Sentences with phrase «media lab project»

At the bottom of this page is the video of an MIT Media Lab project that shows how Kinect can be used for immersive video conference calls.

Deschamps founded MetaLab in 2004, an independent media lab project in Lyon, and was the Director of Le Labo (2009 - 10), an artist - run center in Toronto, Canada.

Not exact matches

During a tour of the MIT Media Lab on Wednesday, researchers shared a bit about a project that seeks to merge the worlds of technology and magic, according to a report on Mass High Tech's TechFlash blog.

In 2009, MIT's Media Lab spun off the project into a separate company.

That's the possibility raised by a new joint project between the MIT Media Lab and Microsoft that has developed temporary tattoos (and quite stylish ones at that) that turn your skin into a touchpad.

He also will serve as senior advisor to MIT's Media Lab, which will include working with the Lab's digital currency initiative and a project on the ethics and governance of artificial intelligence.

The CFC Media Lab creates groundbreaking productions that include Body / Mind / Change starring David Cronenberg; Late Fragment, Canada's first interactive feature film; and the dynamic mobile visualization project of What's Your Essential Cinema, co-produced with TIFF.

Johnson is now at the MIT Media Lab at the Massachusetts Institute of Technology in Cambridge, where all projects are interdisciplinary.

It's part of a curious venture dubbed the MyLifeBits project, in which engineers at Microsoft's Media Presence lab in San Francisco are aiming to build multimedia databases that chronicle people's life events and make them searchable.

Roy, 39, head of the cognitive machines group at the Massachusetts Institute of Technology's Media Lab, is documenting every parent — child «conversation» in what he calls the Human Speechome Project.

For the past 10 years, the Camera Culture group at MIT's Media Lab has been developing innovative imaging systems — from a camera that can see around corners to one that can read text in closed books — by using «time of flight,» an approach that gauges distance by measuring the time it takes light projected into a scene to bounce back to a sensor.

«At the time Hugh started this, if you had asked anyone in prosthetics, they would have told you that the ankle requires so much power that you could not build a lightweight, compact, quiet one,» says Bruce Deffenbaugh, a longtime researcher at the MIT Media Lab who worked on the project.

The Senseable City Lab conducts large - scale data projects, often based on mobile technology or social media, to evaluate patterns of activity in urban environments or among technologically connected networks of people.

Scientists at M.I.T. Media Lab's Biomechatronics Group have, with funding from the Defense Advanced Research Projects Agency (DARPA), developed an exoskeleton that promises to not only lessen the load of weary travelers but also to advance research that will ultimately lead to robotic limbs that improve the strength and mobility of amputees.

Participating organizations are based in either Washington, DC, San Francisco, CA, Ottawa or Toronto, Canada and include: American Library Association, Canadian Internet Policy and Public Interest Clinic, Center for Democracy and Technology, Citizen Lab, Competitive Enterprise Institute, Creative Commons, Electronic Frontier Foundation, Future of Music Coalition, Internet Education Foundation, Joint Center for Political and Economic Studies, Media Access Project, National Hispanic Media Coalition, New America Foundation, Progress and Freedom Foundation, Public Knowledge, TechFreedom, and Technology Policy Institute.

Another amazing patient - advocate is Emily Kramer - Golinkoff, a project manager at the Penn Social Media and Health Innovation Lab, who has an aggressive, rare form of cystic fibrosis.

The project was coordinated by BASF Future Business and included researchers from BASF, Lucent Technologies Bell Labs, printed systems GmbH in Chemnitz as well as the Institute for Print and Media Technology at Chemnitz University of Technology.

