This week we check out Thomas Scheibitz's blocky, collage - inspired compositions at Tanya Bonakdar, wander among Ross Knight's elegantly spare sculptures at Team, and discover Japanese model / curator
Mie through the eyes of 35 artists, in a group portrait show at Freight + Volume.
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The story of Beauty stolen, silenced and redeemed in this original work
through the nanmichi,
mie and other...
Ruff's two photos in Image Building celebrate the architecture of
Mies van der Rohe
through this sort of visual manipulation.
This project, facilitated by Sarah Nishiura, presents a formal exploration of how that iconic motif gets translated into other media
through the work of
Mie Kongo and James Kao.
Mie Olise: «Allusions on Place,»
through June 12; Barbara Davis Gallery, 4411 Montrose; 713-520-9200, barbaradavisgallery.com.
With a little bit of Luck, We'll Make it
Through the Night — A two person show alongside
Mie Mogensen at Bass & Reiner Gallery, San Francisco.
Acknowledging the celebrity of The Arts Club's staircase by
Mies van der Rohe and further exploring the potential resonances of readymade materials, Ondak incorporates actual remnants of his childhood staircase into two works, each of which combines sardonic humor with an ability to articulate ideas
through abbreviated form.
«
Through the Portal of the Pineapple» is the title painting of
Mie Olise Kjaergaard's show at Barbara Davis Gallery.
NOW CLOSING THIS WEEK Opening Scene A group exhibition Proudly announcing representation of Cosmo Whyte Introducing
Mie Yim and Deb Lawrence With stunning new works by Benjamin Britton and Robert Sagerman Open
through Saturday April 22 Please join us Saturday 12 - 5 for coffee, adult beverages, snacks and a personal tour of the exhibition from Marcia
Explore the function and location of the original rooms of the
Mies van der Rohe - designed McCormick House
through the installation of related artwork from EAM's collection.
Other new and recent works on view for the first time in New York address themes as varied as the color of the light on Mars, the breeze
through Emily Dickinson's bedroom window and the attempt to render wind
through chalk exhibitionsel drawings of the movement of the curtains at Ludwig
Mies van der Rohe's famous pavilion in Barcelona.
The museum first acquired one of his shaped canvases in 1973
through the generosity of Mr. and Mrs. S. M. McAshan, Jr.; in 1982 the MFAH commissioned the artist to fill its
Mies van der Rohe galleries with a series of temporary murals for the Stella by Starlight gala (the 15 maquettes for these murals have been preserved in the museum «s collection); in 1987 Stella «s first out - of - doors sculpture, Decanter, was installed in the Lillie and Hugh Roy Cullen Sculpture Garden
through the generosity of the Alice Pratt Brown Museum Fund; and in 2005 The Joseph and Sylvia Slifka Collection donated Stella's Lunna Wola I, 1972.
During the close to 5 years of construction from 1945
through to 1951, it was suggested by our tour guide that
Mies and Farnsworth developed a friendship that may have amounted to a romance but that when
Mies was more interested in architecture than in Dr. Farnsworth, they started to fight, culminating in unpleasantness and a lawsuit filed by Dr. Farnsworth for a run - up of increased costs (in response to the saying by
Mies that «less is more ``, Dr. Farnsworth is reported as complaining that «Less is not more.