same day as its show with Mr. Fecteau, which is perfect timing since both are masters of their materials, gamely forging abstract shapes that twist and tweak notions of interior and exterior, front and back.

Eduardo Paolozzi, talks and events (February — May) A number of events expand on the themes explored in the exhibition, including an evening of performance featuring artist Anthea Hamilton (30 March, 7 pm, # 5 / # 3.50 concs) an introduction to Paolozzi with the exhibition curator Daniel F. Herrmann (18 February, 3 pm, # 12.50 / # 10.50 concs), and a day - long symposium inspired by the artist's 1985 exhibition Lost Magic Kingdoms and Six Paper Moons from Nahuatl (25 March, 2 — 6 pm, # 15.50 / # 13.50 concs).

On the last day of the exhibition, Saturday May 18th, there will be a closing reception from 4 - 6 pm.

Running from 25 May to 3 June 2017, PROJECT inaugural edition will be a ten - day exhibition dedicated to abstract drawings and paintings exploring themes of change and transformation.

The exhibition will close May 13th with free admission in honor of Mother's Day and International Museum Day.

Michael Asher's proposal for the Whitney Biennial is to have the exhibition open continuously to the public twenty - four hours a day for one week (Monday, May 24 through Sunday, May 30).

The mirror conversation between Ryan and Olive is perfectly represented in the playful construction of this project in the diptych Please be eager / Please be patient / Please collaborate - The day that me and Daddy talked about the exhibition in Italy and made our paintings, Olive's Studio, Saxmundham, Sunday the 17th of May, 2015 by Olive May Gander + Please be eager / Please be patient / Please collaborate - Olive presenting me with a birthday present of a small brown cardboard box decorated with tape and drawings, containing an emergency art kit consisting of various small pens, pencils, tapes, stickers and glues, Saxmundham, Thursday the 21st of May, 2015 by Ryan Gander.

by Alan Feuer Boston Globe, Nov. 16, Intimacy of attention paid in close up by Sebastian Smee Brooklyn Daily Eagle, Nov. 16, «Visions of an American Dreamland:» New book and Brooklyn Museum exhibition highlight Coney Island by Peter Stamelman The New York Times, Nov. 15, Amusement for Everyone by Ken Johnson Boston Globe, Nov. 11, Andy Warhol and Robert Mapplethorpe Rocked the Boat by Mark Feeney Crave, Nov. 11, Exhibit Warhol & Mapplethorpe: Guise & Dolls by Miss Rosen Antiques and the Arts Weekly, Nov. 10, Q&A: Linda Roth WSFB / Better Connecticut, Nov. 9, Get Some Art History at this Local Stop by Kara Sundlun Take Magazine, November 2015, This MATRIX is Real by Janet Reynolds American Fine Art Magazine, November 2015, Radical Chick and Taylor Made by Jay Cantor Art New England, November 2015, Preview: Warhol & Mapplethorpe: Guise & Dolls by Susan Rand Brown The Hartford Courant, Oct. 16, Gender - Bending «Warhol & Mapplethorpe» Exhibit At Wadsworth by Susan Dunne The Wall Street Journal, Oct. 13, At the Wadsworth Atheneum, an Old Building Gets New Life by Lee Rosenbaum Hartford Courant, Oct. 2, Artist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Stepexhibition highlight Coney Island by Peter Stamelman The New York Times, Nov. 15, Amusement for Everyone by Ken Johnson Boston Globe, Nov. 11, Andy Warhol and Robert Mapplethorpe Rocked the Boat by Mark Feeney Crave, Nov. 11, Exhibit Warhol & Mapplethorpe: Guise & Dolls by Miss Rosen Antiques and the Arts Weekly, Nov. 10, Q&A: Linda Roth WSFB / Better Connecticut, Nov. 9, Get Some Art History at this Local Stop by Kara Sundlun Take Magazine, November 2015, This MATRIX is Real by Janet Reynolds American Fine Art Magazine, November 2015, Radical Chick and Taylor Made by Jay Cantor Art New England, November 2015, Preview: Warhol & Mapplethorpe: Guise & Dolls by Susan Rand Brown The Hartford Courant, Oct. 16, Gender - Bending «Warhol & Mapplethorpe» Exhibit At Wadsworth by Susan Dunne The Wall Street Journal, Oct. 13, At the Wadsworth Atheneum, an Old Building Gets New Life by Lee Rosenbaum Hartford Courant, Oct. 2, Artist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, StepExhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Right Up!

