Sentences with phrase «media original award»

Best Original Screenplay: Christopher Nolan, Inception Best Adapted Screenplay: Aaron Sorkin, The Social Network Documentary Writing: Inside Job WGA New Media Original Award: Anyone But Me Best Long form Television, adapted: The Pacific...

Not exact matches

Golden Globe Nominee — Original Score Critics» Choice Award Nominee — Best Score Venice Film Festival — WINNNER — Soundtrack Stars for Best Score Award Hollywood Music in Media Awards — WINNER — Best Original Score Feature Film Austin Film Critics Association — WINNER — Best Score Las Vegas Film Critics Society — WINNER — Best Score Phoenix Film Critics Society — WINNER — Best Original Score St. Louis Gateway Film Critics Association — WINNER — Best Music Score Chicago Film Critics Association — Nomination — Best Original Score Houston Film Critics Association — Nomination — Best Original Score San Diego Film Critics Society — Nomination — Best Original Score Washington D.C. Area Film Critics Association — Nomination — Best Original Score Satellite Awards — Nominee — Best Original Score
The sumptuously filmed classical drama will be a strong awards contender (for cinematography as well as foreign film) and could prove an art - house hit in North America, adding to such Amazon successes as Kenneth Lonergan's «Manchester by the Sea» (Roadside Attractions) and Asghar Farhadi's «The Salesman» (Cohen Media), which both won Oscars, as well as last year's Sundance acquisition, summer hit «The Big Sick» (Lionsgate), which earned an Original Screenplay nomination.
The team of Kojima Productions won three of them: the original Metal Gear Solid received a Game Media Award (for most memorable games, as voted by players), Ground Zeroes an award of excellence, while PT (the teaser for Kojima's SIlent Hills Project) won an award for innovaAward (for most memorable games, as voted by players), Ground Zeroes an award of excellence, while PT (the teaser for Kojima's SIlent Hills Project) won an award for innovaaward of excellence, while PT (the teaser for Kojima's SIlent Hills Project) won an award for innovaaward for innovation.
But while Too Human the game has been damned to bowels of Norsian - hell, Too Human the score has been praised to high heaven, even receiving a nomination for «Best Original Video Game Score» from the Hollywood Music Awards alongside such media darlings as Uncharted, BioShock and Gears of War 2.
Gordy Haab is a multi award - winning film, video game and television composer who has written music for many well - known titles, including most recently: Star Wars: Battlefront, Activision / AMC's «The Walking Dead: Survival Instinct», based on the # 1 hit TV series, Microsoft's «Kinect: Star Wars», which won «Best Music» at the 2012 Hollywood Music In Media Awards, and EA / Bioware / LucasArts» highly popular «Star Wars: The Old Republic,» for which he was awarded «Best Original Soundtrack» and «Best Instrumental Music» at the 10th Annual G.A.N.G. Awards, presented at the Game Developers Conference in San Francisco.
(«Then were created the gods in the midst of heaven», ABZU); winner — Game Audio Network Guild Awards, «Best Audio for an Indie Game» (The Banner Saga 2); nominated — International Film Music Critics Association, «Best Original Score for a Video Game» (ABZU); winner — International Film Music Critics Association, «Best Original Score for a Video Game» (The Banner Saga 2); nominated — BSO GoldSpirit Awards, «Best Score for a Video Game» (ABZU); nominated — Movie Music UK 2016, «Best Video Game Score» (ABZU); nominated — MundoBSO.com, «Best Videogame Soundtrack» (ABZU); nominated — Hollywood Music in Media Awards, «Best Score — Videogame» (Deformers); nominated
-- Grammy Awards, «Best Score Soundtrack Album» (Journey); nominated — Academy of Interactive Arts & Sciences, DICE Award «Outstanding Achievement in Music Composition» (Journey) winner — British Academy Awards, «Games / Original Music» (Journey); winner — British Academy Awards, «Games / Outstanding Achievement in Audio» (Journey); winner — Game Audio Network Guild Awards, «Music of the Year» (Journey); winner — Game Audio Network Guild Awards, «Audio of the Year» (Journey); nominated — Game Audio Network Guild Awards, «Best Interactive Score» (Journey); winner — Game Audio Network Guild Awards, «Best Original Instrumental» («Apotheosis», Journey); winner — Game Audio Network Guild Awards, «Best Original Vocal (Pop)» («I Was Born For This», Journey); winner — Game Audio Network Guild Awards, «Best Soundtrack album» (Journey); winner — Game Developer Choice Awards, «Audio of the Year» (Journey); winner — International Music and Sound Awards, «Best Original Composition — Gaming» (Journey); winner — Music and Sound Awards UK, «Best Original Composition — Gaming» (Journey); winner — Original Sound Version, «Composer of the Year [2012]» (Journey); winner — Original Sound Version, «Best In - Game Soundtrack [2012]» (Journey); winner — International Film Music Critics Association, «Best Original Score for a Video Game» (Journey); winner — New York Videogame Critics Circle Awards, «Tin Pan Alley Award for Best Music» (Journey); winner — Hollywood Music in Media Awards, «Best Song — Videogame» (BeatBuddy: Stingin» Swing); nominated