Television Distribution / HBO Documentary Films, Vermilion Films) Bright Lights: Starring Carrie Fisher and Debbie Reynolds — Directors: Alexis Bloom, Fisher Stevens (HBO / Bloomfish Pictures, HBO Documentary Films, Insurgent Docs, RatPac Documentary Films) California Typewriter — Director: Doug Nichol (Gravitas Ventures / American Buffalo Pictures) Chasing Coral — Director: Jeff Orlowski (Netflix / Exposure Labs) City of Ghosts — Director: Matthew Heineman (Amazon Studios, A&E IndieFilms, IFC Films / Our Time Projects) Cries From Syria — Director: Evgeny Afineevsky (HBO / Afineevsky — Tolmor Production, Cinepost Barrandov, Levy Entertainment Group, Studio Malibu) Dawson City: Frozen Time — Director: Bill Morrison (Kino Lorber / Hypnotic Pictures, Picture Palace Pictures) Eagles of Death Metal: Nos Amis — Director: Colin Hanks (HBO / Live Nation Productions, Company Name) Ex Libris: The New York Public Library — Director: Frederick Wiseman (Zipporah Films) Faces Places — Directors: Agnès Varda & JR (Cohen Media Group / Ciné Tamaris, Social Animals, Rouge International, Arte France Cinéma, Arches Films) Jane — Director: Brett Morgen (National Geographic Documentary Films / National Geographic Studios, Public Road Productions) Kedi — Director: Ceyda Torun (Oscilloscope Laboratories, YouTube Red / Termite Films) One of Us — Directors: Heidi Ewing, Rachel Grady (Netflix / Loki Films) Spettacolo — Directors: Jeff Malmberg, Chris Shellen (Grasshopper Film / Open Face) Strong Island — Director: Yance Ford (Netflix / Yanceville Films, Louverture Films)

Projects and participants selected for the 2015 June Directors and Screenwriters Labs are from the United States, Brazil, China, France, Georgia and the United Kingdom, and the Fellows bring experience from an unprecedented diversity of creative backgrounds, including documentary, theatre, music, new media, visual art and animation.

This excerpt is adapted from Lifelong Kindergarten: Cultivating Creativity through Projects, Passion, Peers, and Play by Mitch Resnick, Professor of Learning Research at the MIT Media Lab and the leader of the research group responsible for the Scratch programming platform.

«This year we are working with students at the Temple Media Literacy Lab on a global media literacy project involving media literacy for cultural understanding of Middle Eastern countries,» she aMedia Literacy Lab on a global media literacy project involving media literacy for cultural understanding of Middle Eastern countries,» she amedia literacy project involving media literacy for cultural understanding of Middle Eastern countries,» she amedia literacy for cultural understanding of Middle Eastern countries,» she added.

At his first post-Ed School job, Sagolla worked at the MIT Media Lab's Future of Learning project with Seymour Papert, the person whose LOGO programming language first awoke a teenaged Sagolla's inner learner.

English Literature & Writing: Applying the Fundamentals Social Studies: Project Citizen Math (proficiency - based placement) Physical Science Learning Lab Theatre, Speech & Debate, Dance, Media Arts, Music (Band, Vocals, or Guitar)

The «PaperTab» project, developed by the Human Media Lab at Queen's University and Plastic Logic, demonstrates innovative interactions powered by Intel Core processors that could potentially delight tablet users in the future.»

Last year, the company purchased Touchco, a multitouch project that grew out of the Media Research Lab at New York University.

Housed at the Digital Media Lab of the Du Bois Library at UMass Amherst, the new Center is equipped with over 30 MakerBot Replicators, bringing 3 - D printing technology to faculty, researchers and students to enhance research, design, and entrepreneurial projects.

Bit192 Labs, «a very personal, experimental interactive media design project» led by artist / musician Sta, has released Tone Sphere, a stylish multitouch rhythm game for iPhone, iPod Touch, and iPad.

New Releases for week of 4/28: DiRT Rally — PC Early Access — Racing — Codemasters Shovel Knight — XB1 — Action - Platformer — Yacht Club Games MewTwo DLC for Super Smash Bros State of Decay Year One Survival Edition — XB1 / PC — Action / Adv — Undead Labs Shadowrun Chronicles: Boston Lockdown — PC — Tactical RPG — Nordic Games Omega Quintet — PS4 — RPG — Idea Factory International Broken Age — PS4 / PS Vita — Adventure — Double Fine Project Root — XB1 / PS4 / Vita — Overhead Shooter — Kiss Ltd Sketchcross — PS Vita — Puzzle — Spiky Fish Games WWE 2k15 — PC — Wrestling — 2K Risk — PS3 — Board Game — Ubisoft Entertainment Tropico 5 — PS4 — Simulation — Kalypso Media Paranormal Pursuit: The Gifted One — PS3 — Adventure Puzzle — Alawar Entertainment Paper Mario — WiiU — Mario RPG — Nintendo

Winifred Phillips» latest project is the «Victoria's Lab» and «Eve's Asylum» music for the videogame LittleBigPlanet 2, from Media Molecule / Sony Computer Entertainment Europe.

