Meanwhile on the exterior walls, cutting holes in steel is expensive, so two of the bedrooms have no cross-ventilation and the bathrooms have no windows, in a beach house where there is almost always a breeze that could be taken advantage of.
Meanwhile, Time Recoil
on Vita is a quality port in its own right as it retains the majority of visual effects, explosions and particle effects in accordance with a respectable frame - rate, although when compared directly to the PS4 version; there are clearly some optimisations such as the removal of
exterior environments showing crumpled buildings and weather effects, while there is less anti-aliasing
on the
walls, furniture and floor patterns resulting in some pixelated edges
on specific surfaces.
With Shingles (2011), for example, Carl Andre's floor - based metal works meet their working - class counterpart, as copper plates are exchanged for patterns of overlapping asphalt roofing tiles; Siding (2011),
meanwhile, replaces Donald Judd's shiny metal cubes with the work's namesake — and very plebeian —
exterior vinyl wallcovering found
on many a tract house; and by simply lifting a marble countertop off the bathroom sink and onto the
wall, Counter (2012) proves that even the slightest of gestures, such as a change of orientation and context, can render foreign something familiar — the everyday as convincing art object.