Sentences with phrase «mies designed»

Mies designed much more sleek furniture which has been inspiring furniture design ever since, such as stylish ergonomic office chairs.

Tragically, the house has been damaged a number of times by severe floods from the nearby Fox River (since, although Mies designed the house with sufficient clearance for floods, urban and industrial development upriver in ensuing years caused the river to flood more extensively than Mies had anticipated — click here for some horrifying pictures of some recent flooding).

Not exact matches

Mies van der Rohe was once asked to design a church.

Lohan, a grandson of Ludwig Mies van der Rohe and the designer of acclaimed additions to the Museum Campus north of Soldier Field, would seem a savvy choice, especially with other local architects booing the stadium design.

And I kept the rest of the outfit simple as a nod to Mies Van der Rohe, the architect who designed the plaza.

Loveawake.com is designed to be the best way to show lonely men photos for people seeking online dating in Yokkaichi, Mie, Japan.

Ride the cable carOpens external site in a new window to the top and explore other great attractions including the Poble EspagnolOpens external site in a new window (Spanish village), the Joan Miro museumOpens external site in a new window and the famous Mies van der Rohe PavilionOpens external site in a new window, designed by the famous architect and a great example of Bauhaus architecture.

Housed in a skyscraper designed by renowned architect Mies van der Rohe, it is mere minutes from the Loop, Grant Park, and the glittering Magnificent Mile.

Ludwig Mies van der Rohe designed a residential development for Detroit's East side Lafayette Park (1958 — 1965), including three high - rise residential buildings and over 200 townhouses.

A successful 78 - acre (320,000 m2) urban renewal project, this development is the largest concentration of buildings designed by Mies van der Rohe in the world.

See the Masterful Furniture Designs of Frank Lloyd Wright, Marcel Breuer, and Ludwig Mies van der Rohe

«Architecture has long been one of James Welling's primary inspirations,» notes Interior Design magazine,»... For the recent Chicago series, Welling has turned his attention to work by Ludwig Mies van der Rohe... Digital techniques were used to artificially saturate the photographs, imposing Welling's palette on the architect's work.

We can see the minimalist design elements of Donald Judd, Mies van der Rohe and Brancusi combined effortlessly with the cubist abstraction of forms in the work of Picasso and Picabia, mixed with the rugged embrace of nature and land interventions from the Land Artists of the 1960's: Robert Smithson and Walter De Maria.

Langsam is best known for her paintings of iconic Modernist buildings designed by celebrated architects such as Walter Gropius, Mies van der Rohe, and Le Corbusier.

McElheny's sculpture, Bruno Taut's Monument to Socialist Spirituality (after Mies van der Rohe), is an enlarged version of this original maquette that recasts Mies's design in the spirit of rival architect Bruno Taut.

Albright - Knox Art Gallery, Buffalo, New York, USA Art Institute of Chicago, Illinois, USA Baltimore Museum of Art, Maryland, USA Birmingham Museum of Art, Alabama, USA Brooklyn Museum, New York, USA Carnegie Museum of Art, Pittsburgh, USA Centre Pompidou, Musée national d'art moderne, Paris, France Columbus Museum of Art, Ohio, USA Contemporary Art Museum, Honolulu, USA Des Moines Art Center, Iowa, USA Dublin City Gallery, The Hugh Lane, Ireland Fogg Art Museum, Harvard University Art Museums, Cambridge, Massachusetts, USA Fondation Cartier pour l'art contemporain, Jouy - en - Josas, France HighMuseum, Atlanta, USA Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C., USA Indianapolis Museum of Fine Art, Indiana, USA The IsraelMuseum, Jerusalem, Israel Institut Valencià d'Art Modern, Spain Kaiser Wilhelm Museum, Krefeld, Germany Kunsthaus Zug, Zug, Switzerland Kunstmuseum Winterthur, Switzerland Louisiana Museum of Modern Art, Humlebæk, Denmark LudwigMuseum, Cologne, Germany Metropolitan Museum of Art, New York, USA Mies Van der Rohe Museum, Berlin, Germany Moderna Museet, Stockholm, Sweden Modern Art Museum of Fort Worth, Texas, USA Musée Cantonal des Beaux - Arts de Lausanne, Switzerland Musée nationale d'art moderne, Paris, France Museum Brandhorst, Munich, Germany Museum of Art, Rhode Island School of Design, Providence, USA Museum of Contemporary Art, Chicago, USA Museum of Contemporary Art, Los Angeles, USA Museum of Fine Arts, Boston, USA Museum of Fine Arts, Santa Fe, USA The Museum of ModernArt, New York, USA Museum Kolumba, Cologne, Germany National Gallery of Art, Washington, D.C., USA National Gallery of Canada, Ottawa, Canada New York Public Library, USA Norton Museum of Art, West Palm Beach, Florida, USA San Francisco Museum of Modern Art, California, USA Seattle Art Museum, Washington, USA Sprengel Museum Hannover, Germany Staatliche Kunstammlungen, Kassel, Germany Städtisches Museum Abteiberg, Mönchengladbach, Germany Stedelijk Museum, Amsterdam, The Netherlands Tate, London, England Victoria and Albert Museum, London, England Wadworth Atheneum, Hartford, Connecticut, USA Walker Art Center, Minneapolis, Minnesota, USA Whitney Museum of American Art, New York, USA Yale University Art Gallery, New Haven, Connecticut, USA