The Restaurant Game is a research project at the MIT Media Lab that will algorithmically combine the gameplay experiences of thousands of players to create a new game... Everyone who plays The Restaurant Game will be credited as a Game Designer... Designers will be ranked based on how well they play their assigned roles... There will be only one Lead Designer... This project attempts to address two frustrations I experienced as a professional game developer.

Hoesy Corona is a multidisciplinary artist, project manager and founding co-director of Labbodies, an arts lab that creates opportunities for new media and performance artists to exhibit their work in the USA.

SHOWS (selection) 2014 still on view: Kunst im Bau 5, installation in the former engineering workshops of the Isarthal Railway, Munich (curator Christoph Nicolaus) UNPAINTED media art fair, Munich, lab 3.0: positions of media art (curator Li Zhenhua) 2013 ikono On Air Festival on ikonotv, ikono Menasa and numerous locations in Berlin Villa Biesental, Berlin, K - Geist 100 Economy Pack Installation in the studio building of the City of Munich, K - Geist 100 Studio, (with Jutta Burkhardt) 2012 Satellite For Contemporary Art, Platform 3, Munich, Raw Material Artistic Spirit Repository For Knowledge And Art in the Syntopic Salon, Potsdam, Germany, a collaboration with the Berlin Brandenburg Academy of Science Biennale For One, KloHäuschen Munich, Germany German Consulate General, New York, Etsi Omnes Ego Non 2011 532 Gallery Thomas Jaeckel, New York, USA, The Shadows of the Fire in my Mind, (solo show) Regensburg New Art Society, Regensburg, Germany, kitchnapping goes shopping Kunstherberge Birkenau, Munich, Germany, The Driftwood Project (Feb — Mai) Salon, ISCP Gallery, Brooklyn, New York, USA Künstlerforum Bonn, Germany (solo show) 2010 Open Studios, International Studio & Curatorial Program (ISCP), Brooklyn, New York, USA Gallery Bezirk Oberbayern, Munich, Germany, Et In Arcadia Ego, (solo catalogue) 2009 Ebersberg Art Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, Germany

The ICP Collections are located in a 15,000 - square - foot facility at Mana Contemporary in Jersey City, which also includes a media lab dedicated to the development of new projects.

Congratulations this year's grantees: Felecia Chizuko Carlisle (Sounding Room); Guillermo Leon Gomez (Transitory Moments); Amanda Sanfilippo (Fringe Projects); Malena Barrios (Me, Japanese); Frances Trombly and Leyden Rodriguez - Casanova (Dimensions Variable); Alan Gutierrez (Line Script Diary); Michael Zell (Mauricio Kagel's Dressur); Adler Guerrie (Untitled); Kevin Arrow (Obsolete Media Miami); Pepe Mar (Versus); Marie Vickles (Open Source Art); Leila A. Leder Kremer and Juana Meneses (Portible Editions: LAB); Monica Lopez de Victoria of TM Sisters (Galactic Sirens); Erin Elder (LOT); and Felice Grodin (Residential Properties).

Selected exhibitions include: Fábrica de Arte Cubano, Havana, Cuba; Hayward Gallery, London, UK, Angels Gate Cultural Center, CA; The Media lab @ The College Art Association in NYC; In Chicago, IL: The Museum of Contemporary Art, The Gene Siskel Film Center, Gallery 400, Chicago Artist's Coalition, The Reva and David Logan Center for the Arts, Evanston Art Center, Peregrine Program, Roots and Culture Contemporary Art Center, The Franklin, Johalla Projects.In 2010, Dan was the recipient of the Ann Metzger National Award for Prints; the recipient of a Links Hall Link Up residency (2012); and was a recipient of The John D. and Catherine T. MacArthur's Connection grant for co-created project Arte no es fácil.

in collaboration with the Circuits and Currents project space and the Careers Office of the Athens School of Fine Arts, the Common Media Lab of the Center for Digital Cultures of the University of Leuphana, the artists» run space 3 137, the Independent Center for Research Space Under and the Athens Wireless Metropolitan Network.

Her projects have been presented by the Art Gallery of Mississauga, Prefic ICA, Queen's Art & Media Lab, and the Art Gallery of Ontario.

