Sentences with phrase «minus space show»

The MINUS SPACE show is unusual as we typically present one - person exhibitions.
Gilbert Hsiao, a painter of retinally invigorating canvases, many of them geometrically shaped, is one of a number of artists participating in the American Abstract Artists show at The Painting Center in SoHo this month, and at the big Minus Space show at PS1 that opens next month.

Not exact matches

This is an incredibly difficult question to answer for a variety of reasons, most importantly because over the years our once vaunted «beautiful» style of play has become a shadow of it's former self, only to be replaced by a less than stellar «plug and play» mentality where players play out of position and adjustments / substitutions are rarely forthcoming before the 75th minute... if you look at our current players, very few would make sense in the traditional Wengerian system... at present, we don't have the personnel to move the ball quickly from deep - lying position, efficient one touch midfielders that can make the necessary through balls or the disciplined and pacey forwards to stretch defences into wide positions, without the aid of the backs coming up into the final 3rd, so that we can attack the defensive lanes in the same clinical fashion we did years ago... on this current squad, we have only 1 central defender on staf, Mustafi, who seems to have any prowess in the offensive zone or who can even pass two zones through so that we can advance play quickly out of our own end (I have seen some inklings that suggest Holding might have some offensive qualities but too early to tell)... unfortunately Mustafi has a tendency to get himself in trouble when he gets overly aggressive on the ball... from our backs out wide, we've seen pace from the likes of Bellerin and Gibbs and the spirited albeit offensively stunted play of Monreal, but none of these players possess the skill - set required in the offensive zone for the new Wenger scheme which requires deft touches, timely runs to the baseline and consistent crossing, especially when Giroud was playing and his ratio of scored goals per clear chances was relatively low (better last year though)... obviously I like Bellerin's future prospects, as you can't teach pace, but I do worry that he regressed last season, which was obvious to Wenger because there was no way he would have used Ox as the right side wing - back so often knowing that Barcelona could come calling in the off - season, if he thought otherwise... as for our midfielders, not a single one, minus the more confident Xhaka I watched played for the Swiss national team a couple years ago, who truly makes sense under the traditional Wenger model... Ramsey holds onto the ball too long, gives the ball away cheaply far too often and abandons his defensive responsibilities on a regular basis (doesn't score enough recently to justify): that being said, I've always thought he does possess a little something special, unfortunately he thinks so too... Xhaka is a little too slow to ever boss the midfield and he tends to telegraph his one true strength, his long ball play: although I must admit he did get a bit better during some points in the latter part of last season... it always made me wonder why whenever he played with Coq Wenger always seemed to play Francis in a more advanced role on the pitch... as for Coq, he is way too reckless at the wrong times and has exhibited little offensive prowess yet finds himself in and around the box far too often... let's face it Wenger was ready to throw him in the trash heap when injuries forced him to use Francis and then he had the nerve to act like this was all part of a bigger Wenger constructed plan... he like Ramsey, Xhaka and Elneny don't offer the skills necessary to satisfy the quick transitory nature of our old offensive scheme or the stout defensive mindset needed to protect the defensive zone so that our offensive players can remain aggressive in the final third... on the front end, we have Ozil, a player of immense skill but stunted by his physical demeanor that tends to offend, the fact that he's been played out of position far too many times since arriving and that the players in front of him, minus Sanchez, make little to no sense considering what he has to offer (especially Giroud); just