The Art Students League Celebrates 125 Year Anniversary of Landmark Building w / Two - Day ST [art] UP Weekend Extravaganza April 3, 2018: The Art Students League will commemorate the 125th anniversary of the opening of their landmark building with ST [art] UP, a two - day celebration including exhibitions, auctions, art sales and experiential events on Friday, May 11 and Saturday, May Day ST [art] UP Weekend Extravaganza April 3, 2018: The Art Students League will commemorate the 125th anniversary of the opening of their landmark building with ST [art] UP, a two - day celebration including exhibitions, auctions, art sales and experiential events on Friday, May 11 and Saturday, May day celebration including exhibitions, auctions, art sales and experiential events on Friday, May 11 and Saturday, May 12.

On May 23, just nine days after the Ryan Lee opening, Ross will unveil the first and largest phase of his ambitious summer show at MASS MoCA, «Clifford Ross: Landscape Seen & Imagined,» an immersive multi-media exhibition that takes place across two buildings, six galleries, two courtyards and two beer gardens.

-- Monthly roundtables in which Fellows lead discussion about critical issues to their practice — Individualized one - to - one informal mentorships for each Fellow — A 5 - day residency on Ossabaw Island — A group exhibition featuring all twelve fellows at the Museum of Contemporary Art of Georgia Deadline: May 15

Memory, Market and Migratory Transition A multimedia exhibition by Bundith Phunsombatlert Curated by Maymanah Farhat September 19 — October 18, 2015 Being Here Meiling Liu and HsiangLu Meng Presented in collaboration with Residency Unlimited August 14 — September 13, 2015 Some Great Modern Mediums Featuring recent work by Tina Kohlmann Presented in collaboration with Residency Unlimited July 10 — August 9, 2015 How the sphere, having in vain tried words, resorted to deeds Featuring recent work by Constantin Hartenstein, Kate Stone, Tuguldur Yondonjamts and Holly Veselka Presented as part of the Workspace 2015 exhibition series June 12 — July 5, 2015 Threshing Floors Featuring projects by Jules Gimbrone, Essex Olivares, Kabir Carter, Bill Dietz and Mary Walling Blackburn Curated by Natasha Marie Llorens, with Natasha Hoskins May 2 — May 31, 2015 Shifting Impressions Featuring City Souvenirs, a project by Liene Bosquê and Nicole Seisler Curated by Lynnette Miranda March 28 — April 26, 2015 Labor Days A solo exhibition by Michael Pribich Curated by Esperanza Cortes February 21 — March 22, 2015

In his current exhibition, Green Thoughts at the Alan Cristea Gallery in London, for instance, A Summer Dress may allude to a particular day outside, a special friend, or simply the memory of happy dappled sunlight and a beautiful woman.

«Saturated: The Allure and Science of Color» Cooper Hewitt, Smithsonian Design Museum 2 East 91st Street OPENS: May 11 Exploring how color and color perception have been codified, manipulated, and employed to dazzling effects by artists and designers from antiquity to present day, this exhibition brings together 190 objects — including texts on color theory, psychedelic posters, Pantone decks, and vivid, 3D - printed sculptures — that illuminate the endless visual possibilities of a polychromatic palette.

2008Griffin, Jonathan, Second Life, Frieze, p.120 - 123, 2008 Another End, Vilma Gold, Exhibitions Pick of the Week, Guardian Guide, 5 July, 2008 Thatcher, Jennifer, Greenland Street, Art Review, December, 2008 Cohen, Louise, A Wise Old Bird, The Times Newspaper, 20 October, 2008 Sumpter, Helen, Going Underground, Timeout, London, 11 - 17 July, 2008 Brian Griffith's Liverpool Debut, Art World, November, 2008 Morton, Tom, Bring His Tariff, A Bulletin, A foundation, Issue Two, Autumn, 2008 Life Is a Laugh, Uk Recent Projects, Public Art Review, Issue 37, 2008 Harris, Ed, One Way of Dealing With Tube Delays, Evening Standard, 12 July, 2008 Mind the Gap, And the Panda, Metro, 13 July, 2008 Paws for a Laugh, Metro, 17 July, 2008 Giant Panda Head in Tube Station, BBC News, 13 July, 2008 Day in Pictures, BBC News, 12 July, 2008 Brian Griffiths, Avantgarde Magazine, May, 2008

In May 1898, the» Berlin Secession» was founded with Liebermann as president, and one year later the group put on its first exhibition of German artists, attracting nearly 2,000 visitors on opening day.

