Sentences with phrase «mead gallery»

Solo exhibitions include Australian Centre for Contemporary Art, Melbourne, Australia (2016); Mead Gallery, Warwick Arts Centre, Coventry, UK (2016); Kunstmuseum St. Gallen, St. Gallen, Switzerland (2015); FRAC Pays de la Loire, Nantes, France (2014); The Whitechapel Gallery, London, UK (2013); Fundação Calouste Gulbenkian, Lisbon, Portugal (2012); IMMA, Dublin, Ireland (2011); Milton Keynes Gallery, Milton Keynes, UK (2011); The Renaissance Society, Chicago, IL, USA (2011); Lismore Castle Arts, Ireland (2010); The Common Guild, Glasgow, UK (2010); ICA Boston, Boston, MA, USA (2008); Statens Museum for Kunst, Copenhagen, Denmark (2008); Dusseldorf Kunstverein, Dusseldorf, Germany (2007); Contemporary Art Centre, Vilnius, Lithuania (2007); MUMOK, Vienna, Austria (2006); BAK, Utrecht, The Netherlands (2004); Frankfurter Kunstverein, Frankfurt, Germany (2003).

Tagged with abstraction, art, Daniel Sturgis, dot painting, Francis Baudevin, Mead Gallery, Peter Young, Tate St Ives, The Indiscipline of Painting, Warwick Arts Centre

So much so that its definition has become somewhat unstable, to the extent that it might be better to think of it as an «indiscipline» as Daniel Sturgis et al did in the exhibition The Indiscipline of Painting, that opened at Tate St Ives in October 2011 and toured to Mead Gallery, Warwick Arts Centre in January 2012, presenting a «partial and partisan» survey of abstract painting from the 60's until now.

1997 African - American Art: 20th Century Masterworks, IV, Michael Rosenfeld Gallery, New York, NY; Fisk University Galleries, Nashville, TN Civil Progress: Images of Black America, Mary Ryan Gallery, New York, NY Rhapsodies in Black: Art of the Harlem Renaissance, Hayward Gallery, London; Arnolfini, Bristol; Mead Gallery, University of Warwick, England; M.H. de Young Memorial Museum, San Francisco; The Corcoran Gallery of Art, Washington, DC This is Why We Sing: An Exhibition of African - American Art, Atrium Gallery, Morristown, NJ Revisiting American Art: Works from the Collections of Historically Black Colleges and Universities, Katonah Museum of Art, Katonah, NY

Selected solo exhibitions include: Oriel Sycharth Gallery, Wrexham, 2014; Purdy Hicks Gallery, London, 2009; True Colours, Wetterling Gallery, Stockholm, 2004; Being Here: New Paintings, The New Art Gallery Walsall, 2001; Punctuation Paintings, Purdy Hicks Gallery, 1999; Galerie Helmut Pabst, Frankfurt, 1999; Fuse Paintings, Usher Gallery, Lincoln, Mead Gallery, Warwick, 1998.

Sturgis recently selected the Indiscipline of Painting an international group exhibition of abstract painting at Tate St Ives and Mead Gallery, Warwick Arts Centre.

Previously he has taken part in The Helsinki KIASMA Museum of Contemporary Art, The DA2 Domus Atrium 2002 Centre of Contemporary Art (Salamanca), Location One Gallery in New York City, Arab Express, Mori Art Museum, Tokyo (2012), the 17th Sydney Biennale, Aksanat (İstanbul), «I Love to Love», Forum Box Gallery, Helsinki; the Biennale of Contemporary Art of Bosnia; Hauser & Wirth Gallery, London; Singapore Art Museum; Museum of Anthropology, Vancouver; MOCCA, Toronto; Mead Gallery, UK; Espace at Louis Vuitton, Paris; MAC ‐ VAL Museum, Paris; the 10th Sharjah Biennial and 52nd Venice Biennale, where he represented Finland and the Iraqi Pavilion at the 54th Venice Biennale; held solo shows at L'Institut du Monde Arabe, Paris; Kunsthalle Winterthur, Switzerland; Darat al ‐ Funun; Amman and Wharf: Centre d'Art Contemporain de Basse, Normandy.

Her work is included in the group show «The Indiscipline of Painting» at the Mead Gallery, Warwick Arts Centre, UK, until 10 March.

