Sentences with phrase «media culture and society»

Weaver, Sylvester, «Selling in a New Era,» speech to the Advertising Club of New Jersey, 24 May 1955, quoted in William Brody, «Operation Frontal Lobes Versus the Living Room Toy: the Battle Over Programme Control in Early Television,» Media Culture and Society (Beverly Hills: Sage) Vol.

Not exact matches

For nearly a half century after the Second World War, the cohort of babies born between 1946 and 1964 profoundly transformed American culture and society» from parenting styles and media consumption to attitudes toward government and authority and sexuality.

The ideology of the «free market» plugged by the media and academics as the panacea for the problems of economy and society may help the spread of such elements of a mono - culture.

American culture, media and society all preach violence and until that changes atrocities will continue to be committed.

While each of St Benedict's twelve steps of humility (which are listed below) have a strong message of their own, the second step in particular is quite a striking one, being of great importance in today's society which is so full of consumerism, family breakdowns, celebrity culture, social media, vanity and many other problems and challenges.

It is a matter of 1) coming into a proper relationship to our technologies, and 2) understanding how our media have a powerful shaping force on our communities, our cultures, our societies, and our selves.

Seminaries, especially, need to devote much more attention to the task of working out what it means to proclaim the skandalon of the gospel to a generation which has no background knowledge of the gospel, how to create community in a society where the old forms of community have become fragmented and dysfunctional, and how to communicate within a culture where the mass media have devalued genuine communication in the name of communication.

He has published extensively in the areas of mass communication and society and media, religion and culture.

By liberal culture I mean not only these values of modern American liberalism but also its practices in our political order, our schools, our media, and the major institutions (except, to some extent, or course, religious institutions) of our society.

The problem of violence on television and its effects in the society is a revealing example of the complex relationship between media and culture.

Rachel Abramson, director of the Chicago Breast - feeding Task Force, observed, «We have become a bottle culture and in our society, largely due to mass media, the image of infant feeding is the bottle.

Gender is determined not just by biology but by a number of factors, including what society considers masculine and feminine behaviors and how male and female attributes are reflected in media and culture.

For the moment, the Afghanistan Independent Human Rights Commission keeps the government under scrutiny and the country's vibrant media promotes a culture of free enquiry in what is still a predominantly tribal society.

Clinical Psychologist (USA) Dr Brooke Magnanti Feona Attwood, Professor of Media & Communication at Middlesex University Martin Barker, Emeritus Professor at University of Aberystwyth Jessica Ringrose, Professor, Sociology of Gender and Education, UCL Institute of Education Ronete Cohen MA, Psychologist Dr Meg John Barker, Senior Lecturer in Psychology, The Open University Kath Albury, Associate Professor, UNSW Australia Myles Jackman, specialist in obscenity law Dr Helen Hester, Middlesex University Justin Hancock, youth worker and sex educator Ian Dunt, Editor in Chief, Politics.co.uk Ally Fogg, Journalist Dr Emily Cooper, Northumbria University Gareth May, Journalist Dr Kate Egan, Lecturer in Film Studies, Aberystwyth University Dr Ann Luce, Senior Lecturer in Journalism and Communication, Bournemouth University John Mercer, Reader in Gender and Sexuality, Birmingham City University Dr. William Proctor, Lecturer in Media, Culture and Communication, Bournemouth University Dr Jude Roberts, Teaching Fellow, University of Surrey Dr Debra Ferreday, Senior Lecturer in Sociology, Lancaster University Jane Fae, author of «Taming the beast» a review of law / regulation governing online pornography Michael Marshall, Vice President, Merseyside Skeptics Society Martin Robbins, Journalist Assoc. Prof. Paul J. Maginn (University of Western Australia) Dr Lucy Neville, Lecturer in Criminology, Middlesex University Alix Fox, Journalist and Sex Educator Dr Mark McCormack, Senior Lecturer in Sociology, Durham University Chris Ashford, Professor of Law and Society, Northumbria University Diane Duke, CEO Free Speech Coalition (USA) Dr Steve Jones, Senior Lecturer in Media, Northumbria University Dr Johnny Walker, Lecturer in Media, Northumbria University

Human Rights in Social Perspective, Curtin University of Technology, Department of Social Sciences, Faculty of Media, Society and Culture, Anne - Marie Hilsdon (2008)

Several Filipino Americans have made important and notable contributions to the American culture, politics or society, American media, music and movie.