think about the quick counter-attack offence in Real or the space and protection he receives in the German National team's midfield, where teams couldn't afford to focus too heavily on one individual... this player was a passing «specialist» long before he arrived in North London, so only an arrogant or ignorant individual would try to reinvent the wheel and / or not surround such a talent with the necessary components... in regards to Ox, Walcott and Welbeck, although they all possess serious talents I see them in large part as headless chickens who are on the injury table too much, lack the necessary first - touch and / or lack the finishing flair to warrant their inclusion in a regular starting eleven; I would say that, of the 3, Ox showed the most upside once we went to a back 3, but even he became a bit too consumed by his pending contract talks before the season ended and that concerned me a bit... if I had to choose one of those 3 players to stay on it would be Ox due to his potential as a plausible alternative to Bellerin in that wing - back position should we continue to use that formation... in Sanchez, we get one of the most committed skill players we've seen on this squad for some years but that could all change soon, if it hasn't already of course... strangely enough, even he doesn't make sense given the constructs of the original Wenger offensive model because he holds onto the ball too long and he will give the ball up a little too often in the offensive zone... a fact that is largely forgotten due to his infectious energy and the fact that the numbers he has achieved seem to justify the means... finally, and in many ways most crucially, Giroud, there is nothing about this team or the offensive system that Wenger has traditionally employed that would even suggest such a player would make sense as a starter... too slow, too inefficient and way too easily dispossessed... once again, I think he has some special skills and, at times, has showed some world - class qualities but he's lack of mobility is an albatross around the necks of our offence... so when you ask who would be our best starting 11, I don't have a clue because of the 5 or 6 players that truly deserve a place in this side, 1 just arrived, 3 aren't under contract beyond 2018 and the other was just sold to Juve... man, this is theraputic because following this team is like an addiction to heroin without the benefits
For P.S. 1, Minus Space has brought together 54 artists working internationally, ranging from Australia to Brazil to New York City, for a dense and playful show in the Café.
Minus Space (16 Main Street, Suite A, DUMBO, Brooklyn) opens «Some Facts About Fear,» their second solo show by New York - based artist Roberta Allen, on November 4, 6 to 8 p.m., and up until December 23.
Martha Clippinger (b. 1983, lives and works in Durham, North Carolina) has shown in a variety of venues including c2c Project Space, San Francisco, CA; Spectre Arts, Durham, NC; Elizabeth Harris Gallery, Hionas Gallery, Leslie Heller Work Space, and Minus Space, all in New York, NY.
Lynne Harlow «s elegant and evocative show at Minus Space is a meditation on the inextricable relationship between color and light.
It's been a portal to the show currently showing at Minus Space, a gallery in Brooklyn New York specializing in international reductive art.
Best in Show: «Pointing a Telescope at the Sun» at MINUS SPACE, by Robert Shuster, Village Voice, August 24, 2011
Works by our graduates have been shown at galleries such as Marianne Boesky, Zieher Smith, Asya Geisberg in Chelsea, Minus Space, Pierogi and Honey Ramka in Brooklyn, On Stellar Rays, Freight + Volume, and Lisa Cooley on the Lower the East Side, and the work of our alumni can be found in the collections of the Whitney Museum, MoMA, the Guggenheim Museum, the Brooklyn Museum, the National Gallery of Art, the San Francisco Museum of Modern Art, the Baltimore Museum of Art, the Albright - Knox Gallery, and the Panza Collection in Italy.
The Colección Patricia Phelps de Cisneros (CPPC) is proud to present its first ever pop - up show in collaboration with MINUS SPACE.
Installation view with Gabriele Evertz's Motion Parallax, 1998 (on right) July 6 — September 30, 2007 Curated by Joe Houston, a group show featuring MINUS SPACE artist Gabriele Evertz.