Mies's model, as depicted in a series of photographs he took in 1922, is a transparent monolith that towers above a swarm of vernacular housing he designed to appear horrifying and decrepit.

VIDEO AND IMAGES: Some views of Jesús Rafael Soto's Houston Penetrable in Cullinan Hall, designed by architect Mies van der Rohe.

Black Slacks, 2008, for example, upends the cool remove of modernist design by making it overtly theatrical; propped on its side without a cushion, the leather straps across hard wood of a Mies van Der Rohe Barcelona daybed give the frame the appearance of a torture device rather than a napping place.

Modeled in part on the folding chairs and supine surfaces of Roman and Egyptian royalty, the severe yet opulent perfection of Mies» 1929 design provides a perfect prop for Burr's fetish - like assemblage.

The plaster sculpture was granted a place of honor atop the central glass coffee table that Mies van der Rohe designed for Johnson.

Figures such as Mies van der Rohe, Le Corbusier, and Adolf Loos pursued ideals of progress, rationality, and purity in their architecture, design, and urban planning.

One of the final buildings designed by prolific modernist Ludwig Mies van der Rohe (1886 — 1969), the 1968 Neue Nationalgalerie in Berlin has long fascinated art and architecture lovers alike.

Caper (Salmon - White), 2000, composed of LED and fluorescent light, is installed in Houston's Mies van der Rohe — designed glass pavilion.

The sequencing and construction of his environments within the museum's Mies van der Rohe — designed glass pavilion track a progression from sculptural forms to more painterly and spatially complex compositions, such as Caper (Salmon - White), 2000 — an evolution that is not as legible in Los Angeles.

Continuing the lively exploration and use of the Mies van der Rohe - designed McCormick House from 1952, EAM is premiering an ongoing exhibition series called «In the House.»

Mies worked on the two designs concurrently and the construction of each was begun within a day of the other's.

Invited to install an intervention in the Neue Nationalgalerie, Rudolf Stingel (born 1956) covered the entire floor of the large museum hall with a carpet, the pattern of which stems from an original nineteenth - century Indian rug, and whose sensual opulence and design counters Mies van der Rohe's severe architecture.

Neue Nationalgalerie Berlin Noted for the unique glass architecture of its lobby, designed by Ludwig Mies van der Rohe, the museum's underground galleries display an extensive range of modern 20th century art.

From 1952 to 1991, multiple families inhabited the reductive structure in Elmhurst — one of only three single - family homes in the United States designed by the famed architect Mies van der Rohe.

Inspired by the museum's McCormick House, designed in 1952 by Mies van der Rohe, our goal is to present and study artists of this era such as Koppe, ripe for rediscovery and new scholarship.

David Chipperfield has filled the Mies van der Rohe - designed Neue Nationalgalerie in Berlin with 144 tree trunks — the museum's final exhibition before renovation work by the British architect starts.

Explore the function and location of the original rooms of the Mies van der Rohe - designed McCormick House through the installation of related artwork from EAM's collection.

