Best Original Screenplay: Christopher Nolan, Inception Best Adapted Screenplay: Aaron Sorkin, The Social Network Documentary Writing: Inside Job WGA New
Media Original Award: Anyone But Me Best Long form Television, adapted: The Pacific...
Not exact matches
Golden Globe Nominee —
Original Score Critics» Choice
Award Nominee — Best Score Venice Film Festival — WINNNER — Soundtrack Stars for Best Score
Award Hollywood Music in
Media Awards — WINNER — Best
Original Score Feature Film Austin Film Critics Association — WINNER — Best Score Las Vegas Film Critics Society — WINNER — Best Score Phoenix Film Critics Society — WINNER — Best
Original Score St. Louis Gateway Film Critics Association — WINNER — Best Music Score Chicago Film Critics Association — Nomination — Best
Original Score Houston Film Critics Association — Nomination — Best
Original Score San Diego Film Critics Society — Nomination — Best
Original Score Washington D.C. Area Film Critics Association — Nomination — Best
Original Score Satellite
Awards — Nominee — Best
Original Score
The sumptuously filmed classical drama will be a strong
awards contender (for cinematography as well as foreign film) and could prove an art - house hit in North America, adding to such Amazon successes as Kenneth Lonergan's «Manchester by the Sea» (Roadside Attractions) and Asghar Farhadi's «The Salesman» (Cohen
Media), which both won Oscars, as well as last year's Sundance acquisition, summer hit «The Big Sick» (Lionsgate), which earned an
Original Screenplay nomination.
The team of Kojima Productions won three of them: the
original Metal Gear Solid received a Game
Media Award (for most memorable games, as voted by players), Ground Zeroes an award of excellence, while PT (the teaser for Kojima's SIlent Hills Project) won an award for innova
Award (for most memorable games, as voted by players), Ground Zeroes an
award of excellence, while PT (the teaser for Kojima's SIlent Hills Project) won an award for innova
award of excellence, while PT (the teaser for Kojima's SIlent Hills Project) won an
award for innova
award for innovation.
But while Too Human the game has been damned to bowels of Norsian - hell, Too Human the score has been praised to high heaven, even receiving a nomination for «Best
Original Video Game Score» from the Hollywood Music
Awards alongside such
media darlings as Uncharted, BioShock and Gears of War 2.
Gordy Haab is a multi
award - winning film, video game and television composer who has written music for many well - known titles, including most recently: Star Wars: Battlefront, Activision / AMC's «The Walking Dead: Survival Instinct», based on the # 1 hit TV series, Microsoft's «Kinect: Star Wars», which won «Best Music» at the 2012 Hollywood Music In
Media Awards, and EA / Bioware / LucasArts» highly popular «Star Wars: The Old Republic,» for which he was
awarded «Best
Original Soundtrack» and «Best Instrumental Music» at the 10th Annual G.A.N.G.
Awards, presented at the Game Developers Conference in San Francisco.
(«Then were created the gods in the midst of heaven», ABZU); winner — Game Audio Network Guild
Awards, «Best Audio for an Indie Game» (The Banner Saga 2); nominated — International Film Music Critics Association, «Best
Original Score for a Video Game» (ABZU); winner — International Film Music Critics Association, «Best
Original Score for a Video Game» (The Banner Saga 2); nominated — BSO GoldSpirit
Awards, «Best Score for a Video Game» (ABZU); nominated — Movie Music UK 2016, «Best Video Game Score» (ABZU); nominated — MundoBSO.com, «Best Videogame Soundtrack» (ABZU); nominated — Hollywood Music in
Media Awards, «Best Score — Videogame» (Deformers); nominated
-- Grammy
Awards, «Best Score Soundtrack Album» (Journey); nominated — Academy of Interactive Arts & Sciences, DICE
Award «Outstanding Achievement in Music Composition» (Journey) winner — British Academy
Awards, «Games /
Original Music» (Journey); winner — British Academy
Awards, «Games / Outstanding Achievement in Audio» (Journey); winner — Game Audio Network Guild
Awards, «Music of the Year» (Journey); winner — Game Audio Network Guild
Awards, «Audio of the Year» (Journey); nominated — Game Audio Network Guild
Awards, «Best Interactive Score» (Journey); winner — Game Audio Network Guild
Awards, «Best
Original Instrumental» («Apotheosis», Journey); winner — Game Audio Network Guild
Awards, «Best
Original Vocal (Pop)» («I Was Born For This», Journey); winner — Game Audio Network Guild
Awards, «Best Soundtrack album» (Journey); winner — Game Developer Choice
Awards, «Audio of the Year» (Journey); winner — International Music and Sound
Awards, «Best
Original Composition — Gaming» (Journey); winner — Music and Sound
Awards UK, «Best
Original Composition — Gaming» (Journey); winner —
Original Sound Version, «Composer of the Year [2012]» (Journey); winner —
Original Sound Version, «Best In - Game Soundtrack [2012]» (Journey); winner — International Film Music Critics Association, «Best
Original Score for a Video Game» (Journey); winner — New York Videogame Critics Circle