The Year in Art: The Top Nine Shows (and One Event), by Jerry Saltz, New York Magazine, December 7, 2008 (MINUS SPACE is cited in # 10)
PRESS Weekend Update, by Walter Robinson, Artnet Magazine, October 24, 2011 The Reductive Expands: MINUS SPACE will move from 175 feet in Gowanus to a Dumbo loft, by Stephen Maine, Artcritical, September 12, 2011 Pointing a Telescope at the Sun at MINUS SPACE, NY Arts Magazine, Summer 2011 Eye to the Optical Sky, by Noah Dillon, ArtSlant, August 29, 2011 Pointing a Telescope at the Sun at MINUS SPACE, by Caleb de Jong, Thoughts That Cure Radically blog, August 24, 2011 Best in Show: «Pointing a Telescope at the Sun» at MINUS SPACE, by Robert Shuster, Village Voice, August 24, 2011 Gallery Picks: August 2011, SpruceStar Studio, August 3, 2011
PRESS Art in New York: October 2012 Sample, by John Mendelsohn, dArt International, Fall 2013, p. 28 - 30 Happy Thanksgiving and Gratitude List of 12, by Sam Nigro, I Heart Uniqueness I Heart Infinity Blog, November 23, 2012 Mark Dagley: Structural Solutions at MINUS SPACE, by Matthew Hassell, NY Arts Magazine, November 2012 Mark Dagley at MINUS SPACE, Gorky's Granddaughter, October 23, 2012 Structure and Space, by Joanne Mattera, Joanne Mattera Art Blog, October 4, 2012 Critics» Picks: Mark Dagley at MINUS SPACE, by Sherman Sam, Artforum, October 1, 2012 Mark Dagley: Looking for a New Perspective, by Isabel del Rio, Yareah Magazine, September 29, 2012 Artwork Taken to New Level in Dumbo, by Lauren Glassberg, WABC - TV, New York, NY, September 27, 2012 Six Art Shows to See This Fall, by Tabitha Vidaurri, Brooklyn Exposed, September 27, 2012 Mark Dagley: One Man Punk Band, by Nick Stolle, Two Coats of Paint, September 24, 2012 Mark Dagley at Minus Space, NY Arts Magazine, September 19, 2012 Mark Dagley: Structural Solutions, Design Porteur, September 17, 2012 2012 Brooklyn Season Opener, James Kalm Rough Cuts, September 9,MINUS SPACE, by Matthew Hassell, NY Arts Magazine, November 2012 Mark Dagley at MINUS SPACE, Gorky's Granddaughter, October 23, 2012 Structure and Space, by Joanne Mattera, Joanne Mattera Art Blog, October 4, 2012 Critics» Picks: Mark Dagley at MINUS SPACE, by Sherman Sam, Artforum, October 1, 2012 Mark Dagley: Looking for a New Perspective, by Isabel del Rio, Yareah Magazine, September 29, 2012 Artwork Taken to New Level in Dumbo, by Lauren Glassberg, WABC - TV, New York, NY, September 27, 2012 Six Art Shows to See This Fall, by Tabitha Vidaurri, Brooklyn Exposed, September 27, 2012 Mark Dagley: One Man Punk Band, by Nick Stolle, Two Coats of Paint, September 24, 2012 Mark Dagley at Minus Space, NY Arts Magazine, September 19, 2012 Mark Dagley: Structural Solutions, Design Porteur, September 17, 2012 2012 Brooklyn Season Opener, James Kalm Rough Cuts, September 9,SPACE, by Matthew Hassell, NY Arts Magazine, November 2012 Mark Dagley at MINUS SPACE, Gorky's Granddaughter, October 23, 2012 Structure and Space, by Joanne Mattera, Joanne Mattera Art Blog, October 4, 2012 Critics» Picks: Mark Dagley at MINUS SPACE, by Sherman Sam, Artforum, October 1, 2012 Mark Dagley: Looking for a New Perspective, by Isabel del Rio, Yareah Magazine, September 29, 2012 Artwork Taken to New Level in Dumbo, by Lauren Glassberg, WABC - TV, New York, NY, September 27, 2012 Six Art Shows to See This Fall, by Tabitha Vidaurri, Brooklyn Exposed, September 27, 2012 Mark Dagley: One Man Punk Band, by Nick Stolle, Two Coats of Paint, September 24, 2012 Mark Dagley at Minus Space, NY Arts Magazine, September 19, 2012 Mark Dagley: Structural Solutions, Design Porteur, September 17, 2012 2012 Brooklyn Season Opener, James Kalm Rough Cuts, September 9,MINUS SPACE, Gorky's Granddaughter, October 23, 2012 Structure and Space, by Joanne Mattera, Joanne Mattera Art Blog, October 4, 2012 Critics» Picks: Mark Dagley at MINUS SPACE, by Sherman Sam, Artforum, October 1, 2012 Mark Dagley: Looking