Most of the furniture came from Johnson's apartment in New York, which was designed by nothing less than Ludwig Mies van der Rohe, whose Barcelona pavilion (1929) clearly inspired Johnson's design in many aspects.

That moment in history was perhaps not quite right for a golf club, but in 2013 the architectural firm Robbrecht & Daem took Mies» designs, and as if they were a musical score, «played» them again.

She also has designed, directed, and choreographed the opera productions, Monteverdi's l'Orfeo (1998) and Sciarrino's Lui Mie Traditrici (2002).

Designs from other noted partnerships include Lilly Reich and Mies van der Rohe's Velvet and Silk Café (1927), Grete Lihotzky's Frankfurt Kitchen (1926 — 27), and collaborations between Aino and Alvar Aalto, Ray and Charles Eames, Florence Knoll and Herbert Matter, and Charlotte Perriand, Pierre Jeanneret and Le Corbusier.

1 In This House Elmhurst Art Museum A collaborative group show curated by Michelle Grabner in the museum's iconic Mies - designed McCormick House.

During the late 1950s and 1960s, the brilliant International Style architect Mies van der Rohe (1886 - 1969) designed the Cullinan Hall (1958) and the Brown Pavilion (1974) for the Caroline Weiss Law Building at the museum.

Designed by Rotterdam - based architecture studio Kraaijvanger, the building is a sleek minimalist edifice, flat - roofed and rectilinear, reminiscent of Mies van der Rohe.

However, the most important moment that changed his entire worldview was in 1928, that time Johnson met with architect Ludwig Mies van der Rohe, who was at the time designing the German Pavilion for the 1929 Barcelona International Exposition.

Walter Gropius and Marcel Breuer taught at the Harvard Graduate School of Design, influencing the likes of I.M. Pei, Lawrence Halprin and Paul Rudolph, among others; Herbert Bayer organized and designed a major exhibition of Bauhaus work at the Museum of Modern Art, New York in 1938 - 9; Mies van der Rohe relocated to Chicago, where he enjoyed the patronage of Philip Johnson (1906 - 2005)- one of the most influential American architects of his day, with whom he later designed the landmark Seagram Building - and became one of the leading figures in American architecture; Moholy - Nagy also settled in Chicago and set up the New Bauhaus school with philanthropist Walter Paepcke.

Prairie, for example, describes the history of «The Mecca» apartment building, built in 1892 and destroyed almost sixty years later when Mies van der Rohe undertook a redesign and expansion of the Illinois Institute of Design.

Touchingly, his close friend the architect Ludwig Mies van der Rohe (1886 - 1969) introduced Lehmbruck's sculptures into his buildings and architectural designs, for much of his career.

2000/01 Exhibition Design of Mies in America York, NY and the Canadian Center for Architecture, Montreal, Canada to design the Mies in America exDesign of Mies in America York, NY and the Canadian Center for Architecture, Montreal, Canada to design the Mies in America exdesign the Mies in America exhibit.

In what promises to be a thought - provoking new exhibit organized by architecture and design curator Barry Bergdoll, MoMA is examining more than a half century's worth of urban renewal schemes by architects both famous (Mies Van der Rohe) and unknown (James Fitzgibbon).

The MFAH comprises two major museum buildings, the Caroline Wiess Law Building, designed by Mies van der Rohe, and the Audrey Jones Beck Building, designed by Rafael Moneo; the Glassell School of Art; two house museums, Bayou Bend Collection and Gardens, featuring American art and decorative arts, and Rienzi, featuring European art and decorative arts; and the Lillie and Hugh Roy Cullen Sculpture Garden, designed by Isamu Noguchi and home to modern and contemporary sculpture.

One of Madrid - born artist Inigo Manglano - Ovalle's greatest successes was his least noticeable — his design of the Whitney Museum of American Art's 2001 Mies van der Rohe exhibition.

Influenced by traditional Japanese designs, the Bauhaus art school and De Stijl, Minimalist architecture, exemplified by the signature style of architect Mies van der Rohe, which he describes as «Less is more», refers to building designs that are reduced to the absolute bare minimum of elements.

Designed and produced by the Centre Pompidou, Paris, in collaboration with IMMA, this exhibition is a tribute to Gray's outstanding career as one of the leading members of the modern design movement alongside such distinguished figures as Le Corbusier and Mies Van Der Rohe.