About Blog A leading news platform and worldwide conference that curates and shares the best ideas, innovations and insights into how social media and technology are changing business, society and culture around the world.

The panel — Ina Archer, media conservation and digitization assistant at the Smithsonian National African - American Museum of History and Culture; Margaret Barton - Fumo, longtime FC contributor and editor of Paul Verhoeven: Interviews; and Michael Koresky, Director of Editorial and Creative Strategy at the Film Society of Lincoln Center — convenes to remember the eclectic body of work of Tobe Hooper, who passed away earlier this year.

Gerry Turvey, «1936, the culture of the Popular Front and Jean Renoir», London, Academic Press, Media, Culture and Society, Vol.4, No. 4, Octobculture of the Popular Front and Jean Renoir», London, Academic Press, Media, Culture and Society, Vol.4, No. 4, OctobCulture and Society, Vol.4, No. 4, October 1982

As media and pop - culture scholar Henry Jenkins says, this generation is «growing up connecting online with kids from all parts of the planet being able to connect and collaborate with people who they don't see face to face takes on new importance in a network society.»

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Co-Author of Spreadable Media: Creating Value and Meaning in a Networked Culture Interview Starts at 17:38 The book has always been, in terms of its ideas, a highly connected media property, highly intertextual, referring to ideas in society, other works, Media: Creating Value and Meaning in a Networked Culture Interview Starts at 17:38 The book has always been, in terms of its ideas, a highly connected media property, highly intertextual, referring to ideas in society, other works, media property, highly intertextual, referring to ideas in society, other works, etc..

Her main areas of expertise include extensive research and writing on gender issues in African society; media and popular culture in an African context; speaking engagements and university guest lectures.

Using examples from academic literature, popular culture, legal cases, and the media, he illustrated how a combination of media, myths, and politics have led society to fear certain dogs based on their presumed breed or appearance.

Richter's interest in current affairs, popular culture, media, and the growing consumer society began to manifest itself increasingly in his paintings, like in President Johnson consoles Mrs. Kennedy, a piece created after the infamous Kennedy assassination.

Presumptuous and imposing, they manage to escape strict categorization as painting, sculpture or media art, merging the power of photographic and film pictures that Longo exploits as a mean of his research of importance of visual expression in popular culture and stereotypical portrayals of the individual's alienation within a complex society.

Possessing a unique and often disturbing vision, the fantasy narratives that she creates combine traditional modes of theatre with technology and popular culture, raising critical questions about identity, economy, society and morality in a media saturated world.

Both exhibitions speak to the rapidly advancing media culture of contemporary society, and reflect the museum's ongoing commitment to providing a platform for the work of the most innovative and experimental artists practicing today.

The artist was a pioneer in the exploration of media and how it effected identity as technology began to take an ever - more central role in culture and society; Hershman Leeson began exploring privacy in an era of -LSB-...]

is made possible by the generous support of The Hunter Art Exhibition Fund; Foundation To Life, Inc.; The Arts Across the Curriculum Initiative at Hunter College, funded by the Andrew W. Mellon Foundation; the Rose Goldsen Archive of New Media Art and the Digitization and Conservation Services, Cornell Library; Society for the Humanities, Cornell University; the Experimental Television Center; New York State Council for the Humanities; Electronic Arts Intermix; Dave Jones Design; and Signal Culture.

Their work is an ongoing investigation into the impact of technology on society and the rhetoric of politics and visual culture in the media.

A fearless pioneer whose performances were fueled by feminist indignation of the vulnerable position of women in American society, her work has been a harbinger of experiments in social practice, new media, interactive and net - based art decades before technology and digital culture would re-shape our experience of reality.

I Refuse to be Invisible, Njideka Akunyili Crosby's kaleidoscopic painting, is an illustration of her pioneering practice in which she draws together a wide range of contemporary themes — including the role of traditional cultures in modern society, the proliferation of the mass media and the history of western painting — into one monumental work.

Through these contradictions, Hothouse captures both the narcissistic aspect of social media and selfie culture as well as the continued objectification of women in our society and mass media.

