Sentences with phrase «media gallery viewer»
Not exact matches
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As part of the inaugural opening of the New Media Gallery in 2012, the Museum hosted a juried exhibition, inviting local artists to participate in the Museum's programming and introduce viewers to an innovative and interactive medium.
«The sizzling, scintillating juice that flows between viewers and the works in this show may seem to be magic because none of them has to be plugged in,» writes Los Angeles Times critic David Pagel, extolling the media featured in Electric Mud, which is published concurrently with an exhibition that Pagel organized at Houston's Blaffer Gallery.
In placing his works within a gallery space, Versteeg separates technology from its everyday contexts and allows viewers to approach mass - media imagery in a more reflective environment.
In 22 mixed - media works on paper on view at Conduit Gallery in Dallas, Stephen Lapthisophon invites viewers to consider their everyday lives through his use of common materials in the execution of these abstract and personal works of art.
Through these media, Horn cultivates a complex relationship between identity, location and the viewer's perception Horn has made a new sculpture for the north gallery.
Taking advantage of the Main Gallery's unique architecture and expansive space, the Center invited five artists who work in varying media, size and scope to create one - of - a-kind, site - specific art installations that will become individual micro-environments and encourage viewers to experience the space in a new way.
Exhibiting with Joshua Liner Gallery at SCOPE Miami (teased), the Kansas based artist's mixed - media assemblages seem to magnetically draw the viewer in close, acutely heightening their levels of perception in an attempt to catch every last nuanced detail.
Promising the viewers a change of a usual art fair pace, the fair will bring together a selection of international commercial galleries and non-profit institutions to present single - channel videos, single - channel projections, video sculptures, immersive media projects, and other larger video installations.
Shear's two instances of larger canvases feel massive in this company, and while the titular painting's hail of aerosol'd black headlights lunges at the viewer with overt aggression (which, to me, would feel far less pronounced if rendered in a smaller scale), Autocorrect in the back gallery works sublimely... but precisely because much of that canvas is untouched by any media.