Rich, vibrant colors swirl and swoosh across full - page spreads, depicting the home of an imaginative, young Mexican American girl who playfully invents modern - day uses for the traditional
Mexican rebozo, or long scarf.
Mexican Rebozos are generally very long, elaborate, and expensive.
The rings replace the knot or tuck - and - twist method of fastening used with traditional shawl carriers such as
Mexican rebozos or Indonesian selendangs.
Not exact matches
I have subsequently attended additional training on VBAC's and on utilizing a
rebozo for labor support (a
rebozo is a traditional
Mexican shawl that can be used to apply pressure to the hips or support the belly.»
A traditional
Mexican / Guatemalan fabric called «
rebozo» is used during pregnancy and childbirth to reduce pain.
If you're really serious about avoiding pain medication, you must learn about and become comfortable with other coping methods, like the
rebozo (a type of large cloth traditionally used in
Mexican culture), visualization, and even lesser - known options like sterile water injections.
12 or so «old» films, in the order in which I saw them: Night and the City (UK version, Jules Dassin, 1950): on 35 mm nitrate (May, Rochester) Until They Get Me (Frank Borzage, 1917): an incredibly advanced Western, on 35 mm (June, Bologna); Secrets (Frank Borzage, 1924) was also notable, DCP West Indies (Med Hondo, 1979): 35 mm, anamorphic color print (Bologna) Furcht (Fear, Robert Wiene, 1917): German «impressionism» before «expressionism,» 35 mm (Bologna) Mit hem är Copacabana (My Home is Copacabana, Arne Sucksdorff, 1965): A Swedish documentarian meets Brazilian Cinema Novo, DCP (July, Bologna) El
rebozo de Soledad (Soledad's Shawl, Roberto Gavaldón, 1952), DCP (Bologna) Where would the
Mexican Cine de Oro have been without Gabriel Figueroa's cinematography?