(«The Knights» Theme», The Order 1886 [shared w / Jason Graves]-RRB-; nominated — Hollywood Music in Media Awards, «Best Score — Videogame» (ABZU); nominated — Movie Music UK 2015, «Best Video Game Score» (Assassin's Creed: Syndicate); winner — Movie Music UK 2015, «Best Original Song» («Underground,» Assassin's Creed: Syndicate [shared w / Tripod]-RRB-; winner — International Film Music Critics Association, «Best Original Score for a Video Game» (Assassin's Creed: Syndicate); winner — Annual Game Music Awards, «Best Score, Cinematic / orchestral» (Assassin's Creed: Syndicate); nominated — Annual Game Music Awards, «Artist of the Year: Western Composer» (Assassin's Creed: Syndicate, Sunset); nominated — MundoBSO.com, «Best Videogame Soundtrack» (Assassin's Creed: Syndicate); winner — IGN.com, Best of 2015, «Best Original Music» (Assassin's Creed: Syndicate); nominated
-- Hollywood Music in Media Awards, «Best Original Score — Indie Feature,» for A Little Help; nominated — Hollywood Music in Media Awards, «Best Original Song — Film» (shared with co-writer / performer Celeigh Chapman) for A Little Help; nominated
-- British Academy Awards, «Games / Original Music» (The Banner Saga); nominated — British Academy Awards, «Games / Outstanding Achievement in Audio» (The Banner Saga); nominated — ASCAP, Composers» Choice Awards, «Video Game Score of the Year» (The Banner Saga); winner — Canadian Videogame Awards, «Best Audio» (Assassin's Creed: Syndicate); winner — GameTrailers.com, «Best Soundtrack 2015» (Assassin's Creed: Syndicate); winner — GameMusic.pl, «Best Soundtrack 2015» (Assassin's Creed: Syndicate); nominated — Hollywood Music in Media Awards, «Best Score — Videogame» (Assassin's Creed: Syndicate); winner — Hollywood Music in Media Awards, «Best Song — Videogame»
Resistance: Burning Skies has been nominated for an International Film Music Critic Association award in the «Best Original Score for a Video Game or Interactive Media
His work in video games has recently earned him three nominations from the Hollywood Music in Media Awards, including Best Original Score — Video Game for both The Witcher 3: Wild Hunt and The Vanishing of Ethan Carter.
Dragon Age has earned Zur his third career award, that of «Best Original Song — Video Game» in the 2009 Hollywood Music In Media Awards.
Music composed by Winifred Phillips and produced by Winnie Waldron has just won a 2010 Hollywood Music in Media Award in the category «Best Original Song - Video Game».
Sam Hulick is a Los Angeles based, BAFTA nominated and NBC News award winning composer for film, television and interactive media, best known for creating the signature music for BioWare's blockbuster sci - fi franchise MASS EFFECT as well as original music for the fantasy role playing games BALDUR»S GATE and BALDUR»S GATE II Enhanced Editions.
Professional Standard of Excellence Award (Service to field of sexuality by a professional) This award is presented to a member or non-member of AASECT who has worked extensively to represent or advance the field of human sexuality through activities including, but not limited to, clinical programs or other original clinical contributions; the development and implementation of sexuality education curriculum; scientific research; and art, print, radio, television or internet media contributAward (Service to field of sexuality by a professional) This award is presented to a member or non-member of AASECT who has worked extensively to represent or advance the field of human sexuality through activities including, but not limited to, clinical programs or other original clinical contributions; the development and implementation of sexuality education curriculum; scientific research; and art, print, radio, television or internet media contributaward is presented to a member or non-member of AASECT who has worked extensively to represent or advance the field of human sexuality through activities including, but not limited to, clinical programs or other original clinical contributions; the development and implementation of sexuality education curriculum; scientific research; and art, print, radio, television or internet media contributions.
When tribunal members are made to squirm under the microscope of media and public scrutiny when ruling on a contentious issue of legal veracity, and not just on political expediency, they often will choose to err on the side of the strict interpretation of the legislation as it was intended to be interpreted by its framers, and not by another legal analyst with awarded limited power who wants to twist the original intent into a shape that suits his / her political spin (at that particular point in time) to the detriment of his / her chosen target, which target was actually chosen by a third - party legal analyst with a vested interest.
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