Society for Women in Philosophy (Netherlands), Pilar Corrias Gallery (London), Stedelijk Museum Amsterdam, C.o.C.A. Foundation, Piet Zwart Institute (Rotterdam), Gerrit Rietveld Academy (Amsterdam), Museu d'Història de Catalunya (Barcelona), LOOP Barcelona, blank projects (Cape Town), A4 Art Foundation, Art Rotterdam, Vanity Projects (New York & Miami), the Department of Radiology & Nuclear Medicine, Erasmus MC Rotterdam, Schering Stiftung (Berlin), Lost & Found (Amsterdam), The Wren Library, Trinity College (Cambridge), the Österreichische Nationalbibliothek (Vienna), Maruf Foundation (dedicated to improve a better position of Muslim LGBTs in the Netherlands and around the world), DE PLAYER (Rotterdam), EYE Film Institute (Amsterdam), Mr Bharat Lachmansingh (Rotterdam), the Rotterdam Sanitation Department, the Rotterdam Public Library, Charles Nypels Lab (Maastricht), Media Art Morocco, Artport Tprojects (Cape Town), A4 Art Foundation, Art Rotterdam, Vanity Projects (New York & Miami), the Department of Radiology & Nuclear Medicine, Erasmus MC Rotterdam, Schering Stiftung (Berlin), Lost & Found (Amsterdam), The Wren Library, Trinity College (Cambridge), the Österreichische Nationalbibliothek (Vienna), Maruf Foundation (dedicated to improve a better position of Muslim LGBTs in the Netherlands and around the world), DE PLAYER (Rotterdam), EYE Film Institute (Amsterdam), Mr Bharat Lachmansingh (Rotterdam), the Rotterdam Sanitation Department, the Rotterdam Public Library, Charles Nypels Lab (Maastricht), Media Art Morocco, Artport TProjects (New York & Miami), the Department of Radiology & Nuclear Medicine, Erasmus MC Rotterdam, Schering Stiftung (Berlin), Lost & Found (Amsterdam), The Wren Library, Trinity College (Cambridge), the Österreichische Nationalbibliothek (Vienna), Maruf Foundation (dedicated to improve a better position of Muslim LGBTs in the Netherlands and around the world), DE PLAYER (Rotterdam), EYE Film Institute (Amsterdam), Mr Bharat Lachmansingh (Rotterdam), the Rotterdam Sanitation Department, the Rotterdam Public Library, Charles Nypels Lab (Maastricht), Media Art Morocco, Artport Tel Aviv.

Recent independent curatorial projects include Many Voices: Indigenous Art at Bellevue House National Historic Site, co-curated with Tania Willard; PARK LIFE: Interventions in Public Space in Thousand Islands National Park; Brad Isaacs: The Map of the Empire at the Centre for Indigenous Research Creation; Cheryl L'Hirondelle: STANDING UP, SITTING IN, SOUNDING OUT at the Art & Media Lab, co-curated with Ellyn Walker.

