Sentences with phrase «metamorphosis exhibition»

The Metamorphosis exhibition provides an insight into the relational structure of James Welling's oeuvre and ranges across such traditional genres and styles as portraiture, landscape, abstraction and documentary, and thereby also touches on other cultural disciplines such as painting, architecture, sculpture and dance.

The Metamorphosis exhibition focuses on four different, and distinct styles of painting.

Not exact matches

As part of the exhibition «Metamorphosis: Titian 2012» at the National Gallery, London (11 July — 23 September 2012), fourteen leading poets were invited to respond to three masterpieces by the Renaissance painter, Titian: Diana and Callisto, Diana and Actaeon and The Death of Actaeon.

Ofili returns to the National Gallery following the exhibition Metamorphosis: Titian 2012.

The exhibition consists of an animation of the same title, projected in the darkened downstairs gallery, which takes Ovid's Metamorphoses as inspiration.

This year, Dennis Freedman, creative director at Barneys New York, settled upon the theme of mutation and metamorphosis, selecting six cutting edge works from six generations of designers and placing them around the Herzog & de Meuron designed Exhibition Center.

Wally Reinhardt: Pages from Ovid's Metamorphoses is the first solo museum exhibition of this New York - based octogenarian artist.

James Welling: Metamorphosis is a publication accompanying the artist's first European survey exhibition, on view at Kunstforum Wien in Vienna through July 16.

This fusion is most evident in the centerpiece of the exhibition and one of the two most important works Kudo created, Garden of the Metamorphosis in the Space Capsule, 1968, a room - sized die equipped with UV light and designed as an environment for works which fluoresce in black light.

The heart of the exhibition features works from the beginning of the new millennium and represents Owens» personal metamorphosis.

On the occasion of the retrospective exhibition Jean Dubuffet: Metamorphoses of Landscape figures from Dubuffet's extraordinary stage spectacle Coucou Bazar come to life in the exhibition space.

Her work has been part of various international group exhibitions including L'Autre visage: Portrait & expérimentations photographiques, Centre photographique - Pôle Image Haute - Normandie, Rouen, France (2016); Out of Obscurity, Flowers Gallery, London (2016); A Verdant Summer, Taymour Grahne Gallery, New York (2016); Art Bandini, Los Angeles (2016); Metamorphosis, Flowers Gallery, London (2015); Any Human Measure, M+B Gallery, Los Angeles (2015); Altarations: Built, Blended, Processed, University Galleries, Florida Atlantic University, Boca Raton (2015); Me and Benjamin, Galerie Xippas, Paris (2014); Foam Talent 2014, East Wing Gallery, Dubai (2014); Aggregate Exposure, George Lawson Gallery, San Francisco (2014); Foam Talent 2014, Westergasfabriek, Amsterdam (2014); Foam Talent 2014, l'Atelier Néerlandais, Paris (2014); One Step Beyond, Galerie Christophe Gaillard, Paris (2014); Fixed Unknowns, Taymour Grahne Gallery, New York (2014); Soft Target, M+B Gallery, Los Angeles (2014); Big Pictures, Public - art exhibition organized by the Cincinnati Art Museum (2014); Surface (s) / Prise (s), Galerie Christophe Gaillard, Paris (2014).

The three paintings in this exhibition fit within a greater body of Titian's works, in which the artist visually reenacts scenes from «Metamorphoses» in dynamic compositions across large - scale canvases.

The exhibition «Metamorphoses «at the gallery Françoise Heitsch in Munich displays objects and drawings created during the last three years...

The current exhibition «Metamorphosis: Give Me Your Wings» at Lehmann Maupin Gallery in New York presents new works by Japanese artist Mr.. The centerpiece is a huge, complex installation composed of garbage and everyday objects from Japanese life.

Metamorphosis and hybridism emerge as recurring motifs in the exhibition, from the grotesque actors in the drawings of Schröder - Sonnenstern to Enrico David's amorphous bodies.

At the center of the exhibition space was a gigantic caterpillar created by these items, which is intended to convey the current state of Japan's metamorphosis in contrast to the perceived evolution that many had envisioned for the land of the rising sun.

«Metamorphosis» (2011), a large abstract painting hung across from a conference table and chairs in the exhibition, centers on a golden yellow hourglass shape pinched between a pair of pea - green ovals, all surrounded by radiating concentric circles and shapes.

