Sentences with phrase «mixed media set»

2012 Graphite, Mixed Media Set of four graphite rectangles, each 1 x 51 x 1 inches / 3 x 130 x 3 cm Accompanied with lifting barbell and bumper plates

Not exact matches

After setting realistic social media goals, digital marketers need to know how social advertising fits into the mix.

There are so many ways to set up your promotions with different audiences and media that you just have to go through some trial and error to figure out the perfect mix that works for your business.

RAVISH at THE MODERN HONOLULU, with its edgy design of raw colors entwined with mixed - media wall murals, creates a setting of urban sophistication for groups and events.

The Media Indie Exchange (MIX) is all about the games — created by indies and indie game enthusiasts to provide a casual yet professional setting for developers to showcase their projects to top journalists and key folks in the industry.

Yes, it's fine to mix all these elements into any form of media, but despite production values being through the roof, a lot of the games feel like a handful of amazing ideas mixed with a lot more mediocre ideas, thrown into a blender (with a little ice) and set on high.

All of this mixed reality scene setting makes even (admittedly rare) social media updates from Cardboard Computer feel less like marketing materials and more like a slow drip of found footage that has been unearthed.

The mixed - media painting sold for more than $ 4.5 million (including fees) at the Post-War and Contemporary Evening Auction last night, setting a record for the British - born Ofili.

Interest in the work was exceptional and the mixed - media sculpture sold for $ 8,005,000, surpassing its $ 5 million to $ 7 million estimate, and setting a record for the artist at auction.

Mixed media artist Chris Burden's sculptures uses materials common in childhood playtime activities, like toy soldiers, cars, and train sets to create miniaturized yet monumental reconstructions of different environments.

The inclusion of the Chicago - based collective Public Collectors mixed - media installation on the life of audio recording enthusiast and activist Malachi Ritscher seems an unusual choice that brings up questions of activism and suicide, as Ritscher notoriously killed himself by setting himself on fire in public in 2002.

By mixing images found in electronic or print media with imagined subjects, or by performing types of painting (like gestural abstraction or photo - projection) as self - collaboration, the artist sets up dialogs with others into his process.

On view for the first time is the artist's Proto - Skin Sets, a selection of mixed media collages and assemblages that deal with the social constructions of language, race, and gender.

But whereas Stella, in the 80's, would famously become ever more frenetic in his mixed - media approach, Smith stays with cooler and quite distinctively peculiar new colour combinations set off against each other with an altogether subtler energy and lightness of touch.

Her artwork challenges traditional aesthetics, integrating image transfers into large - scale mixed media objects that explore domestic settings and the dynamics of personal relations.

«The Beautyful Ones,» a 2012 mixed - media standing figure study, set an auction high for the artist, Njideka Akunyili Crosby.

Beasley, a graduate of Yale's sculpture program, is an unquestionably rising star, set to join the ranks of other mixed - media artists who deal with signifiers of urban blackness, like Theaster Gates, Rashid Johnson and Hank Willis Thomas.

Specifically, you can see Marden Hartley's Portrait of his German lover, Karl von Freyburg, and Antin's Carolee Schneemann, which consists of jar of honey, a velvet - draped easel and a full - length mirror, and Rirkrit Tiravanija's Untitled 2008 - 2011 (the Map of the Land of Feeling I - III), a set of three mixed media scrolls that capture his movements around the world via his passport pages.

Dickinson's set of mixed media paintings is called The Humming Persists.

We gave you a preview of Jeremy Fish's new exhibition, «Hunting Trophies,» at Mark Moore Gallery in Culver City a few weeks back, and now we have some views of the installation and set - up of the paintings and mixed - media works in the show.

At Wave Hill, Kim will construct a ten minute mixed media video titled, «Zoonomia», which illustrates eccentric landscape elements with previously inhabited extinct species set in the greenhouse.

After receiving Young's poem, Havel began his first set of mixed media drawings that map the formation of circular forms coming into being.

