Sentences with phrase «mixing high kicks»

Mixing high kicks with hilarity, this 007 spoof features a Korean spy during the Japanese occupation.

Not exact matches

The program's staff are kicking into high gear for the fourth annual 43North week — a hectic schedule of events, mixers, and a smaller pitch competition for local minority and women - owned businesses.

The star's mixed composition and speedy rotation indicate that it probably once had a partner, while its high velocity and trajectory are in line with the kick expected from a type Iax supernova.

It would be wrong to describe Moodymann's DJ - Kicks set as a feel - good mix — it's much more than that, brimming with the highs and lows that real life can offer — but it is a joy to listen to, and that in itself is plenty.

Kicking off the video extras, presented in an unusual mix of high definition and standard definition, is a single deleted scene (0:55, SD) of the friends congregating in the hallway of their B & B.

The opening credits music is mixed at a significantly higher volume than the rest of the film, so once the dialogue kicks in, you'll need to adjust accordingly.

If you want to kick something into high gear, really peel back what makes it work and throw a whole bunch more stuff into the mix without breaking your character, he's the man to come see.

Keynote Speaker Kip Fulbeck will kick off the conference with a high - energy talk about mixed race and identity.

On Jay - Z and Kanye West's «No Church in the Wild,» the kick drum loop receives enough high - mid presence to keep its attack punchy and cut through the layers of the mix, but it's the highs that seem most boosted, pushing the vinyl crackle typically relegated to background status to the forefront.

On Jay - Z and Kanye West's «No Church in the Wild,» the kick drum loop receives the ideal amount of high - mid presence, accentuating its sharp attack and allowing it to remain punchy and push through the layers of the mix.

On Jay - Z and Kanye West's «No Church in the Wild,» the kick drum loop's attack gets plenty of high - mid punch to allow it to slice through the layers of the mix, and the vinyl crackle typically relegated to background status gets some added boosting and comes forward here.

On Jay - Z and Kanye West's «No Church in the Wild,» the kick drum loop's attack gets enough high - mid presence to retain its sharp contour and slice through the mix's layers, but again, more high - mid wouldn't hurt.

On Jay - Z and Kanye West's «No Church in the Wild,» the kick drum loop gets a moderate helping of high - mid presence, allowing its attack to stay just sharp enough to slice through the layers of the mix.

On Jay - Z and Kanye West's «No Church in the Wild,» the kick drum loops receives a solid high - mid presence, allowing its sharp attack to retain most of its edge and slice through the layers of the mix.

The acoustic guitar notes in the opening to Yes» «Roundabout» are crisp and full, with the texture of the string plugs clearly present, and the electric bassline gets all of the presence it needs to stand in the front of the mix when it kicks in, without completely obscuring the sharp hits of the high - hat.

On Jay - Z and Kanye West's «No Church in the Wild,» the kick drum loop gets just enough high - mid presence to keep its sharp attack prominent in the mix, slicing through the layers to the forefront.

The attack on the kick drum loop here gets a bunch of added high - mid edge, and it cuts through the mix with intensity, while the sub-bass synth hits that punctuate the beat are delivered with booming low - end.

On Jay - Z and Kanye West's «No Church in the Wild,» the kick drum loop gets plenty of high - mid presence to highlight its attack and push it to the front of the mix.

Jay - Z and Kanye West's «No Church in the Wild,» the kick drum loop's attack gets the ideal amount of high - mid presence, keeping its attack sharp and allowing it to cut through the layers of the mix as a prominent force.

On Jay - Z and Kanye West's «No Church in the Wild,» the kick drum loop's attack gets enough high - mid treble edge to retain its sharp edge and slice through the mix, but it's not as edgy and powerful as it tends to be on pairs with more sculpted highs.

On Jay - Z and Kanye West's «No Church in the Wild,» the kick drum loop's attack receives a solid high - mid presence, allowing it to retain its sharp edge and slice through the mix's layers.

On Jay - Z and Kanye West's «No Church in the Wild,» the kick drum loop receives enough high - mid presence to keep its attack fairly sharp, allowing it to slice through the layers of the mix.

On Jay - Z and Kanye West's «No Church in the Wild,» the kick drum loop gets an ideal level of high - mid presence, so we hear its sharp attack slice through the layers as one of the more prominent aspects of the mix.

On Jay - Z and Kanye West's «No Church in the Wild,» the kick drum loop gets enough high - mid presence to cut through the layers of the mix, but again, it sounds far more crisp when aligned with your ears, and a little muffled when not.

On Jay - Z and Kanye West's «No Church in the Wild,» the kick drum loop receives enough high - mid presence to stay sharp and slice through the layers of the mix, though we've heard this track sound slightly more crisp before.

On Jay - Z and Kanye West's «No Church in the Wild,» the kick drum loop receives plenty of high - mid presence, allowing its attack to retain its sharp punch and push through the multilayered mix.

On Jay - Z and Kanye West's «No Church in the Wild,» the kick drum loop receives the ideal level of high - mid presence, allowing its sharp attack to slice easily through the layers of the mix.

On Jay - Z and Kanye West's «No Church in the Wild,» the kick drum loop's attack lacks the high - mid sharpness that allows it to slice through the mix's dense layers — instead, it gets an extra helping of low - mids and lows, so the loop's sustain steals the show rather than the kick drum.