On the heels of her 2015 solo exhibition at MCA Chicago, Cytter shows three recent videos — Game (2015), Metamorphosis (2015), and Ocean (2014)-- along with a series of new drawings.

1995 Cotter, Holland, Beneath the Barrage, The Modern's Little Show, The New York Times, April 7, p. C27 Hainley, Bruce Next to Nothing: The Art of Tom Friedman, Artforum, November, pp. 4 - 5, pp. 73 - 77 Kastner, Jeffrey, lo - fo, Frieze, September / October, pp. 72 - 73 Kim Levin, Choices, The Village Voice, May 2, p. 11 Mitchell, Charles Dee, «Critical Mass»: More Than Meets the Eye, Dallas Morning News, February 3 Narbutas, Siaurys, Modernus Menas Padeda Atlaidziau Zvelgti I Pasauli, Lietuvos Rytui, August Rich, Charles, At MoMA: A «Mad» Muse, The Hartford Courant, April 1 Schjeldahl, Peter, Struggle and Flight, The Village Voice, April 18, p. 79 1994 Connors, Thomas, Evanston Art Center, New Art Examiner, May Green, David, Doors of Perception, Burelle's, May, p. 18, p. 23 Mollica, Franco, Tema Celeste, Autumn, p. 64 Perretta, Gabriele, Flash Art (Italian edition), Summer Romano, Gianni, Tom Friedman, Zoom, no. 12 Romano, Gianni, In and Out Liquid Architectures (Through a Few Objects, Temporale, no. 31, pp. 34 - 37 Romano, Gianni, Interactive Child, Arquebuse, May, pp. 24 - 25 Tager, Alisa, Emerging Master of Metamorphosis, The Los Angeles Times, May 3, p. F1, p. F8 Trione, Vincenzo, De Soto, Ulisside del Bello, Il Mattino, May 27 1993 Artner, Alan, Sharp Conceptual Show Dares to be Different, The Chicago Tribune, January 22, section 7, p. 56 Auer, James, There's No More Than a Hairbreath Between Art, Reality in This Exhibit, Milwaukee Journal, January 17 Blair, Dike, review, Flash Art, November / December, pp. 112 - 114 Flynn, Patrick J.B. review, Hair, Artpaper, February Heartney, Eleanor, New York, Dans les Galeries, Art Press, October, pp. 24 - 28 Humphrey, David, New York Fax, Art issues, May / June, pp. 32 - 33 Levin, Kim, Choices, The Village Voice, February 23, p. 65 Lillington, David, Times, Time Out, June 16 Lillington, David, Times, Metropolis M, Winter, pp. 47 - 49 Nesbitt, Lois, Artforum, Summer, pp. 111 - 112 Paine, Janice T. Hair Pieces: Exhibition Worth Combing, Mikwaukee Sentinel, January 8, p. 8D Shepley, Carol Ferring, Tom Friedman Shapes Art Out of Everyday Things, St. Louis Post - Dispatch, January 14, p. 3E Southworth, Linda, An Extraordinary Exhibition at Arts and Letters, The Washington Heights Citizen & The Inwood News, February 28, pp. 10 - 11 1992 Bernardi, David, News Reviews, Flash Art, May / June, p. 149 Cameron, Dan, In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 102

This exhibition will also include a selection of paintings from Ofili's «Metamorphoses» series.

Biennale di Venezia, biennial, concept, contextual, digital, digitalisation, documentary, exhibition, fiction, filmmaking, Florian Ebner, freedom, functional, globalisation, Hito Steyerl, identity, ifa, image, imagination, installation, Jasmina Metwaly, light, material, media, metamorphosis, migration, Museum Folkwang, narrative, national pavilion, Olaf Nicolai, optimisation, participation, pavilion, Philip Rizk, photography, politics, power, production, reflection, resistance, testimony, Tobias Zielony, tradition, Venice Biennale, video, virtual, virtuality

Ofili is returning to the National Gallery following the exhibition Titian: Metamorphosis 2012.

«Jean Dubuffet — Metamorphosen der Landschaft» (Metamorphoses of Landscape) is the exhibition dedicated to Jean Dubuffet at the Beyeler Foundation in Basel

The seminal, room - size installation «Garden of the Metamorphosis in the Space Capsule» (1968) forms the exhibition's focal point and is shown alongside examples from his cube and dome series.