2011 I'll Make The World Explode, Cristabel Stewart, Tank, Fall Issue, 2011 Safety In Numbers, Exhibition Review «IllumiNations», Claire Bishop, Artforum, September 2011 Dealing With -, Exhibition Review, Hans - Jürgen Hafner, Texte Zur Kunst, September 2011 Word Play, Dieter Roelstraete, Frieze, May 2011 Karl Holmqvist, Catherine Hug, Bad Day Magazine, Issue 9, 2011 2010 Karl Holmqvist: Making Space, Melissa Grönlund, Afterall Issue 25 Autumn 2010 27 Senses, Exhibition catalogue, Electra, 2010

The first exhibition at 12 Northgate will be Still Women that will inaugurate the space with an open day from midday until 9 pm on Friday 15 May.

This exhibition running from the 3rd to the 27th May at the Jointure Studios will show works by Chris Aggs, Peter Archer, Mariella Baldwin, Imogen Baldwin, Day Bowman, Henrietta Dubrey and several other gallery artists.

The Coverly Set (Group Exhibition) Deborah Anzinger, Charlie Billingham, Petra Cortright, Ann Craven, Keren Cytter, f.marquespenteado, Keltie Ferris, Daniel Gordon, David Harrison, Paul Heyer, Jaime Isenstein, Matthew Day Jackson, Jon Kessler, Suzanne McClelland, Evan Nesbit, Alexis Rockman, Jennifer Rubell, Cole Sayer, Philip Taaffe, Leslie Thornton, Theo Triantafyllidis, Chloe Wise / May 24 — Jun 30 / Sargent's Daughters / 179 East Broadway / sargentsdaughters.com

Alexandra Grant Forêt Intérieure / Interior Forest April 15 — June 28, 2013 / Artist Labs Residency and Exhibition Reception: June 1, 2013 Public Drawing Days: Every Monday, Wednesday, Friday and Saturday from 11 am until 3 pm, April 15 — May 31, 2013 (ongoing)...

Two new exhibition catalogs, «Tomorrow is Another Day» and «Pickett's Charge,» and a forthcoming May 2018 title, explore the work of Mark Bradford.

BLACK ICE SPACE GALLERY, PORTLAND MAINE April 7th - May 13th, 2017 An joint exhibition with Shoshannah White that explores the tactile and evolving arctic landscape through sculpture, frottage, photography and drawing http://www.space538.org/ http://www.shoshannahwhite.com/ CANADA: DAY 1 Opening March 17th runs until November 12th, 2017 Canadian Museum of Immigration at Pier 21, Halifax, Nova Scotia Young will exhibit «The Space Between Held Hands» a new socially - engaged project that records the negative space between clasped hands of Syrian newcomers to Canada

Good news this week for artists and art lovers who count themselves proud members of the modern - day East End art colony: There are a record number of entries — 468 to be exact — in the 76th Annual «Guild Hall Artist Members Exhibition» opening on Saturday, May 3, at the East Hampton museum.

Alex Prager's three films Face in the Crowd, La Petite Mort, and Despair are to be screened during SOLUNA's Opening Performance on 6 May, with their scores performed live by an orchestra; the following day sees the opening of Prager's solo exhibition of three video installations and a new body of photographs (in their USA debut) at the Goss - Michael Foundation.

To accompany and draw on the exhibition, the ICA will also host a three - day summit in May, titled Fear of Missing Out — a direct reference to the social anxiety supposedly fuelled by social media.

All titles or prices may be changed up to two days prior to the exhibition.

THE NEW ORLEANS MUSEUM OF ART TO JOIN IN ASSOCIATION OF ART MUSEUM DIRECTORS» CELEBRATION OF ART MUSEUM DAY ON MAY 18 2013 WITH FREE ADMISSION (Fees Still Apply for John Paul II, Since It's a Special Exhibition) VISITORS ENCOURAGED TO SHARE THEIR MUSEUMEXPERIENCES THROUGHOUT THE CELEBRATIONS VIASOCIAL MEDIA NEW ORLEANS, LA — The New Orleans Museum of... Read More

Carol Volett Kingston — At the Races May 3 — June 2 2008 A special exhibition, opening on Derby Day, of new works by Carol Volett Kingston.