Awards, «Tin Pan Alley
Award for Best Music» (Journey); winner — Hollywood Music in
Media Awards, «Best Song — Videogame» (BeatBuddy: Stingin» Swing); nominated
(«The Knights» Theme», The Order 1886 [shared w / Jason Graves]-RRB-; nominated — Hollywood Music in
Media Awards, «Best Score — Videogame» (ABZU); nominated — Movie Music UK 2015, «Best Video Game Score» (Assassin's Creed: Syndicate); winner — Movie Music UK 2015, «Best
Original Song» («Underground,» Assassin's Creed: Syndicate [shared w / Tripod]-RRB-; winner — International Film Music Critics Association, «Best
Original Score for a Video Game» (Assassin's Creed: Syndicate); winner — Annual Game Music
Awards, «Best Score, Cinematic / orchestral» (Assassin's Creed: Syndicate); nominated — Annual Game Music
Awards, «Artist of the Year: Western Composer» (Assassin's Creed: Syndicate, Sunset); nominated — MundoBSO.com, «Best Videogame Soundtrack» (Assassin's Creed: Syndicate); winner — IGN.com, Best of 2015, «Best
Original Music» (Assassin's Creed: Syndicate); nominated
-- Hollywood Music in
Media Awards, «Best
Original Score — Indie Feature,» for A Little Help; nominated — Hollywood Music in
Media Awards, «Best
Original Song — Film» (shared with co-writer / performer Celeigh Chapman) for A Little Help; nominated
-- British Academy
Awards, «Games /
Original Music» (The Banner Saga); nominated — British Academy
Awards, «Games / Outstanding Achievement in Audio» (The Banner Saga); nominated — ASCAP, Composers» Choice
Awards, «Video Game Score of the Year» (The Banner Saga); winner — Canadian Videogame
Awards, «Best Audio» (Assassin's Creed: Syndicate); winner — GameTrailers.com, «Best Soundtrack 2015» (Assassin's Creed: Syndicate); winner — GameMusic.pl, «Best Soundtrack 2015» (Assassin's Creed: Syndicate); nominated — Hollywood Music in
Media Awards, «Best Score — Videogame» (Assassin's Creed: Syndicate); winner — Hollywood Music in
Media Awards, «Best Song — Videogame»
Resistance: Burning Skies has been nominated for an International Film Music Critic Association
award in the «Best
Original Score for a Video Game or Interactive
Media.»
His work in video games has recently earned him three nominations from the Hollywood Music in
Media Awards, including Best
Original Score — Video Game for both The Witcher 3: Wild Hunt and The Vanishing of Ethan Carter.
Dragon Age has earned Zur his third career
award, that of «Best
Original Song — Video Game» in the 2009 Hollywood Music In
Media Awards.
Music composed by Winifred Phillips and produced by Winnie Waldron has just won a 2010 Hollywood Music in
Media Award in the category «Best
Original Song - Video Game».
Sam Hulick is a Los Angeles based, BAFTA nominated and NBC News
award winning composer for film, television and interactive
media, best known for creating the signature music for BioWare's blockbuster sci - fi franchise MASS EFFECT as well as
original music for the fantasy role playing games BALDUR»S GATE and BALDUR»S GATE II Enhanced Editions.
Professional Standard of Excellence
Award (Service to field of sexuality by a professional) This award is presented to a member or non-member of AASECT who has worked extensively to represent or advance the field of human sexuality through activities including, but not limited to, clinical programs or other original clinical contributions; the development and implementation of sexuality education curriculum; scientific research; and art, print, radio, television or internet media contribut
Award (Service to field of sexuality by a professional) This
award is presented to a member or non-member of AASECT who has worked extensively to represent or advance the field of human sexuality through activities including, but not limited to, clinical programs or other original clinical contributions; the development and implementation of sexuality education curriculum; scientific research; and art, print, radio, television or internet media contribut
award is presented to a member or non-member of AASECT who has worked extensively to represent or advance the field of human sexuality through activities including, but not limited to, clinical programs or other
original clinical contributions; the development and implementation of sexuality education curriculum; scientific research; and art, print, radio, television or internet
media contributions.
When tribunal members are made to squirm under the microscope of
media and public scrutiny when ruling on a contentious issue of legal veracity, and not just on political expediency, they often will choose to err on the side of the strict interpretation of the legislation as it was intended to be interpreted by its framers, and not by another legal analyst with
awarded limited power who wants to twist the
original intent into a shape that suits his / her political spin (at that particular point in time) to the detriment of his / her chosen target, which target was actually chosen by a third - party legal analyst with a vested interest.