115, No. 4 Bui, Phong «Artists to Artists», Volume 2, 25 Years of the Marie Walsh Sharpe Space Program Mason, Isabella «Katie Bell at Locust Projects, Miami», Blouin ArtInfo, Nov. 4th Kaiser - Schatzlein, Rob «Katie Bell's Miami Breakthrough», Two Coats of Paint, Sept. 23 Saltz, Jerry, «Never Has My Breath Been Taken Away Like It Was at Knockdown Center» Vulture, June 16 Final Fridays, Artist Interviews Podcast, Episode 17 2015 Namesake, «Namesakes: Katie Bell», Oct. 19 Montem Magazine, Issue # 5 (Tokyo, Japan) Pini, Gary, ’10 Must - See Art Shows Opening this Week», Paper Magazine, Sept. 23 Salama, Cecilia, «Artist Katie Bell Will Pull the Rug Out From Under You», Opening Ceremony Blog, Sept. 24 Johnson, Paddy, «This Weeks Must See Events: Butch Queens and Dykes in Brooklyn, Regular Queens Has Everything Else», Art F City, Sept 21 Butler, Sharon, «Revitalization by Contamination», Two Coats of Paint, Aug. 2 Mullis, Sidney, Maake Magazine, Featured Interview, Fall 2015 2014 BRIC Arts Media, «BRIC Biennial: Volume 1, Downtown Edition», Sept 20 (Exhibition Catalog) Steele, Marjorie, «Reconstructing History: Artists Create Community inside Site: Lab», The Rapidian, Sept. 21 Konau, Britta, «Gouge, Break, and Hammer», The Portland Phoenix, June 25 Eastabrooks, Erin, «The Home - Wrecker: Interview with Brooklyn Artist Katie Bell», SHK Magazine, May 19 Scott, Megan, «18 Under 37 ″, Knox Magazine, Spring 2014 Toomer, Helen, «How Art World Insiders Started Their Must - See Collections», Refinery 29, March 25 Galgiani, Allison, «Artist FlashCards: Why Katie Bell is Boss», Bushwick Daily, March 26 Kimball, Whitney, «Color Wheel: Katie Bell», Art F City, March 12 New American Paintings, # 110, Northeast Edition, March 2014 Bell, Katie, «IMG MGMT: Katie Bell, How We Met», Art F City, Jan 8 «The Form», Viewpoint Magazine UK, No. 33, p. 162-163 2013 Smyth, Cherry and Jost Münster, «Limber: Spatial Painting Practices», Sept. 13 (Exhibition catalog) Katz, Samantha, «Material», Gallery Glass, Episode17, Sept. 17 Steinhauer, Jillian, «Art Rx», Hyperallergic, Sept. 3 «Material», Time Out New York, August 27 Sculpture Center Tumblr, Featured Artist, «Katie Bell», April 22 Cole, Lori, «PAINT THINGS, Beyond the Stretcher», Critics» Picks, Art Forum, March 26 Johnson, Paddy, «8 Great Brooklyn Artists Under 30», The L Magazine, March 13 - 26, Vol.

After completing her studies in media theory and social sciences at the University of Bologna and Santiago de Compostela, she has been involved in multiple research projects focusing on irregular migration via the Mediterranean Sea, and on mapping informal urban practices in Egypt, which she worked on in collaboration with the American University in Cairo and the Cairo Lab for Urban Studies, Training and Environmental Research respectively.

He has advised or designed projects for Ossabaw Island Foundation, Tulane University, the Rocky Mountain Institute, Cape Cod National Seashore, International Development Enterprises, the UN ICT Task Force, and MIT Media Lab.

The Order in the Court 2.0 project will turn a Massachusetts courtroom into a test lab for how courts deal with social media, electronic journalism and digital technology.

Legal Talk Network A Test Lab for Social Media in the Courts November 18 by Bob Ambrogi and J. Craig Williams «The Order in the Court 2.0 project will turn a Massachusetts courtroom into a test lab for how courts deal with social media, electronic journalism and digital technoloLab for Social Media in the Courts November 18 by Bob Ambrogi and J. Craig Williams «The Order in the Court 2.0 project will turn a Massachusetts courtroom into a test lab for how courts deal with social media, electronic journalism and digital technoMedia in the Courts November 18 by Bob Ambrogi and J. Craig Williams «The Order in the Court 2.0 project will turn a Massachusetts courtroom into a test lab for how courts deal with social media, electronic journalism and digital technololab for how courts deal with social media, electronic journalism and digital technomedia, electronic journalism and digital technology.

In addition to his work at Suffolk Law, he has also served as a Visiting Professor at the MIT Media Lab, as a Visiting Fellow at the Information Society Project at Yale Law School, and as a Faculty Associate at the Berkman - Klein Center for Internet & Society at Harvard University.

In his TEDxCERN talk, interaction designer Sean Follmer demonstrated the incredible shape - shifting technology, a part of the inFORM project by the Tangible Media Group inside the MIT Media Lab.

Bose isn't working alone on this project; it is collaborating with research institutes like the Massachusetts Institute of Technology Media Lab and the New York University Future Reality Lab, developers and manufacturers including ASICS Studio, Strava, TripAdvisor, TuneIn, and Yelp, as well as others with non-disclosure agreements that prevent them from being announced.

MIT Media Lab team declares that the main objective of the project is to investigate and move forward in research of the blockchain technology.

«Students at the Media Lab and across campus will join in, with Jeremy Rubin, the undergraduate who helped run the MIT Bitcoin Project having an active role».