for a New Perspective, by Isabel del Rio, Yareah Magazine, September 29, 2012 Artwork Taken to New Level in Dumbo, by Lauren Glassberg, WABC - TV, New York, NY, September 27, 2012 Six Art Shows to See This Fall, by Tabitha Vidaurri, Brooklyn Exposed, September 27, 2012 Mark Dagley: One Man Punk Band, by Nick Stolle, Two Coats of Paint, September 24, 2012 Mark Dagley at Minus Space, NY Arts Magazine, September 19, 2012 Mark Dagley: Structural Solutions, Design Porteur, September 17, 2012 2012 Brooklyn Season Opener, James Kalm Rough Cuts, September 9,SPACE, Gorky's Granddaughter, October 23, 2012 Structure and Space, by Joanne Mattera, Joanne Mattera Art Blog, October 4, 2012 Critics» Picks: Mark Dagley at MINUS SPACE, by Sherman Sam, Artforum, October 1, 2012 Mark Dagley: Looking for a New Perspective, by Isabel del Rio, Yareah Magazine, September 29, 2012 Artwork Taken to New Level in Dumbo, by Lauren Glassberg, WABC - TV, New York, NY, September 27, 2012 Six Art Shows to See This Fall, by Tabitha Vidaurri, Brooklyn Exposed, September 27, 2012 Mark Dagley: One Man Punk Band, by Nick Stolle, Two Coats of Paint, September 24, 2012 Mark Dagley at Minus Space, NY Arts Magazine, September 19, 2012 Mark Dagley: Structural Solutions, Design Porteur, September 17, 2012 2012 Brooklyn Season Opener, James Kalm Rough Cuts, September 9,Space, by Joanne Mattera, Joanne Mattera Art Blog, October 4, 2012 Critics» Picks: Mark Dagley at MINUS SPACE, by Sherman Sam, Artforum, October 1, 2012 Mark Dagley: Looking for a New Perspective, by Isabel del Rio, Yareah Magazine, September 29, 2012 Artwork Taken to New Level in Dumbo, by Lauren Glassberg, WABC - TV, New York, NY, September 27, 2012 Six Art Shows to See This Fall, by Tabitha Vidaurri, Brooklyn Exposed, September 27, 2012 Mark Dagley: One Man Punk Band, by Nick Stolle, Two Coats of Paint, September 24, 2012 Mark Dagley at Minus Space, NY Arts Magazine, September 19, 2012 Mark Dagley: Structural Solutions, Design Porteur, September 17, 2012 2012 Brooklyn Season Opener, James Kalm Rough Cuts, September 9,MINUS SPACE, by Sherman Sam, Artforum, October 1, 2012 Mark Dagley: Looking for a New Perspective, by Isabel del Rio, Yareah Magazine, September 29, 2012 Artwork Taken to New Level in Dumbo, by Lauren Glassberg, WABC - TV, New York, NY, September 27, 2012 Six Art Shows to See This Fall, by Tabitha Vidaurri, Brooklyn Exposed, September 27, 2012 Mark Dagley: One Man Punk Band, by Nick Stolle, Two Coats of Paint, September 24, 2012 Mark Dagley at Minus Space, NY Arts Magazine, September 19, 2012 Mark Dagley: Structural Solutions, Design Porteur, September 17, 2012 2012 Brooklyn Season Opener, James Kalm Rough Cuts, September 9,SPACE, by Sherman Sam, Artforum, October 1, 2012 Mark Dagley: Looking for a New Perspective, by Isabel del Rio, Yareah Magazine, September 29, 2012 Artwork Taken to New Level in Dumbo, by Lauren Glassberg, WABC - TV, New York, NY, September 27, 2012 Six Art Shows to See This Fall, by Tabitha Vidaurri, Brooklyn Exposed, September 27, 2012 Mark Dagley: One Man Punk Band, by Nick Stolle, Two Coats of Paint, September 24, 2012 Mark Dagley at Minus Space, NY Arts Magazine, September 19, 2012 Mark Dagley: Structural Solutions, Design Porteur, September 17, 2012 2012 Brooklyn Season Opener, James Kalm Rough Cuts, September 9,Minus Space, NY Arts Magazine, September 19, 2012 Mark Dagley: Structural Solutions, Design Porteur, September 17, 2012 2012 Brooklyn Season Opener, James Kalm Rough Cuts, September 9,Space, NY Arts Magazine, September 19, 2012 Mark Dagley: Structural Solutions, Design Porteur, September 17, 2012 2012 Brooklyn Season Opener, James Kalm Rough Cuts, September 9, 2012
The exhibition is to include a panel discussion moderated by Rossana Martinez, curator of Brooklyn's MINUS SPACE, an alternative gallery dedicated to showing abstraction, minimalism and other reductive art.