Southampton City Art Gallery, 05/10/13 -08 / 04/13 Cardiff National Museum of Wales, 09/28/13 -01 / 14 Coventry, England Mead Gallery, 01/16/14 -03 / 09/14 Wakefield Longside Gallery, 04/14-06 / 14

«Civil Progress: Life in Black America,» Greg Kucera Gallery, Seattle, WA, February 6 — March 30, 1997 «Blind Spot: Coming of Age,» White Columns, New York, NY, May 8 — 29, 1997 «Kimchi Xtravaganza,» Korean American Museum, Los Angeles, CA, June 16, 1997 — January 10, 1998; catalogue «The Dual Muse: The Writer As Artist, The Artist As Writer,» Washington University Gallery of Art, St Louis, MO, November 7 — December 21, 1997; catalogue «Thirty - Third Annual Exhibition of Art on Paper,» Weatherspoon Art Gallery, The University of North Carolina at Greensboro, Greensboro, NC, November 16, 1997 — January 18, 1998; catalogue «Heart, Mind, Body, Soul: American Art in the 1990's,» Whitney Museum of American Art, New York, NY, November 26, 1997 — January 4, 1998 «La Biennale di Venezia, XLVII Esposizione Internationale d'Arte,» Venice, Italy, 1997; catalogue «A Decade in Collecting: Recent Acquisitions in Contemporary Drawing,» Museum of Modern Art, New York, NY, 1997 «Coming of Age,» White Columns, New York, NY, 1997 «Identity Crisis: Self Portraiture at the End of the Century,» Milwaukee Art Museum, Milwaukee, WI, 1997; traveled to Aspen Art Museum, Aspen, CO; catalogue «Kinds of Abstract,» Seattle Art Museum, Seattle, WA, 1997 «Rhapsodies in Black,» Hayward Gallery, The South Bank Centre, London, UK, 1997; travels to Arnolfini Gallery, Bristol, UK; The Mead Gallery, Coventry, UK; California Palace of the Legion of Honor, Fine Arts Museums of San Francisco, San Francisco, CA; Corcoran Gallery of Art, Washington D.C.; catalogue «Sunny Days / Critical Times,» The Bohen Foundation, New York, NY, 1997 «Un Bel Ete,» Casino Luxembourg, Luxembourg City, Luxembourg, 1997

Touring partners for The False Memory Archive include; The Mead Gallery University of Warwick, The Exchange Penzance, The University of Edinburgh's Talbot Rice Gallery and The Freud Museum London.

At Mead Gallery a new commission by Phil Collins, using a ghostwriter to write on his behalf will transpire.

Last year, the Contemporary Art Society acquired a significant work by Natalie Dower for the Mead Gallery, University of Warwick Art Collection.

The Mead Gallery, University of Warwick, Gibbet Hill Rd, Coventry, West Midlands CV4 7AL.

The work titled Red Flyer (1989) has a very precise resonance with the Mead Gallery as it previously featured in the exhibition Countervail at the gallery over two decades ago in 1993.

Double Agent remained at the ICA until 6 April 2008, then moved to Mead Gallery, Warwick Arts Centre from 26 April — 28 June 2008, and it's final location was at the BALTIC Centre for Centre for Contemporary Art from 21 May until 17 August 2008.

As Double Agent moves from venue to venue, there will be some site - specific changes, which provide opportunities for the curators at Mead Gallery and BALTIC to help shape the exhibition.

1/125 of a Second» features a selection of Byrne's most acclaimed photographic and film works of the past fifteen years alongside the world - premiere of a film made by the artist in 2015 and commissioned by the Mead Gallery with Monash University Museum of Art, Melbourne, and Moderna Museet, Stockholm.

From 16 January - 12 March 2016, the Mead Gallery in Coventry presents a major new exhibition of work by Gerard Byrne.»

Recent group exhibitions include: The London Open, Whitechapel Gallery (2015); SUCKERZ, L'etrangere, London (2015) a joint show with Jonathan Baldock; Only the Lonely, La Galerie CAC Noisy Le Sec, France (2015); Dear Luxembourg, Nosbaum Reding, Luxembourg (2015); Hey I'm Mr.Poetic, Wysing Arts Centre (2014); Bloody English, OHWOW Gallery, Los Angeles (2013); The World Turned Upside Down, Mead Gallery, Coventry (2013).

His work is currently on show at the DIA Centre for the Arts, New York; the Westflischer Kunstverein in Münster as part of the DAAD award residency program; the Mead gallery at Warwick Arts Centre.

Projects that received funding this year included Thomas Schütte: Faces & Figures at Serpentine Gallery, Navid Nuur: Phantom Fuel at Parasol unit, and Pae White: Too much night, again at Parasol Unit, as well as Lakeland Arts Trust, Spacex Gallery, Focal Point Gallery, HICA, Mead Gallery, and The Common Guild.