«Jean Dubuffet — Metamorphosen der Landschaft» (Jean Dubuffet — Metamorphoses of Landscape) is the great retrospective exhibition dedicated to the work by Jean Dubuffet (1901 - 1985), opening January 31, 2015, at the Fondation Beyeler in Basel.

During his time at the Walker, he organised or co-organised numerous exhibitions including House of Oracles: A Huang Yong Ping Retrospective; Brave New Worlds; Tetsumi Kudo: Garden of Metamorphosis; and Haegue Yang: Integrity of the Insider, just to name a few.

The title of the exhibition alludes to Roszak's fascination with the dynamics of metamorphosis — the transformative energies of the natural, organic world as well as the potential of technology and industry to alter the world, for better and for worse.

Robert Lansden — Metamorphosis Opening Reception: Saturday, October 17th, 6 — 8 pm Exhibition Dates: October 17 — November 14, 2015

These included: the World Shakespeare Festival and Shakespeare: staging the world exhibition with the British Museum and Royal Shakespeare Company; BP Portrait Award: Next Generation with the National Portrait Gallery; The Olympic Journey: The Story of the Games with the Royal Opera House and The Olympic Museum; BP Summer Big Screens Metamorphosis: Titian 2012 and Falstaff with the Royal Opera House; and The Tate Movie Project with Tate, Legacy Trust UK and the BBC.

Her art has been featured in numerous museum group exhibitions, including «Italian Art in the 20th Century» at the Royal Academy of Arts, London (1989); «The Italian Metamorphosis, 1943 - 68» at the Solomon R. Guggenheim Museum, New York (1994 - 95); «Italics: Italian Art between Tradition and Revolution 1968 - 2008» at the Palazzo Grassi, Venice and the Museum of Contemporary Art, Chicago (2008 - 2009).

Cripps had three solo exhibitions at The Acme Gallery, London (1978, 1980 and 1981), designed sets for theatre productions of «Agamemnon» and «Metamorphosis» by Stephen Berkoff and staged numerous performances in Europe and the United States (1974 - 82).

The exhibition showcases the artist's porcelain sculptures and drawings, which explore ideas of metamorphosis, evolution and desire.

Chong was selected to receive the Independent Vision Award for the recent exhibitions he has curated and co-curated in a range of venues nationally and internationally, including Bruce Nauman: Days (MoMA, 2010); Brinkmanship: Park Chan - Kyong and Sean Snyder (REDCAT, 2010) with Clara Kim; Haegue Yang: Integrity of the Insider (Walker Art Center, 2009 — 10); Tetsumi Kudo: Garden of Metamorphosis (Walker Art Center, 2008 - 9); Brave New Worlds (Walker Art Center, 2007) with Yasmil Raymond; and the 2006 Busan Biennial.

Recent exhibitions include: Possible Side Effects, Arróniz Arte Contemporáneo, Mexico City, MX (2015); Redacted: connecting dots in a shifting field, curated by Janet Goleas, Islip Art Museum, East Islip, NY (2014); Art = Text = Art at UB Anderson Gallery, University at Buffalo, NY (2014) which travelled from the University of Richmond Museum, VA, the Zimmerli Art Museum at Rutgers University, NJ, and The Hafnarfjör ∂ ur Centre of Culture and Fine Art, Iceland (2013); Contemporary Monochromes, Contemporary Galleries, Museum of Modern Art, New York (2013); Science is FICTION, Bartha Contemporary, London (2013), Terrible Beauty: Art, Crisis, Change & The Office of Non-Compliance, Dublin Contemporary, Ireland (2011); Wünsche und Erwerbungen, Zeitgenössische Zeichnung, Museum Folkwang, Essen, Germany (2010); ALL OVER THE MAP, John Michael Kohler Arts Center, Sheboygan, WI (2009); BLOWN AWAY, Krannert Art Museum, University of Illinois at Urbana - Champaign, IL (2008); Uncoordinated: Mapping Cartography in Contemporary Art, Contemporary Art Center, Cincinnati, OH (2008); Leaded: The Materiality and Metamorphosis of Graphite (traveling to 7 University Museums)(2008 - 2009).