Late last month, the collaborative filled the prestigious front room of Houston's McClain Gallery with a show of large, many - layered mixed - media works that riff on Arnold Böcklin's late 19th - century «Isle of the Dead,» substituting the Hudson River, a garbage dump and the New York skyline for the original's dreamy setting.

She first stayed in Paris and the resulting «Paris» series is a group of mixed - media works on paper that examined an object or set of forms [15]-- form was not only DeFeo's strength at Berkeley [16], but also prevalent in other San Francisco art of the early fifties.

mixed media installation featuring a handpainted theatre stage set (paint on canvas, wood, steel, motors) 2015

Red People Are My Mother When She Sick and Visiting Me in the Hospital (2010) From the Skin Set Project (1997 ---RRB- Mixed media on paper 29.2 × 22.9 cm

These are supplemented by sections documenting the creation of Moran's mixed - media «set sculptures» including STAGED: Savoy Ballroom 1, STAGED: Three Deuces (both 2015) and STAGED: Slugs (2018).

Ferrone will exhibit aerial photographs of natural settings and Twomey will exhibit mixed media works exploring a variety of themes and life experiences.

The exhibition will highlight Moran's mixed - media «set» installations STAGED: Savoy Ballroom 1 and STAGED: Three Deuces (both 2015), sculptural vignettes based on storied music venues from past eras that were his acclaimed contributions to the 2015 Venice Biennale.

Taking it all in — painting, video, an installation, drawings, a wall - bound mixed media work involving light bulbs and wainscoting, and set of mystical - minimalist sculptures titled Magic Sticks — was like spending time in an incredibly diverse neighborhood where it turns out everyone is family.

Charles Gaines, Incomplete Text Set 7, «F» Blue Letters, 1978 — 79, Mixed media on paper, Triptych: 22 × 17 in.

(An alternative set of footholds for an ascent into dark), 2014 (Mixed media, video, Variable dimensions, detail, Installation view at the 8th Berlin Biennale, 2014)

Charles Gaines, Incomplete Text Set 9, «H» Green Letters, 1978 — 79, Mixed media on paper, Triptych: 22 × 17 in.

Charles Gaines, Incomplete Text Set 12, «K» Green Letters, 1979, Mixed media on paper, Triptych: 22 × 17 in.

Charles Gaines, Incomplete Text Set 23, «U» Red Letters, 1979, Mixed media on paper, Triptych: 22 × 17 in.

Charles Gaines, Incomplete Text Set 13, «L» Brown Letters, 1979, Mixed media on paper, Triptych: 22 × 17 in.

(An alternative set of footholds for an ascent into dark), 2014 (Mixed media, video, Variable dimensions, Installation view at the 8th Berlin Biennale, 2014)

The 1987 work on display at Hull's Ferens Gallery, host to the Turner prize as part of its City of Culture celebrations, is a large and busy stage set of wooden and mixed - media cut - out figures inspired by Hogarth's Marriage à la Mode.

Rounding out the show are World War II - era mixed media photo collages by Russian artist Alexander Zhitomirsky, Brian Ulrich's searing explorations of contemporary life in commercial settings, Jeff Brouws's somber «visual anthropologies» (see Eat, Inyokern, CA (1998)-RRB-, and the mesmerizing and gently comical Target (2008) by the Israeli artist Shai Kremer, among others.

Fresh Faces sets out to highlight the exceptional talent and innovation of discovered and yet - to - be-discovered artists from the Dallas — Fort Worth (DFW) region in a diverse mixed media invitational exhibition organized by Dallas curator, Rita Barnard.

Christina Masciotti and Stephen Dobay, «Adult,» 2013 - 2015, mixed media, reconstituted set design and script excerpts from the play Adult written by Christina Masciotti and designed by Stephen Dobay, 104 ″ x 174 ″ x 54 ″.

Unlike manufacturers, who measure battery life with screen brightness set at 150 nits, the publication's script runs at 200 nits, «and features mixed browsing and media display patterns,» that «include a lot of white background,» which «AMOLED screens draw the most power to display.»