Gerard Byrne will be the subject of a new solo exhibition, 1/125 of a Second, at Mead Gallery, Coventry.

Symposium, Mead Gallery, Warwick University Stand, Villa La Tourelle, Ostend

Recent Group exhibitions include Coming Out, Walker Art Gallery, Liverpool, 2017; Dogsy Ma Bone for Tate Exchange, Liverpool Biennial Tour, London 2016; Diorama: Invention of Illusion, Schirn Kunsthalle, Frankfurt, Germany, 2017; Room, Mead Gallery, University of Warwick, Coventry, UK, 2017; Dogsy Ma Bone for Touchstone, Rochdale, UK, 2017; and Room, Sadie Coles HQ, London, 2017.

Exhibitions at Leeds City Art Gallery, Leeds / The Mead Gallery, University of Warwick Arts Centre, England.

2004 «The Mythological Machine» Curated by Francesco Manacorda, Mead Gallery, Warwick Arts Centre, Coventry UK «I Love Music» Curated by Matthew Higgs, Creative Growth, Oakland, CA «Happy Days Are Here Again» Curated by Andre Schlechtriem, David Zwirner, NYC «Power Corruption and Lies» Curated by Adam McEwan and Neville Wakefield, Roth Horowitz, NYC «Drunk vs. Stoned» Gavin Brown's Enterprise @ Passerby, NYC «Let the Bullshit Run A Marathon» Curated by Nate Lowman, Nicole Klagsbrun Gallery, NYC

The Multiple Store @ Canary Wharf One Canada Square, Canary Wharf, London A Beautiful Disorder + Cass Sculpture Foundation Archive West Bund Art & Design Fair 2015, Shanghai, China Imagining a University — Fifty Years of the University of Warwick Art Collection, Mead Gallery, University of Warwick, Warwick, UK

KATIE PATERSON Dying Star Letters 2010 Shelf, archival box, posted letters and envelopes Dimensions variable Installation view at Mead Gallery, University of Warwick, Coventry, UK

Liz Dooley, Eleanor Nairne, Alan Powers, Sara Selwood, Sarah Shalgosky, Beth Williamson, Imagining a University — Fifty Years of The University of Warwick Art Collection Mead Gallery, Warwick Arts Centre, University of Warwick, Coventry, UK

The participating museums were: Birmingham Museum & Art Gallery; Towner Art Gallery, Eastbourne; Ferens Art Gallery, Hull; Leeds City Art Gallery; Manchester Art Gallery; Whitworth Art Gallery, University of Manchester; Mead Gallery, University of Warwick; Middlesbrough Institute of Modern Art; Nottingham Castle Museum and Art Gallery; Southampton City Art Gallery; South London Gallery; The Potteries Museum and Art Gallery, Stoke - on - Trent; The New Art Gallery, Walsall; Wolverhampton Museum and Art Gallery; Worcester City Museum and Art Gallery.

Sam Cornish interviews painter Daniel Sturgis, curator of the exhibition The Indiscipline of Painting: International Abstraction from 1960 to Now, on view at Mead Gallery, Warwick Arts Centre through March 10 2012 (formerly at Tate St. Ives).

Paterson's project Second Moon was been commissioned by Locus + in partnership with Newcastle University and Tyne & Wear Archives & Museums, and has been supported by Arts Council England, Adelaide Festival, Newcastle City Council, Catherine Cookson Foundation, Mead Gallery and Yorkshire Sculpture Park.

Courtesy the Mead Gallery, University of Warwick Art Collection.