Prior to his appointment at MoMA in 2009, Chong held various positions a curator in the Visual Arts department at the Walker Art Center in Minneapolis from 2003 to 2009, and co-organized exhibitions including Haegue Yang: Integrity of the Insider (200910); Tetsumi Kudo: Garden of Metamorphosis (2008); Brave New Worlds (2007); and House of Oracles: A Huang Yong Ping Retrospective (2005).

Sheehy's drawings continue from where his recent exhibition, «Metamorphosis» left off, which explored themes of change, death, and his childhood imagination.

As a collateral event of the 57th Venice Biennale, the exhibition traces Jan Fabre's output since its early days, prompting a philosophical, spiritual and political reflection on life and death centred on the crucial notion of metamorphosis, presenting works in glass and bone produced between 1977 and 2017, now brought together for the first time.

The exhibition takes place at the Natural History Museum in Nimes between March 7th and April 28th, and includes Özgür's 2010 video «Metamorfoz Muhabbet» (Metamorphosis Chat).

Rula Halawani is participating in MEMORY METAMORPHOSIS, a collective exhibition at New York University's Hagop Kevorkian Center for Near Eastern Studies.

Among the most significant exhibitions, Postwar Italian Ceramics curated by Luca Massimo Barbero with works by Fontana and Melotti; the solo shows by Pistoletto and Alviani; We Land, Land Art group show; Metamorphosis: the Alchemist of Matter, with texts by Bruno Corà, dedicated to Arte Povera.

Recent remarkable solo exhibitions include his retrospective at the Louvre (L'ange de la metamorphose, 2008) and shows at the Kunsthistorisches Museum in Vienna, Musée d'Art Moderne in St Etienne (Jan Fabre.

Ruperto works with the concepts of possession, opposition and metamorphosis as common themes and as a background for the exhibition's narrative.

His exhibition, organized by Claire Gilman, a curator at the Drawing Center, has a small sampling, including illustrations for Ovid's «Metamorphoses» and poems by Arthur Rimbaud.

N. Elizabeth Schlatter is Deputy Director and Curator of Exhibitions at the University of Richmond Museums, Virginia, where she has curated more than 20 exhibitions, including the group exhibitions «Art = Text = Art: Works by Contemporary Artists,» «LEADED: the Materiality and Metamorphosis of Graphite» and «Form & Story: Narration in Recent Painting,» as well as solo shows of work by Andreas Feininger, Hans Friedrich Grohs, Sue Johnson, and Exhibitions at the University of Richmond Museums, Virginia, where she has curated more than 20 exhibitions, including the group exhibitions «Art = Text = Art: Works by Contemporary Artists,» «LEADED: the Materiality and Metamorphosis of Graphite» and «Form & Story: Narration in Recent Painting,» as well as solo shows of work by Andreas Feininger, Hans Friedrich Grohs, Sue Johnson, and exhibitions, including the group exhibitions «Art = Text = Art: Works by Contemporary Artists,» «LEADED: the Materiality and Metamorphosis of Graphite» and «Form & Story: Narration in Recent Painting,» as well as solo shows of work by Andreas Feininger, Hans Friedrich Grohs, Sue Johnson, and exhibitions «Art = Text = Art: Works by Contemporary Artists,» «LEADED: the Materiality and Metamorphosis of Graphite» and «Form & Story: Narration in Recent Painting,» as well as solo shows of work by Andreas Feininger, Hans Friedrich Grohs, Sue Johnson, and Fiona Ross.

★ Museum of Modern Art: «Gauguin: Metamorphoses» (through June 8) How many more exhibitions can radically reshape our understanding of a major 19th - century French painter?

Among the works included in the exhibition at Mitchell - Innes & Nash are The Metamorphosis of the Frog (1971) and Four Snakes (1971).

The exhibition «Mount Sumeru» overwhelmingly deals with stories of the body in moments of transformation and metamorphosis.

Metamorphosis Piece was produced for a solo exhibition by Carl Andre at the Gemeentemuseum Den Haag.

From Salvador Dalí's painting Metamorphosis of Narcissus (1937) to Pipilotti Rist's video installation Sip My Ocean (1996), the exhibition keeps in play the full variety of meanings of the myth, exploring, and seeking to explain, the enduring appeal of the Narcissus subject in art.