(To coincide with this overview, Minus Space gallery in Brooklyn will open an exciting show of Dagley's newest works, called «Structural Solutions.»
Minus Space, as a network of artists and fans of geometric abstraction, is a perfect partner for this first ever «pop - up» show in New York.
A survey of paintings and drawings was shown at the Sarah Moody Gallery of Art at the University of Alabama, and new work was recently seen at MINUS SPACE project space and at Janet Kurnatowski Gallery in New SPACE project space and at Janet Kurnatowski Gallery in New space and at Janet Kurnatowski Gallery in New York.
This charming show, organized by Minus Space in collaboration with the artist John Zinsser, provides a welcome case study, homing in on the career of New York dealer - entrepreneur Julian Pretto through work by more than 40 artists he supported.
Getting back to the actual exhibition, Lester — not unlike Nathaniel Mellors before him, minus the grotesque — envisioned the whole gallery space as a continuous body, installing a styrofoam corridor that channels the visitors through the rooms and occasionally curls up to embrace some of the artworks on show.
Of particular note this year is the small panel by Evertz, an example of this colorist's investigation into gray that was the subject of a breathtaking show at Minus Space.2 Landfield's small canvas reveals the lyrical abstractionist at his finest.
In Dumbo, the painters Gabriele Evertz, Anoka Faruqee, Gilbert Hsiao, Douglas Melini, and Michael Scott were featured in Breaking Pattern at Minus Space, a show of post-Op optical art that reveled in interruptions and imperfections.
MINUS SPACE extends a heartfelt thanks to artists David Thomas and Billy Gruner for bringing the show to Melbourne!
Opening: «Robert Swain: Color Energy» at Minus Space Minus Space inaugurates its new ground floor gallery in Dumbo with a solo show of large - scale geometric abstractions by the venerable Robert Swain.
Today's show: «Ken Weathersby: Time After Time» is on view at Minus Space in Brooklyn through Saturday, February 25.
I knew her work from the Minus Space website, and from group exhibitions around town, including the summer group show at the Minus Space Gallery in Brooklyn the month before.
Minus Space celebrates the man with an exhibition of more than 40 artists whom he showed.
And keep in mind: This is the last week to see «Geometric Days,» an excellent abstraction show rooted in geometry, at Exit Art, and Li Trincere at Minus Space.
PRESS MINUS SPACE in Brooklyn Exhibits Tilman, ARTE FUSE, January 29, 2013 Brooklyn Shows: Radio Vallebona by Tilman at MINUS SPACE, by Isabel del Rio, Yareah Magazine, January 27, 2013
In 2008, MoMA PS1 took note of the collective's focus on new approaches to minimalist abstraction, inviting MINUS SPACE to curate a 54 - artist show at the museum.
The current show at Minus Space, Breaking Pattern, presents perceptual art at an intriguing juncture, where it departs from historical notions of the form — that of a smooth, clean surface transmitting a depersonalized optical buzz — toward something messier, more visceral and open - ended.
In his essay for the show's catalogue, Matthew Deleget, the co-director of Minus Space, which represents all three artists, writes, «At its core, color is a three - dimensional problem.
When Hansen, the director of the Goddard Institute for Space Studies, showed up at a briefing on Capitol Hill yesterday, it was with little fanfare and minus the presence of national television networks.
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