Seeing Round Corners (Turner Contemporary, Margate UK, 2016); Objects Do Things, (Centre of Contemporary Art, Poland 2016); Stories in the Dark (Whitstable Biennale, UK, 2016); Doug Fishbone's Leisure Land Golf, (Venice Biennale 2015); Reads Like a Book The Book Lovers (Cricoteka, Poland, 2015); Mirrorcity (Hayward Gallery, London, 2014); The Red Queen (MONA, Tasmania, Australia 2013); Toulouse International Art Festival (Hȏtel - Dieu, Toulouse, France, 2013); Entangled2 Theatre II (Matt's Gallery London 2013); Monocular4 (Quad, Derby, UK 2013); Nowhere Less Now (Artangel commission, Tin Tabernacle, Kilburn, London, 2012); Entangled2 (Turner Contemporary, Margate, UK 2012); Extramission 6 (Gallery TPW, Toronto, 2011); Einladung zur Ausstellung (Kunstverein Freiburg, Germany 2012); A Trip to the Moon, (Bonniers Konsthall, Sweden 2012); Monodrome, Athens Biennale, (Greece 2011); Lofoten International Art Festival, (Norway, 2011); Dis - covery (Salamanca Art Centre, Tasmania, 2011); The Collection (Rugby Art Gallery, 2011); Steps into the Arcane (Kunstmuseum Thurgau, Switzerland 2011); It has to be this way ² (National Gallery of Denmark, 2010 (SMK), Mead Gallery, Warwick, 2010 and BALTIC, Gateshead, 2011); Broadcast commission 3 minute wonder series, Channel 4 (27,28,29,30 Sept 2010 and October 2010); It has to be this way 1.5 (Aspex gallery Portsmouth, 2010); Persistence of Vision (FACT, Liverpool, 2010 and Nikolaj Art Centre Copenhagen 2010 - 2011); It has to be this way, (Matts Gallery, 2009); Altermodern, 4th Tate Triennial, (Tate Britain, 2009); Event Horizon, (Royal Academy of Art, 2008); Swallowing Black Maria, (Smart Project Space, Amsterdam 2007); CinemArt, (The Auditorium, Rome, 2007); Foreign Bodies, (White Box, New York, 2007); The Believers, (touring show in Norway with performances, Stavanger, Førde and Bergen, 2007).

06.2017 Suffering ², MONA, Tasmania (solo show) 04.2017 The World Made New, PiArts London [commissioned] 03.2017 Casebooks, Ambika P3 London [commission] 10.2016 Suffering, Queenstown, Tasmania [commission] 10.2016 Nowhere Less Now ⁷ Glynn Vivian Gallery, Swansea, Wales, UK [commissioned solo show] 07.2016 Leisure Land Golf, Quad, Derby, UK 06.2016 Seeing Round Corners, Turner Contemporary UK 04.2016 Leisure Land Golf, New Art Exchange, Nottingham, UK 02.2016 Objects Do Things, Ujazdowsky Castle, Centre for Contemporary Art, Poland 03.2016 Stories in the Dark, The Beaney, Whitstable Biennale, UK 05.2015 Leisure Land Golf, Venice Biennale (EM15 commission) 01.2015 Reads Like a Book, Cricoteka, Kraków, Poland 09.2014 Mirrorcity, Hayward Gallery, Southbank Centre, London [new work] 10.2014 Top of the World, Sami Centre for Contemporary Art, Karasjok, Norway 01.2014 For The Record, Birmingham Museum and Art Gallery, UK 09.2013 Entangled ², (Theatre II), Matt's Gallery, London (solo show) 09.2013 Monocular ⁴, Quad, Derby [commission] 08.2013 Narrative Structures, Stryx, Birmingham, UK 06.2013 Nowhere Less Now ², (Red Queen) MONA, Tasmania, Australia [commission] 05.2013 A» Comes First, Toulouse International Art Festival, France [commission] 01.2013 The Book Lovers, EFA Project Space, New York, USA 11.2012 The Book Lovers, MHKA, Antwerp, Begium 11.2012 Reality Bites, Kiasma, Helsinki, Finland 09.2012 Nowhere Less Now, Tin Tabernacle, Kilburn, London [Artangel commission solo show] 07.2012 Entangled ², Turner Contemporary, Margate [commission] 06.2012 Focal Points: Art and Photography, Manchester Art Gallery, UK 05.2012 Møte (Meeting), Galleri Festiviteten, Norway 03.2012 Ich is ein Anderer, Kunstverein Freiburg, Germany 02.2012 A Trip to the Moon, Bonniers Konsthall, Stockholm, Sweden11.2011 Monodrome, Athens Biennale, Greece 11.2011 Beyond Deception, Erik Steen Gallery, Oslo, Norway 08.2011 Something In The Way, Lofoten International Art Festival, Norway 07.2011 Outrageous Fortunes, Focal Point Gallery, Southend, UK 03.2011 Extramission 6, TPW Gallery, Toronto [as part of Images Festival solo show] 03.2011 Dis - covery, Salamanca Art Centre, Tasmania 03.2011 The Collection, Rugby Art Gallery, inaugural exhibition of CAS and V&A purchase for the collection 03.2011 Just Photography, Ancient and Modern at Martos Gallery, New York, USA 02.2011 It has to be this way ², BALTIC, Gateshead (solo show) 11.2010 Persistence of Vision, Kunsthallen Nikolaj, Copenhagen, Denmark 10.2010 It has to be this way ², Mead Gallery, Warwick (solo show) 10.2010 It has to be this way1.5, Aspex Gallery, Porstmouth (solo show) 09.

Yto Barrada: A Life Full of Holes: The Straight Project, Mead Gallery, Warwick Arts Centre, University of Warwick, Coventry, September 26 — October 22, 2005.