2009 FOR THE USE OF THOSE WHO SEE, KW Institute for Contemporary Art, Berlin, Germany GAGARIN the Artists in their Own Words - the first Decade, SMAK Gent; Belgium FOR YOU / PARA USTED, The Daros Latinamerica Tapes and Video Installations, Daros Foundation, Zürich, Switzerland Continental Rifts, Fowler Museum at UCLA, Los Angeles, USA New Acquisitions and Donations 2007 & 2008, Louisiana Museum of Modern Art, Humlebæk, Denmark Aletheia — Positions in Contemporary Photography, Helsinki City Art Museum / Art, Museum Meilahti, Helsinki, Finland The Fear Society / Pabellón de la Urgencia, Arsenale Novissimo, Tese di San Cristoforo, Tesa 92, Venice 10 Printemps en Automne, Galerie Kamel Mennour, Paris The Third Moscow Biennale, Garage Center of Contemporary Culture, Moscow Cream International Festival for Arts and Media, Yokohama, Japan

Wright explores various mediums; such as sculpture, printmaking and painting as modes of expression, drawing inspiration from the interconnected worlds of media, popular culture, politics and societal interactions in an attempt to create panoramic views of current issues, hardships, complexities and paradoxes present within South African and to some extent African society as a whole.

Using a wide variety of techniques and media, drawn from both local tradition and culture, as well as newer cutting - edge technologies, the artists reveal the complexities of a society that is in permanent mutation.

We believe digital media plays an important role in shaping our society as well as our creative culture and should be celebrated in a space where the medium is literally the message.»

Among them is aaajiao, whose video installation draws on society's obsession with social media and the culture of constant approval, conditions anticipated in Ballard's writing.

Hannah Hoch, Richard Huelsenbeck, John Heartfield, and others pioneered the technique of photomontage, using preexisting photographs, often drawn from mass - media sources, to create composite images that sharply critiqued German society and culture in the aftermath of World War I. Drawing on the foundations of Dada, neo-avant-garde artists of the 1950s like Robert Rauschenberg and Jasper Johns created assemblages that brought collage techniques into three dimensions — laying the groundwork for much contemporary sculpture — as well as works on paper that incorporated found elements drawn from the mass media and everyday life.

Njami's inclusion of a wide range of media helps elucidate one of the show's redeeming qualities — that art has the capability to address common issues throughout cultures, societies, and times.

American Society of Media Photographers, Honor Award, 1996; International Center of Photography Master of Photography Award, 1999; WPPI Lifetime Achievement Award, 2000; Professional Photographers of America Lifetime Achievement Award, 2002; Seasoned Citizen Theatre Co. «National Treasure Award», 2003; French Ministry of Culture and Communication, «Commandeur de l'Ordre de Arts et des Lettres», 2003; Lucie Awards - International Photography Awards, «Outstanding Achievement in Portraiture,» 2004; Royal Photographic Society, «Centenary Award,» 2004; P.D.N «25 Most Influencial Photographer's of the Past 25 Years,» 2005; The National Arts Club «Gold Medal for Photography,» May 2006.

One of the greatest photographers of the late 20th century, the American camera artist Cindy Sherman is famous for her focus on the nature of reality, and for raising challenging questions concerning the role of women in society, the issue of media and culture from a feminist perspective, as well as the creation and meaning of art.

Norris utilizes a variety of media including performance, painting, video, photography, and installation to investigate such themes as the legacy of art history, the fictions of the past, and the contradictions inherent in contemporary society and culture.

Tameka Norris (b. 1979, Guam) is a New Orleans - based visual and performance artist that utilizes a variety of media including performance, painting, video, photography, and installation to investigate such themes as the legacy of art history, the fictions of the past, and the contradictions inherent in contemporary society and culture.

About Blog A leading news platform and worldwide conference that curates and shares the best ideas, innovations and insights into how social media and technology are changing business, society and culture around the world.

About Blog A leading news platform and worldwide conference that curates and shares the best ideas, innovations and insights into how social media and technology are changing business, society and culture around the world.

While media and government policy may cause hysterical stereotypical images of Aboriginal society in the minds of unknowing Australians, our culture and our Lore is positive and, if utilised, can keep us strong, safe and secure as Aboriginal peoples.

In our interconnected culture, subtly changing under the unifying flow of the internet, the word «collaborative» is having a resurgence in all parts of our society - in business, in the media, and in lifestyle reporting.