Major group exhibitions include Weserburg Museum for Modern Art, Bremen, Germany (2016), Yokohama Museum of Art, Yokohama, Japan (2016), Fondation Fernet - Brancat, Saint Louis, France (2015), Secession, Vienna, Austria (2012), Tate St Ives, St. Ives, UK which travelled to Mead Gallery, Coventry, UK (2012) and The National Museum of Art, Osaka, Japan (2009).

TRAVERSE ME Warwick campus map [A4 Map][Photographs][Free Map][Limited Edition Print] The University of Warwick campus map was drawn on foot at 1:1 scale with 238 miles of GPS tracks walked over 17 days 1:5 000 Scale 20 «x30» Limited Edition Prints are available for # 95 from the Mead Gallery

Exhibition catalogue published on the occasion of the exhibition of Clare Woods - Reality Dimmed, Mead Gallery (6 January - 10 March 2018).

The Indiscipline of Painting: International Abstraction from 1960 to Now is showing at Mead Gallery, Warwick Arts Centre, until 10 March 2012.

Solo exhibitions include Moderna Museet, Stockholm, Sweden (2017); Australian Centre for Contemporary Art, Melbourne, Australia (2016); Mead Gallery, Warwick Arts Centre, Coventry, UK (2016); Kunstmuseum St. Gallen, St. Gallen, Switzerland (2015); FRAC Pays de la Loire, Nantes, France (2014); The Whitechapel Gallery, London, UK (2013); Fundação Calouste Gulbenkian, Lisbon, Portugal (2012); IMMA, Dublin, Ireland (2011); Milton Keynes Gallery, Milton Keynes, UK (2011); The Renaissance Society, Chicago, IL, USA (2011); Lismore Castle Arts, Ireland (2010); The Common Guild, Glasgow, UK (2010); ICA Boston, Boston, MA, USA (2008); Statens Museum for Kunst, Copenhagen, Denmark (2008); Dusseldorf Kunstverein, Dusseldorf, Germany (2007); Contemporary Art Centre, Vilnius, Lithuania (2007); MUMOK, Vienna, Austria (2006); BAK, Utrecht, The Netherlands (2004); Frankfurter Kunstverein, Frankfurt, Germany (2003).

Photos of the installation process can already be seen on the Mead Gallery Facebook page (they kindly said I could include one here).

One painting here has no other home than Mead gallery, painted directly onto the wall by Francis Baudevin The Only Truth samples the cover for Paul Haig's 12 ″ single of the same title.

1997 African - American Art: 20th Century Masterworks, IV, Michael Rosenfeld Gallery, New York, NY; Fisk University Galleries, Nashville, TN Rhapsodies in Black: Art of the Harlem Renaissance, Hayward Gallery, London; Arnolfini, Bristol; Mead Gallery, University of Warwick, England; M.H. de Young Memorial Museum, San Francisco; The Corcoran Gallery of Art, Washington, DC Queens Artists: Highlights of the 20th Century, Queens Museum of Art, Flushing, NY Revisiting American Art: Works from the Collections of Historically Black Colleges and Universities, Katonah Museum of Art, Katonah, NY

The exhibition is a collaborative project between Tate St Ives and Mead Gallery, Warwick Arts Centre.

Very soon The Indiscipline of Painting exhibition comes to the Mead Gallery at the University of Warwick.

Tagged with art, Daniel Sturgis, exhibitions, Mead Gallery, The Indiscipline of Painting, University of Warwick, Warwick Arts Centre

Longside Gallery, Yorkshire Sculpture Park, UK; Nottingham Lakeside Arts, University of Nottingham, UK; Mead Gallery, Warwick Arts Centre, University of Warwick, UK; Walker Art Gallery, National Museums Liverpool, UK

Other participations such as: The Pera Museum, Istanbul; Aga Khan Museum, Toronto, Canada; Rapid Pulse International Performance Art Festival, Chicago, USA; Gwangju Museum of Art, South Korea; National Gallery of Victoria, Melbourne, Australia; The New Museum, New York, USA; MACRO-Museum, Rome, Louisiana Museum; Copenhagen, Station Museum, Houston; The Jerusalem show VII, Jerusalem; Hauser & Wirth Gallery, London; Mori Art Museum, Tokyo; Singapore Art Museum; Museum of Anthropology, Vancouver; Mead Gallery, UK; Palais de Tokyo; Arab World Institute, Paris; MOCCA, Toronto; Arts - Talks and Sensations, Abu Dhabi; MATHAF - Doha; Espace at Louis Vuitton.